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Preisdatenbank abonnierenAn 18th century Wedgwood creamware domed tea caddy and cover, transfer printed in black with the Tea Party, to verso with a shepherd and his hound tending a flock of sheep domed cover with rococo scrolls and flowers, incurved fluted angles, 13.5cm high, impressed mark, incised potter's X-mark, c. 1775
SET OF FOUR VICTORIAN DESK WARES 19TH CENTURY each with ivorine and brass mounts fitted with bosses, comprising a walnut tea caddy, with two lidded compartments, 23cm wide; a walnut card box, with later cards, 23cm wide; a walnut blotter, 29.5cm long; and a writing slope, with simulated grain, with a glass inkwell and velvet slope, 33.5cm wide (4)
REGENCY INLAID TORTOISESHELL TEA CADDY EARLY 19TH CENTURY of sarcophagus form, inlaid with mother-of-pearl floral borders and acanthus scrolls, opening to a lidded interior with ivory inlay and knop handles, raised on ball feet 20.5cm wide, 15.5cm high, 13cm deep Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
WILLIAM AND MARY MARQUETRY LONGCASE CLOCK BY SAMUEL WATSON LATE 17TH CENTURY the square brass 10in. dial with silvered chapter ring with Roman numerals, subsidiary seconds dial, date aperture, and two winding holes, inscribed SAMUEL WATSON, the hood with a caddy top above a tall trunk door with an oval lenticle, on a plinth base, the case profusely inlaid with floral and foliate marquetry and ebonised trim 46cm wide, 208cm high, 26cm deep Provenance: A Private Scottish Collection Note: Samuel Watson was as an important clock and watchmaker at the end of the 17th and early 18th centuries, first in Coventry, later moving to London in 1690 where he set up business in Long Acre. He was a Free Brother of the Clockmaker’s Company from 1687 to about 1710 and although not much is known about his life, he was well-regarded and noted for the timekeeping innovations he developed including the five-minute repeater watch. Self titled ‘Mathematician in Ordinary to his Majesty’, Watson was commissioned twice by Charles II for astronomical clocks, the first time in 1682, and then again in 1683. The second commission wasn’t completed until 1690, after Charles’ death, and the clock was eventually purchased by Queen Mary for Kensington Palace. It now resides in the Royal Collection at Windsor Castle, albeit in a different case. The original case, which may not have been to Mary’s taste, is likely the case containing a different Watson movement in the collection of the Herbert Art Gallery and Museum in Coventry. Another important client was Sir Isaac Newton, for whom Watson made two astromomical clocks.
EDWARD VII SILVER MOUNTED DOULTON LAMBETH MOULDED POTTERY TEA CADDY, of square waisted form with silver collar and pull-off cover, decorated in tones of green, blue and brown with panels of stylized foliage, an inscription 'Honest Tea is the best Policy', and a vacant silver shield shaped cartouche, 6 1/2" (16.5cm) high, impressed marks, all silver mounts Chester 1902
Early 19th century silver sugar basket with pierced decoration, swing handle and frosted glass liner (marks distorted), together with a George III silver caddy spoon (London 1806), another (Birmingham 1825) and a George IV silver sifter spoon (London 1825). All at approximately 4ozs, sugar basket 11cm including handle (4)
Georgian silver caddy spoon (London 1804), together with a selection of early 20th century silver - including a retractable pencil in a silver case with engine-turned decoration (Chester 1911), Sampson Mordan & Co., Edwardian christening mug (London 1908), a christening dish and spoon (Birmingham 1913 / 1914) and other items. All at approximately 19ozs (qty)
Decorative ceramics to include a seven piece dessert service in bright green with gilded highlights comprising a comport and six 23cm plate, a Crown Derby 23cm circular tray in the imari palette, period 1877-1890, a Masons Ironstone 26cm cylindrical vase, A Maling blue and white transfer printed Ringtons tea caddy depicting bridges, etc.
A MOTHER-OF-PEARL INLAID, IVORY-MOUNTED TORTOISESHELL TEA CADDY, SECOND QUARTER OF THE 19th CENTURY, bow-fronted, with canted corners, the domed cover with white metal plaque (unengraved) opening to twin compartments with ivory knops and banding, the front decorated with mother-of-pearl floral inlay, raised on ball feet. 14cm by 21cm by 13cm
An antique glass decanter and stopper, in a fitted wooden case, together with a smaller example in a similar wooden case, and another empty wooden bottle case and two wooden pots with lids, as well as a carved wooden tea caddy in the form of a pear with lock and key, a box in the form of a large nut, and four magnifying glasses, one example an antique with a carved ivory / bone handle.
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