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81699 Los(e)/Seite
A three-piece Art Deco walnut bedroom suite, comprising: a two-door wardrobe, the caddy top above a pair of burr walnut banded cupboard doors enclosing hanging space, raised on a plinth base, 183h x 122w x 47cms deep; together with a small two-door wardrobe, the caddy top above two walnut burr banded cupboard doors enclosing shelves and hanging space, raised on a plinth base, 144h x 76w x 45.5cms deep, and a dressing table with circular mirror above a rectangular top, single frieze drawer flanked by two banks of three short drawers, raised on plinth bases, 148h x 113w x 48cms deep.
An early 20th Century stained wood letter writing box, the top opening to reveal letter compartments, drawers, the fall-front folding out to reveal leather slope, 32 x 18 x 20cms high; a 19th Century brass and ivory-mounted burr walnut chest pattern tea caddy with interior covers, 18cms wide; and a modern Persian box.
A GEORGE III SILVER DESSERT FORK in the old English pattern together with a silver jam spoon and a group of Georgian and later condiment spoons, approximately 237cm grams in weight, together with five teaspoons stamped 'sterling', 69.5 grams in weight, a continental white metal christening spoon, a further teaspoon with hardstone handle and a George V silver plated beaker originally retailed by Rowell & Son Limited Oxford and with inscription and dated 1917 Condition: the cutlery overall with marks worn due to age and use; the pair of salt spoons with remains of an elastic band still attached; caddy spoon very chewed; the salt shovel with severe oxidisation; the sterling teaspoons with oxidisation due to a elastic bands
A SELECTION OF SILVER ITEMS, to include a pair of pierced sugar tongs with shell shaped ends, hallmarked possibly 'Hester Bateman' London, a double handled oval shaped salt, raised on an oval base, hallmarked ' Thomas Hayes' Birmingham 1891, and Old English pattern caddy spoon, hallmarked 'Francis Howard' Sheffield 1913, together with a broken handled caddy spoon with a worn Birmingham hallmark, approximate gross weight 104.9 grams, 3.37 ozt (Conditon Report:- items with tarnishing and general light wear, one caddy spoon has a loose damaged handle)
A late Victorian Tunbridge Ware rosewood tea caddy, inlaid to the top with Warwick Castle, after the design by George Wise but probably by Boyce Brown and Kemp (post 1873) and having geometric and oak leaf banding to top and sides and inner lid, with key and old paperwork enclosed, W 14, H 11.5cm D 11cm
Porzellan, Emaildekor in Camaieublau, Vergoldung. Modell 16, Reliefzierat. Bestehend aus Kaffee-, Teekanne, Teedose und Zuckerdose, alle mit Deckeln und Blütenknäufen, Sahnegießer, vierpassiger Schale, Spülkumme, fünf Kaffee-, vier Teetassen und 15 UT. Maskaronausgüsse und Asthenkel mit plastischem Blattansatz. Fein gemalte Bouquets in abgestuftem Emailblau. Vergoldete Zierate. Blaumarke Zepter (alle Teile außer Kaffeekanne, Sahnegießer, Zucker- und Teedose, deren Böden unglasiert und abgestrichen), diverse goldene Malerzeichen und frühe Presszeichen auf den unglasierten Böden. Kleine Restaurierungen. Kaffeekanne H 23, Kumme D 15 cm.Berlin, KPM, um 1764.Während bereits die Manufaktur Wegely gute Erfahrungen mit einem Unterglasurblau gesammelt hatte, bereitete die Herstellung einer blauen Emailfarbe der KPM zunächst noch Schwierigkeiten. Unser Service ist ein sehr frühes und gleichzeitig ambitioniertes Beispiel für die Verwendung einer blauen Emailfarbe in der KPM. Bei der Produktion des Services für das Breslauer Stadtschloss in den Jahren 1767/68 war die Entwicklung so weit fortgeschritten, dass das Blau für den Schuppenrand auch den Ansprüchen des Königs genügte.ProvenienzWestdeutsche Privatsammlung.Lempertz Berlin Auktion 1127 am 6. April 2019, Lot 35.Berliner Privatsammlung.LiteraturEine Schale mit "blau emaillierten Blumen" aus der Schatullrechnung vom 26.7.1764 bei Lenz, 1913 (Reprint), Taf. 20, Abb. 84. In der archivalischen Tabelle auf S. 17 beschrieben: "I dergleichen (complett Café Service) mit Zieraten und blauen Blumen und Goldener Mosaique", ohne Benennung des Beschenkten, also vermutlich für den Eigenbedarf des Hofes.Model no. 16. Comprising a coffee pot, teapot, tea caddy and sugar box (all pieces with lids), cream pourer, a quatrefoil dish, slop bowl, five coffee cups, four tea cups and 15 saucers. All pieces finely decorated with blue bouquets and gilt rims. Minor restorations. H coffee pot 23 cm, D slop bowl 15 cm.C. 1764.Although the Wegely manufactory had previous good experiences with the production of underglaze blue pigment, KPM at first had some difficulties with the mixture for their blue enamel. This service is an early and ambitious example of the use of blue enamel at KPM. The technical developments made during the production of the service for Breslau city palace in the years 1767 – 1768 were so far advanced that the pigment used for the scale pattern borders even satisfied the king's high standards.ProvenanceWest German private collection. Lempertz Berlin auction 1127 on 6th April 2019, lot 35.Private collection, Berlin.LiteratureA dish with “blue enamel flowers“ is mentioned in an invoice from 26.7.1764 in Lenz, 1913 (reprint), pl. 20, illus. 84. In the archival table on p. 17 it is described as follows, "I dergleichen (complett Café Service) mit Zieraten und blauen Blumen und Goldener Mosaique", without mentioning the benefactor, so presumably not made for use at court.
A CAUGHLEY TEA CADDY, CIRCA 1775, barrel shaped, blue printed with the Fisherman and Cormorant pattern, underglaze blue 'S' factory mark. 12.5cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Chip to inner rim of the cover, chip to inner rim of caddy, significant broken blisters to the design, general surface wear.
A 17TH CENTURY OAK 30-HOUR LONGCASE CLOCK, the 9.5-inch square brass dial signed Thomas Cattell Londini Fecit, with single pointer, applied winged cherubic mask spandrels, the hood with moulded caddy top, the trunk with long slender rectangular door, raised on a plinth base. 192cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Back boards replaced, case and movement in our opinion are original. Please note there is no weight with this lot.
A 19TH CENTURY MOTHER OF PEARL TWO DIVISION TEA CADDY, rectangular form with serpentine front, veneered with diamond and square shaped mother of pearl tiles, and raised on bun feet, the hinged lid opening to reveal two zinc lined compartments, each with a mother of pearl and ivory lid. 13cm high, 22.5cm wide, 14cm deep The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Few surface scratches and imperfections. One rectangular panel on back appears to be a replacement, one corner panel with chip. Overall good.
Teedose, Meissen, 2. H. 20. Jh. Böttgersteinzeug. Balusterförmiger Korpus mit hexagonalem Querschnitt, die Wandungsflächen mit indianischen Blühpflanzen reliefiert. Flacher Stülpdeckel. Masse-Unreinheiten. Schwertermarke, 3 Schleifstr. H. 12,5 cm Tea caddy, Meissen, 2nd half of the 20th century. Stoneware. Baluster-shaped body with hexagonal cross-section, the walls decorated with Indian flowering plants in relief. Flat slip lid. Mass impurities. Sword mark, 3 incisions.
SELECTION OF SILVER AND SILVER PLATED ITEMSincluding a silver handled cheese knife, a silver gilt pickle fork, the finial marked 'Taiwan', a Victorian silver propelling pencil (currently not functioning), Birmingham 1886; various souvenir tea caddy spoons; and a plated coal scuttle shaped sugar basin
Two 18th century Chinese porcelain tea caddies, a cup and a Ming enamelled bronze lidCONDITION: - Imari style caddy height 10.5cm, with minor fritting, wear to gilding, no lid- blue and white caddy, similarly fritted, 10cm height - no lid- blue and white cup chipped around rim, has finish suggesting it might have come from a cargo, height 7cm- Ming bronze and enamel lid now mounted has an ornament, diameter 7cm
A NINETEENTH CENTURY FRENCH JEWELLERY OR STATIONERY BOX AND ANOTHER, The French box with radiating alternating rosewood and satinwood veneers with a central gilt metal floral boss, with silk lined interior and four small brass feet, 7cm high, 16.5cm wide, the tea caddy with burr yew veneers and lidded interior, 11cm high 11.5cm wide. (2)
A Collection of Silver Flatware, including a Victorian Silver and Ivory Cheese-Scoop, by Henry Atkin, Sheffield, 1893; a George III Silver Caddy-Spoon, by George Samuel Lewis and John Wright, Newcastle, 1818, Fiddle pattern, engraved with a crest and a cased set of Twelve Victorian silver cocktail-forks, by Wakely and Wheeler, London, 1891, weighable silver 4oz 4dwt, 130gr (14)
A Collection of Silver, including: a card-case, engraved with foliage, 8.5cm high; an embossed box, with crimped border, 7.3cm wide; a sweetmeat dish; a desk seal; a sovereign-case; a caddy-spoon by Berthold Muller; a sterling telescopic beaker and assorted other items, weighable silver 7oz 10dwt, 232gr (qty)
Blue Star Line commemorative wares to include a planished pewter tankard, silver plated ashtray, napkin ring, matchbox holder and caddy spoon, each applied with enamel logo; Electrical Engineers 1958 Exhibition presentation plaque, two metal 'Brian Bond' dental surgeon wall plaques; together with a B.W Bond surgical tin

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81699 Los(e)/Seite