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Calabria, Tarentum AR Nomos. Circa 280-272 BC. Nude youth on horse standing to left, looking up at figure standing right as he unbridles horse with both hands; ΓY to right, API-ΣTI-Πin three lines below / Taras, holding bow and arrow, astride dolphin right, elephant to right below, ΤΑΡΑΣ behind. Vlasto 736; HN Italy 1000. 6.47g, 22mm, 9h. Good Very Fine.
Thrace, Apollonia Pontika AR Tetradrachm. Circa 400-350 BC. Laureate head of Apollo to right / Anchor, crayfish to right, A and Î OΛYANAΞ (magistral name) to right. Traité -; SNG Copenhagen -; SNG BM -; SNG Stancomb -; SNG Berry -; Helios 8, lot 3 (this coin); Winterthur I. 1159 (same obverse die); Bunbury collection part II, Sotheby, Wilkison & Hodge 7 October 1896, lot 119. 16.97g, 23mm, 7h. Extremely Fine. An extremely rare variety, apparently only the second known. Ex Helios 8, 13 October 2012, lot 3. This coin is struck from an obverse die which is arguably the most sensitively and delicately engraved of the whole series. The artist has paid particularly close attention to the hair and laurel wreath of Apollo, and has created a composition of rare beauty among what are all too often functional portraits of parochial style. Founded in the 7th century BC by colonists from Miletos, from its earliest days Apollonia possessed an important extra-urban sanctuary of Apollo from which the city took its name. The temple contained a famous colossal statue of Apollo by Calamis which stood forty five feet high, though this would in 72 BC be captured and transported to Rome by the general Lucullus, and placed in the Capitol. The earliest coinage of Apollonia seems to have been cast bronze arrow-head ‘proto-money’, which soon gave way to the familiar Apollo and anchor with crayfish types. The presence of the crayfish (astakos) on its coinage may be a punning reference to the name of the region, Astike.
Etruria, Populonia AR 20 Asses. 3rd century BC. Bearded head of Tinia facing three-quarters right, open wreath (of ivy?) suspended above, ties hanging loose to either side; X on either side of forehead; thunderbolt with arrow-head shaped tip to right / Large winged thunderbolt within a circle of smaller thunderbolts. EC I, 69.2 (O1/R2, this coin); HN Italy 160; Sambon -; Vicari -. 7.00g, 23mm, 12h. Extremely Fine. Of the Highest Rarity - one of only two known examples, and easily the finest and most complete (the other being the ADM specimen sold in NAC 2, 17 = NAC 7, 46, which lacked most of the reverse design). From the VCV Collection. Tinia, the local equivalent of Zeus and Jupiter, was the supreme Etruscan thunder-god who wielded three of the eleven types of thunderbolts known to what the Romans called the Etrusca disciplina - the Etruscan systematic teachings about how to divine the will of the gods and act in accordance with it. Inscriptions and representations in art confirm beyond doubt that Tinia was the head of the Etruscan pantheon, though unlike his Greek and Roman counterparts he stood at the centre of a council or circle of gods and was bound by their will in a way that seems irreconcilable with the temperamental and unruly Zeus/Jupiter. According to Etruscan lore preserved by the Romans, the three types of bolts Tinia might throw were: a benign bolt that served as a warning; a bolt that could do either good or harm, for which he needed the approval of the Twelve Gods; a completely destructive bolt, for which he had to have permission from a group called the Shrouded Gods (Dii Involuti). The Etruscan belief in a wide variety of lightning bolts is reflected in the many different sizes and shapes of such bolts depicted with Tinia in Etruscan art. A bronze mirror c. 470 BC in the Vatican Museums illustrates the entreaties of Thethis (Thetis) and Thesan (Eos) to spare their sons, Achilles and Memnon. Tinia is shown holding two types of thunderbolts; in his left hand are three undulating serpent-like bolts; in his right hand is a single pointed bolt, the other end appearing not unlike the feathered end of an arrow. The bolts he is shown with in other artistic depictions vary wildly from each other, quite unlike the Hellenic Zeus or Roman Jupiter, whose bolts are regularly symmetrical. The Etruscan belief in a rich and widely varying lightning repertoire is therefore quite consistent with its representations alongside Tinia in their artworks, and indeed on this particular coin we can observe several very different types of thunderbolt.
C. Poblicius Q. f. AR Serrate Denarius. Rome, 80 BC. Draped bust of Roma right, helmet decorated with corn ears and control mark above head, ROMA behind / Hercules strangling the Nemean lion, club at his feet, bow and arrow on left, C. POBLICI. Q. F on right. Poblicia 9; Crawford 380/1; Sydenham 768. 3.88g, 18mm, 9h. Extremely Fine, attractively toned. From the Andrew McCabe Collection; Ex Numismatica Ars Classica 78, 26 May 2014, lot 1968.
Etruria, Populonia Æ Sextans. Late 3rd century BC. Diademed head of young Hercle right, club over shoulder / Etruscan legend 'pvplvna', bow, arrow and club, •••• between. EC I, 136.15 (this coin); HN Italy 187; Sambon 116. 12.22g, 28mm, 5h. Good Very Fine. Rare, and unusually well preserved for this issue. From the VCV Collection.
Ships Wheel on Stand by Oregon Brass Works Highly polished ships wheel on geared pedestal. Pedestal is fitted with a rudder indicator arrow. Oregon Brass Works, Portland Oregon, and left right is in raised letters on the pedestal head. The six spoke ships wheel is also polished and lacquered. Wheel diameter: 42". Overall height: 51"
Set of three unframed, unsigned, 20th Century, oil on canvas, portraits with one depicting head and shoulders profile of aging Native American, one depicting a young woman dressed in tribal clothing and furs leading a white horse, and one full length profile portrait of a young Native American holding a bow and arrow, average: 68cm x 59cm (3).
A WWI era silver cased Royal Navy open faced deck watch by Yeomans, Coventry, serial number 96520, having signed white enamel dial decorated Roman numerals and broad arrow mark, with subsidiary seconds dial, stem wind, three quarters plate with diamond end stone, the plain case hall marked for Chester 1910. Condition Report: winds and ticks, appears in good working order.
COMMEMORATIVE MEDALS, British Historical Medals, Derbyshire (Archery Society), Gilt-silver Medal, 1823, by B Wyon, bow, arrow and stag’s head upon a target, rev three classical figures, the centre one crowning a female archer left, watched by a male archer right, 53mm (BHM -). Extremely fine, very rare. Another example, not gilt but with a watch-type suspender, was offered in the E W Danson Collection (DNW Auction, 25 November 2013, lot 1199). These medals are likely to have been intended as a prizes awarded at an archery day held at Chatsworth on 28 August 1823, an event recorded in a painting and subsequent print.
ANCIENT COINS, Greek, Kingdom of Syria, Antiochos III (223-187 BC), Silver Tetradrachm, mint of Antioch, struck 204-197 BC, diademed head facing right, rev BAΣIΛEΩΣ ANTI-OXOY, naked Apollo seated left on omphalos, holding arrow and a bow, monogram on left, 17.01g, 12h (Houghton & Lorber, SC 1044.4a; SNG Spaer 540). High relief portrait, good very fine / very fine.
ANCIENT COINS, Greek, Kingdom of Syria, Antiochos VI Dionysos (144-142 BC), Silver Drachm, mint of Antioch, struck 143/2 BC, diademed and radiate head facing right, rev Apollo seated left on omphalos, holding arrow and resting on a bow, OP ΣTA in exergue, 4.14g, 1h (SC 2002.2a; SMA 249). Short light crack in flan, nearly extremely fine.
BRITISH COINS, Henry VIII (1509-1547), Silver Groat, Second Coinage (1526-1544), London, Laker type D, crowned bust right, initial mark arrow (1532-1542), no Irish title, rev quartered shield of arms upon long cross fourchée, saltires in forks of cross, 2.59g (N 1797; S 2337E). A few light hairlines to portrait and a little softness of strike to parts of reverse, otherwise good very fine / very fine, well toned. from the David Sellwood collection
WORLD COINS, India, Gupta Empire, Chandragupta II (380-414 AD), Gold Dinar, Archer type, class II, CHANDRA below arm of king standing left, holding bow and arrow, garuda standard in field, rev Sri Vikramah, goddess seated on lotus facing holding long-stemmed lotus and riband, 7.82g (BMC 71ff). Very fine.
PAUL & LINDA MCCARTNEY - lovely photograph of Heather cut from a contact sheet to send as a postcard. On the reverse is written "Eastman, 895 Park Ave, New York City" with a drawing of a city skyline and a heart with an arrow through it. The photo however was never sent as the 9d stamp is unfranked.
A breech-loading Krnka carbine dating: third quarter of the 19th Century provenance: Russia Round, rifled, 15 mm cal. barrel, with foresight and adjustable rear-sight, dated "1869", with various numbers; brass breech block with typical, iron bolt, with stamps in Cyrillic and imperial Russian eagle; backward spring locks dated "1865", featuring remains of markings; full stock of fruit wood (moth damages on the butt), mounts with stamps depicting bow and arrow, iron brackets, brass trigger guard and butt-plate; iron ramrod.dimensions: length 109 cm. Starting Price: €900 Please note commission bids lower than the start price will not be accepted.
A breech-loading Krnka rifle dating: third quarter of the 19th Century provenance: Russia Round, rifled, 15 mm cal. barrel, with foresight and adjustable rear-sight, featuring remains of various marks at the base and a stamp depicting bow and arrow; typical, brass breech block with iron bolt, featuring remains of stamps in Cyrillic and numbers; backward spring locks marked and dated "1864"; wooden full stocks (a crack on the neck), brass trigger guard and butt-plate, iron brackets and ramrod.dimensions: length 134,5 cm. Starting Price: €1100 Please note commission bids lower than the start price will not be accepted.
A lot of small bronze pieces dating: 1000-800 B. C. provenance: Central Europe Ten arrow tips of various type, remains of a sculpture depicting a horse, a button and three parts of buckles.dimensions: dimensions varie cm. Starting Price: €150 Please note commission bids lower than the start price will not be accepted.
A lot of stone objects dating: Stone Age provenance: Europe Two large axe heads (length 17 and 20 cm); four small ones (8-12 cm); a lance head (11 cm); three curved blades (19.5-21 cm) and seven arrow tips.dimensions: dimensions varie cm. Starting Price: €600 Please note commission bids lower than the start price will not be accepted.
A teppo dating: early 19th Century provenance: Japan Smooth, octagonal, blued, 15 mm cal. barrel, provided with foresight and sight notch, featuring white metallic inlays depicting a ideogram, clouds, a flower and a dragon; on the right side the iron pan complete with brass cover; brass mathlock decorated with floral motifs at the spring; wooden full stock decorated with brass plaques depicting flowers, with smooth mounts, another flower at the base of the trigger guard; at the back, right behind the barrel, an engraved plaque depicting a kabuto, at he lower part a thin plaque depicting an arrow with bow-shaped tip.dimensions: length 127 cm. Starting Price: €2300 Please note commission bids lower than the start price will not be accepted.
A Vintage 1965 bi colour stainless steel Rolex Oyster Date precision the gold plated head has a champagne dial with gold coloured arrow numerals with date aperture bubble and gold hands with bi colour strap, strap stamped Rolex with the number 7205 and the outer case has 6694. Diameter of case 33mm. Length of strap 19cm. With original receipt and other paperwork.
An unusual French 19th century pearl and diamond brooch in the form of a trident, the stylised design with arched and pointed prongs, set with rose cut diamonds on the arrow heads and rows of graduated seed pearls down the shafts, with a larger central pearl at the base, all in silver on rose gold with a pierced trellis gallery, and an abbreviated spear of yellow gold; French eagle's head assay mark for 18ct gold; length 8.0cm
Three Victorian brooches set with banded and other agates, the first in the form of a fouled anchor with six shaped panels of different agates, the second in the form of an arrow whose octagonal shaft is of sardonyx, the third with twin octagonal bars of banded cornelian agate with fleur-de-lys and daisy flower mount, all with bright cut decoration to the white metal mounts; lengths 7.5, 7.1 and 5.7cm (3)
A very rare patinated brass noon sundial Unsigned, probably late 18th century The angled gnomen set at 51 degrees applied to a rectangular plate with rounded ends engraved with a sector for the hours XI - I with arrow half hour markers and principal quarter divisions further sub-divided, 15cm (6ins) long by 6.3cm (2.5in) approx. wide. The current lot appears to be a very rare form of garden sundial purpose made only to indicate one hour each side of noon. The most likely reason why such a dial was made was to allow the time of a mechanical clock to be set against the Sun's Zenith at noon with the assistance of an equation of time table. This would suggest that the current lot may have been specifically supplied as an accessory alongside a clock (and equation table) to a client who had no other means of telling the time.
A French ormolu and patinated bronze figural mantel clock The movement with indistinct maker's stamp, Paris, late 19th century The circular outside countwheel bell striking movement with anchor escapement regulated by lenticular bob pendulum with Brocot type rate adjustment and obscured stamped roundel ADRIEN COMMO.., FAB. B'TE S.G.D.G., PARIS over number 43 to backplate, the movement contained within a blue painted sphere applied with gilt Roman hour numerals and arrow-form hands beneath surmount cast as a tied quiver of arrows and a flaming torch, set beside a patinated bronze figure of Cupid resting with his bow onto a shaped tall cavetto moulded platform incorporating floral decorated panels and applied with cast lovebirds to centre, on integral foliate scroll cast feet, 28cm (11ins) high.
A fine Louis XV ormolu and black marble figural mantel clock with concentric calendar Ridel, Paris, late 18th century The circular eight-day countwheel bell striking movement with anchor escapement regulated by pendulum incorporating female sunburst mask cast bob and silk suspension, the 5 inch circular convex white enamel Arabic numeral dial signed Ridel a Paris to centre within puce concentric Arabic calendar ring, conforming hour chapters and quarters to outer track, with fine entwined ribbon-pierced and chased gilt hands and blued steel arrow calendar pointer within hinged gilt engine-turned bezel fitted with convex glass, the case with tied laurel spray and lyre cast surmount to the drum housing the movement and dial applied with ribbon tied vine trails to sides over pendant apron centred with a vacant white marble oval panel flanked by cornucopia, the whole supported via curved brackets on a pair of cylindrical black marble pedestals applied with chain-link swags and surmounted by scantily clad standing Classical female figures cast in the manner of Thomire, the rectangular platform base applied with gilt bollards united by chains around each pedestal over front incorporating gilt grotesque mask and scroll cast mount flanked by projecting panels with engine-turned inserts, on six turned gilt brass feet, 52cm (20.5ins) high. Provenance: The estate of a connoisseur collector of regional furniture, works of art and clocks. Ridel is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Paris circa 1800 with examples of his work at the Palace de Fontainbleau and in the collection of the Gemeente Museum, The Hague.
A pair of Meissen figures of a boy and girl firing arrows 19th century, after the models by Acier, the boy taking aim with a loaded crossbow, the girl with a short arrow in her left hand, each standing beside a marble column, behind which rests a longbow, blue crossed swords marks, incised F32 and F33, some restoration, 15cm. (2)

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32197 item(s)/page