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A medium size 19th century brass family crest button.This family crest boasts a large motto banner at the bottom and depicts a group of objects including an arrow, feather and more. From the collection of the late Shirley Case of Missouri. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and above
Group of late 19th century continental porcelain figures comprising a 'Cris de Paris' Fish Seller, a Meissen-style figure of a youth, printed crowned B&M marks, a Sampson figure of Falstaff with blue crossed arrow marks, a Staffordshire pottery figure of a highland huntsman and three Paris porcelain vases including two cornucopia vases painted with bouquets of flowers and another similar, various incised marks (7)
A Hallmarked Silver Caddy Spoon, (marks rubbed / handle repair) with acorn detail; together with a Charles Horner hallmarked silver bangle, allover leaf scroll decoration; a hallmarked silver napkin ring, engine turned decoration; Mizpah brooch, decorative arrow brooch (damage / incomplete); two thimbles.
Four Bachmann OO Gauge/4mm boxed untested Locomotives; Comprising A 0-6-0 Jinty L.N.E.R green Ref No. 8680 (good, but repurposed couplings); A 0-6-0 Class OH diesel shunted, refurbished BR matt green ref No. D2268 (good); A Ref No. 31.559 Class V2 2-6-2 steam tender locomotive 'Green Arrow' BD Ref No. 60800 (good); And a 2-6-0 Class K3 BD black Ref No. 61932 steam tender locomotive (good, unboxed).
A gentleman's 18ct gold Jaeger-LeCoultre Reverso Date calendar wristwatch, reference 270.236, the two toned silvered dial with black Arabic numerals, inner minute and calendar tracks, subsidiary seconds at 6, day aperture at 11, blued steel sawed hands, and a further red arrow tipped calendar hand, boxed, with guarantee (purchased 29/12/97) and operating bookletsWatch in good condition, with a brown faux crocodile leather strap, and 18ct gold deployment clasp, one owner, the pad on which the watch sits in the box is a little scuffed, the white box has a few marks, the cardboard outer box is generally good, the slip case for the booklets has some brown spotting/foxing, as has the spines of the books, we understand the owner has had the watch overhauled at Jaeger at some point
Pair of WW2 British Officers Binoculars in Webbing Carry Case, fine pair of blackened brass 6x30 officers binoculars manufactured by Crown Optical Company Rochester New York, USA. Complete with webbing shoulder strap. Housed in the original 1942 dated webbing case. Accompanied by a pair of 2 ½ x 50 binoculars housed in the original leather carry case with the lid impressed ‘BINOCULAR 2 ½ x 50 10o FIELD CAT No VF 2507 J.B.B. 1945’ and with broad arrow. Both sets optics remain clear. (2 items)
Ace Trains O Gauge 4-6-2 SR Green 21C151 Winston Churchill Bullied Pacific - SR Lined Malachite Green, fitted with extra custom name "Winston Churchill" & Golden Arrow Loco Headboards & Arrows with original bill of sale receipt from Ace Trains, Loco has had some running time, showing minimal wear to 3rd rail pick ups. Conditions: Near Mint to Mint in Excellent box (upper inner foam packing missing).
An Enfield P1858 .577 inch type military two-band percussion cap longarm retailed by Jackson of Nottingham, with a ramrod, full walnut stock and bayonet fixing lug, ladder rear sight, bearing proof marks but no broad arrow possibly an officer's private acquisition. 124 cm overall length.A private estatePitting throughout the rifle.Knicks and marks to the wood.
Gerard Dillon (1916 - 1971) Masked Figure and Nude Oil on board, 86.5 x 122.5cm (34 x 48") Signed; also signed, inscribed with address '3 Greville Road, London', and title in the artist's hand versoSometime in 1967 Dillon joined a life drawing glass at the Sarah Siddons School, Paddington Institute in London and from that point onwards nudes became more prominent in his work. He often incorporated them into strange and dreamlike landscapes with Pierrot figures. Such as Red Nude with Loving Pierrot or Once Upon a Wavelength. While we may not consider this a nude in the traditional sense, the flesh tones replaced with a striped black and green body, it is still a distinct rendering of the female form. The work is highly graphic, emphasised by the sharp lines of Pierrot’s body, echoed in the flat rectangular bed on which the nude figure lies. It appears as if it is floating above a blue sea, which Dillon has painted loosely, with quick criss-crossing strokes of colour. The figure appears slightly afraid, as if she is a trying to break free of the striped ties of the bed that she is lying on. While above her an unusual arrow points down as if orientating the viewer within the composition.The masked Pierrots or clown figures were also a common trope in Dillon’s work from the mid 1960s onwards. As is well documented, the death of his brother Joe in 1962, to whom he was very attached, had a profound impact on Dillon. The idea of the clown representing a satirical sinister element, shown here with a coy smile upon its face, can be seen in other works from the period. Dillon acknowledged them in his work saying ‘I think it’s nature’s way of letting you know that you are on the way out’. (James White, Gerard Dillon: An Illustrated Biography, Dublin 1994, p. 90)The figure in this work, with the black mask and piercing green eyes, is very similar in style to those in Entertaining Friends, 1968, (Institute of Public Administration, Dublin). Three figures, whose bodies are decorated in leafy vegetation, sit in a circle before the kneeling white Pierrot. The work also employs the decorative use of stripes, in the cloth on the ground on which a tea party has been set and in the striking blue and green colour palette. It is often remarked of his Pierrot works, that Dillon was using them to represent himself within the paintings, allowing him to adopt a role without being immediately identifiable. Towards the end of his life, he took a more free and lyrical approach to his painted works, embracing the abstract and moving into an imagined world inhabited by his masked characters.Niamh Corcoran
Jost Amman (Swiss/German, 1539-1591). Etching depicting the goddess Diana sitting on a stag holding an arrow, 1578. An illustration to "Enchiridion Artis" Kunstbuchlein published by Sigmund Feierabend and printed by Peter Fabricius.Height: 6 in x width: 4 3/4 in.Condition:There are no visible tears or losses. There are minute creases along the left and right margins. The sheet is yellowed and there is foxing throughout. The lower right quadrant is soiled. There are no signs of restoration under UV light. Not in frame.
CHRISTOPHER WARD C1000 TYPHOON COCKPIT EDITION: A GENTLEMAN'S CERAMIC WRISTWATCHwith automatic movement, the grey dial with double black subsidiary dials, luminous baton numerals and dark blue luminous steel hands, orange arrow seconds hand, no. 0410, the case c.42mm diameter, on a grey nylon sports strap, with original Christopher Ward watch box, outer box, Certificate of Authenticity and Christopher ward receipts
An open faced top wind Zenith military pocket watch, 57mm diameter, the black dial with brad arrow dated 1937, Arabic numerals, skeleton hands, subsidiary seconds dial at 6, case no 8192357, stamped with broad arrow and G.S.MK.1 1938, for British Indian Army, 135.37g Condition ReportCurrently running at time of cataloguing. No guarantee as to timekeeping or continued running. Fully wound. Crown winds and hands adjust. Chips to glass edge. Scratches to glass. Marks and scratches to surfaces.
A small group of silver and base metal pocket watches, comprising:a silver key wind lever fusee hunter pocket watch, with a white enamel dial, black Roman numerals, gilt spade and double swell hands, subsidiary seconds dial, movement signed 'C.E Smithers Portsea', movement no. 25114, case no. 25114, London 1848, a silver key wind lever fusee open faced pocket watch,with a white enamel dial, black Roman numerals, gilt spade and double swell hands, subsidiary seconds dial, movement signed 'S.A.Brooks, 10 Northampton Sq.e, London', movement no. 2146, London 1875,and a British military base metal open faced pocket stop watch,49mm diameter, stamped '1/10 Sec. VC/2534, 7930, 161' with broad arrow mark, 259.92g total (3)Condition ReportHunter pocket watch not currently running.Open faced pocket watch currently running. No guarantee as to timekeeping or continued running. Winds.Stop watch not currently running. Fully wound.Marks, dents and scratches to surfaces.Tarnish.As found.
Four Medieval Pilgrims Ampulla and Tokens . Circa 14th-15th century AD. Lead. The Ampullae were 'Holy Water' vessel purchased by pilgrims at shrines. Ampulla 1 is decorated on one side in the form of an escallop shell and on the other is creased and cannot be seen well enough to establish the image. Height 45.1mm. 30.76g. Ampulla 2 is decorated on both sides but is far too worn to see the images. Height 59mm. 70.32g. Ampulla 3 is decorated on one side in the form of an escallop shell and on the other with an open pouch with the image not visible due to a tear in the lead. Height 47.1mm. 40.50g. Ampulla 4 is decorated on one side with an unknown worn image and on the other with an open pouch with the image of an arrow but there is some damage to this side. Height 47.8mm. 25.67g. Medieval lead tokens made to represent the silver hammered coins of the time along with a lead farm token.
Laddie John Dill (American, b. 1943). Large and heavy wall-mounted sculpture of glass and concrete on wood, 1998. In five angular pieces. With four crates for all five pieces.Provenance: Distinguished Corporate Collection, Minnesota.(Total assembled, approx.) height: 12 ft x width: 12 ft. Weight: 454 lbs. (Arrow-shape) longest side: 92 in x shortest side: 52 1/2 in x depth: 7 in. Weight: 116 lbs. (Longest triangle) longest side: 119 in x shortest side: 44 in x depth: 5 in. Weight: 119 lbs. (Bottom left triangle) longest side: 50 in x shortest side: 36 1/2 in x depth: 6 1/2 in. Weight: 50 lbs. (Bottom right triangle) longest side: 72 in x shortest side: 51 in x depth: 5 1/2 in. Weight: 86 lbs. (Trapezoid-shape) longest side: 72 in x shortest side: 28 in x depth: 3 in. Weight: 83 lbs. (Total weight of sculpture in crates): In excess of 1,300 lbs.Condition:To the largest triangle, there are several cracks to the glass elements; there are two areas of chips in the glass and lost pieces at those points. To the arrow-shaped piece, there is one crack to the glass. Some drill holes to the sides of pieces, likely for mounting purposes. Please note that total weights and measurements are approximate.
1970s Gentleman's Longines 18ct gold wristwatch with circular dial, applied gilt arrow markers in gold plated case, 34mm diameter, on a replacement expandable plated bracelet, together with an Accurist wristwatch in case (2)Longines running and in good cosmetic condition.The case is 18ct gold not plated .The acccurist also runs
SEIKO & OTHER GENTLEMEN'S WRISTWATCHES (4), comprising Seiko 5 Automatic stainless steel bracelet watch, blue dial, Arabic 12 and 6, baton markers, day/date window, 37mms (case diam.), with box, Seiko Solar chronograph gent's alarm two tone bracelet wristwatch, black dial, baton markers, three subsidiary dials, date window, stainless steel, numbered 484066 to the case back, 43mms (case diam.) not including winder, Timex waterproof, champagne dial, Arabic numerals, leather strap, 32mms (case diam.), Arugo 15 jewels shockproof, champagne dial, Arabic 12 and 6, arrow head markers, stainless steel back numbered 1553, 33mms (case diam.), leather strap, none appear as workingProvenance: deceased estate Conwy
four inch sighted two-stage barrel engraved J. HARDING & SON BORO LONDON, stamped with a crown over an arrow stamp, stepped and bolted signed lock, also stamped with a crown over arrow, full stocked with brass mounts. Harding manufactured Mail Coach pistols and the crowned arrow mark is not that dissimilar to marks found on Mail Coach pistols and believed to have been issued to Inspectors of Royal Mail Coaches.
the 16 plate suji bachi kabuto with four stage tehen kanomono of gilt metal, the shaped peak red lacquered to the underside and with the haraidate secured by a single rivet and bearing a circular crest with central arrow fletching, five lame o manju shikoro trimmed with white and blue lace, the lacquered fukigayeshi with lace trim to match and decorated with pierced gilt mon, cloth liner, the do composed of nine blue laced russet lacquered lames with traces of gilt lacquer to the edges, the sode composed of six blue laced black lacquered plates, the kote of close linked small mail interspersed with ribbed armour plates on a patterned blue silk base, the tekko of mail and plate, the kusazuri composed of five blue laced ribbed lacquer plates with black hair fringe, the haidate composed of mail and ribbed armour plates on a black cloth and blue and gold silk ground, mounted on its stand and surmounting a decorative table.
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27846 item(s)/page