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Lot 161
An Arts & Crafts three light hanging electrolier with shaped and pierced winged arrow form body, each wing suspending a sconce with a graduated clear /cranberry diffuser with acid etched detail. 30 cm wide x 63 cm hanging length. Together with a pair of Arts & Crafts style wall-mounted electroliers in the form of leafy vines with frosted glass diffusers. 38 cm long.
Lot 152
Mixed First World War and later items to include a WWI Lamp Electric Signalling Daylight Mark II dated 1918, a pair of Deraise Paris binoculars in leather case dated 1916 with ordnance arrow, a pair of WWII British Army Kershaw 1942 No.2 MKII binoculars, WWII warden gas mask, eye shield and other items
Lot 111
A Hornby gauge OO R.1048 The Western Pullman train set, boxed with trackmat, together with an R.4196 The Golden Arrow coach pack, boxed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 22
STATUETTE D'USHNISHAVIJAYA EN ALLIAGE DE CUIVRE DORÉTIBET CENTRAL, XVE/XVIE SIÈCLEHimalayan Art Resources item no. 4601 23.8 cm (9 3/8 in.) highFootnotes:A GILT COPPER ALLOY FIGURE OF USHNISHAVIJAYACENTRAL TIBET, 15TH/16TH CENTURY藏中 十五/十六世紀 銅鎏金尊勝佛母像Provenance:With Claude de Marteau, Brussels, by 1970sUshnishavijaya, whose name translates as 'the Victorious Crown Ornament', is a peaceful deity who bestows long life. Depicted with three distinctive faces and eight arms, the deity is crowned, jeweled and ornamented seated atop a double lotus throne. Each implement and gesture signify the giving of boons. The primary right hand holds the visvavajra, the symbol of indestructability. The second right hand holds an effigy of the Buddha Amitabha, whose name means 'Infinite Light', and whose emanation is Amitayus, represented by the vase containing the elixir of long life held in Ushnishavijaya's fourth left hand. The third arm at right holds an arrow signifying wisdom with the bow mirrored in the second left hand symbolizing compassion. The lower right hand is held in varada mudra and the third left arm is raised in abhaya mudra expressing gestures of generosity and assurance respectively. The multi-faced, many armed deity offers enduring protection and favorable rebirth to those who have devoted faith. Adhering to a 15th-century style, Ushnishavijaya shows a syncretic blend of Indo-Nepalese, Central Asian, and Chinese artistic traditions. While these stylistic exchanges were occurring earlier during the Yuan dynasty, their integration matured in the 15th century with a distinctive Tibetan style at its art historical peak. Political and economic support for these artistic developments partly came from the Early Ming emperors' patronage with Tibetan monasteries. The sending and receiving of gifts between the Early Ming court and Tibetan lamas which included texts, commentaries, silks and Buddhist imagery inspired a process of elaboration and refinement in Tibetan art, yielding casts like this delicate gilded sculpture of Ushnishavijaya. The qualities that harken back to earlier influences from India and Nepal include the lithe proportions of the body, the foliate triangular leaf crown, and the cabochon of turquoise and inlaid stones with heavy gilding which was popular in Nepalese artistic traditions. Skilled Nepalese metalworkers coming from the Kathmandu Valley had long been involved in workshops relating to specific monasteries throughout Tibet. These stylistic choices, especially in consideration of the overall layout of ornamentation can be compared to another Ushnishavijaya in the Rubin Museum of Art (C2005.16.22). While the garments and ornamentation are predominantly of Indian and Nepalese style, the modeled face, with its demure expression, is more definitively Chinese and can closely be compared to another tantric deity of Ratnasambhava in this sale (see lot 21) along with a Vairocana Buddha on Himalayan Art Resources (HAR 15711).For further information on this lot please visit Bonhams.com
Lot 42
TANGKA REPRÉSENTANT KURUKULLADYNASTIE QING, STYLE DE YONGHEGONG, XVIIIE SIÈCLEHimalayan Art Resources item no. 4651 Image: 57 x 42 cm (22 1/2 x 16 1/2 in.)Footnotes:A THANGKA OF KURUKULLAQING DYNASTY, YONGHEGONG STYLE, 18TH CENTURY清 雍和宮風格 十八世紀 智行佛母唐卡Provenance:With Claude de Marteau, Brussels, by 1970sThe goddess Kurukulla belongs to a set known as the, 'mar chen kor sum' or the Three Great Red Deities, including Takkiraja from the Guhyasamaja Tantra and Maharakta Ganapati from the Chakrasamvara Tantra (see a thangka of Maharakta from the Claude de Marteau Collection, Part 1, sold at Bonhams, Paris, 14 June 2022, lot 57). Dancing atop a pale white corpse, the crimson goddess draws a bow and arrow composed of flowers, symbolic of her power to bewitch the hearts of kings and men through the recitation of her mantras.Floating above the upper recesses of the painting are two monks wearing yellow hats, associating this work with the Gelugpa order and other 18th-century examples from the Yonghegong monastery. Located in Beijing, this lamasery was formerly the monastic residence of Prince Yinzhen prior to his enthronement as the Yongzheng emperor (1723-35) as well as the birthplace of the Qianlong emperor (1736-95). Stylistically, the dense, hilly landscape with earthen-hued clouds bear a striking resemblance to a Chakrasamvara painting in the Yonghegong Collection (HAR 100116) and two other examples published in, Bai Ming (ed.), Beautiful Tangka Paintings in Yonghegong vol.1, 2002, pp. 36 & 81. Also compare a series of paintings commissioned by the Qianlong emperor between 1779 and 1780 for the Xumifushou Temple with similar color schemes to the present lot, published in Singer & Denwood (eds.), Tibetan Art: Towards a Definition of Style, 1997, pp. 110 & 115, nos. 91, 99 & 100.For further information on this lot please visit Bonhams.com
Lot 9
A cased Parker Signet / Insignia gold filled fountain pen and pencil set, the pen barrel engraved MADE IN USA 50, the lid engraved PARKER 1/10 14K GOLD FILLED, length 13.8cm (capped); the pencil engraved PARKER to the cap and PARKER "51" MADE IN USA 9, both with arrow clips and jewel to the top, in leather silk-lined Parker 51 clamshell case
Lot 50
A Parker Duofold fountain pen and ballpoint pen set, in emerald green with gold trim, the fountain barrel engraved PARKER DUOFOLD 2 MADE IN ENGLAND, the nib engraved PARKER 14K ENGLAND 25, the clip arrow clip and engraved band, length 12.8cm (capped); the ballpoint engraved PARKER DUOFOLD MADE IN ENGLAND, with arrow clip and engraved band (2)
Lot 36
A Parker 51 double jewelled fountain pen, in Nassau Green with gold trim, the barrel engraved PARKER "51" .5. MADE IN U.S.A., the cap with blue diamond Parker arrow clip, engraved 1/10 16K GOLD FILLED MADE IN U.S.A to lower band, with jewel to top and bottom, length 13.5cm (capped), weight 19g
Lot 173
Five various pens, being a Conway Stewart 15 fountain pen, in green marble pattern with gold trim and 14ct gold nib, length 12.5cm (capped), a Parker Golden Arrow Vacumatic fountain pen, in laminated Burgundy Pearl pattern, length 13cm (capped); a Sheaffer Clipper WASP fountain pen, in Gold Lahn pattern, length 12.5cm (capped); a Monteverde Prima ballpoint pen, black swirl pattern, in Monteverde case and outer card sleeve; and a similar unmarked fountain pen (5)
Lot 32
A Parker 35 Duofold fountain pen, in dark brown with gold trim, the barrel engraved PARKER DUOFOLD REG T.N. MADE IN ENGLAND, the nib engraved PARKER 14K ENGLAND 35, the cap with arrow clip and engraved band, length 13cm (capped), weight 17gButton filler functions well (we have not inked).Two holes drilled to the cap.Very faint scuffs and scratches to the barrel and where lid has rubbed.Faint wear to the nib.Threads and engraving are sharp.Overall very good condition.
Lot 69
A vintage Parker 51 fountain pen and pencil, in Mustard with gold trim, the fountain pen barrel engraved PARKER "51" 5 MADE IN U.S.A., the cap engraved 1/8 14K GOLD FILLED MADE IN U.S.A. and with PARKER to the arrow clip, jewel to top and bottom, length 13.8cm (capped); the pencil engraved 1/10 16K GOLD FILLED MADE IN U.S.A. to the central band and with PARKER to the arrow clip, jewel to the top, in leather Parker clamshell case (2)
Lot 56
A Parker Vacuumatic Imperial Golden Pearl fountain pen with gold cap, the barrel engraved GEO. S. PARKER PARKER VACUUMATIC MADE IN U.S.A. .1. (also with former owner's name), the bi-colour nib engraved PARKER USA 1, the cap engraved 1/10 14K GOLD FILLED MADE IN U.S.A., with arrow clip bearing Parker and remnants of blue diamond, length 13.5cm (capped), weight 18.2g
Lot 98
Two Parker Harlequin pens, one being a Black Shield fountain pen, the cap with arrow clip and engraved PARKER MADE IN ENGLAND UE to the lower band, length 13.5cm (capped); the other a Blue Shield felt-tip (lacking innards), the cap with arrow clip and engraved PARKER MADE IN ENGLAND QI to the lower band (2)
Lot 39
A Parker 51 fountain pen and pencil set, in black with gold trim, the pen barrel engraved PARKER "51" .4. MADE IN U.S.A., the cap with arrow clip bearing blue diamond and PARKER, jewel to both ends, length 13.8cm (capped); the pencil 1.10 16K GOLD FILLED MADE IN U.S.A., with arrow clip engraved PARKER, jewel to the top, each engraved with former owner's name within a cartouche (2)
Lot 8
A cased Parker 51 fountain pen and pencil set, in black with silver caps, the pen barrel faintly inscribed MADE IN ENGLAND 2, the arrow clip cap engraved PARKER R SILVER, length 13.8cm (capped), the pencil barrel engraved PARKER MADE IN ENGLAND 4, the cap engraved PARKER R SILVER, each with grey pearl jewel to the top, in Parker 51 snakeskin style clamshell case (missing ballpoint pen)
Lot 84
Three Parker fountain pens, one being a 51 Titanium by Ralph Prather, having sterling silver cap with blue diamond PARKER clip and engraved STERLING SILVER MADE IN USA to lower band, length 13.8cm (capped), weight 41g; together with a 50 Falcon Flighter, in brushed steel with gold trim, Medium nib, the arrow clip cap engraved PARKER MADE IN USA, length 13cm (capped); and a Parker 65 Flighter Deluxe, in brushed steel with gold plated trim, the nib engraved PARKER 14K 585, the arrow clip cap engraved PARKER MADE IN ENGLAND, length 13.5cm (capped) (3)
Lot 55
A Parker True Blue Juniorette fountain pen and pencil set, with gold plated fittings, the fountain pen barrel engraved GEO. S. PARKER PEN - MADE IN U.S.A. PATENTED, the cap with arrow clip engraved PAT SEP 5-16 PARKER and with single lower gold filled band, the nib engraved PARKER LUCKY CURVE PEN MADE IN U.S.A., length 11.4cm (capped), the ballpoint engraved PAT SEP 5 16 PARKER to the arrow clip, length 11.8cm, in cream silk-lined clamshell Parker case
Lot 216
Two Parker fountain pens in lined rolled gold, one being a 61 marked Parker Made in England to the cap and inset gold arrow to the nib, length 13.5cm (capped); the other being a 65 Custom, marked PARKER MADE IN ENGLAND to the cap and PARKER 14K 585 to the semi-hooded nib, length 13.5cm (capped) (2)
Lot 48
A Parker 75 Cisele fountain pen, in silver crosshatch with gold plated fittings, the cap with typical arrow clip, engraved PARKER STERLING SILVER MADE IN USA to the rim, the nib engraved PARKER 14K U.S.A., length 12.8cm (capped), weight 30g, in velvet lined Parker 75 case, outer card box with cartridge pack and leaflet
Lot 235
Three vintage Parker fountain pens, comprising a Slimfold 'British Duofold' in navy blue with gold colour trim, the barrel marked PARKER SLIMFOLD MADE IN ENGLAND, the nib engraved PARKER 14K ENGLAND 5, the cap with gold plated clip and engraved cap band (lacking stone to tip), length 12.5cm (capped); a Vacuumatic in black with gold colour trim, the barrel faintly marked GEO. S. PARKER PARKER VACUUMATIC, the bi-colour nib engraved PARKER USA, the cap with Parker marked clip (inset blue diamond mostly worn away) and wide engraved band, length 13.5cm (capped); and a Parker 95 in matt black with gold trim, the semi-hooded nib marked PARKER, the cap with angled extended arrow, length 13cm (capped) (3)
Lot 49
A Parker 75 fountain pen and ballpoint pen set, in malachite green with gold plated fittings, the fountain pen cap having arrow clip and lower band engraved PARKER MADE IN FRANCE, the nib engraved PARKER 585 FRANCE and with PP 585 hallmark, length 12.8cm (capped); the ballpoint engraved PARKER MADE IN FRANCE to the central band, length 12.8cm, each with Chinese characters in red for the phonetic transliteration of Parker, in associated grey velvet Parker case with two cartridges
Lot 46
A Parker 61 Presidential double-jewelled fountain pen and ballpoint pen, in the Gold Barley pattern, the barrel hallmarked 375 (with monogrammed cartouche), the cap engraved PARKER MADE IN ENGLAND 375, further hallmarked 375 to top rim, and with arrow clip, with pearl grey jewel to either end, length 13.8cm (capped), weight 25g; the ballpoint lacking innards, the barrel hallmarked 375, engraved PARKER 375 MADE IN ENGLAND to the central band, with arrow clip and pearl grey jewel to the top (2)
Lot 41
A Parker 51 fountain pen and pencil, in black with rolled silver trim, the fountain pen barrel inscribed PARKER "51" MADE IN U.S.A., the cap with blue diamond and PARKER arrow clip, jewel to top, the band engraved STERLING SILVER MADE IN USA, length 13.8cm (capped); the pencil engraved STERLING SILVER MADE IN USA to central band, with PARKER arrow clip and jewel to top (2)
Lot 95
Two Parker 65 double-jewelled fountain pens and a 65 pencil, the pens being in teal and burgundy, the pencil also in burgundy, all with filled gold trim, each barrel engraved 65, the fountain nibs engraved PARKER 14K 585, the caps all with arrow clips, engraved PARKER MADE IN ENGLAND and hallmarked 12ct, each fountain pen length 13cm (capped) (3)
Lot 2
Two Parker Vacuumatic fountain pens, being Golden Web and Emerald Major examples with gold trim, each barrel faintly engraved with previous owners names, the Golden Web engraved GEO. S. PARKER PARKER VACUUMATIC MADE IN U.S.A. 17, the nib engraved USA PARKER .17, the Emerald Major engraved GEO. S. PARKER PARKER VACUUMATIC MADE IN U.S.A. 37, the bi-colour nib engraved PARKER, each cap with arrow clip, lengths 12.5cm and 13cm (capped) (2)
Lot 44
A Parker 51 half-demonstrator fountain pen and ballpoint pen, in Cocao with gold trim, the fountain pen barrel faintly inscribed MADE IN U.S.A. 9, the cap engraved PARKER 1/10 12K GOLD FILLED. and with arrow clip and jewel, length 14cm (capped); the ballpoint engraved PARKER MADE IN U.S.A. 1/10 12K GOLD FILLED to the central band, jewel to the top and arrow clip (2)
Lot 66
A vintage Parker 51 Empire State special edition fountain pen and pencil set, in black with gold trim, the fountain pen barrel engraved parker "51" 6 MADE IN U.S.A., the bi-colour gold Empire State building inspired cap having blue jewel and PARKER to the arrow clip (engraved monogram), and lower band engraved 14K 14K GOLD MADE IN U.S.A., inset jewel to both top and bottom, length 13.5cm (capped); the pencil central gold band engraved 14K 14K GOLD MADE IN U.S.A., with PARKER to the clip and jewel to the top, in leather Parker "51" clamshell case
Lot 126
A cased Parker 61 fountain pen, ballpoint pen and mechanical pencil set, in black with gold trim, the caps all marked PARKER MADE IN ENGLAND and with grey stone inset tips and arrow clips, the ballpoint marked CUSTOM to the body, fountain pen length 13.5cm (capped), in red silk lined fitted case with instruction leaflet
Lot 97
Two Parker fountain pens, in black with gold trim, one being a Duofold, the barrel engraved PARKER DUOFOLD REG T.N. MADE IN ENGLAND, the nib engraved PARKER DUOFOLD 14K ENGLAND PEN N, the cap with arrow clip and engraved band, length 13cm (capped), weight 17.4g; the other being a 17 Super, the barrel engraved PARKER 17 MADE IN ENGLAND, length 14cm (capped), weight 15.3g (2)
Lot 309
A selection of cast metal and other sculptures, including: contemporary bronzed arrow sundial, with Roman numerals in relief, 24cms high; bronzed carved wood sculpture of an Egyptian cat, after an Egyptian Bronze Ptolemaic Period cat; bronzed metal sculpture of a nude; maritime brass bell; and other items.
Lot 117
NORTH ITALIAN SCHOOL (18TH CENTURY)APOLLO AND A NYMPH TRANSFIXED BY AN ARROW; AND APOLLO AND THE CUMAEAN SIBYLOil on canvas, a pair66 x 166cm (25 x 65¼ in.) (2) Provenance:Probably the Messel family collection at NymansIn the Main Hall at Holmstead Manor and thence by descent to Oliver MesselPurchased from Oliver Messel by Frederick and Phyllis Watkins for Flaxley AbbeyCatalogue Note:In his famous Metamorphoses, Ovid tells the tale of the Sibyl of Cumae, in southern Italy, who was loved by the god Apollo. He bribed her by offering to prolong her life for as many years as there were grains in a heap of dust, in return for her love. She refused him and although he kept his word, he denied her perpetual youth, so she was commanded to centuries as a wizened crone. In the painting the Sibyl is shown as a young woman before Apollo, holding out her cupped hand which contains the heap of dust. The other painting shows Apollo standing grief stricken by his lover Coronis, a Greek princess, who was with child by him but left him for another. In a fit of jealous rage he slew her with an arrow and tore the child from her womb. This child was Asclepius, who would grow up to become the god of Medicine. Condition Report: Both canvases have been relined. Surface dirt and a yellowed varnish. Both canvases are composed of three or four smaller pieces of canvas, which is clearly visible. UV shows scattered retouching in both works, including retouching of old craquelure. Condition Report Disclaimer
Lot 83
A FINELY CARVED PINE PIER MIRROR EARLY 19TH CENTURY, IN THE MANNER OF MATTHIAS LOCK With shaped rectangular plate, the frame pierced and carved with rockwork, scrolling foliage, pomegrate, flower heads and satyre masks, the cresting with Cupid's bow and arrow, the apron with cornucopia of flowers, 178cm high, 102cm wide Provenance: Formerly the Messel family collection at Nymans Removed to The Padouk Room at Holmstead Manor in 1947 after the disastrous fire and thence by descent to Oliver Messel Supplied by Oliver Messel to Frederick and Phyllis Baden Watkins for Flaxley Abbey Mirrors with opposing satyr head masks are usually attributed to Matthias Lock based on the design published in his Six Sconces (1744, 1768), plate 4 (ed. E. White, Pictorial Dictionary of British 18th Century Furniture Design, Woodbridge, reprinted 2000, p. 325). An etching from the original pattern book consisting of six plates of designs for wall-mirrors and sconces (with brackets for holding candles) is in the Victoria & Albert Museum (27811:6). A pier glass after this design was made for John, 2nd Earl Poulett (1708-1764), for the Tapestry Room at Hinton House, Hinton St George, Somerset (V&A, W.8-1960). Another mirror is at Ramsbury Manor, Wiltshire (R. Edwards, The Dictionary of English Furniture, Woodbridge, rev. edn. 1954, vol. II, p. 339, fig. 72). A pair of English giltwood pier glasses, c. 1760, attributed to Lock is at Uppark House, West Sussex (NT 137655.1-2). A related mirror of similar date is illustrated in G. Wills, English Looking-glasses, London, 1965, p. 87, no. 61. Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, Joints opening to the frame, some signs of filler to the jointsThe mirror plate with bloom and depletion, it has age but Dreweatts wouldn't guarantee the originality of the plateThe surface is stripped Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 57
Hasegawa - Hales - Nitto - Matchbox - Life Line - 6 boxed motorcycle model kits including Ariel Arrow in 1:16 scale, Harley Davidson Electra-Glide in 1:16 scale, BMW R75/5 in 1:12 scale and other similar models. They appear untouched and Very Good but some have loose parts in the box so they are unchecked for completeness. The boxes are Fair with storage wear. (This does not constitute a guarantee) (6)
Lot 238
Nice, all original Swiss coin operated cylinder music box made by Mermod Freres, one of the best known for quality music boxes. In perfect working order. Accepts a penny for one play. External winding crank. No chipped or broken teeth on comb. 10 tunes change automatically. Original tune card. All tunes made for the American market. Has original key for lock. Original finish wood case in very good condition with arrow through the heart design on the lid. Height: 16,5 cm. Width: 51 cm. Depth: 23,5 cm. Condition: Very Good. Location: The Netherlands, Tilburg.
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