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A Gallet Electa open face military pocket watch with nickel case, the black dial signed 30 Hour Non-Luminous Mach V, D.K. 432, the keyless movement signed Electa Swiss Made, the case numbered 152257, the back of the case marked A over a broad arrow. Note, this early serial number is likely to have been issued to the Royal Flying Corps.
2007 Auto Union Type C Pedal Car - Entered from the Gilder Group Collection - No. 28 of 999 produced worldwide Christmas may still be several months away, but will no doubt spring to the mind of many a doting parent when they see this miniature masterpiece - number 28 of just 999 half-size pedal car versions of the all-conquering Auto Union Type C 'Silver Arrow' of the late 1930s. These beautiful mini replicas were built by Audi's fabled Quattro GmbH division and unveiled to great acclaim at the 2006 Paris Salon. Would-be drivers don't require the talent of a Rosemeyer or Stuck, just a pair of willing feet and a body under 1.35 metres tall. The pedal cars were born from Audi's search for a signature piece to spearhead its lifestyle collection. The Type C was already one of the best-selling period models in the company's miniature range and it was realised a pedal car version would ably mirror the company's heritage on a far larger scale. The technical drawings originated in the company's own tool shop and each example comprises no less than 900 components. The spaceframe chassis and bodies were hand-crafted in aluminium and trimmed in leather. There are seven forward speeds, a hydraulic disc brake and wood-rimmed steering wheel that can be removed to aid entry - just like the full-size originals.
Fine Victorian six piece silver tea service comprising teapot, coffee pot, two water jugs, milk jug and sucrier all embossed with wavy wrythen fluting and engraved with the crest of an arm holding an arrow above text 'Nos Nostraque Deo' (We and Ours to God), maker Johnson, Walker & Tolhurst, London 1890/91, set within a brass bound oak carry case with twin recessed handles, 83oz approx
MPP Micro Technical 5x4 Camera. (condition 5F). Fitted with Schneider Symmar 150mm f5.6 lens in a Syncro-Compur shutter. (condition 5F). Also a Schneider Angulon 90mm f6.8 wide angle lens (condition 5F), MPP roll film back for 6x9cm & 5DDS etc. All in a heavy duty bag with Ex-WD 'Arrow Head' stamp.
COINS - WATCHES - EPHEMERA - an eclectic grouping of items to include watches (Ferrari, Gold Arrow Anti-Magnetic, Spectrum), enamel badges (Pwllheli 1950 Butlins and NUR-ASLEF-NUM Solidarity 1984/5), medals (2x United Nations In Service of Peace), commemorative spoons, coins, bank notes, watch straps and stamps.
Three small teadust/Ch'a yeh mo style monochromes of various hue, comprising: a meiping, 15cm high; a bottle vase with cylindrical neck, 16cm high; and an arrow vase with rounded rectangular base, 14cm high (3) Condition Report Please note that there are three vases in this lot where condition may vary from vase to vase. Some apparent deterioration/damage, including: a firing or other crack to the arrow vase.
A quantity of Asian textiles, comprising: five Chinese collars; five other small Chinese textiles; a cerise/pink ground bag with beaded design at the rim, 20 x 22cm; a small enveloped shaped bag decorated with zig-zag, arrow and geometric designs, 19.5cm long; and a scarlet-ground rectangular textile, possibly Gujarat or Rajasthan (13)Provenance: The Property of a Lady, from a Private English Collection. Condition Report Please note that this is a group lot where condition may vary from object to object; the damage and deterioration includes areas of wear, soiling and/or discolouration.
ARTHUR JACQUES LEDUC (1848 – 1918): NESSUS AND DIEANEIRA depicting the centaur Nessus carrying Dieaneira on his back, on a rectangular base, signed, missing sceptre 72cm high This popular story from Greek Mythology teaches us about a wild centaur named Nessus who attempts to violate Dieaneira as he ferries her across the river Euenos. Heracles hearing his wife’s screams, shoots Nessus with a poisoned arrow, which pierces his chest. As he lays dying, Nessus persuades Dieaneira to take a sample of his blood, telling her that a potion of it will ensure Heracles fidelity to her forever. Later, when Heracles casts aside Dieaneira in pursuit of a princess, she attempts to win him back by soaking his tunic in the potion. The centaur's toxic blood burns Heracles to death. In despair, Dieaneira committs suicide. The Bronze Revival The desire for porcelain, which had driven out the fashion for bronze statuettes in the 18th century, took a change in direction. The popularity of Sevres biscuit reproductions by leading sculptors energised the interest, making way for resurgence in bronze. Between 1820 and 1900 there was a combination of contrasting artistic ideals. Traditional representations of biblical and mythological subjects found themselves challenged by the need to portray more realistic subject matter, rather narrating what was happening to the people of the time. Sculptures depicting figures weighed down by grief, slavery, and fear of god exposed the harsh conditions of existence for the common person in the 19th century. Another transition was that it was now the bronze foundries, organised into an association, who were in control of production, as they often held the sculptor under contract. If a sculpture was favourably received on public exhibition at the Paris Salon, the artist would either commission the foundry to produce an edition for sale, alternatively the foundry would buy the rights to make an edition, thus democratising the art form and making it more attainable to the general public. La Maison Barbedienne was the most significant French manufacturer of bronze sculpture and works of art during the 19th century. Founded in 1834 by Ferdinand Barbedienne, the company employed over 400 workers housed under one roof at the factory on Rue de Lancry. This included a design studio for the drawing, study and composition of models, a sculpture studio for plaster, wood and marble, and a workshop for the mathematical reduction and replication of sculpture invented by Achille Collas, amongst others. This golden age ended at the turn of the century when the small industrial sculpture gradually lost its allure with the emergence of new demands for innovation from customers and moderation by sculptors. Following Barbidiennes death in 1892, the firm was carried on by his nephew Gustave Leblanc until 1952, which reflected the general depreciation for the bronze art. T.D.
British Coins, Edward VI, second period, half sovereign, Southwark mint, mm. arrow (1547-1548), crowned young bust r., rev. crowned, garnished arms, E-R at sides, SCVTVM… legend (S.2438; N.1908), has been mounted, gilt and damaged, a segment of legend missing at top and lightly crimped flan, however a clear portrait, fine
Hornby Railways Train Pack ‘The Golden Arrow’ (R2369). Comprising BR Battle of Britain class 4-6-2 tender locomotive 34074 in lined Malachite green livery. Plus a Pullman first class kitchen car Chloria, Pullman first class parlour car Niobe and Pullman first class kitchen car Cecelia. Boxed, minor wear. Contents Mint. Part of a Private Collection
A scarce .577” Mark III Snider cavalry carbine, 34” overall, barrel 16¼” stamped “Steel” and with ordnance view and proof marks and Enfield inspectors marks; the lock bearing crowned “VR” and “1871 Enfield” and also lock viewer’s mark and broad arrow over “I” for India; halfstocked with screws to secure leather rearsight cover (cover missing), the butt bearing Enfield storekeeper’s mark and other indistinct marks; the regulation brass mounts comprise trigger guard with striker protector attached by brass chain, butt plate with trap for 2 piece cleaning rod (missing), and side nail cups. GWO & C with dark patina to steel parts (slightly worn overall, small fracture to stock by rear sidenail cup, initials “ES”carved beneath fore end)
3 Bachmann OO (ex LNER) tender locomotives. Class A4 4-6-2 Golden Eagle 4482 (31-956), plus a class B1 4-6-0 1264 (31-700), both in lined Apple green livery. Also a class V2 2-6-2 Green Arrow 60800 (31-559) in lined BR Brunswick green livery. All boxed, minor wear, contents VGC-Mint. Part of a Private Collection
A kukri, the blade stamped with small broad arrow and initials, “9-41” and crude “RPA II”, the plain wood grips secured by two rivets and brass washers, in its brown leather covered sheath with small brass chape; and another kukri, with one piece plain wood hilt, in its black leather covered sheath. Basically GC (some wear). (2)
**A .303” SMLE Mk III* bolt action service rifle, number 1466, the frame stamped with crown over “GR/ Enfield/ 1918/ Sht. Le/ III*”, with London 1990 nitro proofs, the breech stamped with “D2D” over broad arrow, the butt stamped “M.A.O” over “6/45”, with khaki webbing sling. GWO & C (small repairs to stock around the receiver). The vendor states that it shoots very well. Plate 6
A rare flintlock blunderbuss with gilded decorations, dating: first quarter of the 19th Century, provenance: Turkey, dating: first quarter of the 19th Century, provenance: Turkey, Smooth, round, damask blade with strongly bell-mouthed nozzle, featuring a relieved, gilt-inlaid cartouche at the base and an Arabic, gilt-inlaid stamp at the center, the center of the blade featuring a short, gilt-inlaid rib with the edges in the shape of flowers; gilded grip-strap at the nozzle as well as the barrel tang. Lock with flat plate marked 'LONDON', 'LONDONA' and featuring a gilt-inlaid arrow with racemes, hammer en suite; remains of gilding at the pan. The spring with anti-friction system. Wooden full stock with floral engravings and checkered at the neck, brass mounts (the back tang of the trigger guard and the ramrod missing, mechanic to be checked) engraved with floral motifs; two ramrod holders, sideplate consisting of two elements., length 51,5 cm.
A fine katar, dating: 18th Century, provenance: Bundi, dating: 18th Century, provenance: Bundi, Straight, double-edged blade with central raiser and grooves divided by an arrow, in a fine damask wootz, reinforced tip, ribbed at the center and shiny edges borders; typical, iron hilt with a double crossbar joined by floral motifs (typical style of the Indian city Bundi, situated in Rajasthan district), completely decorated with floral and vegetable motifs in gold koftgari. Wooden grip covered with velvet, metal chape, probably original., length 43.2 cm.
A Belle Epoque style guilloche enamel and diamond locket stamped 14 with an arrow to the interior, with diamond set white metal flower motif to the centre and pale blue and white enamel, with pretty fleur de lys hanging loop, with fine white metal chain with diamond set detail, locket dimensions including bail 38mm x 28mm, length of chain 55cm, diamond content approx 0.60cts
A Silver Military Deck Watch, signed Vacheron & Constantin, Geneve, circa 1939, lever movement signed and numbered 446102 and marked with a broad arrow, bimetallic balance, blued overcoil hairspring, silvered dial with Arabic numerals, subsidiary seconds, case back engraved H.S 2 6102 and with a broad arrow, inside back cover with maker's mark Vacheron & Constantin and numbered 282819, Swiss silver mark 0.925, 59mm wide see illustration 17.02.17, Case with surface scratches, case with minor dents, case is tarnished, dial is slightly discoloured and with small scratches, dial with two small screws missing at 3 and 9, movement plates a dirty and needs cleaning, balance staff is broken, movement is not working, movement needs attention and needs restoring.
“Cupid”. A carved ivory figure depicting Cupid while shooting an arrow - France, 19th Century; ; on a wooden base. 17.7 cm, 6 31/32 in high overall, diameter base 7.8 x 6 cm, 3 5/64 x 2 23/64, weight 146 gr. Item condition grading: **** good. Ce.S.Ar. Certificate of Antiquity"Cupido". Scultura in avorio raffigurante Cupido colto nell’atto di scoccare una freccia - Francia, XIX secolo; ; su basamento ligneo. Altezza totale 17,7 cm, base 7,8 x 6 cm, peso 146 gr. Stato di conservazione: **** good. Certificato Ce.S.Ar.
Sicily, Selinos AR Tetradrachm. Circa 455-415 BC. Artemis driving slow quadriga right, holding reins in both hands, Apollo standing on her right, discharging an arrow; barley grain in exergue / River-god Selinos standing left, sacrificing with phiale over flaming altar, holding laurel branch in left hand, cock before altar, bull behind to left, standing on pedestal decorated with laurel garland, surmounted by selinon leaf; ΣΕΛΙΝΟΝΤΙΟΝ around. W. Schwabacher, Die Tetradrachmenprägung von Selinunt, MBNG 43, 1925, 18 (Q8/S23); SNG ANS 698; Rizzo 3, pl. XXXIII. 16.88g, 27mm, 6h. Extremely Fine. Beautiful old tone with gold highlights around the devices. From the Ambrose Collection; Ex Gorny & Mosch 199, 10 October 2011, lot 81; Ex UBS 67, 5 September 2006, lot 5438. Selinos was one of the first Sicilian cities to issue coins, commencing c. 540-530, striking staters probably initially on the Corinthian standard, but later on the Attic. The early staters, which depicted a large selinon (celery) leaf as the obverse type, were eventually superseded by Syracusan-inspired chariot designs such as the present type, which retain the early emblem of the city on the reverse as an adjunct symbol. Two other subordinate elements of the design are present which have attracted considerable attention - the cockerel before an altar, and the bull set upon a platform. Since the bull and its platform vary considerably in form and style from one die to the next, a local statue is ruled out as a possibility. A. H. Lloyd (N.C. 1935) considered these two symbols to represent the long-standing friendship of Selinos with Himera, since the cockerel was the principal type of Himera (see lot 163), and he identified the bull as the infamous brazen bull of the tyrant Phalaris of Akragas, in which he is said to have roasted his enemies alive, on the basis that Himera was one of the important acquisitions of Phalaris in his quest to become master of Sicily. Both symbols are rendered in exquisite detail, the miniature bull easily the equal of any Thourians. The principal element of the reverse however is a real tour de force. The figure is the river-god Selinos, portrayed as an idealised nude youth holding a phiale and carefully detailed laurel branch, set with a wreath of laurels about his brow. The level of anatomical detail lavished on this depiction of the river-god is nothing less than sublime; from the toned calves and well-built thighs and torso, to the rippled skin above the knee and the hollow in front of the elbow, no effort has been spared on the part of the engraver. We should not be in any doubt that the individual responsible for this masterpiece was certainly in the first rank of die engravers active in mid-late fifth century Sicily.
C. Poblicius Q. f. AR Serrate Denarius. Rome, 80 BC. Draped bust of Roma right, helmet decorated with corn ears; control mark above head, ROMA behind / Hercules strangling the Nemean lion; club at his feet, bow and arrow on left, C•POBLICI•Q•F in right field. Poblicia 9; Crawford 380/1. 3.55g, 20mm, 7h. Good Extremely Fine.
Seleukid Empire, Antiochos I Soter AR Tetradrachm. Seleukeia, circa 281-261 BC. Diademed head right / BAΣIΛEΩΣ ANTIOXOY, Apollo seated to left on omphalos, holding arrow and resting left hand on bow which is set on ground; monogram in each outer field. Newell, ESM 177; SC 379.6; HGC 9, 128g. 17.14g, 30mm, 7h. Extremely Fine. Well struck and centred; engraved in very fine style and very well preserved for the type. Ex Numismatik Lanz 112, 25 November 2002, lot 229; Ex Münzen und Medaillen Basel list 530, 1990, no. 4. Antiochos I was the son of Seleukos I and Apama, Seleukos' Persian wife. His date of birth is unknown, but was probably circa 320 BC as he was old enough to lead the Seleukid cavalry at the battle of Ipsos in 301. When Seleukos was assassinated in 281, Antiochos was probably in Ekbatana, where he had maintained court ruling the eastern satrapies on behalf of his father since 294. With his accession, Antiochos faced immediate attacks by Ptolemy II in Asia Minor and revolts of the cities of Syria. He left his eldest son, Seleukos, as governor of the eastern satrapies and marched west to meet the threats, which he soon overcame. However, it was not long before his attention was once again drawn to disturbances, this time from a menacing force of warlike Celtic tribes that had crossed over the Hellespont in the winter of 278/7 and invaded Asia Minor, and also shortly thereafter, renewed hostilities with Ptolemy II (First Syrian War, 274-271 BC). After defeating the Celts and receiving the title of Saviour (Soter) by the Greek cities of Asia Minor, Antiochos concluded an uneasy truce with Ptolemy which allowed him to focus on public relations and administrative work in Asia Minor. His subsequent reign was relatively peaceful, with the exceptions of sedition by his son and co-regent, Seleukos, whom he was forced to execute and replace with his younger son, the future Antiochos II, and the loss of northwest Asia Minor to Eumenes I of Pergamon. The figure of Apollo seated on the omphalos gained prominence under Antiochos, publicizing his supposed descent from the god, and became the characteristic reverse type for most Seleukid precious metal coinage down through the reign of Antiochos IV.
Marc Antony AR Denarius. Antioch or military mint travelling with Canidius Crassus in Armenia, 37 BC. ANTONIVS•AVGVR•COS•DES•ITER• ET•TERT, bare head right / IMP•TERTIO•III•VIR•R•P•C, Armenian crown, decorated with three stars over crossed bow and arrow. Crawford 539/1; CRI 297; RSC 195; Sydenham 1205; Kestner -; BMCRR East 172. 3.76g, 20mm, 5h. Extremely Fine. Very Rare; in remarkably high state of preservation for the issue. Sear suggests that this type marks the successful invasion of Armenia in 37 BC by Antony’s general Canidius Crassus, which was undertaken as a prelude to the Triumvir’s attack on Parthia in the following year. This issue has a celebratory nature that was ultimately to be dashed by Artavasdes’ betrayal of the Romans at a most critical juncture, resulting in a disastrous defeat for Marc Antony. Sear also comments that the fine style of the engraving tends to suggest that this issue was struck by Antony at his headquarters in Antioch, rather than by a military mint travelling with Canidius Crassus in Armenia.
Seleukid Empire, Demetrios II Nikator AR Tetradrachm. Antioch, dated SE 168 = 145-144 BC. Diademed head right within wreathed border / Nude Apollo seated left on omphalos, holding arrow in right hand, left hand resting on bow; BAΣIΛEΩΣ ΔEMETRIOY to left, ΘEOY ΦIΛAΔEΛΦOY NIKATOPOΣ to right, palm to outer left, monograms to inner left, H between legs, ΗΞΡ (date) in exergue. SC 1907.1i; SMA 209. 16.66g, 28mm, 12h. Good Extremely Fine.
A SILVER DRESSING TABLE BOX, makers Goldsmiths & Silversmiths, London 1912, of canted oblong form raised upon four knurl feet with anthemion terminals, modelled in the style of a 17th century Dutch tobacco box, the cover chased and engraved with two figures, one armed with a bow and arrow, the other a spear attacking a dragon in landscape, the sides similarly engraved, 3 3/4" x 2 3/4", lined (Illustrated) (Est. plus 18% premium inc. VAT)
A YEOMANRY CAVALRY OFFICER'S CROSS-BELT, dated 1901, the red morocco belt with silvered embroidery centred by a strip of red silk, foliate engraved silver floral boss, chains, arrow pickers, holder, buckle, slide and tip by Joseph Jennans & Co. Birmingham, 33 1/2" long (Est. plus 18% premium inc. VAT)

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32197 item(s)/page