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Lot 3404
Jaeger Le Coultre pilot’s wristwatch, the circular dial signed LeCoultre, with Arabic numerals and seconds/minute markers to the outer ring, blued steel hands with centre seconds, the movement signed Jaeger-LeCoultre and numbered 252721. In chromium plated 32mm case, the back stamped with military broad arrow, 6B/159 A20696.Condition report: The watch appears to be in very good original unrestored condition commensurate with age. The watch runs for a few seconds when given a gentle shake but then stops. The dial is in very good condition commensurate with age, as is the case. No box or papers.
Lot 316
An W.W.1 Omega B.B. 860 30 Hour Non Luminous Mark V Pilots Cockpit Pocket Watch, with longshank winder, black dial, Arabic numerals and subsidiary seconds, the movement signed Omega no.4953905, cuvette cover signed Omega and back cover stamped with aviation arrow, 2in (5cm) diameter, together with a mahogany pocket watch stand (2)
Lot 318
A Rolex Oyster Perpetual Air King stainless steel automatic gentleman's Wristwatch, the white dial with applied arrow hour markers, outer seconds track in black, lume dauphine hands and black centre seconds hand, case edge marked "5500" and "373932", on old-time leather strap, case 1?in (34mm) diameter.
Lot 544
Rolex, - British Military Issue nickel cased pocket watch, ref.G.S. MK.II A.8540, signed black dial with gilt minute track, subsidiary seconds dial and Arabic numerals, luminous filled hands, screw-down case back with engraved numerals and broad arrow, Cortébert fifteen rubies movement , signed Rolex, approx 50mm diameter, together with a yellow metal albert chain and coin fob.
Lot 351
Ex-WD Dallmeyer 13.5cm f4.5 Dalrac DC Coated REID Fit Lens. #538407 (some wear and marks to chrome and barrel, moderate to heavy cleaning marks to front element hence condition 5/6E). The barrel being marked with the C&P (Cooke and Perkins) logo to the front and with both styles of Reid of logo, a WD 'Wide Arrow' and 'W6/WF/0562' to the rear. Final image taken with this lens at full aperture fitted to a micro 4/3rds digital camera with L39 mount adapter.
Lot 440
Rare Reid I Military Camera & Case. Reid I body #P3437 with contract number '0553/8886' and the WD 'wide arrow' to the rear. (condition 4/5F). Fitted with Taylor Hobson 2 inch f2 Anastigmat lens #330112 with matching 3-figure number (112) to barrel. (condition 4/5F). With lens cap and correct case (marked 'F5/8886' and the WD 'Wide Arrow' mark). (JVC).
Lot 446
Reid IIIa Camera with RARE Early (unknown?) Taylor Hobson Type Lens. Camera #P3049 has a Minor bright marks to top and bottom plates. (shutter blinds sticking, often inoperative until advance knob is turned, hence condition 6H). Fitted with a very unusual, 2 inch f2 collapsible SM lens. Lens shows no makers name on the (unusual) black rim, just the serial number 306329 & description. There is no indication that other markings have been removed. When collapsed the letters "N K" show on the barrel which would indicate at least this part of the lens was originally made by Nikon, but it differs in appearance to other Nikon RF lenses. It tapers to the front, with no 'tab' on the aperture rim. It is marked with an unusual infinity symbol down to 3.5 feet, but the ring does move past this figure a little. Apertures run from f2 down to f16, with the '6' of 16 being very slightly different to most Nikon markings. The apertures run counter-clockwise, the opposite way to other Nikon RF lenses with the indicator arrow in black. When fitted to a Reid, Leica, Leotax, or Nicca the infinity lock ends up at around the 11 o'clock position instead of around the expected 7 o'clock position. No other examples of this type of lens can be found. (JVC).
Lot 506
OMEGA - A 1970'S FLIGHTMASTER CHRONOGRAPH WRIST WATCH, with blue and green dial and arms , ST145013 / 31634446 stainless steel, one owner from new and coming with original guarantee from 23rd October 1972 and a spare link, having arrow head 0 marker, 5 minute outer track, three subsidiary dials, Dia 4.5 cm
Lot 145
A freshwater cultured pearl, ruby, sapphire and emerald bracelet by Natalia Josca, composed of alternating 10mm freshwater cultured pearls, with barrel links set with either circular cut rubies or sapphires, to the clasp set with circular cut rubies, sapphires and emeralds, to a heart and arrow shaped clasp, 21cm long, 39g gross From the collection of Natalia Josca
Lot 414
PUNK/NEW WAVE - LPs. Absolutely staggering collection of 49 x (predominantly) LPs often presented in 'time warp' condition! Artists/titles include The Clash - The Clash (UK original S CBS 82000 A6/B6 with arrow under 'STEREO' at 9 o'clock on the labels - Ex+/Ex+ or archive copy, the sleeve still housed with shrink, generic paper inner) and The Story Of The Clash (460244 1 comp with printed inners - Ex+ copy w/hype sticker), The Damned (x2) - Damned Damned Damned (UK stock original 'correct' sleeve SEEZ 1 A1/B1, etchings A PORKY PRIME CUT/THE SOUND IS IN PLASTIC, sublime Ex+ or archive copy throughout), The Light At The End Of The Tunnel (ltd edition, number 04504) and New Rose EP, Buzzcocks - A Different Kind Of Tension (UAG 30260) and Singles Going Steady, Erasure - Pop! The First 20 Hits (Mute L2, long out of print!), The Jam - Snap! and Sound Affects, Squeeze - Cool For Cats, The Stranglers - No More Heroes and IV, Elvis Costello inc. The Best Of, My Aim Is True and Armed Forces (fantastic to see complete copy with the bonus 7" and all the postcards!), New Order, OMD, Altered Images, The Boomtown Rats, Depeche Mode - The Singles 81-85, Dexys, Eddie & The Hot Rods, The Human League, Prefab Sprout, Ultravox, The Beat and Sex Pistols - Kiss This (V2702). Condition is chiefly Ex to Ex+/archive.
Lot 626
AN AUSTRIAN NEO CLASSICAL STYLE GILTWOOD MANTEL CLOCK the drum cased three train movement with enamel dial with brass hands and arrow date indicator, the chain movement striking on two bells, the case flanked by the figure of a classical maiden and flower filled vase, 59cm hSome restoration, enamel dial chipped
Lot 234
A Cased Silver-Mounted Flap Pouch And Shoulder-Belt Of An Officer In The 3rd (The King's Own) Hussars, And A Silver-Mounted Flap Pouch Of An Officer In The Hyderabad Cavalry Lancers The First London Silver Hallmarks For 1900, Maker's Mark J.L, The Second Birmingham Silver Hallmarks For 1881, Maker's Mark J & Co.The first with flap pouch of dark blue leather with foliate engraved suspension mounts, the flap faced in silver with gilt crowned foliate 'VR' cypher within a foliate engraved border; the belt of red leather faced in train lace with fittings en suite with the flap, and including arrow-shaped prickers each retained by a chain: in their black painted storage tin lined in red velvet; the second of dark blue leather with foliate engraved suspension mounts, the flap faced in silver mounted with gilt crowned regimental badge within a border of engraved fronds (2)This lot is subject to the following lot symbols: *
Lot 645
A yellow precious metal, diamond and seed pearl set hinged bangle of plaque design, set with three cushion-cut diamonds, claw-set to engraved stars within a seed pearl set border, with openwork arrow seed pearl set terminals, to three bar-band, complete with trace-link safety chain, 21.7g gross.Illustrated
Lot 748
Buttons - two cased sets, comprising a set of six blue glass ball form Victorian buttons each encircled by a snake, mounted on plum velvet in a rectangular maroon leather case, 3 x 12.2cm, and a pair of stud form buttons each enamelled with cupid with bow and arrow in white on blue within a shaped border, mounted on maroon velvet in a black leatherette rectangular case, 3.5 x 7.4cm (2)
Lot 410
A Highland DirkEarly 19th CenturyWith broad sharply tapering blade stamped with three crowned broad arrow marks of Ordnance type on one side at the forte, shouldered wooden hilt chequered on both sides at the base, grip of circular section (slender old split) carved with Celtic interlace, brass basal mount, and circular pommel-cap with button, in original leather scabbard tooled with line decoration and with brass locket and chape, the latter with button terminal 36 cm. blade
Lot 399
A Rare South Indian Spearhead Late 16th/Early 17th CenturyOf steel, with broad curved double-edged blade of hollow diamond section, the forte on each side deeply cut with an arrow-shaped motif issuing from foliage between a pair of affronté makara, the latter chiselled in relief, on integral slightly tapering tubular socket with four prominent circular mouldings each chiselled with repeated bands of foliage between faceted silvered collars, and with a pierced circular washer at the base: mounted on an octagonal wooden plinth 52 cm. high
Lot 484
A French 18-Bore Percussion Rifled Take-Down CarbineBy Le Page, Arquer.er Ordinaire Du Roi, No. 1872, Dated 1816Converted from flintlock, with bright polygroove rifled barrel inlaid with a gold arrow on the slender sighting flat and with silver fore-sight, the breech signed in gold capitals and inlaid with two gold fronds, octagonal breech, border engraved tang decorated with foliage and a flaming urn, flat bevelled lock with gold-lined maker's oval between gold-inlaid branches of laurel, engraved with crowned fleur-de-lys within the order of the St. Esprit on the tail, and with later foliate scrollwork, hammer decorated en suite and with thunderbolts on the nose, the inside of the lock serial numbered and dated, highly figured half-stock and butt, the latter carved with foliage behind the cheek-piece and with sprung button catch on an engraved tang at the swelling grip, border engraved steel butt-plate decorated with a loosely strung bow along each side and with a wolf with its paw in a trap on the heel tang, and later vacant escutcheon, steel mounts comprising shaped side-nail plate engraved with fruit between two swans, trigger-guard with a swan in a diamond-shaped panel within fruit and foliage on the border engraved bow, trigger-plate with finial engraved with an urn of fruit supported by two ram's heads, engraved baluster rear ramrod-pipe, silver escutcheon engraved with an Imperial coat-of-arms, under-rib with terminal at the muzzle engraved as a flaming grenade, and steel ramrod with brass collar at the tip (steel parts with some light rust patination) 43.8 cm. barrel
Lot 235
A Fine Silver-Mounted Flap Pouch And Shoulder-Belt Of An Officer In the 19th Bengal Lancers (Fane's Horse)Unmarked, Circa 1900The flap pouch of dark blue leather with suspension mounts cast with oak foliage, the flap faced in silver with crowned foliate regimental cypher within a foliate engraved border; the belt of dark blue leather faced in silver train lace with silver fittings en suite with the flap and including crowned regimental badge, battle honours, and arrow-shaped prickers each retained by a chain; together with a dark green leather girdle faced in silver train lace (two olivets detached); silver lace cap and body lines; a pair of silver braid officer's shoulder boards with gilt thread pips for the rank of Captain; and a pair of mail epaulettes, one retaining its regimental badge (8)This lot is subject to the following lot symbols: *
Lot 189
Two Art Deco brooches, one bar set with square cut emerald, rose cut diamonds and onyx pieces, mount testing as 18 ct and platinum, 5 x 0.5cm, with pin and trombone clasp, and a pearl set arrow star and crescent brooch, testing as 14 ct, pin and catch fitting, 6.1 x 2.2cm . CONDITION18 ct gross weight 5.7 grams14 ct gross weight 6.7 grams Please see ewbanks.co.uk for condition reports and further images
Lot 143
Dahmen, Karl Fred1917 Stolberg - 1981 PreinersdorfUntitled. 1980. Mixed media on canvas. 215 x 180.5cm. Signed and dated verso centre: K.F. Dahmen 1980. Above this marked with directional arrow. Framed. Provenance:- Estate Karl Fred DahmenExhibitions:- Galerie Regio, March-Hugstetten (stamp)Literature:- Weber, Thomas: K. F. Dahmen - Catalogue raisonné, volume II, 1966-1981, Cologne 2003, cat.rais.-no. 020.80 B 0048, p. 437, ill. VAN HAM Art Estate represents Karl Fred Dahmen’s estate since 2013.Explanations to the CatalogueKarl Fred Dahmen Germany Post-War Art Post War 1980s Abstract Painting Mixed mediaDahmen, Karl Fred1917 Stolberg - 1981 PreinersdorfOhne Titel. 1980. Mischtechnik auf Leinwand. 215 x 180,5cm. Signiert und datiert verso mittig: K.F. Dahmen 1980. Darüber mit Richtungspfeil versehen. Rahmen. Provenienz:- Nachlass Karl Fred DahmenAusstellungen:- Galerie Regio, March-Hugstetten (Stempel)Literatur:- Weber, Thomas: K. F. Dahmen - Werkverzeichnis, Band II, 1966-1981, Köln 2003, WVZ.-Nr. 020.80 B 0048, S. 437, AbbVAN HAM Art Estate vertritt seit 2013 den künstlerischen und schriftlichen Nachlass von Karl Fred Dahmen. Erläuterungen zum KatalogKarl Fred Dahmen Deutschland Informel Nachkriegskunst Unikate 1980er Abstrakt Gemälde Mischtechnik- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR
Lot 145
Dahmen, Karl Fred1917 Stolberg - 1981 Preinersdorf"Tele-Landschaft mit Objektschrein". 1970. Upholstery picture with collage in object box. 96.5 x 82.5 x 7cm. Signed lower left: Dahmen. Verso again signed, titled, dated and inscribed: K.F. Dahmen Tele-Landschaft mit Objektschrein 1991. As well as equipped with directional arrow and measurements. Provenance:- Galerie Boisserée, Cologne- Estate Karl Fred DahmenExhibition:- Galerie Boisserée, Cologne 1993 and 1994Literature:- Weber, Thomas: K. F. Dahmen - Werkverzeichnis, Vol. II, 1966-1981, Cologne 2003, cat. rais. no. 030.71 - B 0085, p. 168, ill. VAN HAM Art Estate represents Karl Fred Dahmen’s estate since 2013.Explanations to the CatalogueKarl Fred Dahmen Germany Post-War Art Sculptures 1970s Abstract Object Mixed mediaDahmen, Karl Fred1917 Stolberg - 1981 Preinersdorf"Tele-Landschaft mit Objektschrein". 1970. Polsterbild mit Collage in Objektkasten. 96,5 x 82,5 x 7cm. Signiert unten links: Dahmen. Sowie verso nochmals signiert, betitelt, datiert und bezeichnet: K.F. Dahmen Tele-Landschaft mit Objektschrein 1991. Sowie mit Richtungspfeil und Maßangaben versehen. Provenienz:- Galerie Boisserée, Köln - Nachlass Karl Fred DahmenAusstellungen:- Galerie Boisserée, Köln 1993 und 1994Literatur:- Weber, Thomas: K. F. Dahmen - Werkverzeichnis, Band II, 1966-1981, Köln 2003, WVZ.-Nr. 030.71 - B 0085, S. 168, Abb.VAN HAM Art Estate vertritt seit 2013 den künstlerischen und schriftlichen Nachlass von Karl Fred Dahmen. Erläuterungen zum KatalogKarl Fred Dahmen Deutschland Informel Nachkriegskunst Objekte 1970er Abstrakt Objekt Mischtechnik- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR
Lot 155
Erben, Ulrich1940 DüsseldorfFarben der Erinnerung. 1994. Acrylic on canvas. 200 x 140cm. Signed and dated verso upper left on canvas overlap: Erben 1994. Here additionally marked with directional arrow. Studio bar. Provenance:- Galerie Elke Dröscher, Hamburg (label)- Private collection North Germany. Explanations to the CatalogueUlrich Erben Germany Universal Flowering Post-War Art Post War 1990s Geometric Abstraction Painting Acrylic ColourErben, Ulrich1940 DüsseldorfFarben der Erinnerung. 1994. Acryl und Pigment auf Leinwand. 200 x 140cm. Signiert und datiert verso oben links auf umgeschlagener Leinwand: Erben 1994. Hier zudem mit Richtungspfeil versehen. Atelierleiste. Provenienz:- Galerie Elke Dröscher, Hamburg (Aufkleber)- Privatsammlung Norddeutschland"Farben der Erinnerung" nennt Ulrich Erben seine Werkreihe, die er 1988 beginnt. Dieser Titel sagt vieles über die Bedeutung aus, die der Maler der Farbe zuspricht.Anfänglich malt der 1940 in Düsseldorf geborene Künstler gegenständlich. Er nimmt sich, wie viele seiner Kollegen, den Gegenstand oder die Natur als Bildinhalt für seine Gemälde. Bald aber löst er sich davon. Zu eingeschränkt erscheint ihm diese Herangehensweise. Bei einem Auslandaufenthalt in den USA kommt Ulrich Erben in Kontakt mit der Konkreten Malerei. Stück für Stück gewinnt in seinem Werk die Farbe die Oberhand über die Form. Hierbei experimentiert er mit der Reduktion der Farbigkeit. 1971 stellt ihn die Galerie m in Bochum mit weißen Bildern aus, die große Aufmerksamkeit erregen. Trotz der eingeschränkten Farbigkeit gelingt es dem Künstler dabei, komplexe Gesamteindrücke zu erzielen. Die Kompositionen wirken harmonisch oder spannungsgeladen und vermitteln unterschiedliche Lichteindrücke. Mit einer dieser annähernd monochromen Arbeiten nahm Erben 1977 an der documenta 6 in Kassel teil.Ende der 70er lösen kräftigere Grundfarben die dezente Monochromie seiner Werke ab. Die Formen werden unregelmäßiger. Erben setzt sich auseinander mit der Übersetzung von Raumeindrücken und Lichtstimmungen in Farbe. Hier beginnt, was das Hauptstreben in Erbens Kunst werden wird: Der Versuch, komplexe Eindrücke durch Farbe zu vermitteln: In welchen Farben kann man die Quintessenz eines Raumes so wiedergeben, dass der Betrachter dem Raum nachspüren kann? Der Bildzyklus " Farben der Erinnerung" ist eines der spannendsten Beispiele dieser Überlegung. Erinnerungen sind oft flüchtig und können mit verschiedenen Assoziationen verbunden sein. Man erinnert sich an einen Ort, eine Begegnung oder einen Augenblick.Das vorliegende Werk nimmt die klassische Komposition der früheren weißen Bilder auf, indem es in einen "Bildbereich" und einen "Randbereich" aufgeteilt ist. Es besticht durch den vorherrschenden Rot-Ton des Randbereiches, der sich auch im Mittelfeld wiederfindet. Erst auf den zweiten Blick erkennt man, dass es sich um zwei verschiedene Rottöne handelt. Diese werden kontrastiert von zwei Blau-Tönen. Der obere ist so dunkel, dass er je nach Lichteinfall fast schwarz wirkt. Dahingegen ist der untere Blau-Ton hell gehalten und mit sichtbaren Pinselstrichen von verschiedener Intensität aufgetragen, sodass die Farbe von transparent zu opak changiert.Die spannende Überlegung, welche Erinnerung hier in Farben ausgedrückt ist, wird vom Künstler nicht mitgegeben und kann wohl jedem Betrachter selbst überlassen werden. Erläuterungen zum KatalogUlrich Erben Deutschland Konkrete Kunst Analytische Kunst Nachkriegskunst Unikate 1990er Geometrische Abstraktion Gemälde Acryl Farbe- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR
Lot 170
Grabmayr, Franz1927 Pfaffenberg/Carinthia - 2015 ViennaUntitled (Felsenbild). 1976. Oil on canvas. 98 x 128cm. Signed and dated verso centre left: Grabmayr 1976. Next to this marked with directional arrow. Framed. Provenance:- Galerie Michael Haas, Berlin- Corporate collection Germany. Explanations to the CatalogueFranz Grabmayr Abstraction Post-War Art Post War 1970s Nature Painting OilGrabmayr, Franz1927 Pfaffenberg/Kärnten - 2015 WienOhne Titel (Felsenbild). 1976. Öl auf Leinwand. 98 x 128cm. Signiert und datiert verso mittig links: Grabmayr 1976. Daneben mit Richtungspfeil versehen. Rahmen. Provenienz:- Galerie Michael Haas, Berlin- Unternehmenssammlung Deutschland. Erläuterungen zum KatalogFranz Grabmayr Österreich Abstraktion Nachkriegskunst Unikate 1970er Natur Gemälde Öl- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR
Lot 375
Fries, Pia1955 Beromünster/Switzerland"Spat". 1996/97. Oil on wood. 55 x 43cm. Signed and dated verso lower right: Pia Fries 1996/97. In addition titled verso upper right: Spat. Here in addition equipped with directional arrow. Provenance:- Private collection North Rhine-Westphalia. Explanations to the CataloguePia Fries Switzerland Abstraction Contemporary Art 1990s Painting OilFries, Pia1955 Beromünster/Schweiz"Spat". 1996/97. Öl auf Holz. 55 x 43cm. Signiert und datiert verso unten rechts: Pia Fries 1996/97. Zudem verso oben rechts betitelt: Spat. Hier zudem mit Richtungspfeil versehen. Provenienz:- Privatsammlung Nordrhein-Westfalen. Erläuterungen zum KatalogPia Fries Schweiz Abstraktion Zeitgenössische Kunst Unikate 1990er Gemälde Öl- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR
Lot 447
KENNER - Eight sealed figures. Punched cardback. Kenner created this line by largely recycling figure parts from their old Super Powers Green Arrow, Hawkman, Batman, Shazam, Lex Luthor, Robin and Desaad figures. For Friar Tuck, Kenner almost directly copied their old Gamorrean Guard figure from Return of the Jedi. This complete set is a fun and underrated bit of Kenner history. Good. Dimensions: 36 cm x 7 cm x 29 cm (13.85'' x 2.69'' x 11.15"). . VAT STATUS: M
Lot 186
POCKET WATCHES. A nickel cased military pocket watch, retailed by H Williamson Ltd., London. The back of the case with broad arrow mark & numerals 72730F. Also, two other nickel cased pocket watches. Note: All watches are sold as found & as entered by the vendor. It cannot be assumed by any bidder, nor can we provide a guarantee that any watch is in working order, is complete or all parts are original.
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