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PRE WW1 BRITISH O/R'S FULL DRESS TUNIC. Pre First World War O/R's full dress tunic badged to the Royal Sussex Regiment, blue facings of a 'Royal' regiment cuffs and bottom of collar with white piping, Kings Crown General Service buttons throughout, Royal Sussex Regiment collar badges and shoulder titles in gilding metal, white blanket lining, remains of Royal Army Clothing Factory label to interior, with pre WW1 RACF stamp of a broad arrow flanked by the letters 'WD' over the letter 'D', while the date on the label is unreadable the 'pointed' shoulder straps, and white piping at the bottom of the collar indicates this tunic to date from 1913-1914.

WW2 BRITISH BINOCULARS. Second World War British Bino Prism No.2 MK II by 'A. Kershaw, Leeds', serial number 67303, dated 1940 and stamped with broad arrow, held in fitted leather case stamped with maker 'Timbers' and dated 1937, also stamped with unit, 'C BTY, 53 HVY' for C Battery, 53rd (City of London) Heavy Anti Aircraft Regiment, Royal Artillery, this unit served in the Battle of France, the Blitz, and Normandy after D-Day.

A 9ct yellow gold tie slide modelled as an arrow, length 63mm, approx 7.8g, and a 9ct yellow gold chain, damaged, approx 3.5g (2).

SNIDER ENFIELD; an 1870 pattern III, .577" three band rifle, the 35 1/2" barrel stamped with various proof and inspection markings including War Department broad arrow and 'VR' crown cypher, the lock plate inscribed 'Enfield 1870' and further stamped with 'VR' crown cypher, mounted on walnut stock with indistinct pyrography stamp dated 1885, brass furniture and later brown leather sling, with ramrod, overall length 137cm.

Brooklin Models, a boxed group of BRK1 Pierce Arrows to include, (1) BRK1 1933 Pierce Arrow Silver Arrow "Harrahs Automobile" (Silver) (2) BRK1 1933 Pierce Arrow Silver Arrow (Metallic Blue) (3) BRK1 1933 Pierce Arrow Silver Arrow (Metallic Grey)- Good Plus to Near Mint in Good Plus box. (3)

Western Models 1/43rd scale WMS15 1929 Golden Arrow - Metallic Gold with Union Jack flags to rear - Near Mint in a Good Plus box. 

Canadian Machine Gun Corps WW1 insignia. Fine rare selection from one unnamed soldier : 3rd Machine Gun Company 1st Canadian Division cap badge on tartan backing ... Canadian Machine Gun cap badge and pair of collars ... 1st Motor Machine Gun Brigade 1914 cap and pair of collars (some loops with contemporary repairs) ... Canadian Machine Gun Corps cap badge ... Machine Gun Corps cap badge and pair of collars ... MG / CANADA pair of shoulder titles ... smaller MG / CANADA pair of shoulder titles ... MGC pair of shoulder titles ... MGC button ... Canadian MGC button ... Canadian MGC with arrow enamelled lapel badge ... Comrades of the Front enamelled lapel badge ... 1st Canadian Division enamelled lapel badge ... rare unissued pair of 1st Canadian Machine Gun Battalion felt formation signs (dark red arrow on lighter red felt rectangle. Together with two photographic portraits of the soldier wearing insignia including the formation sign.

Collection of Metal Detector found Items in Display Case, includes Stone Age arrow heads, Medieval and Post Medieval items. The Case is lockable and comes with a Key, Perspex cover is scratched. Approximately 90cm x 60cm x 4cm.

Four Henry VIII & Postumus Henry VIII Silver Coins, including Halfgroat mm Arrow, Sovereign type Penny London mint mm hard to read with another three-quarter bust penny London Tower mint, with another hard to read.

A collection of mixed historica items - Roman, Medieval and Post Medieval including rings, arrow heads, buckles, pendants, cloak chain and pendant, drilled stone and other items. Please see pictures for details.

Half Dime 1859; another 1853 with arrow at date together with other small USA coins

18thC School. Cupid with his Arrow, and a putto, watercolour, 17.5cm x 27.5cm, four Italian 18thC engravings, a Gerold porcelain figure of a putto playing a flute, and a porcelain teapot encrusted with berries and leaves.

Cast iron VW workshop arrow sign, L: 45 cm. UK P&P Group 2 (£20+VAT for the first lot and £4+VAT for subsequent lots)

Cast iron large Ferrari workshop arrow plaque, L: 45 cm. UK P&P Group 2 (£20+VAT for the first lot and £4+VAT for subsequent lots)

Cast iron Esso garage arrow plaque, L: 46 cm. UK P&P Group 2 (£20+VAT for the first lot and £4+VAT for subsequent lots)

42x Various TPB's. Including Superman, Batman, Green Arrow, Watchmen and many more. Qty 42

50+ DC Comics. Includes Batman, Starman, Green Arrow, Legion and more. Qty 50+

PICASSO PABLO: (1881-1973) Spanish painter, a co-founder of the Cubist movement. An extraordinary collective illustrated A.L.S. by Picasso and his circle of friends, four pages, 8vo, Cafe de Flore, Paris, 15th January 1936, to Paul and Nusch Eluard, in a mixture of French, Spanish and Catalan. The scene for this meeting of great artistic talent is set at the head of the first page in the hand of Yvonne Zervos, 'l'heure de la soupe a l'oignon, Mercredi, 15 Janvier 1936, Cafe Flore' (Translation: 'Time for onion soup.....') beneath which Picasso writes 'Recuerdos a la blanquita, Picasso' (Translation: 'Regards to the white girl, Picasso'), and over the four pages follows a wonderful series of autograph sentiments and messages to Paul and Nush Eluard, beginning on the first page with Luis Fernandez 'Viva tu madre chiquita!! Ole, Ole, caramba!!......Baxant de la font del gat una noia, una noie, baxant de la font del gat una noia y Eluard si pregunta com se diu Marieta, Marieta, si pregunta com se diu marieta del ull vin! Com vos deia Fontanellas lo rei esta molt fotut! Lo qui gui a ens ha sigut es un manso sense equellas.....Fernandez' (written in multiple passages to the first and fourth sides of the bifolium in Catalan, roughly translated as 'Long live your little mother!! Ole, Ole, dammit!!......A girl coming down from the cat's fountain, a girl, a girl coming down from the cat's fountain and Eluard if you ask what Marieta's name is, Marieta, if you ask what Marieta's name is from the eye wine! As Fontanellas told you, the king is very fucked up! The one who guides us has been a meek man without them', and signed twice), Roberta Gonzalez 'Yo tambien, Roberta Gonzalez' (Translation: 'Me too'), Esther Fernandez her signature followed by the sentence 'Ne pas oublier la tarjeta postal con una vaca espanola' (Translation, from a mixture of French and Spanish, 'Don't forget the postcard with a Spanish cow'), Julio Gonzalez 'Ballen la Gardana, J. Gonzalez' (Translation from Catalan 'They dance the Gardana'), and also signed a second time with his name alone to the first page, Yvonne Zervos 'Los abrazo a los dos, Yvonne, Cafe Creme' (Translation: 'Hugs to you both....'), Jaime Sabartes 'mas recuerdos, J Sabartes' (Translation: 'More memories....'), Christian Zervos 'Un gros baiser a (?) malgre le rouge. Christian' (Translation: 'A big kiss to the (?) despite the red.....') and also with two further messages across other pages, 'On aimerait quand meme que vous soyiez avec.....de Flore chez Graff avec un arriere petit de gratinee Zervos, Man Ray attendez-moi!....... J'espere que vous reverrez la seine et la reste' (Translation: 'We'd still like you to be with .....de Flore at Graff with a little gratinee Zervos, Man Ray wait for me!...... I hope you'll see the Seine and the rest of it again') and '......Prononcez bien Vendredi les oveilles amies vous enconteront et moi je penserai aux bons moments passes a Vicozere, Chris. Zervos' (Translation: '.......Get the pronunciation right Friday, the friendly ears will greet you and I'll be thinking about the good times at Vicozere'), to the second page Yvonne Zerbos writes a further message, ‘Nous pensons toujours a vous vous etes, toujours avec nous. Man est tres triste!!!!! nous aussi Yvonne. Vendredi criez tres fort........Cafe Crème. Monte la dessus et tu verras Montmartre et le cafe Flore’ (Translation: ‘We are always thinking of you, you are always with us. Man is very sad!!!!! us too Yvonne. Friday shout out loud........Cafe Crème. Go up there and you'll see Montmartre and the cafe Flore’), as does Luis Fernandez once more in Catalan ‘Vina Ros! Puja aqui dalt!.....Bona nit tinguem!! estiguem bonets!!.....’ (Translation: ‘Come Ros! Get up here!.....Have a good night!! let's be nice!!.....’), alongside which Dora Maar has drawn an exquisite pen and ink image of an eye with two teardrops falling from the corner, adding the words ‘Devinez de qui?’ (Translation: ‘Guess who?), which is followed by a second greeting signed by Jaime Sabartes ‘Saluda a los del centro excursionista de Catalunya a la lliga regionalista......y todos los que encuentre por la Ramblas’ (Translation from Catalan: ‘Say hello to those at the hiking centre from Catalonia to the regionalist league…..and everyone you find on the Ramblas’), the third page features entries by Leonor Fini ‘Vous aimez toujours et les gros porcs tendres……..? Vous en avez vu des noirs en Espagne? Leonor’ (Translation: ‘Do you still like big, tender pigs……..? Have you seen any black ones in Spain?’) and also signed by Fini with her first name only to the right margin of the first page, Man Ray ‘C'etait triste de rentrer tout seul lundi soir de V- Beziers! Je vous embrasse tous les deux, et j'espere vous trouverez des bons amis et amies! Affectueusement, Man’ (Translation: ‘It was sad to come back alone on Monday evening from V- Beziers! Love to you both, and I hope you find some good friends! Affectionately….’), and at the foot of the page Pablo Picasso has drawn and signed a pen and ink image of a winged love heart, also incorporating the horns of a bull, and with a Cupid’s arrow piercing through the centre from right to left, signing his name (‘Picasso’) in bold black ink beneath. A series of ink hatched lines also appear beneath the drawing, partially obscuring the signature of Dora Maar. The page concludes with a series of ten question marks in the hand of Roberta Gonzalez, and with her signature beneath. The letter ends with a final message signed by Yvonne Zervos at the foot of the fourth page, ‘Cora et Elfe vous embrasse chaque jour je forme au voeux pour que vous soyiez tous les deux tres heureux la-pas!!! Yvonne. Pikina aux vins de France fabrique par Picon et cie’ (Translation: ‘Cora and Elfe kiss you every day and I hope you're both very happy! Yvonne. Pikina with French wines made by Picon and company’). Accompanied by the original envelope hand addressed by Christian Zervos to the Eluards in care of the home of Josep Maria Sert in Barcelona, and further annotated and signed by Man Ray with his initials to the verso, ‘avec la salive de C.Z. (M.R.)’ (Translation: ‘With the saliva of C.Z…..’). A truly exceptional and magnificent autograph letter, beautifully enhanced by the drawings (which could indeed be interpreted as ‘self-portraits’) in the hands of Pablo Picasso and his lover, Dora Maar. Some very light, extremely minor age toning, VG  OWING TO LIMITATIONS IMPOSED BY THE SALEROOM THE COMPLETE DESCRIPTION FOR THIS LOT CAN NOT BE DISPLAYED - PLEASE CONTACT IAA EUROPE DIRECTLY FOR FURTHER INFORMATION.   

COSTNER KEVIN: (1955- ) American actor, Academy Award winner. Signed colour 8 x 10 photograph of Costner standing in a classic full-length pose, in costume as Robin Hood, preparing to shoot a flaming arrow, from the American action adventure film Robin Hood: Prince of Thieves (1991). Signed by the actor in black ink with his name alone to the image, and with a typically hurried signature. About EX

LOESSER FRANK: (1910-1969) American songwriter who wrote the music and lyrics for the Broadway musical Guys and Dolls (1950). Academy Award winner. Signed sepia 10 x 9.5 magazine photograph of Loesser seated in a head and shoulders pose, smoking a cigarette, at his piano in his Beverly Hills home, with a painting by French artist Georges Rouault hanging in the background. Amusingly signed by Loesser in fountain pen ink to a light area of the image, ´This is me, Frank Loesser´, adding an arrow alongside pointing in his direction, and further adding the words ´This is Roualt´(sic) in his hand, with an arrow pointing towards the framed painting. A few small scuffs to the image and with various vertical and horizontal folds and one neat tear to the right edge. About G

CARTER HOWARD: (1874-1939) English archaeologist and Egyptologist, discovered the Tomb of Tutankhamun in 1923. An excellent group of three typescript manuscripts, unsigned, by Howard Carter, with many annotations, additions and corrections in his hand, being the text for three lectures (two on the discovery of Tutankhamun's tomb and a third on the subject of colour), forty-eight pages (total), small 4to, n.p. (London?), n.d. (c.1924, 1930 & 1934). The first typescript manuscript commences 'We had almost given up in dispair (sic), and would have done, were it not for the fact that in nearing the tomb of Ramses VI (sic) we found a very intriguing buried heap of flint boulders which suggested the proximity of a tomb. Why had they been placed there?......They were of a kind usually selected by the Ancient Egyptians for filling in the entrance of a tomb, but there was nothing of the kind underneath them......In October, 1922, I returned to Luxor to make this final effort.....I set my Egyptian staff to work, about 120 men and boys in all.....When in four days we made the discovery which surpassed our wildest hopes. How well I remember that fourth day. I arrived early in the morning on the scene of the action......the work of clearing continued feverishly throughout the rest of the day......then, with ill-suppressed excitement, I watched the descending steps, one by one, as they were revealed, Our work progressed, and at the level of the twelfth step there was disclosed the upper part of a doorway, blocked, plastered and sealed. It was a thrilling moment for an excavator, alone, save for his native workmen, after years of unproductive labour, on the threshold of what might prove to be a magnificent discovery. Amything, literally anything, might lie beyond that sealed door and it needed all my self control to keep from breaking down the blocking of that doorway, and investigating then and there......I sent a runner into Luxor with a cable telling Lord Carnarvon, then in London, the good news. Little knowing that had I gone a few centimetres deeper in that excavation, the name of Tut.ankh.Amen upon the seals of that doorway would have told me the secret - that almost ephemeral king, Tut.ankh.Amen......had made his grave in the Valley of the Tombs of the Kings' and continues 'The decisive moment had arrived. With almost trembling hands I made a tiny breech in the upper left hand corner.....A lighted candle was then applied, the ever necessary test and precaution against possible foul gasses, and then, widening the hole a little, I inserted the candle and peered in.......gradually ones eyes became accustomed to the dim light, details of the room within emerged slowly, strange animals, statues and gold - everywhere the glint of gold. For the moment - an eternity it must have seemed to others standing by - I was amazed, when Lord Carnarvon, unable to stand the suspense any longer, inquired anxiously, "Can you see anything?" it was [all] I could do to answer, "Yes, wonderful things"'. The second typescript manuscript is entitled The Royal Burial and Innermost Treasury and dated May 1930, and states, in part, 'Our work in the Antechamber was finished.....We were ready at last to penetrate the mystery of the sealed door.....When a hole sufficiently large was made to see in, an astonishing sight was revealed, for there, within a metre of the doorway, stretching as far as one could see, and blocking the entrance of the chamber, stood what to all appearances was a wall of gold. We were at the entrance of the actual Burial Chamber of the King, and that which barred our way was the side of an immense gilt shrine, built to cover and protect the sarcophagus......before us, was one of the Great Golden Shrines beneath which Kings of Egypt were laid.......a surprise awaited us, for an open door, leading eastwards from the Burial Chamber, led to yet another chamber......this proved to be the Innermost Treasury. From where we stood, a glance sufficed to tell us that there within this small chamber lay perhaps the greatest treasures of the tomb'. Interspersed between the text of both manuscripts are a number of pages detailing the slides which Carter used to illustrate his lectures, including images of the Valley of the Tombs of the Kings, the excavations, the discovery of the tomb, the more important objects found in the antechamber (including a painting of a hunting scene, Carter noting in his own hand that 'Such scenes are naturally the works of a Court painter - doing homage to the young monarch. For such a slender youth, un-armed, save for the bow and arrow, to attack a group of fierce lions & lionesses, is hardly tenable'), the coffins, the raising of the lid of the sarcophagus, and much more. The final, third typescript manuscript is for a lecture entitled Colour which Carter delivered at the Victoria and Albert Museum on 17th October 1934 and commences 'The normal visual apparatus of the eye enables us to distinguish not only differences of form of objects looked upon, but difference in character of the light received from them, which we name colour. Form is intellectual; colour emotional. Colour is the property of form, that is to say, only decorative. Colour does not define an object, but it instils a sensation and a feeling. Thus, in art and ornamental design, form is perhaps more important than colour, but excellence in both is the most important' and continues with a fascinating discussion of colour from artistic and scientific perspectives, also making a reference to the Valley of the Kings, and quoting Sir Joshua Reynolds. The manuscripts are contained together within a limp bound ring leaf binder and a few of the pages are loose. A wonderful series of manuscript lectures, particularly for their first-hand accounts of the most famous discovery in the history of Egyptology. Some light staining and minor age wear, otherwise generally VGIn 1924 Howard Carter made a tour of Great Britain, France, Spain and the United States of America, delivering a series of illustrated lectures on the excavation of Tutankhamun's tomb. In New York and other American cities Carter's meetings were attended by large and enthusiastic audiences, sparking American Egyptomania, and President Calvin Coolidge requested a private lecture.

CHAPLIN CHARLES: (1889-1977) English film comedian, Academy Award winner. A good, large vintage signed and inscribed sepia 8 x 13.5 photograph, the image depicting the young, dapper Chaplin standing in a three-quarter length pose with his hands in his trouser pockets. Photograph by Pach Brothers of New York and bearing their pencil credit to the lower right corner. Signed by Chaplin in bold, dark fountain pen ink to the base of the image, ´To Jules from Charlie´. The comedian has further added an original small pen and ink self-caricature in his hand to the lower right corner, depicting himself in a head and shoulders pose in his Little Tramp costume. To the side of the sketch appears the greeting Helleu in Chaplin´s hand, and with an arrow pointing in the direction of the self-caricature. A rare and impressive signed image. Two small areas of loss to the upper right and lower left corners and with a few minor traces of former mounting to the verso, G

LOVE AT LARGE: Signed 10 x 8 photograph by both Neil Young (Rick) and Ann Magnuson (Doris) individually, the composite image fetauring individual shots of the actors in costume poses from the American romance and mystery film Love at Large (1990). Signed by Young in blue ink with his name alone to the image and signed by Magnuson in black ink to the image, further adding the words ´Neil, you rock!!!´ in her hand above her signature, along with an arrow directed towards Young´s head. About EX

British No.7 Mark 1 Bayonet and scabbard, exposed parts rusty, blade good marked ‘NO 7 MK 1/7’ and broad arrow. A spike bayonet marked ‘NO.4 MK II/ and ‘S’, and scabbard. (2 items)

A LARGE VERDIGRIS PATINATED METAL ARMILLARY SPHERE ON PEDESTAL MODERN sphere 75cm diameter, arrow 114cm long, 220cm high overall  

1915 Sanderson 1907 Pattern bayonet and scabbard, ricasso marked crown/GR/1907/8 ‘15/Sanderson, other side with WD arrow and various inspection marks. Leather scabbard marked arrow/Efd (Enfield) & W, with more later frog.

A 1965 British Army Dron-Wal stirrup pump. Marked '3/1965' and with arrow to shaft. Closed height 70.5cm.

Parker - A vintage 1960s fountain pen with a sterling silver cap and barrel from the USA, and a 14K gold pen nib no. 585 from France. Features an arrow shaped clip. Makers marks printed to the barrel and pen nib. Measuring approx. 13cm long.

A Regency style large ebonized and fluted curtain pole and rings, formed as an arrow, gilt highlights,315cm long

Rare 1944 WW2 Omega British Military Issue Dirty Dozen Watch with Fabric Strap Model Number: Y14836 Reference Number: 10679035 On the back of the watch case it says: "WWW" which stands for Watch Wrist Water-Resistant and also bears the British Military Broad Arrow. The watch face measures approx. 37mm in width including the winder.  The watch measures approx. 8 1/2 inches in length.  Omega was among a group of twelve makers that supplied similar watches to the British Army giving them the nickname "Dirty Dozen".  Condition: The watch is in good working order.  The dial and hands are in good condition commensurate with the age of the watch.  The screw down case is in good condition too commensurate with the age of the watch.  There is some scratches to the watch glass crystal. 

Smith and Jaeger Le Coultre MkIIIA (12 Hour Dial), 8 Day Chronoflite Cockpit Clock. Smith and Sons. (1940's).  Verso with stamped arrow mark indicating it was for military use.  Diameter of the face is approx. 3 inches across.  Condition: It is in good working order.  There is some abrasion to the clock. But in good condition commensurate with the age of the clock.

Cased pair of Air Ministry WWII Binoculars, English, c.1945, marked 'O.S. 419 A.M. REG No 84970 Bino Prism No.5 MK V X7, Graticules NL' with military arrow mark in leatehr case marked ROSS LONDON Note: working but image slightly yellowed

Second World War British military pocket watch with Arabic numeral dial, blued steel hands and subsidiary seconds, rear of case marked with broad arrow and 6E / 50, A29001.

Second World War era open faced military pocket watch, rear of case marked with broad arrow and '6E/50 A4338' together with a Second World War Verner's pattern MKIII compass dated 1939 and a First World War pocket compass dated 1917 and named to B. W. Carter (3)

Martin Amis - Time's Arrow, first edition, signed and numbered from an edition of 200, together with Success, 1978 first edition. (2)

A COLLECTION OF NATURAL CURIOSITIES COLLECTED BY CAPTAIN JAMES MUDDLE, SOME WITH HANDWRITTEN LABELS TO INCLUDE:The teeth of the lower jaw of a bottle nose porpoise and or the teeth of the upper jaw/Arrow root.Soap berries.A Mason's nest brought from the Island of St Vincent by Captain Muddle, May 24th 1826.Soap barries brought from St Vincent by Mr James Muddle, May 29th 1820.The cotton pod, May 14, (18)50.Coffee Berries brought from St Vincent by Captain James Muddle, May 29th 1820.Along with three unusual tribal carved miniature animals, dried flowers, beans on a string necklace (broken). James Muddle was born at Gillingham in Kent on 31 January 1785. James probably went to sea at a fairly young age and worked his way up to become a master mariner. The first record of him at sea, at the age of 25, is as the master of the small single mast sloop Boston sailing in coastal waters. In 1814, James then became master of the 356-ton ship ‘Leng’, armed with six 6-pounder guns, bound for the West Indies. The Lloyd's Register for 1820 also recorded that during that year James took over from as master of the 410 ton convict ship Lord Sidmouth. By the age of 35, James had progressed from being master of ships sailing in coastal waters to sailing to the Mediterranean and across the Atlantic, and now to the other side of the World. In 1820 it was reported that the Lord Sidmouth captain Muddle had sailed from Portsmouth on for New South Wales. After a voyage of 107 days, they arrived at Sydney in Australia on 19 February 1821, where 160 male prisoners were disembarked. James and the Lord Sidmouth also sailed to Jakarta, Calcutta, Mauritius. Upon arriving back to England in 1821, James became captain of the prison ship the ‘Andromeda’, which sailed from Leith to to Van Diemans Land and New South Wales. During the following two decades of travels in and around Australia, James will have collected many of the items in the collection. James is also known to have been captain of the ship ‘Lang’, as well as the “Mandarin’, ‘Glenbervie’ and the ‘Roseanne’. He sailed on prison ships to New Zealand and even China. James died in 1865 at the age of 80, and his collection has been passed by descent down the generations to the present owners.For more information please see the link below:https://www.muddlefamilies.info/harrietsham/22eaa.htm

Old bronze arrow head Length 7.5 cm

A .455 (AUTO) COLT 1911 BRITISH CONTRACT SEMI-AUTOMATIC PISTOL, serial no. W102325, for 1917-18, with 5in. barrel, blued slide with maker's details, patent dates to 1913 and calibre designation, blued frame with grip-safe, the left side marked with crossed flags below a broad arrow and a crown over 'G2' over 'A', chequered walnut grips with diamond shaped panels around the fixing screws, smooth mainspring housing and correct magazine, both with lanyard loops, retaining much original factory finish throughout. S5 - Sold as a Section 5 Firearm under the 1968 Firearms Act, Sections 7.3 and 7.1 Eligible.Unless prior arrangement has been made, two weeks after the Sealed bid sale, all Section 5 (and Section 7.1 / 7.3) items will be moved to a Section 5 carriers where storage charges will be incurred.Goods will not be released until all outstanding charges have been met. Collection will be by arrangement.

MEDWELL & PERRETT A LEFT-HANDED 6.5X55mm BOLT-MAGAZINE STUTZEN SPORTING RIFLE, serial no. M0319P, for 1999, 20 3/4in. nitro barrel with ramp-mounted open sights with folding leaf sight, ramp-mounted bead fore-sight, the receiver mounted with a Swarovski 6x42 Habicht telescopic sight, serial no. P650414397, left hand bolt with gold 'SAFE' and arrow detail, recoil blocks, the right side gold-inlaid with the M&P monogram, hinged floorplate with push-button release, 13 7/8in. pistolgrip full length stock with left handed cheekpiece, monte carlo comb, pistolgrip-cap, sling eyes and recoil pad, weight 8lb. 15oz.. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act

J. PURDEY & SONSA FINE GAME-SCENE ENGRAVED 12-BORE SELF-OPENING SIDELOCK EJECTOR PIGEON GUN, serial no. 14670, with two sets of barrels,for 1893, 30in. nitro reproved chopperlump barrels, rib engraved 'J. PURDEY & SONS. AUDLEY HOUSE. SOUTH AUDLEY STREET. LONDON. MADE OF SIR JOSEPH WHITWORTH'S FLUID-PRESSED STEEL' and gold inlaid with a crest of a lion passant holding a trefoil aloft, 2 3/4in. chambers, bored approx. true cyl. in both;30in. nitro reproved chopperlump barrels, rib engraved 'J. PURDEY & SONS. AUDLEY HOUSE. SOUTH AUDLEY STREET. LONDON. MADE OF SIR JOSEPH WHITWORTH'S FLUID-PRESSED STEEL' (dented) and gold inlaid with a crest of a lion passant holding a trefoil aloft, 2 3/4in. chambers, bored approx. 3/4 choke in both;self-opening sideclipped treble-grip action with hidden third bite, toplever engraved with a vignette of a pheasant perching on a branch, automatic safety with gold-inlaid 'SAFE' detail, 'arrow' cocking-indicators, articulated front trigger, left mainspring broken, best fine border and acanthus scroll engraving surrounding vignettes of hound flushing game, the underside with finely engraved vignettes of rabbits, and a triptych of heron, partridge and crane, the triggerguard with a further hound flushing game, retaining some original colour-hardening and renewed finish, 14 1/2in. figured stock including 7/8in. leather-covered recoil pad, weight 7lb. (game barrels) 6lb. 15oz. (pigeon barrels), in its makers brass-cornered oak and leather guncase with provision for both sets of barrels.S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act * Please note this item is subject to 5% VAT on the hammer price (UK Buyers only).

J. PURDEY & SONS A 12-BORE SELF-OPENING SIDELOCK NON-EJECTOR, serial no. 12023, for 1884, 28in. sleeved nitro barrels, rib re-engraved '3' and 'J. PURDEY & SONS. AUDLEY HOUSE SOUTH AUDLEY STREET LONDON.', 2 1/2in. chambers, bored approx. 1/4 and 1/2 choke, self-opening action, removable striker discs, slender toplever engraved 'PATENT', automatic safety with gold-inlaid 'SAFE' detail, 'arrow' cocking-indicators, fine acanthus scroll engraving with floral bouquets, the underside with a floral cartouche engraved 'PURDEY'S PATENT', brushed finish, 15in. figured replacement semi-pistolgrip stock, weight 7lb. 5oz., in a modern 'Gunmark' guncase. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act

J. PURDEY & SONSA PAIR OF 12-BORE SELF-OPENING SIDELOCK EJECTORS, serial no. 14250 / 1,for 1892, 30in. black powder only chopperlump barrels, ribs engraved '1' and '2' and 'J. PURDEY & SONS. AUDLEY HOUSE. SOUTH AUDLEY STREET. LONDON. MADE OF SIR JOSEPH WHITWORTH'S FLUID-PRESSED STEEL.', 2 1/2in. chambers, bored approx. true cyl. and 1/2 choke in both, self-opening actions, removable striker discs, toplevers engraved '1' and '2', automatic safeties with gold-inlaid 'SAFE' details, 'arrow' cocking-indicators, best fine border and acanthus scroll engraving with floral bouquets, retaining much colour-hardening and finish, 14 1/4in. stocks including 3/4in. extensions, weight 6lb. 14oz., in their makers brass-cornered oak and leather double guncase.S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act * Please note this item is subject to 5% VAT on the hammer price (UK Buyers only).

J. PURDEY & SONS A 12-BORE SELF-OPENING SIDELOCK EJECTOR LIVE PIGEON GUN, serial no. 18870, for 1906, 30in. nitro chopperlump barrels with stippled matt rib, tubes engraved 'J. PURDEY & SONS. AUDLEY HOUSE. SOUTH AUDLEY STREET. LONDON. MADE OF SIR JOSEPH WHITWORTH'S FLUID PRESSED STEEL.', rear lump engraved 'PIGEON', 2 3/4in. chambers, bored approx. 1/2 and full choke, sideclipped self-opening treble-grip action with hidden third bite, automatic safety with gold-inlaid 'SAFE' detail, 'arrow' cocking-indicators, best fine border and acanthus scroll engraving with floral bouquets, retaining traces of original colour-hardening and finish, 13 3/4in. stock (cracked and taped at hand), weight 7lb. 1oz., in its brass-cornered oak and leather guncase. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act * Please note this item is subject to 5% VAT on the hammer price (UK Buyers only).

B.S.A. A COMPOSITE .303 (BRIT.) 'NO.1 MKIII' BOLT-MAGAZINE SNIPER RIFLE, serial no. P5854, circa 1915, 25in. nitro reproved barrel (in 2002), the nocksform marked with the BSA trademark and 'REGULATED BY FULTON.', block and blade fore-sight with side protectors, adjustable tangent rear sight with side protectors, receiver fitted with a Periscopic Prism Company Ltd - London side-mounted telescopic sight, patent 3027/1915, in quickly-detachable reproduction mounts and together with a period felt-lined leather hard case, the front embossed with the number '6896' with a line through it and the broad arrow followed by 'V. 2501.', manual safety, magazine cut-off, detachable box magazine, full-length stock with some armourers repairs, one barrel band, front and rear volley sights, 13in. pull including brass buttplate with central trapdoor, leather sling, weight 8lb. 13oz. (unscoped), 10lb. 3oz. (scoped). S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act

A .650 PERCUSSION CONSTABULARY P42 CARBINE SIGNED TOWER, issue no. M33 10BC, dated for 1855, with 26 3/4in. plain round barrel, block fore-sight, no provision for rear-sight, ordnance markings at breech, solid top-tang, signed and dated borderline engraved lock with a crown and 'V.R.' device at tail, walnut full-stock, the right side of butt marked with a broad arrow 'B.O.' stamp and 'I.C.R', the heel-plate with issue stampings to top-spur, brass furniture, iron ramrod, swivels and Lovell bayonet catch.

A .442 P. WEBLEY R.I.C. No.3 REVOLVER FOR THE GOVERNMENT OF QUEENSLAND, serial no. 34295, circa 1875, with ovate 4in. barrel, applied nickel crescent fore-sight, the left side of barrel throat engraved with a large 'Q.G.' below a broad arrow, solid frame with spring bar cylinder release, the right side of frame at front marked 'WEBLEY'S No.3 .442 C.F.' around 'R.I.C.', plain six-shot cylinder with rear locking notches, double action mechanism, chequered walnut one-piece grip with ejector-rod stored in the heel and guarded trigger, strong traces of finish. S5 - Sold as a Section 5 Firearm under the 1968 Firearms Act, Sections 7.3 and 7.1 Eligible.Unless prior arrangement has been made, two weeks after the Sealed bid sale, all Section 5 (and Section 7.1 / 7.3) items will be moved to a Section 5 carriers where storage charges will be incurred.Goods will not be released until all outstanding charges have been met. Collection will be by arrangement.

J. PURDEY & SONS A 12-BORE SELF-OPENING SIDELOCK EJECTOR, serial no. 13084, circa 1889, 30in. nitro reproved chopperlump barrels, rib engraved '2' and 'J. PURDEY & SONS. AUDLEY HOUSE. SOUTH AUDLEY STREET. LONDON. MADE OF SIR JOSEPH WHITWORTH'S FLUID-PRESSED STEEL.', 2 1/2in. chambers, bored approx. true cyl. and 1/4 choke, wall thicknesses at 19 and 18, self-opening treble-grip action with hidden third bite, removable striker discs, automatic safety with gold-inlaid 'SAFE' detail, 'arrow' cocking-indicators, fine border and acanthus scroll engraving with floral bouquets, brushed finish, 14 3/4in. figured stock including 1in. leather-covered recoil pad, replacement fore-end wood, weight 6lb. 11oz., in its makers brass-cornered leather case. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act

A GOOD .22 BSA AIRSPORTER MKII UNDER-LEVER AIR RIFLE, serial no. GD16318, for between 1959-65, with blued 18in. barrel of 'brazed' form, ramp fore-sight retaining its original flat-topped tunnel protector, automatic loading tap at breech, blued air-chamber brightly etched with the 'BSA AIRSPORTER' arrow trademark, broad twin section telescopic sight rail, black enamelled sloping trigger housing, three-piece walnut half-stock and flush-fitting under-lever, the whole remaining in outstanding condition and appearing virtually unused.

W.W. GREENER AN 8-BORE 'GRADE FT50' FACILE PRINCEPS NON-EJECTOR WILDFOWLING GUN, serial no. 55127, circa 1906, 32 1/8in. Greener trade mark wrought steel nitro barrels, broad wave cut rib with banner inscribed 'W.W. GREENER. MAKER. 68. HAYMARKET LONDON. WORKS ST. MARY'S SQUARE. BIRMINGHAM' (refreshed), acanthus scroll detailing at the breech ends, large scroll-back treble-grip action with Gardener serpentine fences and side shoulders, manual side safety with gold-inlaid arrow and 'SAFE' detail, bold acanthus scroll engraving with game scenes of wildfowl in wetland settings, 14 1/2in. figured stock with diamond-shaped horn drop points, sling swivels and including 1in. recoil pad, fore-end with Deeley & Edge patent release and horn finial, weight 13lb. 9oz.. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament * Please note this item is subject to 5% VAT on the hammer price (UK Buyers only).

A .650 PERCUSSION 1855-STYLE CAVALRY PISTOL FOR THE EAST INDIA GOVERNMENT SIGNED BIRMINGHAM, serial no. 133, dated for 1869, with blued 8in. smoothbore barrel, applied boat-shaped fore-sight, standing notch rear-sight to the rear of the nocksform, solid top-tang, plain colour hardened lock marked 'E.I.G.' and 'BIRMINGHAM 1869', crown and broad arrow device at tail, walnut full-stock with brass furniture, the lower right side off grip stamped with a roundel marked 'FEPOZ EPORE' and a crown around '6' over '78', serial number to heel-plate, the left side-cheek marked 'JOSEPH SMITH' and stamped with a 'BIRMINGHAM E.I.G.' and crown roundel, the lower edge of left side of grip marked 'F.A.3 1885', fixed lanyard ring at heel and captive iron ramrod, strong amount of finish.

J. PURDEY & SONS A SCARCE 14-BORE UNDERLEVER-COCKING BAR-IN-WOOD SIDELOCK EJECTOR, serial no. 15040, for 1894, 29in. nitro reproved fine damascus barrels, the rib engraved 'J. PURDEY & SONS, AUDLEY HOUSE, SOUTH AUDLEY STREET, LONDON.' (pitted), 2 1/2in. chambers, bored approx. true cyl. and 1/2 choke, Daw underlever action, possibly J. H. Apted provisional patent 2328 of 1873 with direct internal sliding bolt projection acting on the hammers rather than the Adams clutch system, the fences finely carved in high relief with leaf designs, broad top strap engraved 'PATENT', automatic safety with gold-inlaid 'SAFE' detail, arrow cocking-indicators, conversion to ejector, best fine acanthus scroll engraving with floral bouquets, 14 1/8in. figured stock, minor repairs to fore-end wood, weight 5lb. 14oz.. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

A SMITHS BRASS CASED BULKHEAD CLOCK, the face marked with black Roman numerals, labelled verso 'Smiths Industries Limited, Clock & Watch Division' and '21B/829', dated 1966 and marked with the broad arrow, with key and screws for fixing, diameter 27cm (1 + bag with screws and key) (Condition Report: appears ok, winds, has previous inventory information scratched onto back, some tarnish, scratches and wear to case)

An early 20th century Chinese jacquard silk panel, cut from a longer length and featuring chicks, a rooster, water lilies, butterflies and lotus flowers. and an 18th century embroidery that was worked as part of a story in a series of embroideries by Chinese fishermen. Finely worked on silk to include a member of the imperial court in a dragon robe with couched golden threads and a huntsman with bow and arrow pointing towards a peacock (2) panel 44 cm with the ends folded under by 14 cm  framed picture total size 25 cm by 21cm 

A navy blue 1940s coat with arrow seaming, full sleeves and princess seaming along with a 1940s raffia hat with net and pale pink flowers (2)  good condition commensurate with age and wear, the hat is somewhat dusty and there are some dusty marks on coat 

Parker for Rolex, a gold plated ball point pen, with an arrow clip, in working order, in a Rolex box. (2)

A Middle Eastern Jezil Matchlock long arm rifle together with a small bamboo arrow.

Two trays of mixed children's novelties, to include Linka model building system, bow and arrow, paint and crayon sets, Secret Spy code kit, Lone Star historic building matchstick gift set etc

A spectacular bronze sculpture made using the casting technique, dates back to around 1880 and belongs to the master Yoshimitsu Hou (芳光炮). The composition depicts a kneeling samurai, preparing to release an arrow, at the moment of maximum tension of the drawn bow. The figure attracts attention with its expressiveness and meticulous detail. The samurai is dressed in traditional clothing of the era, including loose robes and hakama, decorated with mon (family crests) of the Minamoto and Seiwa Genji clans. On the sleeves you can see the mon of the Mori clan in the form of a crane (tsuru). Every detail of the sculpture, from the richly decorated robe to the finely polished elements of the armor, is executed with the highest degree of craftsmanship and covered with a thick layer of gilding. The sculpture probably depicts Minamoto no Tametomo (1139–1170), a legendary warrior of the Heian period, famous for his skill with archery. His eyes, inlaid with shakudo, convey willpower and determination, and the traditional hairstyle and ceremonial eboshi hat complete the image. On the back of the sculpture is a gilded plate engraved with the signature of the master Yoshimitsu Hou (芳光炮). The height of the figure is 17 cm. Japan, Meiji Period (1868–1912) Width: 30cm, Height: 41cm, Depth: 17cm, Weight: 3kg, Condition: Signs of wear commensurate with age, Material: Gilding, ID: ID-ANTQ-11237

Thomas Kincade porcelain purple truck with dogs in bed Beginning of a Perfect Day, music box plays Stand by Me Thomas Kincade & Ardleigh Elliott backstamp. Pierce Arrow miniature replica. Largest piece: 5.5"L x 2.5"W x 2.75"H. This item has its original box: 8"L x 5"W x 4"H. Issued: c. 2006Dimensions: See DescriptionManufacturer: Ardleigh ElliottCountry of Origin: United StatesCondition: Age related wear.

This limited edition stein was created in 1981 to commemorate Oktoberfest. The stein is ivory and blue with an eagle holding arrows in it's talons. It is numbered on the bottom and has it's original tag. Issued: 1981Dimensions: 6"L x 4.5"W x 6"HEdition Number: 685 of 6000Manufacturer: Arrow LiquorsCountry of Origin: United StatesCondition: Age related wear.