We found 35023 price guide item(s) matching your search

A Late 19th Century Walnut Vienna Type Wall Clock with two train, eight day movement with brass gridiron pendulum, the white enamel dial with roman numerals, contained in an architectural case with circular glazed dial aperture above a shaped glazed panel. Height 45"

A mahogany satinwood and brass strung display cabinet. German or Austrian, late 19th century, the broken architectural pediment centred by a compressed ball and spire finial, the break top glazed door enclosing a lined interior and two shelves, over a breakfront lower section, glazed door enclosing a single lined shelf and rosewood veneered interior, glazed side panels, raised on a concave plinth and circular inlaid bracket feet with bevelled brass borders throughout, 39" wide, 90" high, 19" deep

A SLATE MANTEL CLOCK GARNITURE, c.1870, the case of baroque architectural form, Arabic dial, chiming mechanism, (with three keys and pendulum) height 33cm (7)

A SLATE MANTEL TIMEPIECE, c.1870, the case of architectural form, Roman numeral dial, (with key and pendulum), height 40cm (3)

A REGENCY PEN WORK TEA CADDY of eight sided form, interior fitted central mixing bowl and twin compartments, decorated architectural scenes within Greek key, trellis and spiral column surround, with ivory escutcheon, 12"wide 6"high.

A George III style giltwood pier glass, upright rectangular plate in architectural frame, the beaded cornice with floral scroll cartouche, with stylised roundel frieze, with bell flower and beaded pendant columns, later gilt painted, 126cm x 153cm (49.5" x 60")

A COLLECTION OF 1930S COLOURED ARCHITECTURAL STUDIES by J Gorham

A large reference collection of photographs of Newbury and area, including aerial views, street scenes, shop fronts, architectural details and many copies of early social history pictures, postcards, press clippings and other ephemera, with a number of original photographs by Keith Pritchard, all contained in eleven albums and two box files; sold together with a collection of modern postcards of Newbury

A quantity of assorted photographs, mainly portrait, some architectural.

A Delft blue and white clock case in the form of a longcase clock, of an architectural nature and painted with panels of dutch figures and scenes, height 44cm (17 1/4in), late 19th century (repaired finials)

A George II walnut and gilt gesso wall mirror,with egg and dart border, acanthus architectural crest, the rectangular bevelled mirror plate flanked by fruit and foliate swags, 143.5 high x73cm wide (56 1/2 x 28 3/4in), (restored and possibly reshaped)

Herbert K** Ablett, (20th century), Two groups of architectural elevations ofwaterworks, R.I.B.A. Final Examination Studies, both signed lower right, pencil and watercolours, 62.5 x 95 cm (24 1/4 x 37 1/4 in)

ROCHELEAU, Paul & SPRIGG, June 'Shaker Built, The Form and Function of Shaker Architecture', Thames & Hudson 1994 Tog. with FAESEN, Hubert & IVANOV, Vladimir 'Early Russian Architecture', London 1975 in slip case plus other Architectural interest. (10)

'The Works in Architecture of Robert and James Adam', Alec TIRANTI 1959 Tog. with SILVER, Nathan 'Lost in New York' NY 1971 plus other Architectural interest.

BROWN, Richard 'Domestic Architecture', London 1852 Tog. with 'The Builder Journal and Architectural Record', London 1899, vol. 9 only plus 3 others.(5)

A mahogany and inlaid wheel barometer, early 19th century, the broken architectural pediment above a convex mirror, thermometer and 8" mirrored dial, over a further mirror plate, the frame inlaid with Prince of Wales feather motifs refitted, 40" high

AN ARCHITECTURAL MAHOGANY CABINET with arched top, old mahogany panelled doors with brass lattice decoration, 77" wide

A large quantity of Victorian and later architectural oak, including panelling, door frames, architrave mouldings, etc. (of sizes - quantity)

A quantity of unframed watercolours and prints of landscapes, portraits and architectural pictures.

HERMIONE HAMMOND, chalk and watercolour drawing of an architectural scene Sun Lorenzo Vicenza, signed and dated 9/54, unframed - 12.5ins x 6.5ins.

A mahogany and inlaid corner display cabinet, 20th century, the broken architectural pediment above a harewood and boxwood inlaid foliate frieze over a ribbed glazed chevron strung door enclosing a lined interior with two shelves, over a foliate inlaid panel cupboard door enclosing a single shelf between canted angles and on shaped bracket feet, 28 in (71.12 cm) wide, 15 in (38.1 cm) deep, 81 in (205.74 cm) high

A Regency mahogany longcase clock, early 19th century, the canted architectural pediment above a glazed door and 12" square silvered dial with roman numerals, subsidiary seconds dial and marked Whitehurst & Son Derby, 8 day movement striking on a bell, the back of the dial inscribed 1818, above a bevelled arched top full length trunk door between canted angles over an ogive moulding and ribbed base board and plinth on flat block feet, the hood with side apertures re-lined, 82 in (208.28 cm) high

Francis Dodd (1874-1949), "Verona", etching, signed in pencil, unframed, 10", 8", and a quantity of other unframed etchings, the majority architectural subjects by different hands

George III provincial oak longcase clock, eight day movement with brass 10.5in (26.67cm) square dial, signed 'John Owen Llanrwst', engraved acid etched centre with subsidiary seconds, cast floral scrolled spandrels, the hood with architectural pediment and turned parcel gilt columns, the trunk with a shaped door within reeded quarter pilasters over a box base with shaped panel raised on ogee bracket feet (reduced in height and with restorations), 80 in (203.2 cm) high

A mahogany bureau cabinet, 20th century, in George II style, the architectural pediment centred by a brass eagle and ball finial over two inset panel cupboard doors flanked by reeded half columns and enclosing an arrangement of pigeon holes and adjustable shelves over two candle slides and three short drawers flanked by semi-secret pediment drawers, the crossbanded fall-front enclosing a central cupboard door, pigeon holes and stepped drawers over two short and three long graduated cockbeaded drawers flanked by fluted quarter columns and raised on ogee bracket feet, 36 in (91.44 cm) wide, 21 in (53.34 cm) deep, 80 in (203.2 cm) high

A William IV mahogany breaktop triple wardrobe, circa 1835, with architectural pediments, the centre section with two short and four long graduated cockbeaded drawers flanked by pointed arch panel full length cupboard doors raised on a plinth base, 80.5 in (204.47 cm) wide, 23 in (58.42 cm) deep, 76.5 in (194.31 cm) high

A George III oak cottage longcase clock, late 18th century, the broken architectural dentil moulded pediment with three brass ball and spire finials above a crossbanded square glazed door flanked by brass capped pilasters and enclosing an 11 inch white painted enamelled dial with Roman numerals, subsidiary seconds dial and date aperture, florally painted corners, 30 hour movement striking on a bell above a three quarter length crossbanded bevelled trunk door, ogive moulding and plain crossbanded base board and plinth, 81 in (205.74 cm) high

A George III mahogany and boxwood strung stick barometer, late 18th /early 19th century, the architectural pediment above a silvered vernier scale marked Cattelli & Co Hereford above a flat grooved rectangular body and circular domed cistern cover, 38 in (96.52 cm) high

An early 19th Century oval piece of agate, set in a classical architectural burr walnut frame with turned half-columns to each side, 9" x 11"

George III inlaid mahogany stick barometer, Circa 1790-1810, by Nixon, Newcastle, broken architectural pediment over a brass calibrated scale behind a hinged glazed door, the trunk with boxwood and ebony chequered stringing within a moulded border extending the length of the trunk and surround the cistern cover, being of flattened dome shape, 38 in (96.52 cm) long

Oak longcase clock, early 19th Century, broken architectural pediment over a 12 in. painted dial with Roman numerals, signed 'Owen, Llanwrst', with date aperture and subsidiary seconds dial (hands deficient), floral painted spandrels, eight day movement striking on a bell, the trunk with quarter pilasters, shaped door with brass escutcheon raised on a box base with canted corners and a raised shaped panel, ogee bracket feet (in need of restoration), 88 in (223.52 cm) high

A late 19th/early 20th century oak bracket clock, the brass and silvered square dial supporting a lenzkirch ting-tang movement, the architectural carved oak case with inset brass mounts and side handles, 17.25 in (43.82 cm) high

AN OAK COTTAGE LONGCASE CLOCK, early 19th century, the square hood surmounted by a broken architectural pediment and three gilt brass ball and spire finials above a blind fret carved frieze and reeded pilasters flanking a glazed square door enclosing a 13" white painted enamel dial with Roman numerals, subsidiary seconds dial and date dial, and marked 'Griffiths, LLan-?', florally painted corners, eight day movement striking on a bell above an ogee arched top trunk door flanked by fluted quarter pilasters over a cushion moulding, the base board applied with an ogee arched panel between canted corners and raised on shaped bracket feet, (distressed), 83 in (210.82 cm) high

AN OAK CASED "VIENNA" WALL TIMEPIECE, late 19th century, the 7" white enamel dial marked 'Sophus Petersen Skive' with Roman numerals and subsidiary seconds dial, the architectural case surmounted by a broken scroll pediment, fluted urn finial, glazed side panels, single weight pendulum driven movement, 60 in (152.4 cm) high overall

A MAHOGANY AND CHEQUER STRUNG STICK BAROMETER, early 19th century, by Molton, Norwich, the architectural pediment centred by a gilt brass finial above a rectangular glazed door enclosing a brass verniere scale graduated from 27 to 31 and thermometer from 100 (blood heat) to 20 (below freezing), chequer strung mahogany veneered trunk and circular dished cistern cover (restorations), 39 in (99.06 cm) high

A MAHOGANY AND BRASS INLAID TABLE CLOCK, 19th century, by Frodsham, Gracechurch Street, London, the broken architectural pediment and pineapple gilt brass finial above an arched glazed door with pierced brass top corners, enclosing a 12" high arched white painted enamel dial with Roman numerals marked 'Frodsham, Gracechurch Street, London', chime silent, dial in the arch, flanked by triple half cluster columns and fish side grills, quarter chiming double fusee movement striking on eight bells and a gong and marked 'Frodsham, Gracechurch Street, London' to the back plate, and raised on four gilt brass ball feet, (restorations), 20 in (50.8 cm) high, 8 in (20.32 cm) deep, 14.5 in (36.83 cm) wide

AN EARLY VICTORIAN FIGURED MAHOGANY TRIPLE WARDROBE, dated 23rd May 1848, the centre section with architectural cornice above two panel cupboard doors enclosing slides over two further panel cupboard doors, flanked by breaktop full length panelled hanging cupboards, one inscribed in pencil May 23rd 1848, and raised on a plinth base, (door cracked), 82 in (208.28 cm) wide, 22.5 in (57.15 cm) deep, 74 in (187.96 cm) high

A ROSEWOOD WHEEL BAROMETER, first half 19th century, the case surmounted by an architectural pediment and brass finial over a higrometer, butler's mirror in reeded slip frame, 8" silvered dial and level, (lacking thermometer), 37.5 in (95.25 cm) high

A GEORGE IV MAHOGANY AND INLAID WHEEL BAROMETER, date 1826, the architectural pediment and brass finial above a boxwood and harewood flower head motif and silvered thermometer flanked by conch shell motifs, over a 9" silvered dial marked 'Catelli & Co, Hereford', engraved with a butterfly motif and over a further flower head roundel, inscribed in ink on reverse 'Mr Bacgier Crowle, A Cattanio, Worcester 1826', 39 in (99.06 cm) high

A QUANTITY OF MAHOGANY FRAMED MAGIC LANTERN SLIDES, second half 19th century, the framed circular glass views by makers including Carpenter and Westtley, 24 Regent Street, London, and Newton, Fleet Street, London, including architectural views, sentimental subject matter etc., titled in black ink, and a quantity of unframed slides, and a complete negative set within a tin box, all within a pine hinged box

Architectural: a Victorian copper street lamp top, by Sugg Lighting, circa 1896, glazed on four sides, with original hinged hole for lamp-lighter's torch, 16in square, 34in high

A Regency Mahogany Chiffonier, the architectural back with single shelf supported by spindle uprights, the lower section with two panel doors, raised upon low bun feet

A Regency giltwood and gesso triptyc over mantel mirror, the architectural pediment over a deep frieze with applied classical figures and four lions pulling a chairot flanked by ornate corinthian columns, 89cm high, 111cm wide