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Venice Art and Architectural, 2 volumes and other titles (6)

Ruskin, John "The Seven Lamps of Architecture", sixth edition, George Allen 1889, half leather, marbled boards, raised bands to spine, illus., some offsetting, teg. Fergusson, James "The Illustrated Handbook of Architecture...", John Murray 1859, illus. throughout, bookplate inside front cover, two vols., half leather, raised bands, gilt titles, and Hurst, John Thomas "A Handbook of Formulae, Tables and Memoranda For Architectural Surveyors, Draughtsmen and Others Engaged in Building", E. & F. Spon (1929), sixteenth edition, blind stamped cloth (4)

Victorian marble and black slate mantel timepiece, the dial inscribed "W. M. Harris, 179 High Street, Uxbridge", in architectural style case, 30.5cm high

An early 20th century green alabaster cased mantel clock of architectural form with mercury pendulum, the dial inscribed `A Cassan`

WINE COOLERS, a pair, late 19th century silver plate, maker 'C. Pillet, Lyon' of architectural embossed design with floral embellishment, 24cm diam x 23cm H. (liners lacking). (2)

Five-course baroque guitar by Matteo Sellas, Venice, second quarter of the 17th century, the back of numerous fluted ebony ribs intersected by bone stringing, the ribs with a central band of similar construction flanked by plain ebony bands, the table with pierced parchment architectural rose encircled bone inlay with intersecting loops of ebony and bone with a running dart motif in bone, further inlaid below the bridge and at the base of the fingerboard with bone hearts of various sizes connected by ebony and bone stringing, the tie bridge with scrolling moustaches, the back of the neck and the central section of the head with a fine ebony and ivory chequerboard overlay, the fingerboard with panels of mother of pearl with ten later brass frets, the shaped head with ivory pegs, length of body 18 7/8", 48cm, string length 27", 68.5cmThis guitar was formerly the property of Sebastian Isepp (1884-1954), renowned picture conservator and chief restorer at the Kunsthistorischesmuseum, Vienna. Today, as a painter, he is credited as a leader of the Notscher Kreises School of Austrian Painting. His portrait by Kokoschka hangs in the German Nationalmuseum, Nurenberg. He came to Britain in 1938 at the instigation of Sir Kenneth Clark. He formed a collection of some thirty-five stringed instruments most of which were later dispersed, some passing into the collection of the musicologist and early stringed instrument player Robert Spencer. The remaining instruments passed to his son the renowned piano accompanist Martin Isepp (1930-2011)

Composite lute currently strung for six double courses, 18th century and later, the body of twenty-five rosewood ribs intersected by bone inlay, the table with pierced parchment architectural rose encircled by multiple stringing, one band inset with mother of pearl segments, further inlaid below the bridge and at the base of the fingerboard with mother of pearl hearts and with a polygonal tortoiseshell plaque above the bridge, the back of the neck with a fine ebony and ivory chequerboard inlay, rosewood fingerboard with eight frets and a further six frets on the table, guitar-style shaped head with reverse pegs, length of body 17", 43.2cm, string length 20 1/4", 51.5cm

A good collection of architectural drawing instruments, to include extending rules and set squares (box and two set squares)

A good George IV mahogany breakfronted secretaire library bookcase the architectural peaked pediment over a breakfront glazed bookcase section with eleven pane Gothic arch astragal glazing, enclosing adjustable mahogany shelves, over a breakfront base with fitted secretaire drawer, with six satinwood drawers flanking six pigeonholes over an open shelf, leather writing surface, flanked by two short drawers, all with turned mahogany handles, over four panelled cupboard doors, the centre cupboard with single slide drawer to interior, on a plinth base, 108in. (274.5cm.) wide, 98in. (249cm.) high, 24½in. (62cm.) deep.

A reproduction longcase clock, the mahogany case with architectural hood with broken swan neck pediment and reeded columns enclosing a arched brass dial engraved Richard Broad, Bodmyn, Cornwall

A Georgian longcase clock, the oak case with mahogany cross banding and inlaid detail, shaped trunk door flanked by reeded canted columns beneath an architectural hood enclosing an unusual oval painted dial with painted moon phase, globes and floral detail, seconds dial, calendar aperture and eight day movement

A contemporary Georgian style pier glass with architectural detailing together with two further wall mirrors of varying design

A late Victorian/Edwardian oak overmantle mirror, with broken arch architectural pediment, carved detail and numerous bevelled edged mirror plates

An unusual architectural item, on a canted rectangular oak base, a fragment of carving, two paintbrushes and an over mantel mirror

French brass mantel clock, circa 1900, architectural form with a domed top over a pierced brass dial with Arabic numerals and flanked by knights standing upon columns, the Mougin movement striking on a gong, standing on a plinth base, height 32.5cm Please note our special conditions of sale regarding clocks and watches

GEORGE GOODWIN KILBURNE, (British, 1839-1924), a framed and glazed watercolour depicting an architectural church interior scene with a figure, signed in pencil bottom right.

[THE BIBLE IN ENGLISH...] GREAT BIBLE VERSION black letter in two columns each of 53 lines, printer`s colophon within architectural border, lacks all leaves before part of the Litany, wanting one leaf each of Esther, Isaiah and Jeremiah, also NT title, two leaves of St Matthew imperfect, several leaves of St Luke holed, wanting one leaf of Acts and all leaves after the second leaf of the Revelation of St John, contemporary mid 16th c calf lozenge pattern roll binding with stamped brass bosses and corner pieces worn, waf, but entirely unrestored [J Cawood, 1569] (Herbert 127, 128 or 129) and John, Bishop of Chester, An Exposition of the Creed, fourth edition, 1676, sold not subject to return (2)

A FRENCH BRASS MANTEL CLOCK with primrose painted earthenware dial and side panels of birds in branches, the brass movement with circular plates and striking on a coiled wire gong, in architectural case with stepped pediment, turned finials and pillars, 33cm h, c1890 The lacquer with which the brass case has been coated darkened with the passage of time, the three panels undamaged, the movement in running order

A GEORGE III MAHOGANY ARCHITECTURAL STYLE CORNER CUPBOARD of splay fronted form with dentil cornice and fluted frieze with keystone, fitted with serpentine shelves enclosed by a pair of panelled doors with brass H hinges, on later ogee feet, 140cm h 56 c 98cm A good quality cupboard, originally with a a lower element. Fine quality timber in good condition.

A late 19th century German bracket clock with ionic column supports beneath an architectural frieze including a square brass dial with silvered chapter ring and two chain movement

A mixed selection of early postcards to include examples relating to British villages and rural scenes, coastal scenes, etc together with a selection of book plates and extracts to include Artworks on Coastal Scenes, Street Scenes and Architectural Drawings, etc together with postcard booklets "Souvenir of Sandringham" with "Boulogne Sur`mer" etc

Irish houses and architectural books including `Seats and Demesnes of the Nobility and Gentry of Ireland` limited edition Comprising of `Seats and Demesnes of the Nobility and Gentry of Ireland, engravings by Thomas Milton 1783-94` reproduced under the direction of Leslie Hewitt for Boethius Press, Kilkenny, 1983, limited to an edition of 585 of which this is 99. `Vanishing Country Houses of Ireland` by The Knight of Glin, David J. Griffin and Nicholas K. Robinson, The Irish Architectural Archive and The Irish Georgian Society, 1988. `Great Irish Houses and Castles` by Jacqueline O`Brien and Desmond Guinness, Weidenfeld & Nicholson, 1992. (3 items) P

1950s-1960s. A collection of almost 400 marquetry workshop designs By Hicks of Dublin The collection contains almost 400 designs and part designs, mostly on paper, with a small number of designs on veneer and wood. Among them are full size details of a kneeler for Killeshandra, Co. Cavan; an ornate Celtic design signed John Hicks 1952; survey of a plaque in the saloon of the Provost`s House Trinity College Dublin & many more. An interesting architectural archive. P

CAVELER W. and others, Architectural Notes on the Churches and other Medieval Buildings of Suffolk, London 1855, 1st edition, 8vo contemporary ½ calf; LEWIS R.W.M., Walberswick Churchwardens Account A.D.1450-1499, 1947 (2)

BOX; SANDON, Suffolk Houses, and others of local and architectural interest(31)

A Victorian Gothic Revival oak mantel clock, the case of architectural outline surrounding an unsigned silvered dial with Roman numerals, three winding holes for triple fusee quarter chiming movement with anchor escapement and nine hammers striking on two bells, h.71cm

An early 18th century walnut longcase clock, the re-veneered case with architectural pediment and three quarter turned pilasters flanking square brass dial, w.10", indistinctly signed beneath the silver chapter ring, matted centre, single pierced blue steel hand, twin winding holes for an eight day weight driven movement with six ringed pillars and striking on a bell, h.213cm

A parcel lot to include an architectural plaster sketch model of a relief frieze for the District Bank Birmingham, by architects Sandy and Norris depicting various types of industry with coat of arms with `The Birmingham Guild Ltd` and modelled by C H Blayinires` in pencil to the back, 48.7cm by 25.7cm, pair of 19th century paintings on glass depicting The Bull Ring and Birmingham university together with an oak framed and glazed brass plaque of a bearded figure clad in skins, probably Robinson Crusoe

A collection of seven architectural black and white prints, together with a botanical print (8)

Copeland porcelain octagonal cabinet plate having central painted architectural decoration within a gilded border, base with printed marks and title ‘Court of the Serai Bournou’, 23.75cm diameter together with a Copeland Spode cabinet plate decorated with a gilded central crest within a heavily gilded cobalt blue border, base with printed marks, 22.5cm diameter ** General condition consistent with age

A late Victorian oak cased station wall clock with fusee movement, the painted circular dial with Roman numerals, the architectural case with moulded arch pediment above fluted borders and a shaped apron, height approx 81cm, together with pendulum and key.

A Victorian slate mantel timepiece with eight day movement, within an architectural case and an oak cased mantel clock, both with a key and pendulum.

A late 19th Century American black painted cast metal mantel clock with eight day movement striking on a gong, the brass dial and enamelled chapter ring with Roman numerals, the case of architectural form with lion`s mask and ring handles, on a rectangular base, height approx 27.5cm, with a key and pendulum.

A late 19th Century German walnut cased mantel clock with eight day movement striking on a gong, the circular dial with Roman numerals, the architectural case with pagoda style top surmounted with turned finials, above turned pilasters and rectangular stepped base with bracket feet, height approx 45cm, with a pendulum and key.

A late 19th Century French brass architectural mantel clock with eight day movement striking on a gong, the silvered chapter ring with Roman numerals and inscribed `Jackman & Sons Ltd, Bath`, the backplate with `AB` maker`s initials of Achille Brocot, the case with arched surmount above two silvered and two-tone gilt friezes of classical figures, flanked by a pair of Corinthian columns on a rectangular base with shaped apron and bracket feet, height approx 33.5cm, together with pendulum and winding key.

A late 19th Century slate mantel clock with eight day movement striking on a gong, the two piece dial with Roman numerals, the backplate stamped `Ansonia Clock Co....`, the architectural case on a plinth base, height approx 32.5cm, together with pendulum and key (faults).

A late 19th Century slate and variegated green marble mantel clock with eight day movement striking on a gong, the two piece enamel dial with Roman numerals and inscribed `Ansonia Clock Company ...`, the case of architectural form, height approx 30cm, together with a pendulum, and a similar slate mantel timepiece with pendulum.

A late 19th/early 20th Century onyx cased mantel clock with eight day movement striking on a gong, the gilt dial with Roman numerals, the architectural case with gilt metal mounts, height approx 29cm, with pendulum and key (faults).

A late 19th Century German mantel alarm clock by Junghans, the dial with subsidiary seconds and alarm dials and Roman numerals, the architectural case with castellated surmount on a stepped base, height approx 28cm.

A late 19th Century slate and bronze architectural mantel clock with eight day movement striking on a gong, the dial with gilt Roman numerals, the architectural case with a pair of bronze classical maiden columns flanked by similarly cast panels of further classical figures, on a breakfront plinth base, length approx 67cm, together with pendulum (faults).

A 19thC French black slate mantel clock by Maugin, the architectural case set with marbles and gilt decoration

19thC French black marble mantel clock, the architectural case set with sample marbles, gilt decoration and marble columns

Geoffrey Scowcroft Fletcher (1923 - 2004) a group of five original pen & ink watercolours of architectural scenes including Parish Church at Walton on Thames, Egham Church and St Peter and St Paul Dymchurch all featured in 'Illustrated Carpenter & Builder' signed and dated in the 1950's together with a print of Gloucester Cathedral.

After the Antique - A `Grand Tour` gilt metal `Temple of Vesta` pen holder, late 19th century, of circular form, central tower form pen holder enclosed by columns on stepped circular base, 13cm high, with two further models of architectural form, (3).

An Italian ormolu-mounted, ivory and speciman marble inlaid table cabinet, late 17th/ early 18th century, of rectangular form, the spreading top with sliding cover over well, the hinged cover opening to reveal further well and decorated to verso with central marble square enclosed by cartouches of ivory scroll decoration around specimen stones . The two front doors similarly decorated to verso and opening to reveal an elaborately inlaid architectural interior set with seven drawers, two secret, and further drawer below. The whole raised upon associated later cabinet stand, 126cm high x 56cm wide x 36cm deep.

A MODERN WEDGWOOD SPRUCE GREEN JASPER WARE MANTLE CLOCK, quartz movement, with circular roman dial, in architectural setting with applied white decoration, 5 ½" (14cm) high, impressed marks

Lots 571-577 are from the collection of The Estate of the Hon Christopher Lennox-Boyd William Tatton Winter, British 1855-1928- "Stonehenge", publ 1926 by the Museum Galleries, 53 Shorts Gardens, London; etching, titled within the plate, signed in pencil, 27x35.5cm: Benjamin Green, British c.1736-c.1800- Views of ruins and houses , publ August 1st 1780 by William Davies No 25 Ludgate Hill; soft-ground etchings, seven, five on a shared sheet and two on a shared sheet, largest 9.5x14.5cm: together with a quantity of prints, 18th century and later, by and after various hands, depicting architectural subjects, various techniques, various sizes, (a lot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

British School, early 20th century, Album, containing a quantity of drawings in pencil, charcoal and chalk, prints, of portrait, figure subjects predominantly by a single hand, to include further architectural drawings by an associated and/or different hand(s), many inscribed and dated, mounted and loose in one album, various sizes, many laid down and mounted on sheets, 27x38cm (sheet): F Carruthers Gould, Froissart`s Modern Chronicles, 1902, publ T Isher Unwin, 1903, signed in black pen and numbered 35 from the edition of 50, bears ex libris for Hugh Charles Knowles, (2) (one album, one book)

After Frédéric Henri Kay Henrion, FSIA RDI MBE OBE, German 1914-1990, 34 Pond St NW3- "Information Kiosk Suspended Panel Detail, Festival of Britain 1951", drawing No SB3-T-135, 24 August 1950; dye-line print/architectural drawing, 66.5x98cm: together with a further eleven dye-line prints/architectural drawings for the Festival of Britain, 1951 to include those entitled: "Poultry Section 3 F/S Details A", "Poultry Section 3 F/S Details C", "Poultry Section 3 F/S Details D", "Poultry Section 3 F/S Details F", "Poultry Section Revised 3", "Forestry Section Cases", "Deep Freeze + 5F Meat Showcase H1A", "Poultry Section Details E", "Flower Engravings Display Wall", "Terrace Furniture Type 1", "Terrace Furniture Type 2", various sizes: After W S Whellan, British, mid 20th century- Interior with furnishings, hand-coloured lithograph, signed and dated 49 within the plate, 39x50.5cm., (13) (rolled) (unframed)

An Aesthetic period black slate mantel clock, manner of Lewis F Day for J.W. Benson, late 19th century, the architectural style rectangular case with inset blue floral panels, the circular dial with Arabic numerals and enclosed by gilt metal bezel, the 8-Day movement striking gong, 43cm high.

A George III 8-day longcase clock by Thomas Rogers, Bewdley, arched brass dial with engraved dial centre, subsidiary seconds, ringed winding arbors, contained within fine Edwardian mahogany and marquetry case, hood and trunk doors inlaid with neo-classical leafage, reeded quarter columns with architectural brass mounts, with pendulum, weights and all keys, 6ft. 9in.

A Victorian black slate mantel clock, architectural form with gong-striking movement, no key or pendulum, 17in. wide

A late 19th century French repeating carriage clock, with a 6cm white enamel dial signed G P Wehlen and Co, with a platform lever escapement, with repeat striking on a coil gong, within a architectural case with Greek key handle raised upon a plinth base, 18½cm, with an accompanying letter from a previous owner dated July 25th 02, with a red Morocco leather travelling case with overhead handle number 3680 (illustrated)

English School (1935), DESIGN FOR A MURAL, WITH A FIGURE, A HAMMER AND SICKLE TO THE CENTRE, WAVES, A TRAIN, ANIMALS AND OTHER FIGURES 'Architectural Association School of Architecture Session 1934-1935', mixed media, inscribed l.l. 60 x 155cm

A Victorian oak easel, of architectural design, with chip carving, 182cm high

'The Architectural Review, A Magazine of Architecture & Decoration', nine volumes, 1930-1938, cloth bound (9) CONDITION REPORT: Vol 68 1930, Vol 69 1931, Vol 74 1933, Vol 75 1934, Vol 76 1934, Vol 77 1935, Vol 78 1935, Vol 79 1936, Vol 83 1938

A laminated plywood and chrome armchair, 1960s, designed by John Penton MBE (b.1938) John Penton started his architectural career in the early 1960s and specialised in designing for the disabled. He set up Penton Smart & Grimwade in 1972 and was the access consultant for many hospitals and cathedrals including St. Paul's, London.

A Signed Architectural Print of Continental building on riverbank (Berlin), indistinctly signed in white painted metal frame, 28cm x 21.5cm

An early 20th Century oak cased mantle clock of architectural form, with a Junghans movement, width 35cm x height 31cm.

A 19th century architectural style Vienna style wall clock, case needs repair