We found 35023 price guide item(s) matching your search

A LEATHER FOUR-FOLD SCREEN19TH CENTURYpainted on a red ground with architectural vignettes and flowers, with gilt borders192 x 50.5cm (each panel)

A COLLECTION OF ARCHITECTURAL PLASTER MOULDINGS20TH CENTURYincluding: flowerheads, anthemion, foliate scrolls and honeysuckle and a collection of 'Shortwood' and 'Craven' plastic mouldings (a lot)15.5 x 16.5cm (max)ProvenanceGosberton Hall, Lincolnshire.

AN ARCHITECTURAL OVAL WINDOW OR OEIL-DE-BOEUFC.1800with a central oval pane inside eight fan shaped panes, in a white painted pine frame70 x 103.5 x 4.7cm

Architectural print, framed and glazed 50cm x 63cm approx 

A pair of 19th-century pine architectural pilasters; with moulded tops, panels and plinth bases; 230cm high, 33cm wide, 12cm deep

Two Parian wall brackets, one of scrolling foliate form and the companion of architectural form centred with three children flanked by displaying eagles, 24 and 27cm high.

Three painted plaster masks in the manner of Thomas Hope, 19th century; probably previously elements from an architectural scheme, including one resembling an Assyrian king and one depicting Tragedy; the latter 16cm high, 17cm wide

A Regency brass inlaid bracket clock, the double-fusee, five-pillar movement having an anchor escapement and striking the hours on a bell with pull repeat of the last hour at will, the round painted dial having black Roman numerals and blued-steel moon hands, the mahogany case with brass inlaid decoration, brass canted corners, brass fishscale fretwork, an architectural pediment with brass pineapple finial and standing on brass ball feet, height 50cm including finial.

R. Jenings, London an oak longcase clock the eight-day duration movement having finned pillars and striking the hours on a bell, with brass bound weights, the twelve-inch square brass dial having a raised chapter ring engraved with black Roman numerals and makers name R. Jenings, London, the matted centre with date aperture and subsidiary seconds dial, with cast-brass cherub-and-crown corner spandrels, the associated oak case with Greek-key crossbanding, the hood having fluted columns and an architectural pediment top, height 210cm inc. finial.Notes: Possibly by Robert Jennings of St Sepulchre parish, apprenticed 1691 and a Freeman of the Clockmakers' Company from 1703 until 1735, died circa 1743.

John Gally & Co, Exeter, a Georgian mahogany stick barometer the brass dial having usual barometer markings and engraved with the makers name Jno. Gally & Co, Exeter, with an inset thermometer, the mahogany case with crossbanding, turned cistern cover and surmounted with an architectural pediment, height 97cm.John Gallie (Gally) & Co are recorded as working at the Old Golden Lion in Guinea Street, Exeter and advertised as makers and repairers of barometers at this address in the Exeter Flying Post of 19th July 1798. A similar example is illustrated in Time in Exeter by Clive N. Ponsford, plate 45.

In the manner of Viviano Codazzi (Italian, 1603-1672) Architectural Capriccio Oil on canvas 96.5 x 71cm.'Provenance, Chateau de Vouzeron, Upper Loire, Department du Cher, France'

ARCHITECTURAL CLOCK. A Wurttemberg, 14 day strike, architectural mantle clock with mahogany & burrwood veneers. Max. height 44cm.  All clocks in this auction are previously owned & are offered on behalf of private vendors. We cannot guarantee that any clock is in continuous working order or may not require attention. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk. 

Pair of Meissen style porcelain tazza, the pan tops painted with floral sprays, architectural and floral columns, the bases modelled with winged frolicking cherubs, blue crossed swords mark and painted FC monogram, 21cm, (as found).Qty: 2Condition report:One tazza has a chip to its rim. One cherub on the other tazza has a repaired wing. Both tazzas have some loss of gilding and minor losses to flowers. The columns on both are rather loose and the pan tops appear to be slightly off-centre. Please see additional uploaded images.

A CHINESE CARVED, PAINTED AND GILT WOOD PANEL Figures in an architectural setting 28 x 28cm

A 1937 TRADE BOOKLET; 'THE CEMENT MARKETING COMPANY Ltd' in moderne style with colour illustrations and colour charts, with a James Walker (Architectural decorations limited) Architectural woodwork and fibrous plaster leaflet, another for James Clark and Son Bournemouth Stained glass, and other items

PHILIP NUNAN, ARCHITECTURAL STUDY watercolour, 1961, 62 x 47 cms, with two other pictures

A Resin Mantel Clock in the Form of a Slate Clock of Architectural From with Top Finial of Classical Maiden Reading Book, Chip to Corner, 4cms High

A 19th century brass architectural design mantle clock with tile detailing to the roof. Silvered dial with Roman numerals. H.P&Co brass movement. H.38 W.23 D.16cm.

A QUANTITY OF ARCHITECTURAL ELEMENTS (QTY)Including reconstituted stone bases, 25cm wide; 20cm high, two terracotta acanthus finials, 20cm wide; 20cm high, a pair of hardwood columns, 250cm high, wall mounted saddle racks and an oak stair balustrade, 300cm wide; 52cm high

AFTER FRANCESCO GUARDIAn Architectural Caprice oil on canvas 54.5 x 39cmProvenance: A House on Belgrave Square - Part I  See Bellmans website article for further details.

A GEORGE III STYLE MAHOGANY LONGCASE CLOCKLate 19th Century The dial inscribed Thomas Milne, London, the hood with an architectural pediment, flanked by fluted columns enclosing a square glazed door, the trunk inset with an arched panel door between fluted quarter-columns, on a panelled plinth base and apron plinth, the 13in. square engraved silvered dial with seconds subsidiary, inscribed at the VI Thomas Milner London, the twin train movement with anchor escapement striking on a bell, 230cm high overallCondition reportWith two cast iron weights,  winding crank key and brass bob pendulum.  The movement would benefit from a clean and service.  The silvering to the dial is stained.  The case is in good original condition.  The left skirt panel is loose.

AN AUSTRIAN ORMOLU MOUNTED WALNUT AND WHITE MARBLE ARCHITECTURAL QUARTER STRIKING MANTEL CLOCK19th Century With drum case above a mirror mounted portico with marquetry base, the enamel dial with Roman hours and days, double bell striking movement, pendulum and key 35.5cm wide; 59cm highProvenance: A House on Belgrave Square - Part I  See Bellmans website article for further details.

A PAIR OF GEORGE II STYLE GOLD PAINTED WALL MIRRORS (2)Each with cartouche centred architectural cornices, 93cm wide; 152cm highProvenance: A House on Belgrave Square - Part I  See Bellmans website article for further details.Condition report: Both mirrors are in good modern reproduction condition, no damage or faults. Please note both mirror plates have been artificially aged. 

19th century English School, watercolour, Design for an architectural mural, 20.5 x 46cm, unframed

Twenty-three 19th century and later pencil, ink and watercolour sketches, Landscapes and architectural designs, including examples by Edward Goodall, unframed, largest 15.5cm x 20.5cm

TWO ARCHITECTURAL PLASTER MOULDS and two plaster plinths formed from one of the moulds, the largest mould being 80cm long 38cm wide

After Walter Edwin Law (1865-1942, British), monochrome etchings, Seven etchings of architectural subject matter, including Old Houses in Holborn, Bank Street and The Royal Exchange, The Old Curiosity Shop, in London, Oxford Street and the Palace Theatre, in Manchester, and others, all signed to the margin, framed, mounted, and under glass, measuring 13cm x 16cm, & 22cm x 26cm overall

ARCHITECTURAL GARDEN SWING SEAT, 228cm x 180cm x 90cm, Regency style, faux Verdigris metal frame.

ARCHITECTURAL WALL MIRRORS, a pair, gated design, aged metal frames, 88.5cm x 69cm. (2)

ARCHITECTURAL GARDEN MIRRORS, set of three, 160cm high, 67cm wide, Gothic style with overlaid glazing bars, painted distressed metal frames. (3)

Peter Nuttall (1943-2011 Large Framed Ink and Wash architectural scene. 72 x 52cm

Peter Nuttall (1943-2011) Framed Ink and wash Architectural interior scene.54 x 35cm

A Victorian mahogany sideboard dresser with mirrored back. Base section having two drawers with brass swing handles, above an open recess flanked by two cupboards, containing internal shelves. Carved and architectural decoration. Top section with broken pediment and dentil moulding, with a large central bevel edge mirror, flanked either side by smaller mirrors, L152cm x D56cm x H210cm

A good oak architectural case mantle clock.

Late 19th/early 20th century slate and marble architectural garnitures  with twin train movement clock striking on a coiled gong, 36 x 14 x 33 cm (3)

Lethaby (W. R.) Westminster Abbey Re-Examined, first edition, specially-bound presentation copy to Frederic Stuttig, with manuscript presentation inscription in red calligraphy pen and c. 40 signatures on 7pp. of additional front free endpapers, illustrations, contemporary burgundy morocco bound by the L. C. C. Central School of Arts and Crafts, tooled with decorative corner-pieces and boarder, with 'FS' monogram on upper cover with green onlay, spine gilt in compartments, g.e., spine faded, 8vo, 1925. *** The Central School of Arts and Crafts was established in 1896 by the London County Council, it became part of the London Institute in 1986 and in 1989 merged with Saint Martin's School of Art to form Central Saint Martin's College of Arts and Design. William Richard Lethaby (1857-1931) trained and practiced as an architect, but was also a designer, educator, and architectural theorist and historian. He was a very important influence on art education and on the Arts and Crafts movement in Victorian Britain.  The dedicatee of this presentation binding, Stuttig, settled in England before 1891 and taught wood carving and gilding at the Central School and at Camberwell.

Architecture.- Swedish School (18th and 19th century) Collection of over 50 architectural drawings, including elevations, plans and diagrams, by various artists but all unsigned, pen and ink, watercolour, some pencil studies, various sizes between 100 x 150 mm (4 x 5 7/8 in) and 350 x 530 mm (13 3/4 x 20 7/8 in), handling creases, occasional surface dirt and staining throughout, all loose and unframed in portfolio, [mainly late 18th and 19th century] (c.50)Provenance:Värnanäs Manor, Sweden; then by descent.

Curtius (Cornelius) Virorum Illustrium, engraved architectural title and 30 full-page portrait plates by C. Galle after J. Francquart, illustrations, ink inscriptions to title, light browning, some foxing and spotting, contemporary vellum, yapp edges, a little rubbed and soiled, lacking ties, 4to, Antwerp, Joannes Cnobbaert, 1636.

Mariette (Jean) and others. Large collection of plans and architectural diagrams relating to French chateaux and their gardens, approximately 85 sheets, including the park and gardens at Chantilly, Chateau du Stain, numerous elevations of Versailles, Chateau du Bagnolet, and other French architectural sites, engravings, sheets of various sizes between 300 x 470 mm (11 3/4 x 18 1/2 in) and 520 x 840 mm (20 1/2 x 33 in), old folds and handling creases, minor spotting and surface dirt, all loose and unframed in oversized portfolio, [mainly 18th century] (85)Provenance:Värnanäs Manor, Sweden; then by descent.

Early 20th century gilt brass cased mantel clock of neoclassical design Early 20th century gilt brass cased mantel clock of neoclassical design, dial with Arabic numerals, the heavily cast decorative case of architectural form with a domed top and cast fawn busts to each side26cm high

Two stone architectural sections/facings, probably once part of the old Garret Hostel bridge, Cambridge, 118cm overall width

A sycamore architectural arch triple mirror frame. Height 100.5cm x 68cm.

A late 19th Century carved walnut cased cuckoo clock of architectural form, on a plinth base, height 50cm, and a wall mounted cuckoo clock, damages. (2)

GROUP OF FIRST DAY COVERS, including European Architectural Heritage Year, Railways 1825 - 1975, Christmas 1975 and many othersQty: 8 albums

Architectural Salvage - a collection of late Victorian and later tiles, various patterns (quantity)

Architectural Salvage - a set of four Art Deco cast iron bath feet; other architectural salvage, keys and locks, door handles and knobs, letter boxes, other door furniture; turned mahogany, pine and other treen finials and posts; qty

A French architectural rouge marble mantel clock, gilded Roman numerals, twin winding holes, 33cm wide, 21cm high, late 19th century

Architectural Salvage, Sporting Interest - two Packard & Ord Golfing tiles, framed

A 19th century French black marble mantel clock, architectural case, c.1880

Architectural Salvage - a collection of 1960's and later tiles including Kenneth Townsend, Chelsea Pottery etc (quantity)

A Victorian architectural and black slate mantle clock, 8 day movement with silver dial and roman numerals. H - 32cm. With pendulum, no key.Good overall condition, some visible surface chips, rubbing to gilding and dial. No key, pendulum present. Circular metal back missing.

19th century black slate architectural two train mantle clock garniture with figural pediment and two Grecian style figural pergola supporters. The clock 52cm high approx. (B.P. 21% + VAT)  Images of movement and pendulum added.

After Isaac Oliver (British, c.1556-1617),A bust length portrait of Sir Philip Sydney [Sidney] set in an architectural oval,Engraving on paper by Jacob Houbraken (Dutch, 1698-1780), published by John and Paul Knapton, London 1744,The plate 37cm x 24cm,The sheet 42.5cm x 26.5cm,Framed and glazed Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates

After Sir Peter Lely (British, 1618-1680),A bust length portrait of William Seymour, Duke Of Somerset set in an architectural oval,Engraving on paper by George Vertue (1684-1756), published by George Vertue, London 1714,Lady Harlech collection label verso,The plate 38.5cm x 25.5cm,The sheet 38.5cm x 25.5cm, pasted to a backing sheet,Framed and glazed (at fault) Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates

A near pair of architectural composite simulated stone figural corbel/columns, each cast as a classical female figure over acanthus scrolls, 214cm H x 36cm W x 30cm D (2)

A Victorian polished slate clock garniture, comprising; a mantel clock, signed ‘R. Russell, Liverpool’, of architectural form, with a two train 'Marti' movement striking on a coiled gong, 30cm high, and a pair of associated bronze inset campana type urns, depicting Neo-classical friezes, 28cm high (3)

A German brass cased bulk head clock, by Schatz, 13cm dial, with a two train movement, a brass cased drum clock with a 9cm dial and subsidiary alarm dial, striking on a saucer bell, a brass cased carriage timepiece with 5cm dial, within a fluted architectural case, 12cm high, a second brass carriage timepiece, 10cm high, and one other (5) (at fault)

A Victorian slate mantel timepiece, of architectural form, with 11cm dial and single train movement stamped 'G.R', with pendulum, 26cm high, an oak cased two train mantel clock, the French movement stamped 'Marti' striking on a coiled gong, 20cm high, an Elliot green onyx mantel timepiece, with integral key wind, 17cm high, along with a second similar clock, 19cm high (4)

A German oak cased bracket clock, by Winterhalder and Hoffmeier, late 19th/early 20th century, the architectural case with fluted pilasters and simulated brick work enclosing the 16cm gilt metal and silvered dial, applied with Roman numerals and centered with a retailers plaque 'A.W Butt, Wrexham', the three train movement striking on five coiled gongs, stamped 'W & H', 42cm high, with key and pendulum

A French ebonised eight day portico clock, signed 'F.L Hasuberg, Paris', mid to late 19th century, of typical architectural form, inlaid with cut brass foliate marquetry detail, the 8.5cm enamelled dial applied with Roman numerals and the makers name, enclosing the two train movement striking on a saucer bell, the backplate similarly stamped with the makers name, all upon four barley twist supports and an integral plinth base, 50cm high, the brass pendulum relief cast with scroll and foliate detail, with key