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A VICTORIAN OAK MANTEL CLOCK with quarter-striking movement by Winterhalder & Hofmeier, the brass dial with silvered chapter ring, roman numerals, and foliate cast spandrels, two subsidiary dials, 'chime and silent', and for fast and slow speed control, the architectural case with pillars to each side, on an inverted breakfront pedestal base, 39.5cm high x 30cm wide x 19.5cm deep

A BLUE OPALINE GLASS SCENT BOTTLE WITH CLASSICAL STYLE STAND second-half of the 19th century, the cylindrical body with architectural decoration in relief in the manner of Wedgwood, gilded stopper, collar and central band, the gilt-metal stand mounted on an octagonal base, 21cm high overallProvenance: The Richard Hoppé Collection

PUGIN (A) Specimens of the Architectural Antiquities of Normandy, 1827, 4to, engraved by J. Le Keux, title and first few leaves waterstained, quarter calf; NEWLANDS (James) The Carpenter and Joiner's Assistant, 1867, folio, plates, half roan, rubbed; MAWE (Thomas) Every Man his own Gardener, 6th edition 1773, 8vo, frontis, contemporary calf; MARRYAT (Captain) Poor Jack, 1840, frontis damp stained, original cloth, rebacked, endpapers replaced; GOLDSMITH (O) History of the Earth and Animated Nature, 4 vols., 1797, 8vo, plates calf; few others including CASSON (Hugh) Oxford and Cambridge (both signed), and London

Collection of loose and unframed prints and engravings. J Scott after C Tomson, Orville, engraving, foxing to right margin; Lumb Stocks after W P Frith, Many Happy Returns of the Day, engraving publ. McQueen; After Hogarth, Mr Garrick as Richard the 3rd, later hand coloured, trimmed and laid down; The Harlot's Progress, 3 plates; various plates of classical architectural details (later impressions); with various modern reproduction poster prints published by Museum Prints

A large Victorian photograph album initialled ‘M.C.W.’, containing images of topographical, architectural and genre interest to include views of Algiers, Bearwood House, The Wilberforce Oak, Edinburgh, London etc., various sizes, approximately 88 in total

A QUANTITY OF ARCHITECTURAL INTEREST PHOTOGRAPHS

A Victorian rolled gold and micro mosaic brooch, the oval micro mosaic depicting a classical architectural scene, within a black bevelled border, the pierced rolled gold frame with chased ribbon decoration, overall 63 x 54mm.

A carved and painted wood architectural moulding, with mask decoration, height 26cm, width 35cm

[ California Modern ] A 1970s elm and cane open arm chair by Gene L. Hackleman, employing the decorative use of through tenons wedged with contrasting timber, the frame slotted to accommodate the wrapped canning, and having a distinctive back rail, 58.5 x 52 x 82 cm [California Modern is associated with an architectural movement prevalent from the 1930s to 1960s, particularly architects such as Charles and Ray Eames]

A large and impressive bell stand, housing a heavy cast bell metal marine (?) bell, 20th century, suspended from a tubular brass frame with carved mahogany crown finial above turned mahogany top with cast iron architectural supports over a conforming turned mahogany disc base. 51 cm diameter of frame x 172 cm overall height of the frame, The bell is 31 cm in diameter and around 32 cm overall heightA private estateGood decorative order with working bell ( a good sonorous tone)

An 18th-century Venetian style painted and parcel gilt figural blackamoor table lamp, 20th century, the figure holding aloft four sconces issuing from a cornucopia, he stands upon a stepped architectural base. 35 cm wide x 94 cm overall height

A large late Victorian carved oak cheval dressing mirror with scroll cornicing above an arched bevelled mirror plate and stop fluted frame, supported by a pair of architectural form columns over an inverted breakfront base with acanthus corbels and large compressed bun feet. 107 cm wide x 54 cm deep (at the base) x 185 cm overall height.A private estateGood condition.The uprights were originally fitted with articulated brass candle sconces hence the old fixing holes on the reverse of the frame, holes on the actual mirror frame reverse would have presumably been stays foe such a monumental mirror.The mirror plate is in good order and of good quality and looks contemporary but of course I can't confirm this without disassembling the frame.

A Louis XVI-style gilt metal cased 8-day mantle clock of architectural arched form, with Sevres style bleu nouveau porcelain panels and dial painted with romantic scenes, the Japy Brothers movement chiming the hours and half hour as a passing strike on a single bell. 18.5 cm overall width x 42 cm overall height.Porcelain panels OK

ART DECO DIAMOND BAND BRACELET, CIRCA 1926Of openwork form with repeating architectural motifs of Persian inspiration connected via two buckle-shaped links and a similarly-shaped clasp, millegrain-set throughout with old brilliant, single and rose-cut diamonds, each central quatrefoil motif set with an old cushion-shaped diamond, mounted in platinum, principal diamonds approximately 0.85, 1.05 and 0.85 carats, remaining old brilliant and single-cut diamonds approximately 21.20 carats total, rubbed maker's mark, French import mark, length 19.0cmFootnotes:For two comparable diamond 'band' bracelets by Cartier, each dated 1926, see, Burollet, T. and Chazal, G., 'The Art of Cartier', pp.77-78, ill.pl.47, cat 274 and Rudoe, J. 'Cartier 1900-1939', 1997, p. 270, cat 208, ill.p.271. Like the present lot, each of the aforementioned bracelets features a buckle-link motif which is used again in the form of the clasp. The Persian inspired patterns used occur widely in Islamic architecture and textiles. For a page of arabesque patterns taken from a variety of Islamic sources headed, 'Caractéristiques arabes', in a sketchbook attributed to Charles Jacqueau at Cartier, see Rudoe, J. 'Cartier 1900-1939', 1997, ill.p.294, cat 233.For further information on this lot please visit Bonhams.com

A CARVED WOOD ARCHITECTURAL BRACKET, TAMIL NADU, SOUTH INDIA, 19TH CENTURY in the form of a mythical lion (yali), with long trunk-like snout, bulging eyes and bared fangs, rearing on a scrolling branch, mounted, 51cm

A GANDARA GREY SCHIST RELIEF PANEL, NORTH-WESTERN PAKISTAN, 3RD/4TH CENTURY depicting the Buddha and his disciples within an architectural niche, the bearded figure of Vajrapani standing behind him, mounted, 12.4 x 24.5 x 4.5cmProvenance: Formerly property of a deceased British diplomat, thence by inheritance

IRISH ARCHITECTURAL AND DECORATIVE STUDIES20 volumes (vol. 12 x2) and a quality publications of Irish Georgian SocietyCondition Report: Missing volume 13, two copies of volume 12

A George III mahogany bookcase cabinetcirca 1760of one piece, the dentil cut cornice above a blind fret frieze, the pair of glazed panel doors enclosing adjustable shelves, the base with a pair of flame panel doors and four ribbon tied and diamond mouldings, on a plinth baseheight 237cm, width 167cm, depth 33cm approxCondition:: In good condition overall with marks, scratches and wear commensurate with age and use. One minor moulding loss to left door. The right return moulding to the base looks later, the side moulding above is later. On the other side the lower section of the base, below the moulding is later. The right to left frieze section is a little uneven to its right side, most likely due to shrinkage to the wood.It is possible the cabinet may have been an architectural fitment.COLLECTION NOTICE.  Lot 6  Must  be collected from the Auction venue by 1pm Friday 28th.  Please arrange transport before this deadline.   We are unable to transport this lot into our storage facility after the auction. 

Early 20th Century walnut probably German architectural two train mantel clock. (B.P. 21% + VAT)

A French brass mantel clock, 19th century, by Achille Brocot, the architectural case with flaming urn finials over the 9cm dial, flanked by columns applied with filigree detail depicting hounds and a stag within intricate foliate scrolls, the two train movement stamped 'A B' striking on a coiled gong, 41cm high, with pendulum (at fault)Condition reportExtensive tarnishing to the dial, numerals barely visible, further minor general tarnishing to the case.Cork blocks have been applied to the inside of the panel below the dial.Both barrels seem to wind ok, although this is no guarantee of working condition 

A walnut cased German eight day mantel clock by H.A.C ( Hamburg America Clock Co), late 19th century, the architectural case with fluted pilasters flanking the 13cm gilt metal and silvered dial, enclosing the two train movement striking on a coiled gong, makers label to the door interior, with pendulum, 48cm high

A sandstone architectural finial, of Gothic pyramidal form upon an integral plinth base, 66cm high, along with a reconstituted stone pillar of fluted architectural form, 85cm long (2)

An Edwardian architectural lead rain water hopper, cast in relief with the year '1906', along with rose and fleur-di-lys motifs, punctuated by wrythen pilasters, 40cm H x 60cm W

A PAIR OF BRONZE FIGURES OF WILD DOGSLATE 19TH CENTURYOn architectural stepped bases, 28cm high (2)

A LONG NEEDLEWORK PANEL DEPICTING STORIES FROM AROUND THE BIRTH OF CHRIST PROBABLY FLEMISH, 17TH CENTURY Possibly a valance section with biblical scenes including Mary and Joseph travelling to Jerusalem, against an architectural frame with verdure panels to each end, scrolling floral border the panel (including drop sections) approximately 53cm x 176cm, now in a later Victorian glazed gothic oak frame, 74cm x 196cm overallCondition Report: Please refer to additional images for visual reference to condition. The ends truncated and the upper and lower borders held in with quite loose spiralled threading suggesting they may be of a similar date but associated. Some old insect holes- unexamined out of frame but suggestions that there have been old small spot repairs and restitching Frame with Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

Y AN UNUSUAL ROSEWOOD FOLDING CARD TABLESECOND QUARTER 19TH CENTURY Of architectural form75cm high, 95cm wide, 46.5cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useSome old chips, losses, replacements to some veneer and inlay, the timber to the rear folding supports appear to be later, probably a good repair, these are stable,The interior with an old baize, this has marks, stains, rips, tears, signs of age and use, it is probably not original - a new baize or leather could be fittedOverall the exterior with a cleaned and polished appearance overallPlease see additional images for visual reference to condition  Condition Report Disclaimer

A POTTERY ARCHITECTURAL JAR AND COVER20TH CENTURY modelled as temple with cypress trees and figures inscribed 'The house of the Sun' decorated with Grecian verse and animals, 35cm high Condition Report: Large firing faults to the base and as a consequence, some maker's repairs. See supporting images.Condition Report Disclaimer

A PAIR OF PAINTED PINE WALL BRACKETS IN AN ARCHITECTURAL STYLEMODERNPainted in shades of pale green and gilt 44cm high, 58cm wide, 40cm deep  

A set of three Chinese silk and metal thread embroidered cuffs or robe segments, early 20th century, the blue grounds embroidered with animals, birds, flowers and architectural and floral motifs, each segment approximately 58cm long, each 70cm high, 21cm wide overall including frame (3)

A French Victorian brass mantel clock the eight-day duration movement having a platform lever escapement and striking the hours and half-hours on a bell, the backplate numbered 2390, the gilded brass dial having filigree decoration to the centre, with black Arabic numerals and blued steel cruciform hands, the brass case with fluted columns, an architectural pediment and applied classical mounts, height 19.5cm.

A French Edwardian alabaster mantel clock having an eight-day duration timepiece movement, the round white enamel dial with black Roman numerals and blued-steel spade hands, the alabaster case of architectural form and having pillars to the sides and surmounted by an architectural pediment, with gilt-metal mounts height 45cm.

Comitti & Son, London a reproduction stick barometer the mahogany case having decorative inlaid stringing, an architectural pediment and turned cistern cover to the base, the silvered dial with usual barometric markings and sliding Vernier scale, an inset thermometer and signed O. Comitti and Son, London, height 98cm.

Circle of Jonathan Richardson (British, 1667-1745)Portrait of a young noblemanstanding half-length, wearing a red coat and white jabot, a tricorn under his left arm, a landscape and architectural setting beyond, within a feigned oval reserveoil on canvas74.5 x 62cm

Charles Grignion (British, 1721-1810) after Samuel Wale (1720-1786)English Monarchseach with printed signatures in the plate and printed inscription Engraved for Mortimer's History of Englandthirty-five engravings, probably book plateseach 24 x 16cm (unframed); together with a set of 19 prints of architectural ornament after Ed. van den Bossche (Belgian, fl. late 19th century), modern, each bearing printed inscriptions; and three illustrations in the manner of manuscript illuminations

John Shapland (British, 1865-1928)Five architectural studies of capitalseach with blind E. S. K. stampwatercolour over pencilthe largest example 9 x 6cm (sight);together with two studies of Medieval ornamentation in the style of illuminated manuscripts, and a decorative border, each also stamped ESK (8)The blind stamp likely refers to Examined South Kensington, indicating that the present works were likely examination or study pieces carried out early in Shapland's career.Provenance:A private collection of works by John Shapland, including contents of the artist's studioPublished in Peter D. Thomas, Exeter's Lost Artist, John Shapland, pub. 2016

A quantity of wood architectural mouldings, late 19th/early 20th century, mostly oak, including egg-and-dart, acanthus and other foliate and floral patterns, likely used as moulds for plasterwork, various sizes, approximately 20 in the lotProvenance:A private collection of works by John Shapland, including contents of the artist's studio

A group of sixteen plaster casts of architectural ornament, mostly early 20th century, comprising a rectangular plaque cast with fruiting swags and inscription C S C 1908, four assorted plaques with ciphers, and one with crossed keys; a fragment of a bird in flight; and other mostly foliate and floral mouldings, assorted sizesProvenance:A private collection of works by John Shapland, including contents of the artist's studio

A group of twelve plaster casts of Neoclassical reliefs and architectural ornament, mostly early 20th century, including a relief of an Adam-style urn, a portrait relief of the Duke of Wellington, a cast of an architectural relief with shells, a small scrolled cast with the head of a sphinx, a seated griffin, foliate mouldings, and others, assorted sizesProvenance:A private collection of works by John Shapland, including contents of the artist's studio

A large quantity of plaster casts of Medieval and Gothic style architectural ornament, mostly early 20th century, including a partial portrait relief of a veiled woman, two reliefs of angels, an oval plaque with two hands holding, two casts of sprays of lilies, and various fragments of foliate mouldings, assorted sizesProvenance:A private collection of works by John Shapland, including contents of the artist's studio

A Victorian carved oak table top cigar and cigarette cabinet, for Army & Navy CSL, late 19th century; of architectural form, the 'broken pediment' with central urn, above a scrolling foliate carved architrave; the twin glazed doors opening to two short and three long drawers, all with cedar linings, one with inset retail plaque; above a carved base with bracket feet; 62cm high, 39cm wide, 20cm deep

*Colin Moss (1914-2005) oil on paper - Architectural Gem, (Ipswich Town Hall) signed and dated '75, titled verso, 56cm x 37.5cm, unframed

‘Kits Coty House': An important G. & J. Lines furnished dolls’ house, dated 1912, modelled as double-fronted villa with bay windows and a balcony above the wide front door, the mansarded roof with dormers, a widow's walk and a clock tower, the four-roomed interior with staircase and interior doors, original finishes and fireplaces, the furnishings of later date, 110cm high.This house bears a brass plaque engraved 'Kits Coty House, Harleston, 1912'. It is illustrated by Jean Latham, Dolls’Houses, A Personal Choice, (1969), p.145 and discussed at p.134. It is from this house that all other houses of this type take their name. 'Kits Coty' is in fact a megalithic burial ground on the North Downs in Kent.***CONDITION REPORT***Some tears and losses to original roof papers but architectural elements present, the wider facade with blemishes and wear commensurate with age, the hinged doors opening well to reveal a partially papered interior.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

'Hickman House': A large English cupboard house, mid 19th century, the hinged doors opening to reveal six rooms, the facade with painted architectural details including a fine wood-grained front door with scrolled pediment, the interior with a wall constructed staircase with turned baluster and posts, the opening interior doors with brass handles, one room containing a tinplate fireplace by Evans & Cartwright of Wolverhampton, 141cm high.Bought from Irene Blair-Hickman in the 1960's***CONDITION REPORT***The exterior partially repainted with superficial blemishes throughout, the hinged facade opening to reveal mostly later papers and fittings throughout.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Late Victorian/Edwardian French Black Slate Mantel Clock of Architectural Form, Ormolu Mounted Reeded Column Decoration and Vase Finials, 45cms Wide

Almarie Carpreau, oil on canvas, architectural study, signed, 46cms x 61cms, framed

Eugene Bejot, signed etching, figures in a market square, 23.5cms x 20cms approximately, together with a framed monochrome watercolour drawing, various architectural and other studies, signed Gibson, 25cms x 16cms approximately, gilt framed

Collection of photographs and negatives from architectural buildings, a small suitcase containing a collection of various early 20th Century photographs, postcards etc.

A selection of picture cards and other ephemera, including: cigarette cards by Wills and Players; picture postcards of architectural abbeys around the UK; UK landscape and tourist destination postcards; and others, all contained in albums and folders, one box.

A needlework upholstered and beaded floral tapestry or wall hanging, with Paisley pattern, flower head and scrolling foliate decoration, 153 x 103cms; together with a smaller beadwork tapestry, illustrating an Eastern architectural scene; and two other textiles. (4)

FOUR ARCHITECTURAL PRINTS AFTER B. COLE, comprising The south prospect of Somerset House in the Strand, The East prospect of Haberdashers Alms Houses at Hoxton, The Admiralty near White Hall and Merchant Taylors School and St Pauls School on one sheet, landscape and portrait format, frame sizes 59cm x 45cm

A 19th century Russian white metal Neillo box, of hinged rectangular form, having a central architectural vignette within a shaped surround and checkerboard decoration, opening by button release to reveal the gilt interior and marks '84' 'B.C 1963' 'AC' , possibly Veniamin Vasilyevich Savinsky, 10cm, 99grams

Set of twelve black and white silver gelatin photograph trading cards. Provides beautiful architectural views and street scenes in the city of Bath. Photographs have a deep depth of field and high contrast. Descriptions printed on backs of photographs. Encased in green folio. James Valentine was a Scottish photographer active in the mid to late 1860s and became internationally famous for his postcards. Artist: James ValentineIssued: ca. 1895Dimensions: 3.5""L x 2.75""W x 0.25""HManufacturer: Valentine's SnapshotsCountry of Origin: BritainCondition: Age related wear.

Architectural image of the grand royal palace in Paris, France.Built in 1564, the imperial palace once stood on the right bank of the River Seine. In 1871 the palace was attacked and razed. The ruins of the aftermath stood for many years until the palace was demolished in 1883. Dimensions: 7"W x 9.75"HCountry of Origin: FranceCondition: Age related wear.

Black and white architectural photo of Paris Bourse, currently known as Euronext Paris.Built from 1808 to 1826 by architect Alexandre-Theodore Brongniart and Eloi Labarre. The Paris Bourse neoclassical Roman temple style stands today as France s securities market. Dimensions: 6.25"W x 4.5"HCondition: Age related wear.

Antique architectural image of the Place of Justice, the courthouse in Paris, France. Maison Martinet Albert Hautecoeur ink stamp on the back. Located on Ile de la Cite, the courthouse was built from 1847-1871, and was the former royal palace of the Kings of France. Dimensions: 10"W x 7.25"HManufacturer: Martinet-HautecoeurCountry of Origin: FranceCondition: Age related wear.

Antique architectural image of the grand opera house in Paris, France. Maison Martinet Albert Hautecoeur ink stamp on the back. Built from 1681-1875 for Emperor Napoleon III, the Opera Garnier was by architect Charles Garnier, and still hold performances to this day. Dimensions: 9.5"W x 7"HManufacturer: Martinet-HautecoeurCountry of Origin: FranceCondition: Age related wear.

Architectural photo of a building for lease that once stood on 227 E. Flagler Street, Miami, Florida. X 10912 on the lower left of the image. Dimensions: 10"W x 8"HCountry of Origin: United StatesCondition: Age related wear.

Architectural photo of the grand historical hotel in Cairo, Egypt.The grand hotel was built in 1907 and over looked the Nile River. The hotel stood for almost 70-years before it was demolished and replaced with a new hotel. Issued: 1907-1976Dimensions: 4.75"W x 6.5"HCountry of Origin: EgyptCondition: Age related wear.

Ca. 1700-1800 AD. An oval-shaped cameo with a charming and playful scene of frolicking cupids in an architectural setting. This type of cameo reflects the neoclassical fascination with classical mythology, art, and culture. The scene is set around a large column, which is surrounded by playful and mischievous figures of cupids. They are depicted playing musical instruments, dancing, and generally enjoying themselves. The artist has captured the dynamic energy and playful spirit of the scene, creating a delightful tableau that is sure to capture the imagination of the viewer. The cameo is mounted onto an elegant gold brooch setting with a twisted border, which adds an extra level of sophistication to the piece. The presence of a catchplate with a pin and a safety chain on the back of the brooch reflects the neoclassical period's emphasis on functionality and practicality in design.Size: L:41.1mm / W:34.1mm ; 12.44gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

ARCHITECTURAL WALL MIRRORS, a pair, Italian style, painted overlaid frames, 128cm x 48cm.