We found 35023 price guide item(s) matching your search

Walnut novelty automata mantel waterfall clock timepiece, within an architectural case, 13.25" high

French gilt brass two train mantel clock striking on a gong, within a pillared stepped case surmounted by an architectural finial, 13.5" high

H.A.C. fourteen day strike German walnut two train mantel clock, within an architectural stepped case, 19" high, also a dark oak two train mantel clock, the Empire movement striking on a gong, within a rounded arched case with barley twist pillars, 13" high, both with pendulums (2)

A 19th century carved oak cased architectural bracket clock,engraved silvered dial & 3 train chiming movement, height 19"

AN EARLY 20TH CENTURY WALNUT STAINED BRACKET CLOCK, architectural form, Roman numerals, gong strike with key and pendulum

A LARGE QUANTITY OF VARIOUS ARCHITECTURAL PLANS, OS MAPS, SOME LOCAL INTEREST

PICCOLO OROLOGIO DAL GUSTO GOTICO Francia, 1830 circa - SMALL GOTHIC STYLE CLOCK Cassa in bronzo dorato e patinato raffigurante un’architettura goticheggiante riccamente ornata da elementi decorativi. Quadrante in bronzo dorato e cesellato collocato a mo’ di rosone, numerazione romana per le ore e lancette Breguet. Meccanica a serpentina con scappamento a verga. 30,5 x 13,5 x 9,5 cm - France, about 1830 Gilded and patinated bronze case in a gothically architectural shape richly decorated with ornamental motifs. Gilded and chased bronze dial depicting a rose window, Roman hour numerals and Breguet hands. Applied fusee movement with verge escapement. 12 x 5.31 x 3.74 in. € 500

DUE INTAGLI CON DIVINITÀ Thailandia, periodo Rattanakosin, XIX secolo - TWO CARVINGS OF DEITIES Thailand, Rattanakosin period, 19th century Entrambe in legno, una raffigura il Buddha stante, l’altra è un elemento architettonico e presenta un gruppo di divinità. Buddha stante altezza 75 cm Elemento architettonico 75,5 cm - Both in wood, one portrays the standing Buddha, while the other is an architectural element that presents a group of deities. Standing Buddha height 29.53 in. Architectural element height 29.72 in. € 400

Pair of framed architectural prints, 95 x 85

A WALNUT CASED ARCHITECTURAL STYLE MANTEL CLOCK, the silvered dial set with Roman numerals with brass spandrels and pierced central decoration, the twin winding apertures before a brass pendulum driven movement striking on a gong, the case with semi-domed top and finial caps with decorative carved front and door mounted corbels on a stepped base with flat bun feet, 58 cms high, 33 cms wide

Seven blue and white transferware plates or soup plates 19th century, one Spode and printed with a milkmaid, one with Kincardine Castle in Perthshire, a Wedgwood plate with a Classical harbour scene, one titled 'Game Keeper', two decorated with figures before Classical ruins, the last Rogers and printed with architectural columns, together with two shell-shaped bonbon dishes of travellers beside ruins, some faults, 25cm max. (9)

A pierced brass pomander, on tripod base, a pair of brass vases, a set of four pierced white metal shades, and an architectural prints (8)

An inlaid Edwardian mahogany side cabinet with satinwood crossbanded detail, freestanding, with broken arch architectural pediment over a central three quarter length astragal glazed panelled door flanked by further glazed panels revealing a partially green velvet lined interior over a frieze draw, shaped apron and cabriole supports.

Seven early 20th century editions of The Architectural Association Sketch Books

A Georgian oak cottage longcase, the 30 hour movement with bird cage frame, the 30 cm square dial painted with flowers and strawberries, the hood with architectural cornice.

A portfolio containing a quantity of artwork by Augusta Mary Warren, produced between 1893 and 1900, when a student at the Royal College of Art and including botanical studies, figures studies, designs for tiles, further architectural designs, etc, many signed and some with address details for 43 Queens Square, Bloomsbury and 28 Faraday Road, North Kensington.

A small 18th century oak bureau bookcase, the bureau fitted with two long and two short drawers, the fall flap enclosing a fitted interior with drawers, pigeon holes and a central well, the bookcase enclosed by an arched glazed panelled door with segmented interior flanked by two raised columns (hinged and incorporating further shelves), set beneath an architectural pediment, 80 cm wide approx.

A late 19th century mahogany wall mirror with barley twist column supports and architectural pediment together with a 19th century gesso moulded frame enclosing a mirrored plate

A large volume (3 metre run of) vintage effects cleared from a substantial outbuilding including Gladstone leather bag, trade boxes, ceramic jelly moulds, ceramic tiles, enamelled baking trays, galvanized iron fire bucket, architectural fittings, etc

Victorian gothic gilt brass mantle clock with pierced architectural case, dismantled, the clock 41 cm high

A continental walnut and ormolu mounted mantle clock, the 9 cm enamel dial within an architectural type case, 23 cm high

A pair of 18th century style mahogany door or furniture cornices with acanthus and architectural detail, 122cm wide

A contemporary architectural sculpture on a black slate plinth indistinctly signed to base, H 54 x W 68 x D 19cm

ROB BATTERED Pendant in yellow gold, formed as a larger bottomless cup descending from two smaller flattened cups, creating an organic design, reminiscent of the Art Nouveaux architectural works of GUADI, with 9ct gold chain. Drop 2.5cm. Gross Weight 6.4g.

Jean Picart Le Doux (1902-1982) FrenchBRUMESOriginal wool tapestry woven by Aubusson, 59" x 78 3/4" ( 150 x 200cm), signed , edition 3/6; also signed and titled on label verso In 1945 Jean Lurcat, with artists Marc Saint-Saens and Jean Picart Le Doux founded the association of tapestry cartoon painters which pioneered the Aubusson revival of tapestry as modern architectural decor and revived the Aubusson weaving ateliers after the devastation of World War II. Louis Le Brocquy was introduced to the art of tapestry by Lurcat.

GARDEN MIRRORS, a pair, Architectural style verdigris metal with an arched top, 66cm W x 159cm H. (2)

A mahogany long case clock, the hood with architectural domed top over an enamel dial with Roman numerals and inscribed Donaldson, Glasgow 204 x 45cm

Early 20th century oak clock, dial signed 'Recorders Ltd' architectural case with visible pendulum, H66cm - CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs

Late 19th century musical wall clock, stained architectural case with circular dial, twin train movement playing a tune on the hours, cylinder L4cm, H58cm - CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs

A large quantity of Architectural plates and prints.

A book on Architectural Antiques, Crosby Place, London, 1844.

A large album 'De la Gazette Des Beaux- Arts', a/f and containing architectural plates and prints.

LEIGHTON (G), GRAND ARCHITECTURAL PANORAMA OF LONDON, concertina engraving in gilt decorated cover, London, Whitelaw, 1849 (1) (at fault)

An oversized black slate architectural mantle clock - Height 51cm x Width 50cm - with pendulum and key - working in the sale room, some chips to marble, top loose

Walnut Gustav Becker Vienna wall clock, the maker's logo to the dial within a pillared glazed case surmounted by an architectural pediment and eagle finial, 104cm high

A LATE 19th CENTURY CHINESE PAINTING on rice paper of a young lady sat beside a table in Italian style architectural guilt and painted frame

A LATE 19TH CENTURY AMERICAN ROSEWOOD CALENDAR CLOCK with architectural pediment above opening front door enclosing two 8” painted metal dials, top dial with Roman numerals fronting an eight day striking movement, bottom dial with day, date, and month 68cm high 34cm wide

PETER BRADLEY, LEICESTER A LONGCASE REGULATOR CLOCK the mahogany case having architectural pediment above a large glazed front door with panelled base and canted corners, 10” silvered engraved skeletonised dial fronting a weight driven eight day skeletonised eight pillar movement with 4 leg gravity escapement, Harrison maintaining power, invar rod pendulum with brass bob, and brass cased weight. 189cm high

A 20th century Japanese cloisonné enamel baluster vase decorated with bird and blossoming branches, height 19cm and a pair of metal examples, incise decorated with architectural landscape with Mount Fiji in the background (3). CONDITION REPORT: Dents and scratches to small vases. Cloisonné in good condition.

A pair of late 19th/early 20th century Japanese door/post wooden panels decorated in relief with bone and antlers depicting architectural landscape, length 82cm and a similar horizontal example, 23 x 75cm (3).

A group of various Oriental items including a white metal rickshaw scent stand, an architectural glazed diorama, a pair of saucers and a boxed enamel tea cup.

Two Minton porcelain circular cabinet plates painted with various architectural landscapes within decorative borders, both with impressed marks to base, diameter 23.5cm, and two further Mintons examples including one gilt painted with birds and floral motifs on a cream ground, diameter 25.5cm (4). CONDITION REPORT: Cherub and globe: fine extensive crazing throughout, staining underneath. Lake scene:L fine crazing, wear to gilt borders. Cottage scene: minor flaking and scratches to paint and surface, large area of fine crazing to one side of the rim. Birds: slight wear to gilt.

A group of Carlton Ware vases including a pair of squat baluster examples painted with Oriental architectural landscape on blue mottled ground, a flared example and a similarly decorated 'Vert Royale' twin handled example (5). CONDITION REPORT: Surface scratches and heavy wear to the gilding, otherwise appears good with no further obvious faults, damage or restoration.

Prints including a limited edition lithograph by Ander Kase with certificate of authenticity, a further limited edition print 'Southern India', a floral print, and two coloured prints of Venetian canals plus Jennifer Pettigrew, mixed media on canvas 'Jigsaw Hillside', and a mixed media/collage of an architectural entrance, (7).

A 19th century Coalbrookdale style architectural mirror, the curved top flanked by finials above the plate, with ram's head and cornucopia decoration below with pierced frieze above four vintage tiles, 104 x 72cm.

A late 18th/early 19th century Chinese circular punch bowl painted in underglaze blue with architectural river landscape to the centre and to the outside, within two decorative bands, bearing Kangxi four character mark to base, diameter 37cm (af). CONDITION REPORT: Part of the bowl (approx 1/3) has been broken off and reglued, with two hairlines spreading from the rim, general surface dirt and some wear commensurate with age.

An early 20th century Chinese white metal baluster shaped ewer with loop handle embossed with architectural landscape on textured ground raised on spreading circular foot, unmarked, height 19cm, approx 10.3ozt.

A Chinese gilt carved rectangular panel, finely decorated in relief with architectural landscape and numerous figures, 67.5 x 40cm, and a similar small example, 53 x 30cm.

A large Chinese silk embroidery depicting architectural and mountainous landscape, 78 x 63cm, framed and glazed.

Two pairs of Japanese Meiji period Satsuma baluster vases, each painted in enamels with figural scenes in architectural landscape, all marked, height 19.5cm (4).

A group of various Japanese Meiji period Satsuma vases including a baluster pair painted with architectural landscape and a square section gilt heightened example on black ground (af), also a lobed box and cover and a pair of coffee cans and saucers.

A late 19th century Japanese shallow circular bowl, painted in underglaze blue with architectural landscape to the flared rim, diameter 32.5cm.

A George III mahogany cased longcase clock case, of architectural form

A 19th century black slate architectural mantel clock with visible escapement and French movement

A 19th century black marble architectural mantel clock with brass pillars, white enamel dial and French drum movement

R.I.E. College - Engineering drawings Folio, hand-coloured architectural to scale ink drawings, many hand-coloured, 1888-89, showing buildings, bevel gearing, W.I. plate girder bridge, Wing walls of bridge, Chain survey at Cooper's Hill, , Road Survey with prismatic compass, level section, gales traverse, diagram of triangulation and protraction of traverses at Cooper's Hill, Trigonometrical survey at Coopers Hill, Railway projects, Irrigation canals on the Thames, design for a 4 5HP Turbine 55 feet fall, Design for a Country Residence, large folio, half morocco, labelled on upper cover "R.F. Thorp. R.I.E. College 1887-90"

India - 6 architectural watercolours, Company School each 24.5 x 19.5cm, showing the Taj Mahal and other buildings in Agra, several sheets watermarked 1834, some light browning and a few marginal tears, framed and glazed (6)

Architectural Salvage - a substantial Victorian/ early 20th century barley twist four poster bed column

Anatolian runner with Mezarlik design, Kirsehir area, central Anatolia, circa 1920s-30s, 11ft. 10in. x 3ft. 2in. 3.60m. x 0.97m. Overall wear, heavy in places; crude repairs, reweaves, small damages. The architectural elements of this runner, typical of Kirsehir rugs, are said to represent various distinguished cemetries of the area. Curiously, the pile of this runner is woven in the opposite direction to the design.

A pair of late 20th century prints of figures in courtyard, indistinctly signed, etching with aquatint, 23x26cm, together with a small round aquatint and three etched monochrome architectural studies. (6)