We found 35023 price guide item(s) matching your search

A late Victorian ebonised and gilt inlaid architectural cabinet bookcase, bordered with gilt lines and decorated with stylised husks and scrolling foliage, the angled arch pediment of broken outline with urn and foliate scroll finials and a moulded cornice and fluted and flowerhead decorated frieze, fitted with adjustable shelves, enclosed by a central full length door with circular medallion depicting the profile bust of a Classical soldier, flanked either side by a full length door, between turned and fluted column uprights with Corinthian capitals, on a narrow plinth base, 193cm (6ft 4in) long x 241cm (7ft 11in) high. * Provenance Oldway Mansion, Paignton.

A 19th Century Italian carved walnut cabinet on stand, the upper part with winged female and foliate scroll cresting flanked by foliate decorated urns, the moulded foliate cornice and frieze of recessed breakfront outline enclosed by a door with architectural panel decorated with a full length female draped figure, carrying an urn on a tray surrounded by flowerheads, foliage and mythical birds and creatures, flanked by stiles headed with female figures and entwined scrolls, on shaped scroll decorated feet, the stand fitted with a drawer with masks and scrolling foliage, on sculptured standing cherub supports and with a panelled back, on a plinth base, the cabinet 56cm (1ft 10in) wide, the stand 80.5cm (2ft 7 3/4in) wide, 185cm (6ft 0 3/4in) overall height.

A Black Forest walnut cased bracket clock, of small dimensions, the clockwork timepiece movement signed Junghans, with a cream two part dial with Arabic numerals, the case of architectural design, 26cm high.

A pair of architectural stone columns, of waisted square form, each later fitted for electricity, height 54 cm, (2).

A WALNUT STICK BAROMETER, JOHN SUTTER, EDINr, the silvered plate signed as above with vernier and spirit thermometer, and with exposed mercury tube, the case with broken architectural pediment, herringbone veneered trunk and oval cistern cover, 97cms high

William Walcot RBA RE 1874-1943- Study for what is thought to be"The Entry of the Emperor Hadrian into Ancient Salonika", Greece, the triumphant entrance depicted with decorated elephants and figures; watercolour over traces of pencil with gouache and gum arabic on paper, signed and dated 1915, 31x42cm. Note: The composition and architecture of this study echoes the plates "In the Days of Justinian; Anthony in Egypt; A Tragedy by Sophocles before the Emperor Hadrian, all published in 1919, Walcots etchings of ancient Greek, Roman, Babylonian and Egyptian buildings were published as a folio 1919 in the "Architectural Watercolours and Etchings of William Walcot". He was elected to the Royal Society of British Artists in 1913, as an associate of the Royal Society of Painter-Etchers and Engravers in 1916 and a Fellow of the RIBA in 1922. He was also an associate of the British School at Rome. He committed suicide while working under Sir Edwin Lutyens on proposals for the redevelopment of London 1943.

A later decorated Georgian silver salver, by John Crouch & Thomas Hannam, London 1775, of circular shaped outline with gadrooned edge, on claw and ball supports, embossed with a classical couple dancing enclosed by architectural medallions and a crested armorial with motto above, 20.5cm (8 ins) diameter, 336g (10.8 oz) gross . Visit www.dnfa.com for condition reports

Charles Locke Eastlake (attributed), a Reformed Gothic stained oak cabinet, the architectural roof with arched and turned supports, 249cm high, 122cm wide, 63.5cm deep. See Spencer, Charles "The Aesthetic Movement", p. 35, illus 17 for a similar example. An architectural roof style detail to furniture is an earlier detail and quite rare and was being used by only a few designers of the Gothic Revival/Reformed period particularly Phillip Webb in the Red House, on the settle Rossetti and Burne Jones never quite finished painting and another roof style on the Red House dining room dresser. It was also used by Richard Norman Shaw on his famous secretaire bookcase exhibited at the 1862 International Exhibition and more especially by Burgess on furniture and fireplaces throughout the interiors he created in his life including his own, expressed by Eastlake in his own work "Hints on Household Taste" Visit www.dnfa.com for condition reports

A Splendid 17th Century Oudenaarde Tapestry depicting Diana at the Court of Jupiter with Juna, Minerva, Hercules & Bacchus in attendance. The council gathered in an architectural setting with Solomonic columns twisting up one side and the other side opening onto verdure landscape. Framed in a decorative border of flowers, fruit & foliage, 9ft 5ins x 16ft 2ins (285 cms x 495 cms). Completely restored in the Oudenaarde workshop "Huys de Lalaing" approximately three years ago.

A Pair of Late 18th/Early 19th Century Architectural Terracotta Lions; their front paws clutching vacant shields. 27½ ins (70 cms) in height, 10 ins (26 cms) wide, 10½ ins (27 cms) depth (repaired).

A Mediaeval or later English Limestone Corbel, carved in the form of a male head measuring 7 ins (18 cms) in height, 4¼ ins (11 cms) in width 5 ins (12.5 cms) in depth and resting on a modern oak stand. [From the estate of the architectural historian Sir Howard Colvin of Oxford 1919-2007 and featured in `Country Life` magazine October 22nd 2008, p60].

A pair of large 19th century hand coloured engravings of architectural scenes, together with four various framed prints

An American 30-hour mahogany timepiece of architectural form, maker E.N. Welch, 36cm high and an American 30-hour mantle timepiece, 36cm high (2)

A late 19th/early 20th Black forest wall clock, of architectural form, with Roman numeral dial and carved with fruiting vines, 56cm high; together with another wall clock, 39cm high (2)

A Russian silver gilt pill box, the lid with a niello architectural view in formal wreaths, mark S.Ch. 8 (Cyrillics). (unattributed)

An Edwardian fretwork birdcage with architectural mirrored corners.

A Regency figured mahogany veneered chiffonier, the architectural back with a single rosewood cross banded shelf, ebony beading.

GERMAN OAK AND MARQUETRY CABINET 18TH CENTURY inlaid throughout with scrolling foliage, the dentil cornice above a panelled frieze inlaid with script and a pair of arched panel doors inlaid with traditional figures, flanked and divided by architectural pilasters, above an multi-arched panel open shelf with five small drawers, the lower section with two further arched panel cupboard doors and three apron drawers, raised squat bun feet 206cm wide, 254cm high, 61cm deep

FRENCH PEWTER INALID OVAL PLAQUE 18TH CENTURY depicting a battle scene with knights on horse back in a wooded and architectural landscape within a wide foliate and trellis work border Plaque 99cm wide, 69cm high

UNUSUAL CONTINENTAL OAK AND PINE KNEE HOLE DESK PROBABLY SWISS, 19TH CENTURY of architectural form, the parquetry veneered galleried top with an inset leather writing surface above a brushing slide and a pair of recessed panelled cupboard doors, flanked by eight small graduated drawers, opposed by a further pair of cupboard doors, each modelled as six small drawers, opening to reveal a shelf, the whole flanked and divided by brick work pilasters, raised on fluted square tapered legs 156cm wide, 81cm high, 79cm deep

A black slate quarter striking mantel clock, movement by S. Marti, no. 10536, visible Brocot escapement on the silvered dial, striking on 2 bells, in a fluted drum case on architectural base, the whole inset with strips of green marble, 22in (56cm) w.

A small Regency timepiece, watch type verge movement singed Dwerrihouse, Ogston & Bell, Davies Street, Berkeley Square, no. 13649, white enamel dial, in a brass inlaid mahogany architectural case, 7.5in (19cm) h, including finial.

A late Victorian oak stick barometer by Negretti & Zambra, with carved decoration and an architectural pediment above painted faceted dials inscribed `NEGRETTI & ZAMBRA, LONDON, SCIENTIFIC INSTRUMENT MAKERS,` with two vernier scales, the trunk previously with a thermometer, 42.5in (108cm) h. Losses.

A French gilt brass and enamel mantel clock, striking movement by Japy Freres in an architectural case flanked by winged dragons, the whole inlaid with multicoloured champleve enamel, 1ft 2in (36cm) h, circa 1875, on giltwood base.

An aneroid barometer, silvered dial signed Short & Mason, London, in a mahogany banjo case set with a thermometer and architectural pediment, medallion and shell pattern inlays, early 20th century, 39in (100cm) h.

An early 19th century mahogany stick barometer, with chequer stringing, the broken architectural pediment with a later brass finial above a silvered dial with vernier scale and thermometer, inscribed F.Saltery Vechio & Co, N.94 Holborn Hill, LONDON, the trunk with a moulded edge and turned cistern cover, 38.75in (98.5cm) h.

An ebonised and gilt brass mounted bracket clock, with a twin fusee movement striking on a bell, the backplate numbered 857, with a 5.5inch square brass dial having a silvered chapter ring with subsidiary Strike/Silent and regulation dials, the centre floral engraved and signed A. Hewlet, Bristol, with a pendulum bob aperture above, the case with an architectural pediment and raised cast leaf feet, 13.25in (33.5cm) h.

19th Century mahogany Longcase Clock, the hood with an architectural pediment above a gilt glass frieze, turned supports, long door with three-quarter columns, on ogee bracket feet, square brass dial, with cast spandrels, silvered chapter ring, with Roman numerals, inscribed, Jno. Yates, Liverpool, subsidiary seconds dial and date aperture, eight-day movement, striking on a bell, 230cms, (7`6").

Specimens of Architectural Remains in Various Counties in England, but principally in Norfolk, etched by John Sell Cotman, Esq., .... with descriptive notices by Dawson Turner ..., two volumes, London, Henry G. Bohn, 1838

Davy, Henry, A Series of Etchings illustrative of the Architectural Antiquities of Suffolk, accompanied with an historical index, Southwold, Henry Davy 1827, large folio, quarter calf with marbled boards, together with Stevens, Francis, Views of Cottages and Farm-houses in England and Wales, London, R. Ackermann 1815 (2)

A late 17th century Florentine ebony table cabinet, with ivory inlaid stringing and Arabesques, fitted six moulded drawers and a central cupboard with an architectural door with balustrade and Doric pilasters, 92cm (36in) wide

A George III flame grain mahogany two door architectural cupboard, with panelled and figured doors, 173cm (68in) wide

Regency mahogany stool of rectangular architectural form in the manner of Bullock, with upholstered top on Egyptian Revival column legs, 38cm x 32cm

Good quality Art Deco bronze letter opener with architectural handle decorated in relief with naked female figure with child on shoulders, 25cm

Late nineteenth century German mantel clock in wooden architectural case with striking movement, 38cm high

Late Victorian heavily carved oak dresser with breakfront, architectural raised back with broken swan neck pediment and eleven shelves, fall flap flanked with two shelves below on baluster turned legs, 205cm wide

CLOCKS - A LATE 19TH CENTURY AMERICAN BLACK SLATE MANTEL CLOCK having an architectural pediment with flank pilasters, eight day mechanism with Roman Chapter, on plinth

An early 19th century mahogany and inlaid banjo barometer, the architectural broken arch pediment with brass artichoke finial over the alcohol thermometer in domed case with silvered dial flanked by marquetry inlaid oak leaf and acorn medallions, the silvered main dial inscribed "B. Roncheti, Manchester" over a further marquetry inlaid medallion, 30.5 cm wide x 102.5 cm

A Victorian black slate mantle clock in architectural case on stepped rectangular plinth.

A Victorian mahogany chiffonier having florally carved architectural upstand supporting two shelves the base with frieze drawer over a pair of panelled doors enclosing two adjustable shelves opposed by seven drawers within octagonal columns on inverted break front plinth. 100 cms wide.

Portfolio architectural prints

Transactions of the Architectural and Archaeological Society of Durham and Northumberland, Vols. I to 6, 1870-1912, in 7 vols., plates, t.e.g., half morocco (7)

Neasham (George) Views of Mansions & Places of Interest in the Lanchester & Derwent Valleys and Portraits of Local Men, 1884, 4to., plates, cloth; Billings (Robert William), Illustrations of the Architectural Antiquities of the County of Durham .., 1846, 4to., engraved plates, half morocco; Allom (T.), Pickering (G.) & Rose (T.), Westmorland, Cumberland, Durham and Northumberland Illustrated, 1832, 4to. in 2s, engraved plates, cloth (worn); with four others (7)

Hope (W.H. St. John) Windsor Castle, An Architectural History, 1913, 2 vols and plan folio with 8 folding plans, numbered ltd. edition, t.e.g., half parchment

Circle of J M W Turner (British, 1775-1851), Petworth Park, Sussex, from the Library Window; and Manner of William Kent - Architectural Details of the Senate House, Cambridge, pencil and watercolour, 18 x 26cm (7.02 x 10.14in) (2)

A mahogany eight day longcase clock circa 1800, the swanneck pediment above inlaid trunk raised on a reduced plinth, the 14inch painted dial signed `Winstanley Wigan`, with rolling moon to the arch, seconds and calendar dials, architectural spandrels, 220cm high

Books and leaflets on Artists, including Hulme Chadwick, Salvador Dali,(The Secret Life of.. New York The Dial Press 1942) Mondrain (Whitechapel Art Gallery 1955.)Henry Moore, Lucian Freud, Andrew Wyeth, togther with others, Richards, J.M., `The Castles on the Ground` London The Architectural Press 1946. Illus. John Piper, signed by the author, etc

Collection of 19th century architectural plans 11" x 9"

A Victorian black slate architectural style mantle clock with pillar decoration fitted with a single train French movement.

A Victorian oak circular concentric extending dining table, circa 1890, 75cm high, the top 197cm diameter (unextended) up to 397cm diameter including both of largest sets of leaf additions. together with four sets of leaf additions, each leaf of the first set measuring 25cm deep, (can be added to the table alone), each leaf of the second set measuring 28cm deep (cannot be added to the table alone), each leaf of the third set measuring 48.5cm deep, (can be added to the table alone), each leaf of the fourth set measuring 51cm deep, (cannot be added to the table alone). Possibilities of table top diameter (by employing various combinations of leaf additions as listed below): Adding the first set of leaf additions to the table only = 247cm diameter Adding the third set to the table only = 294cm diameter, Adding the second and third sets to the table only = 351cm overall, Adding the third and fourth sets to the table only = 396cm overall, the leaves held within a two part pine cupboard, 208cm high, 167cm wide, 70cm deep. Provenance: The underside of this table bears a printed paper label titled `SIR E.S.W.`Sir Ernest Salter Wills (1869-1958) 3rd Baronet of Hazelwood and Clapton-in-Gordano, Littlecote House, near Hungerford, Berkshire. For a similar, but slightly smaller table (with two sets of leaves) see Sotheby`s Important English Furniture sale (Horlick Collection), 5th June 2007, Lot 251 sold for £90,000 and another sold at Brightwells, Leominster, Herefordshire, 5th February 2004, Lot 1221, sold for £77,500. (one set of leaves) Although not marked or stamped by a maker (as with the examples mentioned above), the overall quality and design of this table would suggest one of the foremost makers of the period such as Collinson & Lock, Howard & Sons, Maple & Company or Shoolbred & Company. The bold and architectural design of the table being offered also strongly suggests that it could have been made to the design of an architect for a particular building. Alfred Waterhouse, the architect of the Natural History Museum, London, or a contemporary supporting a similar style seems a strong possibility.. Visit www.dnfa.com for condition reports.

A small late Victorian black slate mantle clock of rectangular architectural form, the eight day movement with black and gilt metal dial and Roman numerals

J. Unghans - a German mantle clock of architectural form with roof like pediment, flanking tapering columns and gilt metal mounted spandrels on a shallow plinth base, the eight day striking movement with white enamelled dial and painted Roman numerals

J. Unghans - an early 20th century German mantle clock, the walnut case of domed top architectural form surmounted with decorative, turned wood and gilt metal finials and having gilt metal caryatids to the canted corners, raised on a shallow plinth with outswept gilt metal lion`s paw feet, the eight day movement striking on a gong and having a steel face with silvered metal chapter ring, Arabic numerals and gilt metal scrolled mask and spandrels. (App. 50 cms high)

AN EDWARDIAN HANGING CORNER CABINET, in Georgian style having broken architectural pediment above strap work freize, single glazed door with shelf to the interior on a shaped base. 17.5" Wide x 40" High

A LATE VICTORIAN FRENCH SLATE ARCHITECTURAL MANTEL CLOCK, having domed hood, yellow metal columns and finial`s, circular enamel face with Arabic numerals, and brass drum movement marked R & Co made in Paris. C1890. 14.5" High

A 19TH CENTURY BLACK SLATE ARCHITECTURAL MANTEL CLOCK, of massive proportions with Greek and Roman columns and figures, enamel face with Roman numerals and stepped base. Brass rectangular plate movement striking on one dong. C1880. 18" High x 22.5" Wide

A 19th Century Eastern European Icon Depicting Madonna and Child Signed AVE surrounded by Painted Architectural Style Frame Circa 1840.

A late Victorian oak mantel clock, architectural design with Black Forest movement, 12in. and a Victorian copper kettle, with cover, 10in.

A Victorian black slate mantel clock, architectural design with two-train movement, 10in.

A 19th century `Vienna Regulator`, enamelled dial signed by retailer J. W. Benson, Ludgate Hill, timepiece movement, in glazed architectural walnut case, 3ft. 6in. high