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A LATE 19TH CENTURY MAHOGANY FINISHED VIENNESE DESIGN HANGING WALL CLOCK with architectural design pediment and case, complete with key and brass display pendulum, 124cm high (inclusive of eagle crest)

A LATE VICTORIAN BLACK SLATE & MARBLE ARCHITECTURAL CASED MANTEL CLOCK, circular dial with Arabic numerals. inscribed 'Marsh & Co. Birmingham', 25.5cm high

A late Victorian slate and marble clock of architectural form, Roman enamelled dial (a/f), dial and French movement signed Chas. Frodsham, 32cm wide

Studio Pottery: architectural stoneware sculpture of a partially demolished Victorian pub, by Ned Haywood of Chepstow, 19" tall x 12" wide

A late 19th Century walnut bracket clock of stepped architectural form with reeded columns flanking door and carved Art Nouveau panel, brass dial plate with Roman chapter ring. 8 day Ting Tang striking and chiming movement on three straight gongs by HAC (Hamburg American Clock Co.), with key and pendulum, 38cm high

A late 19th Century French gilt brass cased arched top mantel clock of architectural form with egg and dart front stepped border, corinthian column supports and acorn finials, arched panel with putti above dial, silvered Roman dial with central gilt cartouche, upon a velvet covered gilt-wood base. French 8 day movement with rack and snail striking a coiled gong, key and pendulum. 39.5cm high

A late Victorian walnut bracket clock of architectural form, Roman silvered dial with HAC (Hamburg American Clock Co.) 8 day countwheel striking movement, key and pendulum. 42cm high

An early 19th Century mahogany and brass inlaid bracket clock of architectural form, arched painted metal dial (some paint loss) signed Handley & Moore, Clerkenwell, London, with strike/silent and slower/faster subsidiary dials. 8 day twin fusee driven movement with rack and snail striking a bell, with pull-repeat mechanism striking the hours. Backplate signed by maker, with door key, winding key and pendulum. 48.5cm high

A late 19th Century oak cased mantel clock of architectural form, porcelain Arabic dial. 8 day French drum movement by Japy Freres with rack and snail striking a gong. key and pendulum, 33cm high

An early 20th Century carriage timepiece, Roman enamelled dial, brass architectural form case, with integral key and leather carry box, presentation inscription to case.

Chaucer (Geoffrey) The Works of our Antient and Learned English Poet, Geffrey Chaucer, newly printed, edited by Thomas Speght, black letter, double-column, engraved portrait "The Progenie of Geffrey Chaucer" by John Speed, title within elaborate woodcut architectural border, 3 other divisional titles with woodcut borders, woodcut initials, head- and tail-pieces, lacking initial and final blank ff., title and portrait neatly and expertly laid down with margins neatly restored, occasional light soiling, the odd spot, a few ff. with neat marginal repair or restoration, some possibly cleaned or with weak printing impression, occasional minor worming to margins, a few small old ink notes or underlinings, bookplate of Murray A. W. Newman, early 20th century crushed morocco, gilt, light fading to spine, corners bumped, light rubbing to extremities, g.e., [Pforzheimer 177 (with different imprint); STC 5078], folio, Adam Islip, at the Charges of Bonham Norton, 1598.⁂ An attractive copy of the sixth edition and the first Thomas Speght edition which would become the preferred edition over the following centuries.

Bible, Syriac.- Kethabha dh-Ewangeliyon Kaddisha... Liber sacrosancti evangelii de Jesu Christo domino & deo nostro [and Pauli Epistolae XIIII., &c.], collation: a*-a5*4 a6*6 b-z4 A-L4: Aa* Aa** Bb-Vv4 Xx6; Pauli Epistolae bb-ll4 BB-LL4, title and a few ff. printed in red and black, 15 full-page woodcuts, final f. of Pauli Epistolae with woodcut ornament and 2 lines of text verso, otherwise blank, occasional early ink marginalia, Pauli Epistolae 1st section misbound between L4 and Aa* of first work, and 2nd second section misbound at end, most woodcuts seemingly covered up at some point, with the subsequent removal of coverings causing damage to varying degrees (including loss, tears, and some areas remaining obscured), D2 (text recto and woodcut verso) with small piece missing, affecting a few letters and woodcut, some staining, [Vienna], [Michael Cymbermann], [1555] bound with Pococke (Edward, editor) Epistolae Quatuor, parallel Syriac and Hebrew, and Greek and Latin below, title in red and black and with woodcut printer's device, woodcut head-pieces and decorative initials, Leiden, Bonaventura & Abraham Elzevier, 1630 and Scaliger (Joseph, editor) Apocalypsis Sancti Iohannis, ex Ms. exemplari e bibliotheca clariss. viri J. Scaligeri deprompto, parallel Syriac and Hebrew, and Greek and Latin below, title and imprint in red and black and within woodcut architectural title, final verso with woodcut printer's device, Leiden, [Bonaventura & Abraham Elzevier], 1627, together 3 works in 1 vol., occasional spotting and light staining, 17th century calf gilt, rebacked in 20th century tan morocco, gilt, small 4to sold not subject to return. ⁂ A very good sammelband of Syriac works. I: First edition of the Syriac New Testament and first book printed in Syriac. II: 'This polyglot includes the true editio princeps of the four shorter Catholic Epistles - 2 Peter, 2 and 3 John, and Jude - omitted in the Peshitta. Edited by Edward Pococke from a Syriac manuscript, containing the complete N.T., which he had discovered in the Bodleian Library.' (D&M) III: 'très littérale et très fidèle' (Willems). Provenance: Partially trimmed 16th century gift inscription to head of title of first work; 'Henry W. Moule, Aug. 1932' (inscription to front free endpaper, and a related letter to him loosely inserted). Literature: I: Adams 1797 & 1799; Darlow & Moule 8947. II: Willems 334; Darlow & Moule 8963; Willems 334. III: Willems 269; Darlow & Moule 8962.

Donne (John) LXXX Sermons..., engraved additional architectural title incorporating oval portrait of Donne (second state), lacking initial blank but with final blank, also lacking F6, title stained and with tear to upper edge (repaired), large ink stain to verso of F3, printed [by Miles Flesher] for Richard Royston...and Richard Marriott..., 1640; Fifty Sermons...The Second Volume, lacking 2Q gathering, printed by Ja. Flesher for M[iles] F[lesher], J. Marriot, and R. Royston, 1649, together 2 works in 1 vol., first & only editions, titles with woodcut devices, woodcut initials, head- and tail-pieces, a few small holes or stains, light worming to upper margin of second work, one or two leaves frayed at edges, contemporary panelled calf, rebacked preserving old gilt spine, some corners repaired, [STC 7038 & Wing D1862; Keynes 29-30], folio; sold not subject to return ⁂ The prefatory essay in the first is the first printing of Izaak Walton's classic Life of Donne. While the second item is listed as the second volume on the title, it is regarded as a separate work in its own right.

Levant.- [Sandys (George)] A Relation of a Journey begun An: Dom: 1610...Containing a description of the Turkish Empire, of Aegypt, of the Holy Land, of the Remote Parts of Italy and Islands adioyning, first edition, Charles I's large paper copy ruled in red, fine engraved architectural title by Francis Delaram, double-page engraved map mounted on stub, folding engraved panorama of Constantinople pasted in at p.32, 47 engraved illustrations and plans within text, 2 full-page, woodcut head-pieces and initials, variant issue without tail-piece at end of text, lacking final blank, with catchword "proclai" on C1r and "Turkish; built" as first words on D3v, with additional folding engraved map of Jerusalem loosely inserted (c.275 x 380mm, trimmed close to border, short tear to one edge), contemporary ink signature to title, some light soiling, a few stains, later ink note concerning provenance to front free endpaper, bookplate of Melville Portal of Laverstoke, nineteenth century brown morocco, by J.Mackenzie, preserving magnificent gilt-tooled calf covers from original binding of panel containing central gilt arms of Charles I with elaborate corner-pieces and small tools of Prince of Wales feathers to outer corners of panel, mounted within later border of thick gilt rule and inner decorative roll, spine gilt in compartments, turn-ins with multiple gilt rules, marbled endpapers, g.e., a little rubbed (mainly joints), original binding with holes from missing ties and rather scuffed on upper cover, [STC 21726; cf. Atabey 1087 (seventh edition) & Blackmer 1484 (second edition)], folio, Printed [by Richard Field] for W.Barrett, 1615.⁂ The dedication copy, presented by the author to Charles I when he was Prince of Wales.George Sandys (1578-1644), travelled to the Levant in 1610 and spent a year in Turkey, Palestine and Egypt. Blackmer describes this account of his travels as, "at the time the most elaborately illustrated English book on the Levant". Sandys later became treasurer of the Virginia Company and lived there for 10 years. This is the first book to record tobacco usage in Turkey, and includes an account of smoking in Constantinople.

Erasmus (Desiderius).- Hieronymus (Saint) Opus epistolarum, edited by Desiderius Erasmus, 3 vol. in 1, collation: Aa-Bb8 AA8 BB6 Cc6 a-r8 s10 t-x8 y6; A-Z8 AE10; aa-qq8 rr10 (Tabulae and Index Scholarium (Aa BB8 Cc6) bound at end of vol.3), Roman and Greek type, first title in red and black, all titles with woodcut printer's device and within woodcut architectural border, late 16th / early 17th century neat ink marginalia, couple of holes to lower margin of first title caused by ink ownership inscription, some spotting and staining, lightly browned (occasionally a little heavier), modern board binding using a leaf from a 16th century antiphonary, preserved in a modern buckram drop-back box, [Lyon], [Jean Crespin], 1528; and a censored copy of the same work in a contemporary blind-stamped binding (not collated), 4to (first mentioned 202 x 132mm.) (2)⁂ Rare edition at auction of this important patristic work. Offered here with a rare opportunity of comparison with a censored copy of the same work (passages of text obliterated in ink and some leaves removed or partly excised). One wonders if the vigorous censor was spurred on by the notion that Erasmus had 'laid the egg that Luther hatched'.

Italy.- Rome.- Barbault (Jean) Les Plus Beaux Monuments de Rome Ancienne [&] Les Plus Beaux Edifices de Rome Moderne, together 2 vol., first editions, both with half-titles and titles with engraved vignette, first work 'Ancienne' with engraved head-piece to dedication and 73 engraved plates, most with 2 images (one view and a smaller detail), second work 'Moderne' with 20 engraved vignettes but only 43 double-page engraved plates mounted on stubs (of 44, lacking plate 38 of Palais Caprarole), also lacking leaf S of text (pp.35-36), first work with number of plates supplied in ink on title and light foxing, second work foxed and lightly browned in parts, worming to upper corners and margins of plates 18-20 & accompanying text and to outer margins of plates 34 & 35 (partly repaired), leaf K washed and torn (repaired and mounted on stub), both with a few minor marginal tears and repairs, contemporary half vellum over green stained vellum, gilt-stamped red morocco labels (first chipped), red edges, rubbed and marked, a few small stains, slight wear to joints, [Cohen-Ricci 112; Fowler 37, first work only; Berlin Kat. 2712, second work only], folio, Rome, Bouchard et Gravier, de l'Imprimerie de Komarek, 1761-63.⁂ A complementary pair of volumes displaying the architectural splendours of ancient and modern Rome, from the ruined temples of the Forum to the magnificent Renaissance and Baroque churches and palaces. The plates are mostly engraved by Montagu, Freicenet or Giraud after drawings by Barbault, a former student of Piranesi.

Gérard Mannoni (French, 1928-2020), an aluminium coffee table,with rectangular plate glass top, signed and numbered III/VIII 34 x 113 x 70cmFootnote: Provenance: From the collection of Claudine Auger (1941-2019), Belgravia, London Sculptor and designer Gérard Mannoni was born in 1928 to a rapidly mutating material world, at a time when new technologies and resources were being keenly explored by creators across all disciplines. This context would prove important for Mannoni’s career as, after his formal training at several important institutions and his apprenticeships in the workshops of Ossip Zadkine and Marcel Gimond, Mannoni would join Groupe Espace. Led by André Bloc, the members of Groupe Espace included sculptors, artists, and architects, all of whom were united in their belief that art and architecture should be a social, rather than an individual, phenomenon. Mannoni’s early works were chiefly worked in steel, concrete, and stone, though from 1968 these materials were largely abandoned in favour of glass and aluminium. Through their architectural and neo-plastic forms, Mannoni’s sculptures and designs clearly demonstrate both the influence of the Groupe Espace and the 20th century preoccupation with the exploitation of new technologies and materials.

A George III satinwood crossbanded mahogany bowfront two-door drawing room cabinet, the shaped doors each with an inlaid oval panel decorated with marquetry flowers, supported on architectural stile feet. 201 cm wide 57.5 cm deep x 103 cm high.Condition report: I think the cabinet has been re-made given the positioning of the top and the rough sawn backboards and also some signs of extraneous rub blocks to the inside of the carcass.splits to the sidethe finish needs some work

An early 20th-century gilt metal 8-day mantle clock garniture by Japy Freres & Cie. The architectural body with urn finial and inset with porcelain panels painted with flowers and country landscapes. The clock accompanied by a pair of porcelain mounted urns (now as fitted as electric lamps) , Together with an unassociated gilt metal swag draped stand. . 19 cm wide x 39 cm high (the clock)Qty: 3Condition report: The clock and urns/lamps have been gold paintedThe clock winds and the escape ticks away.

Eduardo Paolozzi (1924-2005), Underground Design Folio X, 1986, the complete portfolio, 1986, comprising 18 screenprints and one lithograph printed in colours (with an introductory essay by Peter Cook), each on wove paper, published by Architectural Association Publications, London, the slip case 32 cm square.

ANTONINIANUS OF PROBUS 276-282. Radiate bust l. within legend IMP PROBUS AUG. Reverse with architectural image of a Temple with central seated figure of Roma within ROMAE AETER. Mint mark RP either side of a crescent for Rome. Webb records 133 coins from this reign amongst the hoard, only 4 with Romae Aeter to the reverse. Provenance: The Linchmere Hoard, Miss Abbott and thence by descent.

A large mid to late 20th century mahogany dome-top 8-day bracket clock, reportedly made by William A Kermock who worked for the Royal Clockmaker Frodsham & Co, chased foliate silvered dial with Roman numeral hour markers and strike/silent dial, housed in architectural case with pillar supports, pierced fretwork side plates and heavy cast-brass movement striking on a gong, case height excluding bracket 54cm, with pendulum and key, working orderA very good quality reproduction bracket clock, only one side length of beading detached but still present and only needs re-gluing, otherwise no damage, case has a few very faint natural cracks, rear door mesh plate has been dented and pushed in on one side, material beneath both pierced fretwork sides have a few small holes, hammer or gong are slightly out of shape as striking does not quite hit, bracket is quite sun bleached compared to clock case

A GROUP OF FOUR ENGLISH ENAMEL 'BATH SOUVENIR' PATCH BOXES, SOUTH STAFFORDSHIRE, CIRCA 1800 all oval, with brass hinge mounts and lids transfer printed with architectural views, three with some blue colouring, one titled 'A Trifle from BATH / Laura Place' above a pale green body, one 'New Room / BATH' above a pink body, one 'Abbey Church Bath' above a blue body and one 'A Present from BATH / MILSOM ST.' above a mauve body 5cm longest

Reginal Green, A.R.E. (1884-1971), by, The Shambles, York, signed, titled label to verso, drypoint etching, 27cm x 18.5cm, framed; another two architectural etchings, Rouen, one picked-out in colours, each signed and titled in pencil, mixed sizes, framed, (2); etc., [5]

A late 19th Century French black slate cased mantel clock of architectural form with brass capped column decoration, the circular chapter ring with Arabic numerals, 33 cm x 28.5 cm high, together with another eight day mantel clock by Seth Thomas

A quantity of rolls of watercolour paintings, copies of stained glass windows, one inscribed in pencil St James Church Spanish Place and an architectural drawing of an elevation of Church of Battersea Park. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.

A 19th Century “Westminster” mantel clock having German Wurtemberg movement hour and half hour striking on a gong in architectural wood case and with pendulum and key, 44.5cms high 27cms wide. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days. ## key ##

A Victorian mantel clock in black slate architectural case, hour and half hour striking on a gong, 27cms high 31.5cms wide. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.

An antique late 19th / early 20th Century Victorian / Edwardian mahogany twin pedestal writing table desk in the manner of Gillows having a cigarette brown leather top with architectural front with central drawer flanked by a smaller drawer to each side The fascias having turned pull handles and framed borders. The pedestals of cupboard / cabinet form with hinged door opening to reveal a fitted shelf interior. Measures approx; 75cm x 123cm x 60cm.

A CONTINENTAL CARVED WOOD PIPE BOWLMid 19th CenturyThe bowl modelled as a pulpit and carved with knights standing between spiral columns below architectural gothic tracery against a textured ground, the base section carved with a paw, with indistinctly marked silver mounts, 19cm high x 13cm wide.Condition report:- The leaf finial on the hinged cover is rather bent and misshapen - The cover pulls off and requires securing back on- The carving appears to be good condition throughout 

A French gilt-metal and porcelain clock garnitureLate 19th CenturyThe mantel clock of architectural form, with blue painted porcelain panels and dial, in the Sevres style, the movement detailed 'G. F. 148' and striking on a bell; together with a pair of three light candelabra en suiteClock, 36cm high; candelabra, 38cm highCondition report: As can be seen from the online photograph the one candelabra arms are need to be straightened and currently the upper half is not sitting vertically. The two scroll branches making up the side arms are loose and require refixing to the base of the central shaft. The other candelabra is missing a liner to the inside of the candle nozzle (as can be seen the far left of the photograph). The toupie feet of both candelabra are stamped 'G.G'There is no winding key present with the lot. There is no guarantee of the working order of the clock movement. Overall, the gilding is bright. Some minor casting flaws in the odd place, minor spots of tarnishing, scuffs and scratches, together with some wax residue in areas commensurate with age and use.Dial with no glass. Porcelain mounts in good order. The gilding to the decoration of the centre of dial is slight rubbed, also visible in the photograph.      

A collection of seventy eight Art Nouveau, Art Deco and Design auction catalogues, mainly Sotheby's, Phillips and Christies, including Great Tew Park, 27-29 May 1987, two Sotheby's Photograph catalogues and four AAQ (Architectural Association Quarterly) journals, (84)

Antique ornamental stone architectural mount, with classical mask, 14.5cm high, raised on wooden stand

12th century AD. A substantial carved limestone pillar capital for an architectural column or pier, decorated with dense vegetation motifs, tapering swags or garlands, a reef-knot motif above and leaves; unworked to the reverse.Cf. Toman, R., Romanesque Architecture, Sculpture, Painting, Cologne, 1997, p.31, for discussion.73.8 kg total, 51cm including stand (20"). Property of a Kensington gentleman; acquired from Holz Artles, 25 April 2015, lot 83; formerly in a French collection; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no. 10686-174372. Fine condition.

A Vintage Year 2011, 2012, 2016. Several limited editions of only 50. British Car Factories from 1896, by Paul Collins & Michael Stratton. A 1st ed hardback (11 x 8½-inches) in dust jacket of this Complete Historical, Geographical, Architectural & Technological Survey, researched within the Ironbridge Institute, published by Veloce, 1993. The book catalogues 240 factories which produced 220 makes of car in 44 different British counties, towns and cities. 269 very well illustrated pages. Rare in this condition. Also, several sporting titles. (Qty)

John G Pickles,'All Saints Episcopalian Church in Bloomfield Hills'a set of eight oil on board architectural studies, labelled 'Ideas for Future Cities', dated 196070 x 120cm (8)

Barrie Arthur Fenton, a collection of mainly folio size watercolour and pencil art school designs, mainly architectural, etc, in folder, (most pieces bear grade marks).

A 20th Century Baluchi carpet, the indigo field with three guls contained within a repeating architectural border, 140 x 84cms.

A George IlI watercolour depicting a London architectural street scene Hanover square with figures and horse drawn carriage.

Bernard Cecil Gotch (1876-1963) Six Oxford city architectural scenes, woodcuts, to include St Johns College, Queens College, The Old Ashmolean, Kilcannon Christ Church and Merton Tower, five signed in pencil, all approximately 21cm x 13cmCondition report: All framed and glazed, some possible discolouration to the paper in areas, moderate to good condition

A pair of brass and black slate garnitures in the form of maidens behind Corinthian columns, in stepped circular pagoda type architectural framework, 34cm high

A collection of decorative pictures and prints including a pair of coloured prints of 18th century beauties after Greuze, of oval form, 45cm max approx, in moulded gilt frames with ribbon mounts, together with a coloured print of oval form after Morland of a busy market scene, 51cm max in gilt frame, a 19th century ink and watercolour architectural study of a doorway and pediment dated 1840, 45 x 27.5cm, a pair of studies female nudes, etc, various sizes, all framed (8)

A Georgian oak hanging corner cupboard enclosed by a rectangular fielded arched moulded panelled door, the interior with architectural detail and three fixed shaped shelves, 75 cm wide x 38 cm deep x 114 cm high

Studies and Executed Buildings by Frank Lloyd Wright, Architectural Press, 1986 complete with original dust jacket, together with further books on architecture and related subjects (9)

ARCHITECTURAL GARDEN WALL MIRRORS, a set of three, aged metal frames, 160cm x 67cm. (3)

ARCHITECTURAL GARDEN ROSE ARBOURS, a pair, 220cm H x 174cm x 35cm. (2)

ARCHITECTURAL GARDEN WALL MIRRORS, a pair, gated design, 170cm H x 90cm W. (2)

ARCHITECTURAL GARDEN WALL MIRRORS, a set of four, aged metal frames, 77cm x 49cm. (4)

ARCHITECTURAL GARDEN URNS, a pair, well weathered reconstituted stone campana form with stepped plinth bases, 74cm H. (2)

A PRADA MULTICOLOURED PRINTED BLOUSE White, black, red and yellow architectural printed cotton blouse, with buttons to the front, with original swing tags attached Prada Size FR 46 Condition: No obvious condition issues

Late 19th century walnut architectural cased mantel clock, the brass dial with silvered Roman chapter ring enclosed by glazed door with reeded columns, split turned balustrade frieze, on stepped plinth base, twin train eight day movement striking on coilDimensions: Height: 37cm  Length/Width: 28cm  Depth/Diameter: 17cm

Late 19th century walnut architectural cased bracket clock, square brass dial with silvered Roman chapter, brass twin train movement stamped 'W&H Sch 2', quarter hour striking on two gongs, H42cm, W30cm, D20cm

FOUR VARIOUS FOBS, COMPRISING; AN ART DECO ONYX FOB, tapering pierced links with a central foliate engraved band terminating with a stepped black onyx plaque, with clip stamped '9CT', 10cm long; A NOVELTY DRUM PATTERN FOB, inset with sardonyx and foliate engraved base metal mount, 1.5cm long; A CIRCULAR FOB, inset with mother of pearl and turquoise to one side and hardstone to the other, above an architectural base metal mount; A TASSEL FOB; AND A WATCH KEY (5)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The Art Deco example with acid testing stain to back of largest link, small nibbles noted to onyx, the clip is stamped '9CT' and in our opinion the clip and the links would test as gold. The other pieces in gilt base metal. Condition report made 160421.

Gardenalia - Zinc Roof Cowl of Architectural Form

A Victorian Stained Beech Astronomer's Chair, the curved back with pierced top rail extending to a low scroll seat on an X-frame supports, 34cm wide, 85cm highThis chair normally bears an oval plate "W Callaghan, 28a New Bond Street S, Registered London January 15th 1873". W Callaghan is listed as an optician in London directories between 1866 and 1892. Several of these chairs are known to exist and it seems to be accepted that they are probably for use with a telescope. A similar chair is illustrated in Architectural Review Decoration Supplement July 1937 from the catalogue of a loan exhibition depicting "British Country Life", where it is described as a cherry sorter's chair. Gilbert (C) Furniture at Temple Newsam House and Lotherton Hall 1998, a similar chair with the Callaghan label is illustrated and described pg.591-2, fig.712 CONDITION REPORT: The seat has a split and has numerous deep scratches around the seat and also the back support. There is a further small split running from the joint of the seat and back support up to one of the peg joints. Chair structure is OK however there are further numerous scuffs on the other side of the seat and the back support and around the legs.

A 19th Century Dutch Mahogany and Marquetry Inlaid Wall Mounted Display Cabinet, the architectural moulded pediment above a glazed door enclosing a later velvet lined interior of two shelves, with canted glazed sides, 102 by 23cm by 105cm CONDITION REPORT: Circa late 19th century. Moulded pediment is probably later in date. The glass on the cabinet is in good condition however there are traces of white? emulsion paint to the right-side glass and also around the plinth base. The left-hand side panel with a small repair around one of the glazed bars and also the top left-hand corner. Traces of old putty to the side around some of the glass. The doors/lock needs attention as this is slightly difficult to open. The inside of the door has been ebonised. The fabric lined interior is reasonable. With key and working lock.

~ A Flemish Oak Panel, circa 1620, carved in relief with the Resurrection, Christ standing holding a staff flanked by soldiers within an architectural arch with cherub cresting on a rectangular ground, 45cm by 31cm

A Small Silver Limited Edition Carriage Timepiece To Commemorate Queen Elizabeth II 40th Anniversary (1952-1992), retailed by Charles Frodsham, model: The Palace Clock, limited number 63 of 750 pieces made, 1992, single spring barrel movement with a platform lever escapement, white dial with Roman numerals, architectural carrying handle, fluted side columns, bevel glass panels, back door stamped with maker's mark DC, No.63/750 and a Birmingham silver hallmark for 1992, 10cm high over handle, with Certificate of Authenticity, guarantee paperwork, dust cloth and chrome plated key see illustration 12.04.21 Case with light surface scratches, glass panels are clean, dial is clean, winding smoothly and hand setting correctly, movement is clean and in going order.

A large collection of 1970's and later Architectural Review, Architecture Today and Ark magazines

An absract architectural image,white lines on a black ground,60 x 48 cm,together with another matching CONDITION REPORT: On board with some damage. One with glass front (cracked) and back board.