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Mixed Lot Of Collectables And Ephemera - Comprising, Various Unused Diaries, Complete Boxed Domino Set, Vintage Playing Cards, Stamp Album, Coronation Souvenir 1937-`939 Booklet, Cigarette Cards Booklet International Air Liners, Jersey 50th Anniversary Royal Air Forces Stamps, Red Arrows Concert Booklet, Set Of Antique Architectural Rulers Etc - Please See Accompanying Image.

A Large Resin Figure In The Form Of A Greyhound floor standing figure of seated greyhound finished in textural grey tones to resemble stone/architectural salvage. 43 inches in height.Please note this is a televised lot in conjunction with BBC Antiques Roadtrip

A Large Resin Figure In The Form Of A Greyhound floor standing figure of seated greyhound finished in textural grey tones to resemble stone/architectural salvage. 43 inches in height.Please note this is a televised lot in conjunction with BBC Antiques Roadtrip

Architectural Salvage Interest Three 19th Century Large Red Bricks With Letter Forms To include letters A, R and H. Please note this is a televised lot in conjunction with BBC Antiques Roadtrip

A 19th century mantel clock in black marble architectural case, with visible escapement and French striking movement

A black slate classical architectural style mantel clock with 3 pillars to each side, striking on gong, with key and pendulum

An Empire Period Open Bookcase:Mahogany architectural form bookcase with three shelves ormolu fitted round pillars to each side, terminating in wooden claw feet.H 155 cm x W 117 cm x D 39 cm CONDITION REPORT: In very good condition with no cracks or damages, adjustable shelves Shelf Depth 22 cm

An Empire Period Mirror:Of architectural form, applied ormolu relief to the top section with ormolu fitted circular pillars to each side.H 130cm x W 94cm CONDITION REPORT: In good original condition, minor nibbling to veneer on the top with architectural molding, gilded fittings in good condition

ENGLISH SCHOOL, MID 20TH CENTURY ARCHITECTURAL SUBJECTS including Coventry, Halesowen, Welford on Avon and Tettenhall, 25 approx, several recto and verso, several inscribed, pencil, pen and ink and watercolour, 42 x 49cm approx, several other drawings and prints sold in portfolio (30 approx)++Minor creases and handling marks

An early 20th century Architectural black Ashford marble mantel clock, eagle finial, American manual movement, c.1910

English Romantic School (early 19th century) Elegy Written in a Country Churchyardgrey wash with sepia highlights on paper, 18.5cm x 28cm, Hogarth frame; a 19th century antiquarian's sketched account, of European High Medieval architectural details, each vignette titled and inscribed, pencil drawing on manilla paper, 34cm x 24cm; another, later, An Ancient Gateway in Egypt, by J Reed, signed and dated 18.11.26, pencil drawing on white paper, 25cm x 22cm, [3]

A GEORGE III STYLE MAHOGANY AND INLAID MINIATURE CABINET, of architectural form, the double doors enclosing a single shelf, two drawers to the base, on shaped bracket feet, width 37cm x depth 23.5cm x height 52cm, with key (condition: splits to timber to sloped top, gap between doors, lock working)

A LATE VICTORIAN ROSEWOOD AND INLAID FLOORSTANDING CORNER CUPBOARD, the architectural pediment with turned finial above double doors inlaid with urns, swags and scrolls above two bevel edged mirrors, the bow front base fitted with a short drawer and cupboard door inlaid with musical instruments, flanked by arched open shelves, on three block legs linked by a triangular under tier, width 74.5cm x depth 46cm x height 187cm (condition: some areas of small losses, paper labels to back of base, split at back corner of top of base)

A 19th century watercolour, Copenhagen architectural street scene, indistinctly signed, 1889, 14.5" x 21", framed

A 19TH CENTURY CONTINENTAL STRIPPED PINE PRESS CUPBOARD, with four panelled doors within a reeded frame and architectural cornice, 150cm wide

Victorian mahogany barometer, architectural pediment, silvered dials, one signed Zanfrini & Gugeri, Blandford, the case with shell inlay, boxwood and ebony stringing, 99cm.

A 19th Century architectural buttress having a shaped terminal applied with flower head motifs

A pair of early 20th Century silver plated toast racks by Howson Brothers of graduating architectural form. Measures 12cm high 13cm wide. 

A WILLIAM IV ROSEWOOD MANTLE CLOCK by James Gowland, the rectangular architectural case with decorative brass inlay, the silvered arching dial with engine turned decoration, Roman numerals and signed J. Gowland, Leather' sellers Buildings, London Wall, the two train fusee movement striking the hours on a bell and with pull repeat to the side, 18cm wide x 14.5cm deep x 29.5cm high

AN EARLY VICTORIAN ROSEWOOD CASED BRACKET OR TABLE CLOCK by Savory & Sons., Cornhill, London, the case of architectural form with ogee shaped plinth, pierced brass fretwork silk lined sides and all standing on turned feet, the silvered dial with Roman numerals, the movement striking the hours on a gong 31.5cm wide x 18.5cm deep x 43.5cm high

A PERSIAN TABRIZ FORMAL CARPET decorated with continuing design of panels of animals, birds and architectural scenes on a deep blue ground and within red ground borders with scrolling flower ornament, 405cm x 303cm

A PAIR OF WILLIAM IV MAHOGANY POT CUPBOARDS of architectural form with outset pilaster columns and standing on plinth bases, 47.5cm wide x 41cm deep x 77cm high (2)

A 19TH CENTURY STEEL AND ORMOLU CASE MANTLE CLOCK OR TIMEPIECE the architectural case of plinth form surmounted by a shallow urn with scroll handles, applied with various ormolu mounts to include swags and flower heads and standing on square block feet, the silvered dial with Roman numerals, signed Harris Heeley Cie A Paris, the movement engraved Cleret, numbered 3802 and with silk suspension for the pendulum 25.5cm wide x 13cm deep x 55cm high

A PAIR OF ITALIAN CARVED PINE GILT WALL BRACKETS of architectural scrolling form 10.5cm wide x 19cm deep x 22cm high (2)

A VICTORIAN MANTEL CLOCK IN BLACK SLATE ARCHITECTURAL CASE AND AN OAK CASED MANTEL CLOCK (2)

A pair of South Indian cast brass hollow stirrups. Probably 19th century, each bow engraved and pierced, with a pair of confronting parrots beneath the suspension bracket, footplates of architectural form intended to contain jingles. G.C. £100-150

A quantity of architectural Prints and print of farmyard scene

A Victorian Gothic Revival architectural oak open bookcase

Viennese silver & enamel architectural table clock 19th century, Set with pink stones. Diana and two hounds under portico. Clockmaker Erns Borel, Neuchatel 1892-97. Key available. Running. Height 22 cm.

William IV brass inlaid rosewood and simulated rosewood Architectural cased bracket clock, 20cm circular convex Roman dial inscribed 'Baggs South Street, Berkley Square', twin train movement striking the hours on a bell, case with gadrooned detail, turned columns and bun feet, H51cm, W33cm, D16cm Condition Report Click here for further images, condition, auction times & delivery costs

Small William lV brass inlaid mahogany architectural cased mahogany bracket clock with 12cm circular Roman dial, single fusee movement, case with brass pineapple finial, ring handles and bun feet, H40cm, W20cm, D12.5cm Condition Report Click here for further images, condition, auction times & delivery costs

Early 20th century gilt brass architectural cased mantel clock, circular enamel Arabic dial inscribed 'Bell Brothers Paris' twin train Japy Freres movement stamped 9515 48 striking the half hours on a coil, the cupola topped case with turned columns and feet H35cm, W21cm, D13cm, on giltwood plinth Condition Report Click here for further images, condition, auction times & delivery costs

H.R.A[spinwall] Commonplace book, c.1816-1836. 4to, org. green cloth; 30 MSS leaves, some written on both sides, 13 leaves of illus, two ink drawings, one ink wash, one pencil, nine watercolours signed HRA. The compiler of this book has been identified as an Aspinwall by the coat-of-arms on the first page - Or, a chevron sable between three griffins' heads erased sable. The shield is set in an architectural frame between two statues in niches, one bearing a book, the other a palette - presumably representing the pictures and poems in the book. it has not been possible to trace the majority of the poems, suggesting these were written either by the author or friends (some are signed AW, THL, E McG and others), although some are more obvious (such as a transcription of Macaulay). The pictures, mostly costume studies, are principally signed HRA (as the initials on the title page) but there is also an ink drawing of an Eta tree from British Guiana (after a sketch by AW) and a pencil drawing of a ship passed at sea (after a sketch by AFWW). The whole records an element of gentle life of the period, with foreign travel, lines 'On Leaving Catlow House', tips on letter writing, and, more poignantly, lines for Mrs JH on the death of a child.. Binding worn, one leaf loose, some offsetting from pictures, a couple of pages with sections excised, some foxing etc but very good.

LARGE INDIAN LIGHTWOOD BIRD CAGE, of architectural form, on detachable stand, 193cm high overall

An imposing vintage floor standing mixed wood humidor cabinet, square based and having four glazed doors to each side, of architectural form with moulded and carved top and sides, 126cms high x 92cms wide Provenance: Coleg Harlech, Gwynedd Condition reports provided on request by email for this auction otherwise items purchased `as seen`

A pair of vintage light oak three-shelf open bookcases with architectural finials, 106cms h x 61cms x 25cms Condition reports provided on request by email for this auction otherwise items purchased `as seen`

An early 20th century painted metal garden table, on an architectural style base, 96 cm diameter

A LARGE ORNATE CONTINENTAL CERAMIC CLOCK, the architectural style case flanked by four female musicians, three cherubic musicians surmount, with painted and gilt embellishment, visible pendulum with scenic panel behind, crossed sword marks to base, the 8 day Hermle with ting tang bell strike, H 68 c, W 36.5 cm, D 18.5 cmConditionReport:Key & Pendulum

A LARGE EASTERN WOOLLEN EARLY 20TH CENTURY RUG / CARPET, the central cartouche with figurative detail, further architectural detail throughout, floral detail to the banding, 380 x 300 cm

Architectural: † A pair of carved sandstone wall consoles carved with scrolls modern 92cm high

Architectural: A pair of substantial Georgian style gates 20th century 370cm high by 380cm wide, together with two wrought and cast iron pier crestings, 60cm high by 38cm wide

Architectural/Gates: An impressive Georgian style wrought entranceway last quarter 19th century with a central hinged gate, with overthrow incorporating a W for Warwick flanked by railings the gate 265cm high by 140cm wide, the overthrow 405cm high the railing pilasters 300cm high, approx 620cm wide See also lots 204 and 205 Provenance: Easton Lodge, Great Dunmow, Essex, England. It was one of many country houses destroyed during the 20th century. Part of the west wing (rebuilt as a separate house after a fire in 1918 for use as servants’ quarters) still stands; and the Grade II listed gardens designed by Harold Peto have been largely restored and opened to the public. Designed by Thomas Hopper, Easton Lodge replaced an earlier Elizabethan mansion built in 1597 by Henry Maynard, which had been destroyed by fire in 1847. The Elizabethan house had itself replaced an earlier hunting lodge, situated by the church, which had been granted to Henry Maynard in 1590 by Queen Elizabeth I. Most famous of those who lived at the house was Daisy Greville, Countess of Warwick, who was born Frances Evelyn Maynard at Easton Lodge in 1861 and inherited the estate when just four years old. She became a socialite and mistress to King Edward VII, and continued to live at Easton Lodge with her husband, the 5th Earl of Warwick after her marriage. As a result, the Lodge became famous for its society gatherings. Guests at Easton Lodge included George Bernard Shaw, Gustav Holst, Ramsay McDonald and HG Wells whose family lived in one of the estate properties. He, in turn, received visits from such notables as Dame Ellen Terry, AA Milne and Charlie Chaplin. In 1918, another fire severely damaged the Jacobean wings of the house. The fire is thought to have been started by one of the Countess’ pet monkeys. Major portions of the Estate were auctioned in 1919/20 and outlying parts had already been sold in the 1890’s. The Jacobean wing of the house was rebuilt after this second fire, and the Countess, having been widowed in 1924, eventually moved into the West Wing where she remained with her beloved animals until her death in 1938. In 1923, Daisy offered the whole estate to the Labour Party - they declined. She stood for Parliament as Labour candidate for Leamington & Warwick but lost out to Anthony Eden. Such was her commitment that in 1926 she then offered the entire estate to the TUC who were very keen to accept. Plans were made to develop Easton Lodge into a college and university but, after the General Strike in 1926 through which the TUC’s funds were severely depleted, the arrangement had to be abandoned as they were no longer able to finance such an institution. During World War II the estate was requisitioned by the War Office, leading to the destruction of some 10,000 trees to enable the construction of RAF Great Dunmow (also known as RAF Little Easton) in the former park. The house was largely demolished following its return by the military in 1950. After 30 years of abandonment the west wing was purchased in 1971 and is now used as a private house. The late 19th century stable cottages and a red brick water tower also remain, and are Grade II listed buildings. The Gardens of Easton Lodge are the only example in East Anglia of the work of the Edwardian garden designer, Harold Peto. Peto originally trained as an architect and brought to Easton Lodge his passion for Italianate, French and Japanese designs, including many architectural features. Peto’s 1902 designs for the Countess of Warwick included formal lawns, a sunken Italian garden, a yew walk, a treehouse, a glade and a Japanese garden. These impressive gates, which were the main in and out gates from the deer park to Easton Lodge, predate Peto’s involvement, but since they incorporate earl’s coronets and a ‘W’ for Warwick, for the 5th Earl of Warwick who moved into Easton Lodge following his marriage to Daisy Greville in 1881, they may have been part of an architectural scheme by the Scottish architect, William Young in 1884 most of which was never realised. Caption to B&W pic; Easton Lodge, showing one of the open pairs of gates.  

Architectural: A pair of carved stone finials 32cm high, together with a carved limestone stool, French 19th century, 40cm long, and and a composition stone tree trunk planter

Architectural: An impressive pair of Georgian style wrought iron gates last quarter 19th century the gates surmounted by an earl’s coronet flanked by pilasters with supporting back struts the gates 260cm high by 320cm wide, the pilasters 300cm high by 50cm wide the whole approx 450cm wide See also lot 205 and 206 Provenance: Easton Lodge, Great Dunmow, Essex, England. It was one of many country houses destroyed during the 20th century. Part of the west wing (rebuilt as a separate house after a fire in 1918 for use as servants’ quarters) still stands; and the Grade II listed gardens designed by Harold Peto have been largely restored and opened to the public. Designed by Thomas Hopper, Easton Lodge replaced an earlier Elizabethan mansion built in 1597 by Henry Maynard, which had been destroyed by fire in 1847. The Elizabethan house had itself replaced an earlier hunting lodge, situated by the church, which had been granted to Henry Maynard in 1590 by Queen Elizabeth I. Most famous of those who lived at the house was Daisy Greville, Countess of Warwick, who was born Frances Evelyn Maynard at Easton Lodge in 1861 and inherited the estate when just four years old. She became a socialite and mistress to King Edward VII, and continued to live at Easton Lodge with her husband, the 5th Earl of Warwick after her marriage. As a result, the Lodge became famous for its society gatherings. Guests at Easton Lodge included George Bernard Shaw, Gustav Holst, Ramsay McDonald and HG Wells whose family lived in one of the estate properties. He, in turn, received visits from such notables as Dame Ellen Terry, AA Milne and Charlie Chaplin. In 1918, another fire severely damaged the Jacobean wings of the house. The fire is thought to have been started by one of the Countess’ pet monkeys. Major portions of the Estate were auctioned in 1919/20 and outlying parts had already been sold in the 1890’s. The Jacobean wing of the house was rebuilt after this second fire, and the Countess, having been widowed in 1924, eventually moved into the West Wing where she remained with her beloved animals until her death in 1938. In 1923, Daisy offered the whole estate to the Labour Party - they declined. She stood for Parliament as Labour candidate for Leamington & Warwick but lost out to Anthony Eden. Such was her commitment that in 1926 she then offered the entire estate to the TUC who were very keen to accept. Plans were made to develop Easton Lodge into a college and university but, after the General Strike in 1926 through which the TUC’s funds were severely depleted, the arrangement had to be abandoned as they were no longer able to finance such an institution. During World War II the estate was requisitioned by the War Office, leading to the destruction of some 10,000 trees to enable the construction of RAF Great Dunmow (also known as RAF Little Easton) in the former park. The house was largely demolished following its return by the military in 1950. After 30 years of abandonment the west wing was purchased in 1971 and is now used as a private house. The late 19th century stable cottages and a red brick water tower also remain, and are Grade II listed buildings. The Gardens of Easton Lodge are the only example in East Anglia of the work of the Edwardian garden designer, Harold Peto. Peto originally trained as an architect and brought to Easton Lodge his passion for Italianate, French and Japanese designs, including many architectural features. Peto’s 1902 designs for the Countess of Warwick included formal lawns, a sunken Italian garden, a yew walk, a treehouse, a glade and a Japanese garden. These impressive gates, which were the main in and out gates from the deer park to Easton Lodge, predate Peto’s involvement, but since they incorporate earl’s coronets and a ‘W’ for Warwick, for the 5th Earl of Warwick who moved into Easton Lodge following his marriage to Daisy Greville in 1881, they may have been part of an architectural scheme by the Scottish architect, William Young in 1884 most of which was never realised. Caption to B&W pic; Easton Lodge, showing one of the open pairs of gates. See also our website for an Ordnance survey map showing location of gates.

Architectural: A similar pair of carved sandstone column pedestals

Architectural: A pair of carved sandstone column pedestals late 19th century 163cm high

Architectural: A Victorian carved limestone gargoyle 19th century drilled for water 40cm high by 57cm long

Architectural: A pair of Art Deco pierced cast iron rectangular panels 95cm by 30cm wide together with a pair of late Victorian cast iron rectangular panels, 101cm by 28cm, a pair of gothic style cast iron gates, circa 1870, 71cm high by 126cm wide, a pair of Victorian wrought iron rectangular panels, 110cm by 40cm wide, a wrought iron panel, 93cm high, a wrought iron panel rectangular, 85cm high by 60cm wide and a cast iron panel in wooden frame, 90cm by 53cm wide see our website for extra images

Architectural: A similar pair of carved sandstone column pedestals

Architectural: A carved Travertine marble frieze plaque 2nd half 19th century carved with thunderbolts and a caduceus flanked by a run of matching fruited frieze, 72cm high by 114cm wide, together with a pair of jambs

Architectural: An identical impressive pair of Georgian style gates last quarter 19th century the gates surmounted by an earl’s coronet flanked by pilasters with supporting back struts the gates 260cm high by 320cm wide, the pilasters 300cm high by 50cm wide the whole approx 450cm wide See also lots 204 and 206 Provenance: Easton Lodge, Great Dunmow, Essex, England. It was one of many country houses destroyed during the 20th century. Part of the west wing (rebuilt as a separate house after a fire in 1918 for use as servants’ quarters) still stands; and the Grade II listed gardens designed by Harold Peto have been largely restored and opened to the public. Designed by Thomas Hopper, Easton Lodge replaced an earlier Elizabethan mansion built in 1597 by Henry Maynard, which had been destroyed by fire in 1847. The Elizabethan house had itself replaced an earlier hunting lodge, situated by the church, which had been granted to Henry Maynard in 1590 by Queen Elizabeth I. Most famous of those who lived at the house was Daisy Greville, Countess of Warwick, who was born Frances Evelyn Maynard at Easton Lodge in 1861 and inherited the estate when just four years old. She became a socialite and mistress to King Edward VII, and continued to live at Easton Lodge with her husband, the 5th Earl of Warwick after her marriage. As a result, the Lodge became famous for its society gatherings. Guests at Easton Lodge included George Bernard Shaw, Gustav Holst, Ramsay McDonald and HG Wells whose family lived in one of the estate properties. He, in turn, received visits from such notables as Dame Ellen Terry, AA Milne and Charlie Chaplin. In 1918, another fire severely damaged the Jacobean wings of the house. The fire is thought to have been started by one of the Countess’ pet monkeys. Major portions of the Estate were auctioned in 1919/20 and outlying parts had already been sold in the 1890’s. The Jacobean wing of the house was rebuilt after this second fire, and the Countess, having been widowed in 1924, eventually moved into the West Wing where she remained with her beloved animals until her death in 1938. In 1923, Daisy offered the whole estate to the Labour Party - they declined. She stood for Parliament as Labour candidate for Leamington & Warwick but lost out to Anthony Eden. Such was her commitment that in 1926 she then offered the entire estate to the TUC who were very keen to accept. Plans were made to develop Easton Lodge into a college and university but, after the General Strike in 1926 through which the TUC’s funds were severely depleted, the arrangement had to be abandoned as they were no longer able to finance such an institution. During World War II the estate was requisitioned by the War Office, leading to the destruction of some 10,000 trees to enable the construction of RAF Great Dunmow (also known as RAF Little Easton) in the former park. The house was largely demolished following its return by the military in 1950. After 30 years of abandonment the west wing was purchased in 1971 and is now used as a private house. The late 19th century stable cottages and a red brick water tower also remain, and are Grade II listed buildings. The Gardens of Easton Lodge are the only example in East Anglia of the work of the Edwardian garden designer, Harold Peto. Peto originally trained as an architect and brought to Easton Lodge his passion for Italianate, French and Japanese designs, including many architectural features. Peto’s 1902 designs for the Countess of Warwick included formal lawns, a sunken Italian garden, a yew walk, a treehouse, a glade and a Japanese garden. These impressive gates, which were the main in and out gates from the deer park to Easton Lodge, predate Peto’s involvement, but since they incorporate earl’s coronets and a ‘W’ for Warwick, for the 5th Earl of Warwick who moved into Easton Lodge following his marriage to Daisy Greville in 1881, they may have been part of an architectural scheme by the Scottish architect, William Young in 1884 most of which was never realised. Caption to B&W pic; Easton Lodge, showing one of the open pairs of gates. See also  an Ordnance survey map showing location of gates.

Garden Statuary: A pair of Victorian carved stone architectural features carved in high relief with rams’ heads late 19th century 73cm high

Architectural: A similar pair of carved sandstone column pedestals

Architectural: A harlequin set of ten granite and stone weights 18th/19th century with iron ring handles 34cm high

Architectural: † A painted steel bridge with hardwood slats modern 160cm high by 583cm long by 158cm wide

Architectural: A substantial composition stone finial on pedestal late 20th century 230cm high

Architectural: A carved grey marble Salomonic column 19th century 176cm high

Architectural: A pair of early Victorian carved stone pediments mid 19th century 33cm high by 126cm wide

An Arts and Crafts hammered silver mustard pot by Omar Ramsden, London 1935, engraved beneath Omar Ramsden Me Fecit, cylindrical, with architectural domed cover, an inset moulded neck, applied with a band of flower buds above the spreading foot, 11cm (4 1/4in), 170g (5.5 oz)

An Arts and Crafts hammered silver sugar caster by Omar Ramsden, London 1930, engraved beneath Omar Ramsden Me Fecit, cylindrical, with architectural steep domed pierced cover, an inset moulded neck, applied with a band of flower buds above the spreading foot, 21cm (8 1/4in), 335g (10.75 oz)