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A 19th century marble eight day mantel clock of architectural form, with Classical metal mounts, 28cm high x 26cm wide

A 19th Century French Belge noir architectural cased mantel clock

Collection of architectural plans, to include L & NWR. Haydon Square, plan of boiler seating, etc, (qty)

An early 20th century mantle clock, the brass and silvered face with Roman numerals, the German movement striking on a gong, within a mahogany case of architectural form, h. 43 cm CONDITION REPORT: Working order unknown, case generally good, key and pendulum.

VICTORIAN MANTEL CLOCKthe circular white enamel dial with Roman numerals and 30 hour movement, contained in a black slate and rouge marble case of architectural design, 22cm high

LATE VICTORIAN FRENCH BLACK SLATE MANTEL CLOCKthe movement by Japy Freres & Cie., of architectural form, the roof supported by four Corinthian columns, with Roman frieze decoration, leading to a finial of the goddess Minerva, the enamel chapter ring with Arabic numerals, raised on a plinth, with brass plaque dedication, 42cm high

A 19th Century Ormolu Cased Mantle Clock, the case of architectural form, the silvered dial with Roman numerals and two train Japy Freres movement striking on a gong, 23 cms tall

A XIX Century Black Slate Mantel Clock, the dial with gilt Roman numerals within architectural style case, with leaf applied detail; together with a small arch top mantel clock, (damages/incomplete). (2)

A Collection of Cast Brass, Bronze Effect and Gilt Effect Cast Metal Medallions, cased and loose, including limited proof edition European Architectural Heritage 1975, USA Chamber of Commerce, Lindberg Congress, sporting, commemorative, 1911 Coronation medallion etc :- One Tray

EARLY 20TH CENTURY CHINESE LACQUERED WOOD PLANTERof rectangular form and decorated with figures in gilt, 38.5cm wide; along with a Chinese lacquered casket, of rectangular form with figural, architectural and foliate decoration to lid and body, 26cm wide (2)

PAIR OF EARLY/MID 20TH CENTURY JAPANESE LIDDED VASESone painted with geisha and a cart in a garden setting, the other with geisha and an architectural exterior scene, both with gilt detailing, on four feet, mark to baseSIZE

THREE 20TH CENTURY CHINESE PAINTED HAND SCROLLSall depicting mountain landscapes, some architectural and figural detailing, signed and seal stamped, 63cm x 30cm, 63cm x 30cm and 69cm x 34cm

*Modernist Interior. Architectural sketch of an interior, 1920's, watercolour heightened with bodycolour, unsigned, 13.7 x 10.5cm (5.5 x 4ins), framed & glazed (1)

*Arts & Crafts. Noli Me Tangere, circa 1880-1900, glazed enamel mosaic plaque, depicting Mary Magdalene kneeling before Christ within an architectural setting, and the two faces drawn in brown ink, possibly the work of an English stained glass artist, 280 x 190 mm (11 x 7.5 ins), arched ebonised wood frame, glazed (overall size 480 x 355 mm, 19 x 14 ins) (1)

*Knight (Charles, 1901-1990 ). The Old Bun Shop, Pool Valley, Brighton, circa 1940, watercolour and gouache, signed lower left, 38 x 37.5 cm (15 x 14.75 ins), framed and glazed Another version (dated 1940) of this subject by Charles Knight is held by the V&A Museum, London, and was one of the artist's many contributions to the Recording Britain project, instigated by Sir Kenneth Clarke at the beginning of the Second World War, to record British life and landscape in a time of unprecedented upheaval. Funded by the Pilgrim Trust, British artists were commissioned to produce watercolours celebrating the beauty of British landscape and architectural heritage, including John Piper, Sir William Russell Flint, Rowland Hilder, Charles Knight, Kenneth Rowntree, Luke Hennell, Barbara Jones and others. The V&A version of the present work appears on pages 168-169 of the 4th volume (1949). (1)

*Gourd. A 19th century Italian double gourd with scrimshaw decoration, engraved 'Martaggio delle Sorelle di Psiche' (assembling Sisters of Psyche) 'Il Pasto', with classical figures amongst architectural and landscape decoration, 22cm high (1)

*Watercolours. Italianate landscape, with figures in the distance, monochrome wash drawing on pale blue paper, early 19th century, 28 x 40.5 cm (11 x 16 ins) mount aperture, framed and glazed, together with a mid-19th century pen, ink and brown wash architectural study of a London church, with numerous figures and a carriage outside, unsigned, 38 x 50.5 cm (15 x 20 ins), black and gilt frame, glazed, plus other various 19th century landscape watercolours, mostly English landscapes, some mounted (14)

Cigarette Cards: An album of assorted vintage cigarette cards - all full sets. From a large private collection, including cigarette, cigar and tea cards. This album featuring all Playeers cards. Including; Aeroplanes (Civil), Aircraft of the RAF, Animals Of The Countryside, Architectural Beauty, Army Corps Signs, Army Life, Association Cup Winners, Avery & Caged Birds, Birds & Young, Boy Scouts & Girl Guides, African Scenes, British Livestock, Naval Craft, British Regalia and British Butterflies etc. 

A good collection of 20th century architectural door handles, all of varying sizes and style, some in the original packing materials

A vintage 19th century / 20th century architectural terracotta roof pitch tile having unusual tapering finial spherical ball

Painted Wooden Case with Beach Huts by Bernie Howden - 45cm x 30cm x 14cm - Bernie obtained his Fine Art Degree BA (Hons) at Wirral Met and had his graduation at Liverpool Anglican Cathedral. His work was mainly architectural, but Bernie now delves into portraits

A FRENCH BELGIUM SLATE AND MARBLE ARCHITECTURAL MANTLE CLOCK, 26.5CM H, C1890

A GERMAN ARCHITECTURAL CARVED WALNUT BRACKET CLOCK WITH TRIANGULAR PEDIMENT AND BRASS DIAL, THE SUBSIDIARY STRIKE/SILENT AND REGULATION DIALS ABOVE, THE WINTERHALDER & HOFMEIER MOVEMENT STRIKING ON A COILED WIRE GONG, 41CM H, CIRCA 1900

A 19th Century marble cased mantel clock, of architectural design, having a circular white enamel Roman numeral dial with visual escapement, supporting an 8 day movement, 46cm high

A Victorian marble mantel clock, of architectural design, having 8 day movement striking on a gong, 44cm wide x 34cm high

*Early Photographs. A group of 16 early photographs, 1850s/1870s, including 5 salt prints, 3 of an unidentified woman, 14.5 x 11 cm and similar, one of Progo Beach, Cornwall, 15 x 20 cm, plus a cyanotype of a man and young girl and architectural albumen prints by Bisson Freres (2), William Petre, James Robertson, J. Laurent, etc. (16)

*Prisons. Bedford (F.). City Prison, Holloway, 1852, lithograph with contemporary hand colouring, trimmed to image on three margins, closed tears affecting image, slight dust soiling, 410 x 580 mm, mounted, framed and glazed, together with Hawkins (G.), To the Magistrates of the County of Berks., This View of the New County Prison at Reading from the Great Western Railway, is respectfully dedicated by their very obedient servant, J.L. Griffiths, Architectural Draftsman, Day & Haghe, circa 1860, uncoloured lithograph, slight creasing, spotting and staining, occasional marginal closed tears, torn with slight loss, 450 x 600 mm, mounted, framed and glazed, plus Smith (John Raphael). Sir Richard Arkwright, 1801, uncoloured mezzotint after Joseph Wright, slight marginal staining, 660 x 460 mm, mounted, framed and glazed Sir Richard Arkwright (23rd December 1732 -3rd August 1792) was an inventor and entrepreneur during the early Industrial Revolution. He is credited with inventing the spinning frame, which, following the transition to water power, was renamed the water frame. He also patented a rotary carding engine that transformed raw cotton into cotton lap. Arkwright's achievement was to combine power, machinery, semi-skilled labour and the new raw material (cotton) to create mass-produced yarn. His skills of organisation made him, more than anyone else, the creator of the modern factory system, especially in his mill at Cromford, Derbyshire. Later in his life Arkwright was known as 'the Father of the Industrial Revolution'. (3)

Hatton (Richard G.). Design, An Exposition of The Principles and Practice of the Making of Patterns, 1914, 177 black and white illustrations, some light spotting, bookplate to front pastedown, contemporary gilt decorated full calf bound by Morrell, boards and spine slightly marked and rubbed to head and foot, 8vo, together with Ison (Walter), The Georgian Buildings of Bristol, 1st edition, 1952, numerous black and white illustrations, some minor spotting, original cloth in dust jackets, covers and spine faded and rubbed to head, 8vo, and Lethaby (W.R.), Architecture, Nature & Magic, 1st edition, 1956, 15 black and white illustrations, frontispiece partially detached, original cloth in dust jacket, covers slightly toned and rubbed to head and foot, 8vo, plus other mostly 20th century architectural reference and related, some leather bindings, mostly original cloth, some in dust jackets, G/VG, 8vo/folio (3 shelves)

A French gilt brass repeating carriage clock, the eight day movement striking on a gong, the backplate stamped '4243', the circular dial with Arabic numerals, within an architectural case with Corinthian columns, late 19th / early 20th century, 17cm high.

*Bisson (Louis-Auguste & Auguste-Rosalie). A group of 3 architectural photographs, circa 1860, all details of Amiens Cathedral, Chartres Cathedral and (?)Palais de Justice, all with Bisson Freres circular red ink stamp lower left, contemporary paper mounts, each approximately 45 x 33 cm and similar, plus 6 further mounted albumen print photographs of similar subjects, all possibly by Bisson Freres, all mounted and similar sizes (9)

Stone (Percy Goddard). The Architectural Antiquities of the Isle of Wight from the XIth to the XVIIth Centuries inclusive, 2 volumes, London: Published by the Author, 1891, photogravure frontispieces, additional decorative title to volume 1, numerous plates and illustrations, all edges gilt, marbled endpapers with recent buckram hinges, near contemporary gilt decorated calf, rebacked preserving original spines, extremities slightly rubbed, folio, together with Vectis, A Weekly Journal of Literary, Local and General Interest, edited and conducted by Dr. Dabbs, volume 1, part 2 only, August 5th - December 30th, 1896, few black & white plates and illustrations, all edges gilt, contemporary calf gilt, joints worn, 4to (3)

*Baldus (Edouard-Denis, 1813-1882). Temple de Diane, Nimes, circa 1860, albumen print, 21 x 28 cm, original mount with printed caption and signature to lower margin, together with a mounted albumen print of Rievaulx Abbey by Delamotte and Cundall, circa 1856, showing the trifolium arches, 28 x 23.5 cm, plus a group of 10 albumen prints of Spanish architectural details by Laurent, including buildings in Toledo, Cordoba, Grenada and Seville, printed captions to lower margins, 33 x 24 cm, 7 loose and 3 on individual contemporary mounts (12)

Slate and marble architectural two train mantel clock with Roman numeral chapter ring, marked: Spears and Pond, London, with a key and pendulum in envelope to reverse.(B.P. 24% incl. VAT)

J.M. Davies, harbour scene, oils on board, unframed and three large street scene architectural studies, signed Owen, dated: '74, oils on board. (4)(B.P. 24% incl. VAT)

Box of assorted architectural fittings to include: glass door knobs and door handles; brass finials and other fittings.(B.P. 24% incl. VAT)

Morris, architectural study in watercolours, 48 x 32cm and another, cartoon type watercolour, possibly a book illustration, signed: E.F. Cramp, 23 x 33cm, framed. (2)(B.P. 24% incl. VAT)

A pair of 19th Century brass and slate garnitures, each of urn campana form decorated with putti, on architectural base, 36cms (14in.) high.

Architecture: Shaw (Rob. Norman) Architectural Sketches from the Continent, lg. folio L. 1872. decor. title, & 100 full page plts. (some loosening from binding), a.e.g., orig. mor. backed gilt decor. cloth boards, spine dam.; Allan (Fred. H.) The Great Cathedrals of the World, 2 vols. lg. folio Boston n.d. [1886] full page photogravure plts. some loose, orig. cloth, dam. As a coll. plts. w.a.f.. (8)

A 1920s mahogany breakfront bookcase of "Chippendale" design, the upper part with architectural moulded cornice carved with leaf ornament and with leaf scroll cresting, fretted gallery, fitted five shelves enclosed by three glazed doors, the base with carved edge to top and blind fret carved frieze, fitted three shelves enclosed by three doors with applied shaped and carved mouldings and on plinth base, 54ins wide x 19.5ins deep x 86ins high (gallery to one side damaged and missing and general wear throughout)

A 19th Century slate mantel clock, the eight day movement with enamel chapter ring, gilt metal floral pierced hand mount, French drum movement in architectural case, 35 cm x 36 cm, hands missing

A silver desk calendar of architectural form with lighter attachment, Birmingham 1931, Sanders & Mackenzies

A late Victorian/Edwardian golden oak case mantel clock having architectural case with pillar and carved decoration containing Roman numeral dial with striking movement

A cased set of silver teaspoons having enamelled wild flower decoration to reverse of bowls and architectural style knops, Birmingham 1970, Barker Brothers Silver Ltd

Victorian slate mantel clock of architectural form, Pearce and Sons, Paris, height 36cm

An Album of old Victorian Photographs including Architectural, Cheddar Gorge, etc.

19th Century oak mantel timepiece with an 8-day single train fusee movement, the 8" silvered dial engraved with Roman Numerals & 'BARRAUD & LUNDS, 49 CORNHILL, LONDON 4867', the oak architectural case with a paper label for Barraud & Junds, 49 Cornhill (pendulum & key) height 18.5"

French 8-day clock, the 4' white enamel dial with Arabic Numerals, the Samuel Marti movement striking on a gong, within architectural green onyx case with gilt metal spandrels, height 9.75"

Junghams two train oak cased mantle clock with 6" brass dial with silver chapter ring with Arabic numerals, the movement striking on a gong, within architectural arched case, height 15"

A late 19th century carved walnut architectural mantel clock, 41cm high.

A Belouch Prayer rug, the central panel set with architectural motifs on a blue ground, within a stepped blue and green geometric patterned border, approx 145 cm x 94 cm

A Turkish prayer rug, the central panel set with architectural style panels on a dark red and black ground, within a stepped geometric patterned border, approx 136 cm x 83 cm

A George III mahogany secretaire linen press, the upper section with a fretwork geometric moulded edge and a repeated architectural design, fitted with two astragal glazed doors opening to reveal sliding shelves, the base section with a secretaire sliding out and reveal a fitted interior, with three drawers below, raised on ogee bracket feet, 208cm high, 122cm wide, 62cm deep

Nine framed architectural engravings, largest 45 x 60cm.

PARKINSON LANCASTER A MID 18TH CENTURY OAK 30 HOUR LONGCASE CLOCK with architectural swan neck pediment above a shaped trunk door and standing on a shaped plinth base, the brass 11" dial with inner minute markings and cast brass spandrels fronting a 30 hour four pillar movement with count wheel strike on a bell 214cm high

A FINE LATE 19TH CENTURY FRENCH GILT BRASS REPEATING CARRIAGE CLOCK WITH LIMOGES ENAMELLED DIAL the architectural case with stepped moulding and outset corners with double turned pillars. The dial with silvered floral engraved mask and finely decorated enamel panel with polychrome colours depicting a classical scene of cherubs in a garden setting. Fronting an eight day spring driven movement striking the hours and half hours on a coiled gong - the dial signed Howell & James, To the Queen, London 19.5cm high with the handle up

Important Documentary Photograph Album of Japan and China -an album containing 400 documentary photos (all titled) from the Early 20thC showing Japanese and Chinese figures, homelife, architecture etc. Subjects and places to include The Sacred Bridge at Nikko, Inner Court of Chief Temple, Suicide Shrine, Entrance to Temples, Temple Dancers, images of Buddhist monks, numerous temples of Tokyo, Kyoto, Nara, Kamakura, Peiping, The Great Wall of China. Other images depicting the trophies at Tang Shan College, camels on a road near The Great Wall, village street scenes, beggars, village market. Cheeloo University, city gates, The Lakes at Tsinan, Yellow River, Wutingfu Street scenes, Changsha architectural monuments, the river at Changshi showing workers around the harbour etc, all the photos well presented in black and white with typed information giving one line descriptions.

A LARGE MID 19TH CENTURY MAHOGANY ARCHITECTURAL DINING TABLE having a one piece moulded edged top above unusual square panelled legs joined by a moulded frieze 251cm wide 103cm deep 75cm high.

P. CAMINADA, TAUNTON A GEORGE III BOXWOOD AND EBONY STRUNG SHELL INLAID MAHOGANY WHEEL BAROMETER/THERMOMETER with architectural pediment and engraved silvered calibrated dials 99cm high

An architectural framed grey painted stool with drop-in seat, on fish scale and ribbon carved legs 48 x 86 x 192cm (19 x 34 x 75in)

[Avril (Louis, Abbé)], "M.L.M.". Temples Anciens et Modernes; ou Observations historiques et critiques sur les plus célèbres Monumens d'Architecture Grecque et Gothique, 2 parts in 1, half-titles, 7 folding engraved plates, charming woodcut architectural head-pieces, contemporary mottled sheep, spine gilt, rubbed, corners worn, [Berlin Kat. 1899], London & Paris, Musier, 1774 § Warton (Rev. T.) & others. Essays on Gothic Architecture, third edition, folding engraved frontispiece, engraved plates, light foxing, modern boards, uncut, 1808; and 4 others, architecture, uniformly bound in modern boards, tall 8vo (6)