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A French ormolu architectural mantel clock, mid 19th century, formed as a church doorway with tall columns and bell tower, the eight-day outside countwheel movement, signed 'J. B. Beguin, a Paris', striking on a coil mounted in the the stepped brass inlaid rosewood base, the 2.75inch dial with silvered chapter ring and Roman numerals, with pendulum and key, the clock 15.5 by 11 by 40.5cm high, under a glass dome, 19 by 14 by 42cm high, overall 30.5 by 21 by 52cm high.

A quantity of watercolours and prints various scenes including rural, architectural and botanical, all framed

A large contemporary French empire style moulded and gilt decorated architectural over mantel mirror having bevelled glass plate and rams head masks, width 168cm

Jaggard (Walter R.); Architectural Building Construction, vol 1, 8vols, Morocco, published by The University Press, Cambridge 1916.

Nikolai Evgenievich Lansere (Russian, 1879-1942) Wheatsheaves; together with Haybarn, signed, dated and inscribed in cyrillic lower left and centre "24 august 34/N. Lansere", also inscribed and signed to verso, 30 x 47.5 cm (11.8 x 18.7in) signed in cyrillic and dated lower left "N. Lansere 1913" watercolour (2) 25 x 40½cm (10 x 16in) Provenance: Wheatsheaves - Sotheby's, Oct 8 1998, lot 1040 (labels recto and verso) Other Notes: Nikolai Lansere's first monographic exhibition, showcasing his watercolours, drawings and architectural projects, was held in Moscow last year (May-June 2016). Wheatsheaves - some dirt under glass. A small circular stain top left corner. Framed. A label to verso states in cyrillic that this work was authenticated by Nikolai Evgenievich Lansere, the father of Alexei Lansere. Haybarn - Unframed. Frayed edges and slight creasing along the sides.

An Illustration of the Architecture and Sculpture of the Cathedral Church of Worcester by Charles Wild, London 1823 together with a compilation of drawings submitted to the London County Council Hall Final Competition, edited by Alex Koch, 1908 and hand drawn architectural plans and diagrams for the church of St Giles, Sandiacre, Derbyshire and for Southwell Cathedral by an architecture student Horace E Rolley

A Fattorini and Sons, Bradford oak mantle clock, with two train movement, circular dial in architectural case, (a/f) 43cm

A pair of late 19th century geological specimen stone displays, each with various hardstones, marbles and quartz specimens, in a glazed ebonised architectural case, 47.3cm high, 33.9cm wide, 13.2cm deep. (2)

A late Victorian carved and painted wood gong, the scroll crest centered a cartouche with the initial 'W', the architectural column uprights with lion's masks, the base with paw feet, 115.5cm high, 91cm wide, 46.3cm deep.

A Victorian oak and gilt brass mantel clock, the eight day German movement striking the quarters and hours on two gongs, the backplate inscribed 'LENZKIRCH A.G.U. 52 906918', the square dial with a silvered chapter ring with Roman and Arabic numerals, with angel mask spandrels, in an architectural neo-classical style case, 42.8cm high, 28.7cm wide, 20.7cm deep.

A late Victorian mahogany mantel timepiece by Lupton, with an eight day single fusee movement, with a silvered dial with Roman numerals and pierced hands and engraved decoration, inscribed 'C.LUPTON 42. CORNHILL LONDON', in an architectural case, with glass panel sides, the base with a Thwaites & Reed printed label inscribed in pencil 'Messrs Cook,Son & Co, St Pauls Chyd, 19.6.25', 30.8cm high, 21.4cm wide, 17.1cm deep. Clifford Lupton is listed as a chronometer maker in the 1871. He worked with Barraud and possibly made movements for him. He died in 1910. Provenance: Sir Francis Cook, first Baronet (1817-1901) merchant and art collector and by direct descent.

λ An 18th century German kingwood and rosewood table cabinet, oyster veneered, with a pair of doors enclosing an interior inlaid with 16th century Augsburg marquetry, with an arrangement of eleven drawers around a central cupboard, the drawers decorated with architectural views, the central cupboard with a female figure in 16th century costume, enclosing two further drawers and a secret drawer, the interior doors decorated with reclining male figures with buildings, an interior scene and scrolling leaves and flowers, above three further drawers, one fitted for pen and ink, the base with a secret drawer, with brass side carrying handles, fitted on an early 19th century Regency rosewood cupboard with a pair of panel doors enclosing two adjustable shelves, 123.5cm high, 108.3cm wide, 47cm deep. The marquetry on this cabinet depicting architectural views and figures was probably influenced by the etchings of Virgil Solis (1514-1562). He was one of Nuremburg's most prolific and influential printmakers and illustrators.

A large 19th century Austrian Viennese mahogany regulator wall clock, the brass single train movement with one weight and large brass and steel pendulum, the circular enamel dial with Roman numerals and pierced blued steel hands, in a moulded brass bezel, the architectural case inlaid with boxwood stringing, 173cm high. Provenance: From the collection of Sir Jeremy Lever.

A late 19th century French siena marble mantel clock, the eight day movement with an outside countwheel, striking on a bell, the backplate stamped 'C468' and with makers stamp, the circular dial with Roman numerals and pierced hands, inscribed 'Freres Soevi et Cie A PARIS', the architectural case with ormolu mounts, the top with a stack of books, 40.4cm high, 23.5cm wide, 13cm deep. Provenance: By repute St. Swithun's Girl School Library.

A framed gilded architectural fitting, a mask & a stand (3)

A portfolio of pictures mounted on card of European architectural and artistic interest, pencil drawing of a woman, oil on canvas and an engraving

A quantity of prints and etchings to include Pears and other similar calendar prints and a quantity of watercolours, architectural studies, pen & ink sketches etc. mainly circa early 20th century

Pair of late 19thC watercolours, architectural studies of a stately home (each 27 x 37cm)

A Victorian carved walnut box of architectural form, with lifting roof over doors, 36cm wide x 45cm high.

A Black Forest walnut cuckoo clock retailed by Camerer, Kuss & Co , late 19th century, of Gothic architectural form with internal bellows and a two train movement, 74cm high. (pendulum).

A late-19th century black slate clock of architectural form, the movement stamped 'S Marti', striking on a bell, 34cm high, 33cm wide.

A VICTORIAN ONYX MANTEL CLOCK of architectural form

A folio of architectural drawings, c.1920/30

A ladies rosewood jewel casket, inlaid with mother-of-pearl, architectural top, four stud feet to base and stud handle to each side, olive green velvet fitted lift out tray, 32cm wide x 24cm deep x 19cm high.

Early 20th century mahogany side cabinet, with plain rectangular top and architectural back, to hinged and inlaid doors and raised on tapering legs, width 41"

Four vintage clocks to inc an anniversary clock in glass dome, two onyx architectural types and a Smith's wooden case example

WALL MIRRORS, a pair, architectural metal arched frames, 121cm H x 56cm W. (2)

Published 1924, 1978, 1987 and 1989 AD. Titles comprising: Hill, George F., A Guide to the Exhibition of Historical Medals in the British Museum, BM, London, 1924; hardback, publishers boards, inscribed 'Ian Stewart, 1952'. Taylor, Jeremy, The Architectural Medal England in the Nineteenth Century, BM, London; hardback, publisher's brown cloth, signed and dated by author. Eimer, Christopher, British Commemorative Medals and their Values, Seaby, London, 1987, first edition; hardback, publisher's red cloth with dustwrapper. Eimer, Christopher, An Introduction to Commemorative Medals, Seaby, London, 1989; hardback, publisher's blue cloth with dustwrapper. 3.12 kg total, largest 28 x 23cm (11 x 9"). Ex libris Lord Stewartby (Ian Stewart). Generally fine condition; second with slight wear to binding. [4, No Reserve]

A late 19th Century French brass carriage clock of architectural Romanesque form, the white enamelled dial signed Benetfink & Co Ltd London, height 13cm

P di Medicci in the manner of Guardi, Fashionable figures in an elegant rotunda, signed, oil on panel, together with a set of four modern architectural reproductions of Palladian style buildings, 47.5cm by 77.5cm and 29cm by 40cm respectively (5) Provenance: A Private European Collector

An early Victorian mahogany side table, with architectural pediment above a plain frieze, raised on lappet carved tapering legs, 122cm wide; and a 19th century mahogany side table, with two drawers, raised on ring turned legs, 106cm wide (poor condition) (2)

A late 19th century mantel clock, the silvered chapter ring with black Roman numerals within a carved case of architectural form, h. 36 cm CONDITION REPORT: Typical wear commensurate with age, working order unknown and not guaranteed

A mixed selection of assorted postcards to include scenic, architectural and an album housing earlier postcards mainly of scenic views

A mixed selection of assorted postcards to include scenic, architectural, Naval Ships, etc

A mixed selection of assorted postcards to include scenic, architectural etc

A mid century vintage architectural draughtsman board - drawing stand. Raised on beech wood supports with a cast iron counter balance weight having slide rule to the board itself.Measures 177cms high x 117cms wide x 69cms deep. Closed

A gilt metal mounted faux red marbled wood mantel timepiece, early 20th century, of architectural form surmounted by a putto, 28cm high

A 19th century French striking slate and rouge marble mantel clock or architectural form, the whit enamel dial with Roman numerals and a gilt metal egg and dart surround, 33cm high

An oak RAF mantel timepiece, circa 1940, architectural pediment, 5-1/4-inch dial with Roman numerals and inscribed RAF, single fusee movement with a anchor escapement, movement backplate stamped F.W.Elliott Ltd and numbered 1935, 35cm high 08.12.16, Case with minor chips to the edges in parts, dial is faded and needs silvering, movement needs cleaning.

ARCHITECTURE, DESIGN, FURNISHINGS, ORNAMENT Lutyens (Sir Edwin) Houses & Gardens 1925, third impression, London, Country Life, folio, red cloth with dust jacket (rather stained and tatty, chips expertly filled) [&] Latham (Charles) In English Homes, [1920s], Country Life, folio, blue cloth with gilt decoration, both lavishly illustrated; Crallan (Franklyn) Details of Gothic Wood Carving, 1896, Batsford, London, folio of 34 plates in rubbed red cloth gilt; Willmott (Ellen) Warley Garden in Spring and Summer, 1909, London, Bernard Quaritch, folio, 40 monotone plates in blue-green cloth; Cescinsky (Herbert) and Gribble (Ernest) Early English Woodwork, 1922, London, George Routledge & Sons, small and thick folio, brown cloth, two vols. in one, illustrations; A Collection of Ornamental Designs, applicable to Furniture, Frames & The Decoration of Rooms (inspired by Chippendale), [c.1900], 24 etched plates in plain cloth for Guildhall Library London, with Library stamps to plates, RAS bookplate to front pastedown; The Workshop (Journal) [pattern books, c.1870], several issues bound into two large 4to vols, three-quarter morocco; Carron Company Architect's Catalogue [c.1930s]; Binstead (Herbert) Useful Details in Several Styles, 1906 [architectural pattern book]. [together with:] Tree (Herbert Beerbohm) Souvenir of the Charing Cross Hospital Bazaar...Albert Hall June 21 & 22, 1899, London, The Nassau Press, folio, decorative green cloth gilt, illustrations, art reproductions, musical scores etc; four 4to illustrated trade catalogues, hardware and industrial and laboratory apparatus, incl. two by Gallencamp, London EC2, [c.1930s] hard cloth, with Turnbull of Newcastle-upon-Tyne (1931) and George Chester (1897), Birmingham. [Plus:] a Guide to Window Dressing, London, The Grocer Offices; James Robertson's 1933 Radio Catalogue; The True Road to Radio [a technical guide] for Ferranti Ltd., Lancashire [1920s] (17) in two boxes

A gilt brass striking mantel clock, circa 1890, architectural pediment, pierced sides and the front with a mask and cherub mounts, enamel Arabic chapter, twin barrel movement striking on a gong, 32cm high 08.12.16, Case is faded, enamel chapter ring with small scratches, movement needs cleaning.

A COLLECTION OF YORKSHIRE PRINTS Thomas (R.K.) St. Mary's Chantry on Wakefield Bridge, [c.1850], London, Ackermann & Co., large lithograph with hand colouring printed by Day & Son, image 310 x 435mm, light age toning, tatty extremities; Rooker (M.A.) The New Gateway at the Archbishop of York's Palace... 1773, hand-coloured engraving by Edward Rooker, image 285 x 520mm, margins with tears; Lee (J.H.) York Cathedral. The Choir. [c.1840s], York, H. Smith, hand-coloured lithograph by W. Monkhouse, 375 x 275mm, foxing to margins [&] another by Monkhouse, a tinted lithograph of the Chapter House; Mason (Frank H.) Scarborough, [railway carriage print], coloured etching; Chambers (R.) Casine du Lord Bruce dans ses jardins de Tanfield-Hall. Province de York, engraved plan and elevation from an architectural folio; Knyff (L.) Sprotbrough near Doncaster, hand-coloured double-page etching by J. Kip from 'Britannia Illustrata', in modern Hogarth frame; Carlyle (R.) Six Views of The Ruins of Furness Abbey, Lancashire, 1857, Ulverston, D. Atkinson, 5 (of 6) zincographs printed by Day & Haghe, loose in publisher's scuffed printed green wraps, folio, one letterpress leaf, foxing; large hand-coloured aquatint View of Doncaster, from the North West; trimmed litho of the interior of Brough Hall; two lithos of Yorkshire churches; an 8vo booklet of chromo views of Scarborough, lacking wrappers; and a plan of eastern ports (14)

[HISTORY]. SOMERSET Davis, John. A Concise History of the Cathedral Church of St. Andrew, in Wells, by Brodie, Dowding & Luxford, Salisbury, circa 1814, later half leather, with inter-leaved manuscript notes bound in, octavo; Parker, John Henry. The Architectural Antiquities of the City of Wells, Parker & Co., Oxford & London, 1866, original cloth, plate illustrations, octavo; together with twenty-eight Somerset Record Society publications; and two other works of related interest, (32).

George Halford ARCA FRPS (British, 20th Century) Nineteen colour & b/w photographs, gum bichromate, comprising: 'Boiling Water', signed and titled to mount, London Salon of Photography, 1951 label to reverse, 20.1cm x 15cm 'Landscape Fantasy', signed and titled to mount, B.P.S. Permanent Coll. and B.P.S. Cent. Exh. labels to reverse, duplicate of print bought for Tyng Collection, 1949, 20.5cm x 15.4cm 'Illuminated Fountain', signed and titled to mount, Yorkshire Photo. Union Cent. Exh. label to reverse, 20cm x 11.9cm; together with twelve similar works; also four architectural studies (all mounted-19)

Herbert Montague-Storey ARPS (British, d.1969) and others Miscellaneous b/w photographs including nude studies, various landscapes, portraits incl. theatrical; architectural and interior views etc; various sizes (qty)

A COLLECTION OF YORKSHIRE PRINTS Nicholson (F.) To the Trustees of the Piers & Harbour of Whitby, this print of the Lighthouse erected on the West Pier... [c.1830], London, folio hand-coloured lithograph printed by Engelmann & Co., image 280 x 400mm, mounted and wrapped in cellophane; Russell (J.) Thomas Lloyd Esqre. [Commander, Leeds Volunteers Infantry Corps], [c.1830] lithograph portrait in uniform, on india paper by R.J. Lane, sheet 430 x 320mm, sheet a little soiled, one closed marginal tear; three tinted lithographs of York Cathedral, [c.1840], York, W. Monkhouse, interior and exterior views, tipped onto two scrap sheets, margins trimmed; Whitby from the Mount, [c.1840], Whitby, S. Reed, a tinted lithographic prospect [with] Scarborough form the Castle Hill, two prints tipped onto one scrap sheet, trimmed; five engraved Yorkshire vignettes on another sheet; and three views of Rivaulx Abbey [c.1830s] etchings with aquatint, plus a sheet of architectural details from the Abbey, separately mounted on four further sheets [with:] a c.1880 chromolithograph Whitby Abbey, a c.1880 folio Plan of Hull, two small steel engravings of views in the county and a modern photomechanical print of Robin Hoods Bay (15).

*14 various colour prints, mainly architectural, 18" x 24" and smaller, framed and glazed, (14)

*13 various colour prints, mainly architectural, 26" x 10" approx., framed and glazed (13)

*10 various colour prints, mainly architectural, framed and glazed, 26" x 19" and smaller together with a modern gilt framed wall mirror, 50" x 26" (11)

A quantity of circa 60 Shire album works, mainly agriculture and architectural

Shell GuidesA Collection of Shell County Guides, including ring-binder editions; Paul Elek Guides; together with two Murray's Architectural Guides, edited by John Betjeman and John Piper

A print of an architectural drawing, titled 'Examples of Building Construction.' Framed and glazed, frame broken. H=67, W=78cm

Richard D Willson - A folio of various architectural drawings, theatre set designs, cartoons etc, all loose Note: Richard Willson was a political caricaturist for various national newspapers including The Times and Washington Post

A framed Bernard Buffet print, architectural study of an arch

6 books on various English counties and churches including 'History of Nottinghamshire' by Cornelius Brown 1891, 'Architectural notices of the churches in the archdeaconry of Northampton' 1849, 'The story of some English shires' by Mandell Creighton, 1897 etc

A carved stone architectural fragment, the rectangular section with three pierced holes and geometric carving, height 31cm, width 26cm.

A Victorian black slate architectural mantle clock the enamel dial with Arabic numerals and open escapement and figural mounts 49cm wide

A Georgian long case clock the mahogany veneered trunk with inlaid detail beneath a broken swan neck and architectural hood enclosing a 12 inch square painted dial with floral detail calendar aperture, seconds dial and 30 hour movement by Thomas Higgins Gloster (working order cleaned and overhauled)

A late Victorian walnut bedside cupboard with moulded plinth and enclosed by a twin rectangular moulded panelled door with burr and figure veneers beneath shallow raised broken swan neck architectural pediment

A substantial late Victorian/Edwardian breakfront side cabinet with broken arch scrolling acanthus and pierced fretwork, architectural pediment over and enclosed by a pair of moulded glazed panelled doors revealing a lined interior with fixed shaped and removable plate glass shelves, within a moulded framework and squat turned forelegs, 205 cm high x 147 cm wide x 60 cm deep approx