We found 35023 price guide item(s) matching your search

A French hour repeating carriage clock with alarm enamelled dial signed Gabriel London movement striking on a gong in architectural brass case 8in.

A late 19th century Black Forest mantel clock with traditional brass dial and gong striking movement in architectural walnut case 16.5in.

A late 19th century German mantel clock with square brass dial and Junghans gong-striking movement in architectural walnut case (14 ins) together with a mahogany mantel clock with silver dial - 13ins

A Victorian slate mantel clock of architectural form with visible escapement 20ins

A Victorian mahogany Beaconsfield wardrobe of architectural design on plinth base 6ft 4ins x 6ft 4ins

A 19th century whalebone scrimshaw basque stay, decorated with sailing boats and architectural column surrounded by delicate leaf wreaths, initialled HD over AD, 37cm (14 1/2in)

A late Victorian pale green coloured glass oil lamp, with architectural brass column, dispenser and chimney

A pair of Dutch architectural barometer/thermometer lead register plates, possibly early 18th century, marked for C Sala Delft, 69cm (27in)

P Gally A George III mahogany cased stick barometer the brass scales engraved 'P Gally fecit 1775' the glazed hood with architectural pediment above boxwood and ebony lined body with square reservoir cover below 95cm high

VICTORIAN DOLLHOUSE. Two-story, four-room wooden dollhouse on legs. Applied architectural details and painted tan and brown. Mica windows and rod for curtain cover. Plus twenty-four pieces of painted contemporary country furnishings and one old dollhouse sized mule chest. Appears complete. 56 1/2h. 12 1/2d. 29w.

ENGLISH ARCHITECTURAL CORNER CUPBOARD. Oak. Dentil molding over two triple raised panel doors. Fluted pilasters. Arched interior with key stone and two shaped shelves. Good color and finish. Pieced replacements including hardware. May have been top of cupboard. 34 1/2w. 19 1/2d. 47h.

REVERSE GLASS PAINTED MIRROR. Architectural cornice and applied, reeded half-turned columns. The frame has original red graining on mustard ground. Original top panel has a reverse painted house flanked by trees. Good overall color. Alligatored with some flaking in the panel and an old replaced mirror. 22 1/2h. 13 3/4w.

FEDERAL MIRROR. Mahogany veneer. Architectural cornice with applied reeded columns and corner blocks with disks. Refinished with minor age splits and an old mirror. 38 3/4h. 20 3/8w.

WELSH CUPBOARD. Two-part oak and walnut with oak and pine secondary. Good color and mellow old refinishing. The top has a bold cornice with architectural rails and stiles and three shelves. The base has five dovetailed drawers with cock beading, bone keyhole escutcheons and replaced brass knobs. It is supported in front by four turned posts and has shaped bracket feet and a latticework shelf. Small pieced repairs with the base of the top replaced and part of a back foot facing missing. 90w. 18 1/2d. 86h.

Georgian architectural travelling cabinet of five long drawers with tambour shutter front and side carrying handles, 48.5cm high

A collection of black painted cast iron architectural panels of rectangular pierced form, a collection of various door handles and four cast metal door plates.

A late Victorian German oak bracket clock of architectural style, the case with painted arch and Corinthian pilasters, on a plinth base, the silvered dial with Roman numerals, inscribed Spiridion & Son Cardiff, having a strike/silent dial and slow fast dial, the three train movement striking on gongs, presented to Mr Thomas Evans on the occasion of his marriage with the best wishes of the Ocean Coal Co's staff Cardiff 4th November 1896, 53 cms high x 39 cms wide.

Ison, Walter. The Georgian Buildings of Bristol, first edition, Faber, London 1952. Crimson boards, dustjacket, plate illustrations from photographs, octavo; Amery, Colin. (editor). Period Houses and their Details, first edition, Architectural Press, London 1974. Blue boards, dustjacket, illustrations from photographs, quarto; and a further twenty works of architectural interest, (22).

Aesop. Phrygis Vita et Fabulae..., Ex officina Roberti Stephani, Paris 1527 (incomplete); Melanchthon, Philip. De Rhetorica Libri Tres, Ex officina Roberti Stephani, Paris 1527; and Sallustius, Crispus. De Coniuratione Catilinae...De Bello Iugurthino Liber...Contra M.T. Ciceronem...Porcii Latronis Declamatio Contra Lucium Sergium Catilinam... [et] Orationes Quaedam Ex Libris Historiarum..., no date. All bound as one in later full morocco, the two former with wood engraved vignette title pages, the latter with wood engraved architectural title page and decorative initials, Latin texts throughout, octavo.

A cast metal cased Timepiece, The British United Clock Co, the scrolling architectural case to a 2” Arabic chapter ring with matted centre and blue steel hands to a spring driven movement, height 12¾“

A late 19th Century Walnut cased, wall mounted Cuckoo Clock, the architectural case with arcaded upper section and flanking the Cuckoo over Male and Female figures to a pierced frieze and buttress corners, with pierced floral base to a moulded 7” chapter ring with applied composite Roman numerals, to a wooden twin Fusee movement, with anchor escapements, strike on a coil gong and bellows (losses and damage), height 26”

A late 19th Century black slate variegated marble and gilt metal mounted Mantel Clock, the architectural case with freestanding columns flanking a cast brass bezel and raised on a plinth base to a Roman enamel chapter ring with outside minute track to a visible brocot escapement to a spring driven movement with anchor escapement, height 15 ½”

A late 19th Century black slate Mantle Clock the architectural case flanked by freestanding columns on a plinth base with lacquered brass feet to a cast brass bezel enclosing a black Roman chaptering ring with matted centre and gilt hands to circular brass movement with anchor escapement and strike on a coiled gong, height 12½“

A pair of Victorian style cast iron urns, with lozenge moulded rims above fluted bodies supported on square plinths, the stands of plain architectural form with moulded bases. (39in) (2)

A Victorian ebonised Vienna wall clock, the architectural style case with pediment with gesso banded decoration, having arched door flanked by split baluster columns enclosing enamelled dial with roman chapters and brass bezel, having shaped pendulum, the case having two pointed frop finials. (22.5in)

A pair of Chelsea Derby square dessert dishes painted with floral bouquets surrounding architectural urns within an enamel Smiths blue border gilded with a continuous anthemion band within a jewelled and gilt beaded border 19.5cm wide gilt painted mark circa 1775 See Derby Porcelain 1748-1848 by John Twitchett (2002) p103 for pattern illustration

A pair of Chelsea Derby plates painted with floral bouquets surrounding architectural urns within an enamel Smiths blue border gilded with a continuous anthemion band within a jewelled and gilt beaded border 22.7cm diameter gilt painted mark circa 1775 See Derby Porcelain 1748-1848 by John Twitchett (2002) p103 for pattern illustration

A 19th century ebonised easel with an architectural pediment and moulded supports together with another mahogany easel with fretwork decoration

A late 19th century french oak cased wall clock of architectural form,striking on a single gong,the painted dial inscribed Wurtel Gle Vivienne A Paris,height 70cm.

A late 19th century marble, cased mantel clock of architectural form the 8 day movement striking on a single gong, width 27.2cm, and a similar clock smaller. (2)

An Edwardian walnut cased mantel clock of architectural form the 8 day German movement striking on two gongs, the silvered chapter ring with retailer's name J.B.Yabsley, 72,Ludgate Hill, London, height 40.5cm.

A late 19th century mahogany cased mantel clock, the eight day movement striking on a single gong, the dial with Roman numerals, the case of architectural form, height 41cm.

A late 19th century eight day mantel clock in architectural oak case, complete with pendulum, height 39cm

A late 19th century eight day mantel clock in architectural walnut case, height 56cm, complete with pendulum and key

20th century carriage clock by Chas. Frodsham London in architectural case with circular enamelled dial surrounded by engraved brass frame with twin barrel movement striking on a bell 10" high

19th century polished slate and marble clock garniture the clock with brass and enamelled dial with visible anchor escapement twin train movement striking on a bell with mercury compensated pendulum height 20" width 16" with two matching tazzas on architectural bases height 11" width 7"

JOHN PIPER An architectural study in yellow and brown, colour print, 171/4" x 22"

J.F. BARRY PITTAR "Mes une carree, Nimes", signed and titled, watercolour over traces of pencil, 141/4" x 21" and another architectural watercolour attributed to the same artist (2)

AN EARLY GEORGE III MAHOGANY LINEN PRESS the upper section with figured panelled doors enclosing interior sliding trays surmounted by a plain frieze and key pattern broken arch architectural pediment, the lower section with an arrangement of two short and two long drawers with brass handles on ogee bracket feet, 48" wide.

Carved oak bracket clock with three train movement German oak bracket clock late 19th century by Winterhalter & Hofmeier brass broken arch face with silvered chapter slow/fast and bells/gongs rings applied gilt spandrels three train movement with eight bell carillon and five coil gongs chiming the quarter and on pull repeat in an architectural case carved with masks and leaves. Height 54cm. (Key and pendulum)

VICTORIAN ILLUMINATION. "The Traveller. an illustration of Goldsmiths Poem." Watercolour within architectural shaped borders, squared decorative background, with oval portrait of Goldsmith, coloured round pastoral scene, between oval grey-wash scenes of the arctic and tropics. In original mount and wooden frame. Label on reverse dating the work to an exhibition of female artists in 1864. 200 x 180 mm.

ARCHITECTURE, ARCHITECTURAL SUPPLIERS, INTERIOR DECORATION. A collection of approx. 46 works mainly 1930's including catalogues etc., Maples, Stuccolin, J. Aldam Heaton, Twyfords, Carron. (approx 46)

Ephemera: documents concerning St. James the Greater Church, Leicester, including large buff booklet entitled 'Quantities of Work required to be done in the Erection of the Church... Goddard & Co, 1898', hand-coloured architectural plans, Jubilee 1881-1931 booklet, etc. (quantity)

NATHANIEL WATTS , 18TH CENTURY An Elevation of the Store-Houses on the South East Side of His Majesty's Yard at Port Royal Jamaica architectural drawing, signed, dated April 1786 and extensively inscribed, pen, ink, grey and pink wash, backed on linen, 49 x 72cm, unframed (see illustration) ++ Surface grime and marginal tears with small marginal losses, otherwise fine. Outside the margin a later inscription in red ink

ENGLISH SCHOOL, 1761 Ground Plan & North East Perspective View of His Majesty's Naval Yard at Halifax in Nova Scotia with Part of the Perspective View of Dutch Town architectural drawing dated 3 March 1761, inscribed and numbered recto and verso with the title, two tables of references, compass rose and scale, pen, pencil, ink and grey wash on laid paper, 48 x 60cm, unframed (see illustration) ++ Filing creases, some mild surface grime, handling marks and marginal tears with small marginal losses

An Early 20th Century gilt metal mounted Walnut cased Mantle Timepiece, the architectural pediment to a glazed door on a plinth base to a silvered Arabic dial with steel hands and movement with anchor escapement, height 21½“

A 20th Century walnut cased wall mounted Cuckoo Clock, the plain architectural case with a composite chapter ring and Roman numerals, pierced horn hands, over an oak leaf pendulum, to a twin weight 30 hour movement with anchor escapement and strike on a coiled gong and bellows, case height 12”

A mixed lot, comprising: a late 19th Century walnut and ebonised Table Top Cuckoo Clock Case of architectural form; Together with two various part movements, height 18 ½”

A late 19th Century alabaster portico clock, with eight day movement striking on a bell, the gilt metal dial with Roman numerals and inscribed 'Tessiasua Havre', the case of architectural form carved with floral decoration, on bun feet (faults).

An Edwardian oak cased mantel clock with eight day movement striking on a gong, the silvered dial with Roman numerals, the case of architectural form with line inlaid decoration, together with four other mantel clocks (faults).

A late 19th/early 20th Century onyx clock garniture with American eight day striking movement, the circular gilded dial with visible escapement and Roman numerals within an architectural case with gilded columns, on a plinth base, accompanied by two urns on rectangular bases.

A late 19th Century slate mantel clock, with eight day movement striking on a gong, the cream chapter ring with black Arabic numerals, the architectural case with a raised gilt frieze of classical warriors above six fluted columns on a pedestal base.

An architectural slate mantel clock with French movement.

Early 19th Century British School - Architectural Study of a Roof Skyline, pen and ink, within a gilt metal frame, together with a watercolour by H. Soetan, Study of a Mirror Box.

A pair of colour mezzotints, Portraits of Ladies, within gilt composition frames of architectural design.

A late 19th Century onyx and gilt metal mantel clock of architectural design, with two train movement chiming a coiled gong, 35.5cm high.

A William de Morgan twelve tile panel each 8in square painted in a Persian palmette and flowering foliage design with four tile repeat three marks for the early Fulham period some tiles perhaps Poole Architectural Pottery Co. 61cm x 81cm (damages) Provenance: Removed from a fireplace surround in a house in Grove Hill Road Tunbridge Wells For the marks see Catleugh Jon. William De Morgan Tiles. Shepton Beauchamp 2002 p181 figs.i j and l for the blue bell flowers see p121 fig. 164 and the border design (here integral) p168 fig. 262 (second from bottom). Similar to a panel in the Arab Hall Leighton House Kensington (west wall). Frederic Leighton commissioned de Morgan to supply additional tiles to complete the Islamic panels and it could be that de Morgan took the opportunity of making copies for his own use. It was also his custom to make duplicates of panels he was working on in cases of accidents in firing the second panel could then be sold if the firing was successful (see website for illustrations of the marks)

English School (late 19th century) Hast thou friends... Watercolour and gilt on vellum 24cm x 14cm In a painted plaster architectural frame

David Linley Furniture Ltd. a marquetry breakfront wardrobe in fiddleback sycamore calamander and other exotic woods formed as a Palladian architectural facade with rusticated base enclosing hanging spaces on a plinth 250cm high 210cm wide 80cm deep (ensuite with the following lot) THE OPTION WILL BE GIVEN TO THE BUYER OF THIS LOT TO PURCHASE THE FOLLOWING LOT AT THE SAME HAMMER PRICE

David Linley Furniture Ltd. a marquetry breakfront wardrobe in fiddleback sycamore calamander and other exotic woods formed as a Palladian architectural facade with rusticated base enclosing hanging spaces on a plinth 250cm high 210cm wide 80cm deep (ensuite with the previous lot)