We found 35023 price guide item(s) matching your search

Good George IV rosewood tea table in the Gothic style, round rectangular fold-over top above concave frieze, raised on architectural cluster column and recessed arch square support platform base

Large collection of 18th and 19th century engravings, prints and other works - including The Iliad of Homer, architectural plates, portraits, topographical views, French engravings and many others, unframed

An early 20th Century Richter set of building blocks, complete with designs for architectural models, in original wood box with colour printed lid, 14ins x 9.75ins x 3.5ins high

A black slate mantel clock with architectural pediment inlaid with gilt decoration, free standing column to each side, cream arabic numeral chapter ring, twin train silver medal award movement striking on a gong, 35cm wide, 36cm high.

Victorian mahogany chiffonier, architectural back with two shelves, turned supports the base with a rectangular top and a moulded edge, tablet frieze above two panelled cupboards, carved legs, width 103cm, depth 42cm, height 154cm.

A LATE 19TH CENTURY GREEN ONYX AND GILT METAL MOUNTED ARCHITECTURAL STYLE MANTEL CLOCK, with later quartz movement, the top with dolphin crest and two urns, above a circular dial with Arabic numerals, flanked to either side with a reeded column, on rectangular moulded base, 11" (28cm) high. (1)

A POLISHED SLATE MANTEL CLOCK, of architectural design, with circular two-stage dial and Arabic numerals, and six columns to the front, each with brass capital on plinth base, 17" (43cm) wide. (1)

A BLACK POLISHED LIMESTONE AND BRASS-MOUNTED MANTEL CLOCK GARNITURE, of architectural design, the clock with a domed top and urn finial, and a bow front with classical scenes in relief, above a circular two stage dial with Arabic numerals, the bow fronted stepped base supporting four Corinthian style columns,16" 41cm) high, 18" (46cm) wide; together with a pair of matching urns, 10" (26cm) high. (3)

A THREE PIECE GREEN ONYX MANTEL CLOCK GARNITURE, the clock case of architectural design with V shaped top, the clock with circular two-stage dial with Arabic numerals, flanked with two brass columns, in rectangular plinth, 11" (28cm) high, 10 "(26cm) wide; together with a pair of matching urns, 10" (26cm) high. (3)

A HEAVY THREE -PIECE POLISHED BLACK LIMESTONE AND BRASS MOUNTED MANTEL CLOCK, late 19th century, of architectural design, the arched top with a centre brass panel, depicting classical scene in relief,and a circular two-stage dial with arabic numerals, flanked to either side with classical female mask, each above a double column with Corinthian capital flanking floral swags on rectangular moulded base, 18" (45cm) high, 15" (38cm) wide; together with a pair of two handled urns, each with classical mask on square stepped base, 10" (26cm) high. (3)

AN ARCHITECTURAL STYLE POLISHED LIMESTONE MANTEL CLOCK, 12" (approx). (1)

Victorian slate mantel clock by Pearce & Sons, Paris, architectural form, white enamelled dial with Arabic numerals flanked by two pairs of reeded columns, the pediment depicting classical battle scene, domed top with pineapple finial, height 35cm

A collection of architectural carved oak and pine panels, column, acanthus carved column capital and pediments etc

Architectural composite floor lamp (H160cm) and matching table lamp (2) (This item is PAT tested - 5 day warranty from date of sale) Condition Report Click here for further images, condition, auction times & delivery costs

An architectural table lamp

FREDERICK HARRY BAINES (1910-1995) - 'Jubilee House, Deansgate, Manchester', ink and wash architectural drawing, signed and dated 1972, framed, 26.5cm x 16cm also two other views of Manchester by the same hand (3)

A George III style architectural walnut freestanding corner cabinet

A mid nineteenth century French embossed leather photograph album with gold leaf edged pages (16 cm x 13 cm x 5 cm) containing approximately seventeen photographs of men (some in military uniform), women, children and family groups, a card hand painted with flowers and a French 19th century First Communion card, all in slip sleeves, the album also contains a number of empty sleeves. Included in the lot is a photographer's business card with photo of a client from Jules Allevy, Photographie des Bebes , Paris dated 1892, included in the lot is a vintage album containing approximately 350 early UK and French postcards featuring predominantly churches, church interiors, architectural images, portraits from the Louvre, Roman artefacts and similar Estimate £30 - £50

An album containing Victorian and later photographs together with a scrap album containing mainly architectural scenes

A Late XIX Century Black Slate Eight Day Clock Garniture, of architectural form, lobed brass dome over central body with flanking reeded columns and brass finials, plinth base, streaked marble highlights, ivorine chapter ring.

ARCHITECTURAL INTERESTa Victorian mahogany staircase section, comprising three newel posts with shaped, carved and turned detail, 168.5cm, 158.5cm and 155.5cm high respectively; thirty-five balusters with turned detail and shaped ends 71cm high; and a handrail 235cm longNote: from a Glasgow property.

A slate mantel clock, of architectural form, 42cm wide.

Four Staffordshire ceramic flat back architectural pastille burners

Miscellaneous items, to include three violin bows, Oriental painting on silk, microscope, four architectural etchings, a selection of mixed silver including cutlery, salver (at fault), sandwich plate etc

An 18th century and later oak dresser, the plate rack with fluted architectural sides over the base with a row of three drawers above two cupboard doors flanking four graduated drawers, h. 204 cm, w. 190 cm, d. 50 cm CONDITION REPORT: Rack and base possibly associated, Later boards to rack. Later cornice and plinth to rack. Later handles. Later cockbeading. Condition commensurate with age.

Architectural Salvage. An early 20th century towel radiator. Of tubular form with floor brackets and twin rails. Measures 93cms x 84cms

A period style gilt metal architectural mantel clock by Imhof, Paris

'The Beauty of Britain's Churches,' a collection of 37 x silver proof medals depicting famous churches & cathedrals in frosted relief with brief description of notable features, architectural style etc on revs; each 44mm, 40.5g & issued by Danbury Mint circa 1975; further details for each church/cathedral on a set of information cards

AN EARLY 19TH CENTURY OAK, MAHOGANY AND INLAID 8 DAY LONGCASE CLOCK, broken swan neck pediment on column supports, architectural, painted with fox hunting scene, Roman numerals, date aperture and seconds dial, restored named T Hory Holbeach, approximate overall height 207cm (pendulum and weights)

A Victorian Mantel Clock with white dial in architectural style black marble case, the dial inscribed 'Dallas, Inverness' and with presentation plaque. 20" (51cms) wide.

William IV rosewood architectural mantle clock with urn finial and loop handles, the case inlaid with foliate brass decoration and having white enamel Roman face, French brass drum movement.(B.P. 24% incl. VAT)

Late Victorian black slate two train architectural mantle clock with enamelled Arabic face and French brass drum movement. Striking on one gong.(B.P. 24% incl. VAT)

An early-20th century mahogany mantel clock of arched architectural form, the convex white dial signed "W Batty & Sons Ltd, Manchester" and having a French drum movement stamped "Marti", 28cm high.

A WINTERHALDER & HOFMEIER EIGHT DAY MANTEL CLOCK, the caddy top architectural case with ribbon swag carving and reeded canted door pillars, on a stepped base with brass corner feet, the silvered dial set with Roman numerals and fast/slow indicator, marked 'Finnegans Ltd, Manchester' before a keywind pendulum driven brass movement, striking on twin gongs, key and pendulum included and also case key, the backplate stamped 'W & H S C H', 28 cms high, 20 cms wide

Late 19th century German mantel clock within architectural oak case, silvered chapter ring, eight-day striking movement, raised on plinth base, 22cm high

A PAIR OF SILVER FIVE-LIGHT CORINTHIAN COLUMN CANDELABRA, ELKINGTON & CO, BIRMINGHAM, VARIOUS DATES 1906, 1920 & 1921 the square base moulded with swags and urns between gadroon borders, leaf-capped detachable scroll branches and nozzles, loaded, 52cm high (2) Corinthian Greek column candelabra are based ona classical, architectural style originally popularised in the Stuart era and in particular during the time of King George III. The Corinthian order is the last developed of the three principal classical orders of ancient Greek and Roman architecture. The Corinthian, with its offshoot, the Composite, is the most ornate of the orders and is characterised by the slender, fluted columns and elaborate capitals decorated with acanthus leaves and scrolls. Candelabra were used for decoration in larger, wealthier homes and specifically on dining tables for formal occasions. The height and grandeur of the candelabra were practical for creating more light than a single candlestick, but they were designed primarily for aesthetic purposes and the desire to create a lavish item of silverware that would double as a centrepiece on a table.

A box of magazines; a box of glassware; and a box of architectural books

A pair of engravings of architectural subjects, 47 x 37 cm

Two boxes of Architectural volumes relating to religious buildings including Byzantine art and Architecture by Lyn Rodley

Two boxes of reference volumes including World History, Architectural and Exploration

Two boxes of architectural, art and travel volumes

GARDEN MIRROR, Architectural style iron of large proportions with an arched top, 120cm W x 238cm H.

A pair of 19th century Dutch walnut armchairs of imposing proportions, having stuffed over-seats and carved architectural decoration on turned tapering front supports, 87cm x 130cm, the seats 58cm deep.

John Lubbock handwritten letter 1899. 1st Baron Avebury PC FRS DL 30 April 1834 - 28 May 1913, known as Sir John Lubbock, 4th Baronet from 1865 until 1900, was a banker, Liberal politician, philanthropist, scientist and polymath. He was a banker and worked with his familys company, but also made significant contributions in archaeology, ethnography, and several branches of biology. He helped establish archaeology as a scientific discipline, and was also influential in nineteenth-century debates concerning evolutionary theory.:514 He introduced the first law on the protection of the UKs archaeological and architectural heritage. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95.

A pair of 19th Century brass four branch candelabra, the four branches uniting on a turned and carved brass body, raised on a black marble architectural base on two brass paw front feet and two rear bracket feet CONDITION REPORTS 66 cm

A late 19th Century French Ormolu clock garniture, circa 1880, of architectural form with urn garnitures, the dial signed Curtis and Horsepool, Paris, inset ceramic sections with gilt decoration of birds in the Aesthetic manner, on gilt wooden plinths, full height 35cm (6)Condition Report: Appears generally good overall

William IV mahogany sideboard, architectural back board over central shallow drawer flanked by a cellaret drawer and cupboard, raised on set out turned legs, width 160cm (64"). Condition report: see terms and conditions.

Architectural History, incl. Scotland. 8 various vols.

A PAIR OF ARCHITECTURAL PRINTS, 20TH CENTURY, 50CM X 83.5CM

A late Victorian oak hallstand, architectural pediment, spindled back over rectangular plate, tile back above glove box, turned supports and stretchers.

Six charms and novelties all with Stanhopes comprising a gilt brass scent bottle as a ewer, dents to body, (four views _ A Memory of Oban _ McKee, Dublin), 6.5cm high, a glass portrait roundel in gilt mount (six view _ A Memory of Evesham - McKee, Dublin), 3.5cm, an oval section plated vesta, (six views _ Memory of Dublin _ McKee, Dublin), 4.5cm, a miniature camera (colour image _ La Primavera), 3cm, a bone brooch as a bird carrying a letter (Jamestown, St Helens), 4cm, and a multiple image viewer of circular form in bone and brass stamped ïDeposeÍ (four separate images _ Faade del Espagna/Bazar Chinois/5 architectural views/Palais De Trocadero _ Palais Du Champ de Mars) damage to one side, 1.8cm dia (6)

Mauchline ware _ eight pieces comprising a clock form money box (Newbiggin Beach), 11cm, a collecting box orange ground (Society For The Propogation of The Gospel) some loss, 12cm, a rectangular money box (Hurstmonseaux Castle, Hastings) 9cm, a tea caddy (Cleethorpes/coloured seaweed lid) 14.5cm, a cylinder box (The Pier, Cleethorpes), 11cm, a napkin ring (ShakespeareÍs House), a rectangular box (Terrapin Tower, Niagra) 8.5cm, and an architectural box (Pier Hotel, Skegness/The New Pier, Skegness), 9cm (8)

Betjeman (John). New Bats in Old Belfries, 1945; A Few Late Chrysanthemums, 1954; A Nip in the Air, 1974, 1st editions, original cloth, New Bats spine darkened, dust jackets, A Nip in the Air price-clipped, New Bats spine toned with small chips at ends, 8vo, together with Murray's Buckinghamshire Architectural Guide, 1st edition, 1948, folding map and half-tone illustrations, original cloth, price-clipped dust jacket, a couple of small closed tears and nicks, 4to, signed to title by John Betjeman, with five others including Church Poems, 1980 (the withdrawn first issue with the 'Bristol and Clifton' poem incomplete), and A Garland for the Laureate. Poems Presented to Sir John Betjeman on his 75th Birthday, Celandine Press, 1981, limited edition 83/350 (9)

London. Leighton (George C.), Grand Architectural Panorama of London, Regent Street to Westminster Abbey, published J.Whitelaw, 1849, title printed in red and mounted on to front pastedown, uncoloured wood engraved folding panorama bound on ten conjoined sheets, bound 'concertina style', slight dust soiling, 140 x 6800 mm, publisher's gilt cloth blind-stamped boards with title repeated in gilt on upper board, spine and upper siding a little faded (1)

Futagawa (Ukio, editor). Frank Lloyd Wright Monograph, Photographed by Ukio Futagawa, Text by Bruce Brooks Pfeiffer, volumes 3-12 (of 12), reprint, Tokyo, 1989, profusely illustrated with black and white and some colour illustrations from photographs, original cloth in dust jackets, 4to, together with Kaufmann (Edgar), Fallingwater, A Frank Lloyd Wright Country House, Introduction by Mark Girouard, 1st edition, Architectural Press, 1986, colour and black and white illustrations including many from photographs, original cloth in dust jacket, small tear to upper outer corner of front panel, folio, plus Pfeiffer (Bruce Brooks), Frank Lloyd Wright, Treasures of Taliesin, Seventy-Six Unbuilt Designs, 1st edition, 1985, colour illustrations, original cloth in dust jacket, slightly rubbed and faded on spine, oblong folio, plus other Frank Lloyd Wright interest including some smaller format and paperbacks, the majority with library number paper labels at foot of spines (26)

Tipping (H. Avray). English Homes Periods I and II-Vol. II, Mediaeval and Early Tudor, 1066-1558, 1st edition, 1937, black and white illustrations, mostly from photographs, original cloth in torn and soiled dust jacket, folio, together with Nelson (John), The History of Islington, A Facsimile of the First Edition (1811), 1980, black and white illustrations, original cloth in dust jacket, a little rubbed and faded, 4to, (limited edition, 152/1000 copies), plus Platt (Colin), The Architecture of Medieval Britain, A Social History, Photographs by Anthony Kersting, 1st edition, Yale University Press, 1990, colour and black and white illustrations from photographs, original cloth in dust jacket, 4to, plus Sandon (Eric), Suffolk Houses, A Study of Domestic Architecture, 1st edition, Woodbridge, 1977, colour frontispiece and black and white illustrations, original cloth in dust jacket, small folio, plus other mostly dust-jacketed London and British architectural interest including some HMSO publications, the majority with library number paper labels at foot of spines (50)

Longstaffe (W. Hylton Dyer). The History and Antiquities of The Parish of Darlington, in The Bishoprick, 1854, 11 black and white illustrations including frontispiece, period inscription to front endpaper, some light spotting, contemporary gilt decorated full calf, boards and spine slightly rubbed, 8vo, together with Prickett (Marmaduke), An Historical and Architectural Description of the Priory Church of Bridlington, in the East Riding of the County of York, 1831, 17 black and white plates, bookplate to front pastedown, some minor spotting, contemporary gilt decorated full vellum, boards slightly marked, 8vo, and Orton (John), Turf Annals of York and Doncaster..., 1844, some light marks, contemporary gilt decorated red half morocco bound by Oloach Co., spine and hinges slightly rubbed, 8vo, plus other mostly 19th century Yorkshire reference and related, including A New and Complete History of the County of York, volumes 1-6, by Thomas Allen, 1828, mostly leather bindings, condition is generally good/very good, 8vo/folio (3 shelves)

Arnell (Peter & Bickford, Ted, editors). James Stirling, Building and Projects, introduction by Colin Rowe, 1st edition, Architectural Press, 1984, profusely illustrated including some in colour, original cloth in dust jacket, together with Gosling (David), Gordon Cullen, Visions of Urban Design, foreword by Sir Norman Foster, 1st edition, 1996, colour and black and white illustrations, original cloth in dust jacket, both 4to, plus Farrell (Terry), Urban Design, 1st edition, 1993, colour and black and white illustrations, original cloth in dust jacket, folio, plus Lambot (Ian, editor), Norman Foster, Foster Associates, Buildings and Projects, volumes 2 & 3, 1971-78 & 1978-1985, both 1st editions, 1989, colour and black and white illustrations throughout, original cloth in dust jackets, 4to, plus other modern British architectural interest including some paperbacks, the majority with library number paper labels at foot of spines (36)

Rossi (Giovanni Giacomo de, & Falda, Giovanni Battista). Il Nuovo teatro delle fabriche, et edificii, in prospettiva di Roma moderna, 2 volumes (only), published Rome 1665 - circa 1690, three engraved titles and fifty-three uncoloured engraved plates, the first five plates Iincluding the titles) in volume two are trimmed to image and laid on near contemporary paper, some marginal dust and finger soiling throughout, hinges and joints weak, 18th century calf, frayed and worn, oblong folio A very significant collection of Italian Renaissance architectural views; however due to the varying nature of the composition of these volumes and there being several more known plates, this is sold as a collection of engravings, not subject to return. (2)

Kohlmaier (Georg & Sartory, Barna von). Houses of Glass, A 19th-Century Building Type, Translated by John C. Harvey, MIT Press, 1986, black and white illustrations including many from photographs, original cloth in dust jacket, a little rubbed, 4to, together with Lloyd (Nathaniel), A History of English Brickwork, Antique Collectors' Club reprint, 1983, black and white illustrations from photographs, original cloth in dust jacket, a little rubbed, small folio, plus Button (David & Pye, Brian, editors), Glass in Building, A Guide to Modern Architectural Glass Performance, 1st edition, 1993, colour and black and white illustrations, original laminated boards, small folio, plus Curtin (W.G. & others), Structural Masonry Detailing, 1st edition, 1984, black and white illustrations, original cloth in dust jacket, slightly rubbed, small folio, plus other mostly dust-jacketed modern publications on architectural materials and related, mostly with library number paper labels at foot of spines (20)