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Gibbs (James) Rules for Drawing the Several Parts of Architecture in a More Exact and Easy Manner than has been heretofore practised, by which all Fractions, in dividing the principal Members and their Parts, are avoided, Innys, Richardson et al, 1753, third edition, folio, first leaf is a blank, 63 (of 64) engraved plates, half calf (worn); Gotch (J. Alfred), Architecture of the Renaissance in England ..., Batsford, 1894, two volumes, folio, ex-library, 145 plates with stamps verso, top edges gilt, original half morocco; Shaw (Richard Norman), Architectural Sketches from the Continent, Day, n.d. [1858], folio, litho title, 100 litho plates, modern cloth (4)

Halfpenny (Joseph) A Selection of the Gothic Ornaments in the Cathedral Church of York, York: John & George Todd, 1831, large quarto, engraved title, 105 plates (two coloured), modern half morocco gilt; Billings (Robert William), Illustrations of the Architectural Antiquities of the County of Durham …, Andrews, 1846, large quarto, 60 full page mounted plates, four other engraved plates, all edges gilt (worn); idem, Architectural Illustrations and Description of the Cathedral Church at Durham, Boone, 1843, quarto, title vignette, 75 engraved plates, half morocco (faded and rubbed); idem, The Geometric Tracery of Brancepeth Church in the County of Durham, Boone & Andrews, 1845, tall quarto, frontis, hand-coloured text illustration, twenty engraved plates, cloth-backed boards with original label; idem, Architectural Illustrations, History and Description of Carlisle Cathedral, Boone, 1840, quarto, forty-five engraved plates, modern cloth binding; with two others (7)

A large Elizabethan Samuel Pepys 1666 revival tall library bookcase cabinet. The very large bookcase constructed of teak being true to the original architectural design. Fitted with adjustable shelves and dismantles to 2 pieces. Glass panel doors with each panel being bevelled edged, raised on bun feet. Measures: 229cm high x 120cm wide x 42cm deep.

A pair of early 20th Century silver plated toast racks by Howson Brothers of graduating architectural form. Measures 12cm high 13cm wide. 

A set of 4x cast iron Victorian style architectural wall / shelf brackets. Each with floral decoration. Measures 29cm high. 

A 19th Century Victorian cast iron  stick umbrella stand in the manner of Coalbrookdale. The stand of architectural shape with scrolled decoration and ebonised painted finish. Measures: 60cm high x 66cm wide x 18cm deep.

An early 20th Century Japanese lacquered wood photograph / postcard album, the silk pages painted with flowers, architectural features, island scenes, and with red thread corner markers for photograph / postcard inserts, the front cover having shibayama decoration depicting an Osprey.

An unusual large Tibetan - Chinese hardwood architectural panel depicting dragons and deity characters surmounted by floral roundels and further deity atop. 40cm high. 

An early 20th century green onyx and gilt metal cased mantle clock of architectural form

AN 18TH C FRENCH ARCHITECTURAL ENGRAVING BY DE NEUFFORGE, 23 X 36CM

French Lalique style clear glass pin dish with architectural decoration around central spiral, 13cm in diameter. 

Two black and variegated marble mantel clocks circa 1890-1900, the first of architectural form with pediment supported by green marble columns, the dial with black Arabic numerals, striking on a coil gong, 27cm high, the second of rectangular outline with grey marble inserts, the dial with black Roman numerals, striking on a bell, 33cm high. (2)

A reproduction George III style mahogany bureau bookcase, the architectural pediment above two astragal glazed doors enclosing adjustable shelves above a crossbanded fall front enclosing a fitted interior of pigeon holes and short drawers centred by a cupboard door above four long graduated cockbeaded drawers on ogee bracket feet, 91cm wide, 56cm deep, 230cm high

A black marble mantel clock circa 1900, of architectural form, the dial with black Arabic numerals (lacking gong), 30cm high, together with a Japanese gun metal mantel clock of architectural form, the pediment supported by four columns, the 8-day movement striking on a coil gong, 32cm high. (2)

A small Vienna regulator style wall clock, the brass five day movement with an enamel dial with Roman numerals and signed 'S. Glink PESTEN', with a cast brass bezel, in an ebonised architectural case, 20th century, 55cm high. Provenance: The Collection of Sir Jeremy Lever.

A late 17th century style ebonised siphon-tube barometer after Daniel Quare, the silvered dial signed 'D. Quare, Lond. Fecit' and inscribed 'SUMMER WINTER', the recording pinters operated by rack and pinion brass buttons, with a circular silvered calendar dial centred by the initials 'WR' for William III and flanked by the Royal Coat of Arms, the architectural case, surmounted by a flaming finial, second half 20th century, 100cm high. This barometer is a faithful copy of the siphon-tube barometer made by Quare for the Royal Collection at Hampton Court Palace. The original barometer is discussed by Nicholas Goodison, English Barometers 1660-1860, pp.187-189, pl. 113-115.

A black japanned and gilt wall mirror in early 18th century style, the rectangular plate within a carved leaf slip and a cushion frame decorated with chinoiserie figures, with a conforming architectural surmount, decorated with leaves, scrolls and husks, first half 20th century, 159.4 x 84.6cm.

A late 19thC French slate and marble cased mantel clock, circular brass dial with enamel chapter ring bearing Arabic numerals, eight day movement, with coil strike, the case of architectural form, with key, 31.5cm H, 29cm L, 13.5cm D.

A 19th century Italian Florentine ebony and ebonised pietra dura cabinet in Baroque style, inset overall with various marble and hard stone panels, including: lapis lazuli, breche d'alep, Spanish brocatalle, red serpentine, Siena, vert maurin, onyx, alabasters, the swan neck pedimented top surmounted by a bronze bust of Cosimo de Medici, above architectural mouldings, with a recessed arch flanked by urn finials, above five drawers, with gilt bronze Moor's head handles, flanked by four alabastro fiorito Corinthian columns, the sides with cupboard doors above a single deep drawer with a faux front, the inside with a typed paper label inscribed 'Bought from Mr Cleverly, Swindon, about 1926.', the base with a frieze drawer above a panelled cupboard door, 275.5cm high, 99.5cm wide, 52cm deep.

λ A mid-17th century Flemish Antwerp ebonised and tortoiseshell cabinet on stand, painted with twelve panels in the manner of Hans Jordaens III, the exterior later gilt decorated with flowers on a lattice ground and with chinoiserie panels of figures, birds and trees, the hinged top revealing a painted panel with figures on a path with three caparisoned horses, above a later panel and a vacant interior, with a pair of panelled doors enclosing a tortoiseshell and ripple moulded interior with eight drawers painted with rural landscapes and village scenes, with figures in various country pursuits including: hunting, a shepherd tending his flock, figures in a carriage, a man on a river bank fishing, flanking an architectural centre with a brass balustrade deep drawer above an arched panel door, painted with figures walking along a tree lined avenue with their dogs, enclosing a bone and ebony parquetry mirrored niche with gilt arches, flanked by Corinthian columns and above a drawer decorated with a harvest scene, the insides of the doors painted with panels, the left with wealthy figures on horseback giving money to beggars in a landscape setting, the right with figures playing instruments before a moated country house, fitted with a long drawer with lion's mask ring handles, the stand with a shaped apron, on cabriole legs and pad feet, the back with a handwritten paper label 'Mrs Harold Louth Lincolnshire, To the … Mr J Smith … London', 149.5cm high, 106.5cm wide, 54cm deep.

Early 20th Century onyx two train architectural mantel clock with Arabic enamel dial. (B.P. 24% incl. VAT)

Early 20th Century architectural two train mantel clock. (B.P. 24% incl. VAT)

Two black slate and marble architectural two tone mantel clocks, together with another black slate and marble two train mantel clock. (3)(B.P. 24% incl. VAT)

20th Century mahogany two train architectural mantel clock, together with other mantel clocks (one in art nouveau design) etc. (4)(B.P. 24% incl. VAT)

Late 19th/early 20th Century black slate two train architectural mantel clock with enamel Roman face. (B.P. 24% incl. VAT)

Two late 19th century sketchbooks, drawn in and compiled by T.E. Jeffery, each enclosing full-page and inserted pencil drawings and sketches of Medieval and later architectural elevations, vignettes and antiquarian details, each bound in buckram or paper covers, the buckram album with Gothic Revival monogram and dated 1897, each slim oblong 4to, [2]

Marcus A. Boss (early 20th century), after, Harrow School, the margin centred by the school's coat of arms, lithographed by Vincent Brooks, Day & Son, Published by Appleby Bros, London 1934, chromolithograph, 37cm x 27cm; 19th century Near Eastern antiquarian prints and maps of Israel: Jerusalem: Ancient & Modern, The Ruins of Caesarea, chromolithographs, (2); ancient architectural elevations, various, lithograph; etc, [6]

IMPRESSIVE PAIR OF AGED WHITE PAINTED HEAVY PINE ARCHITECTURAL SUPPORT BRACKETS, 36" X 43" X 5" (91.5cm x 109.2cm x 12.7cm) approx., (2)

PAIR OF TWENTIETH CENTURY FRENCH WALNUT PICTURE FRAMES, each of oblong form with ribbon tied cresting to the moulded slip, 21 ½" x 17 ¾" (54.6cm x 45.1cm), together with a LARGER PICTURE FRAME, 23 ½" x 17 ¼" (59.7cm x 43.8cm), each containing a reproduction architectural black and white print, (3)

Eight framed and mounted architectural prints

Geoffrey Baxter for Whitefriars, four rectangular Architectural glass slabs, each 17.5 x 8 cm, comprising two number 1 and one each numbers 2 and 6, all in Flame (4)

Geoffrey Baxter for Whitefriars, a trio of uncatalogued large rectangular Architectural glass slabs, each 21 x 15 cm and of similar abstract form, to consist of one in Twilight (FLC label to front, etched to verso 'Doorhandle - Sample Pattern' and one each in Flint and Flame (unmarked). Also contained in the lot, one pair of fixing studs (5)

Geoffrey Baxter for Whitefriars, a quartet of four uncatalogued Architectural glass slabs of hexagonal form, each 15 cm at widest diameter, comprising three in Sage and one in Aubergine (4)All four in excellent condition, with no visible scratches, chips or other marks, barring natural mould marks, a couple of which have relatively sharp edges.

Geoffrey Baxter for Whitefriars, two rectangular Architectural glass slabs, each 17.5 x 8 cm, comprising one of each numbers 2 and 6 in Twilight (2)

Geoffrey Baxter for Whitefriars, a trio of square Architectural glass slabs, each 17.5 cm, comprising two number 3 in Arctic Blue and Twilight, along with one number 4, also in Twilight (3)

Geoffrey Baxter for Whitefriars, six rectangular Architectural glass slabs, each 17.5 x 8 cm, comprising three number 1, two number 2, and one number 6, all in Arctic Blue, (6)

Geoffrey Baxter for Whitefriars, six clear rectangular Architectural glass slabs, each 17.5 x 8 cm, comprising three number 2, two number 1 and one number 6, all in Flint (6)

Geoffrey Baxter for Whitefriars, a quartet of square Architectural glass slabs, each 17.5 cm, comprising one 'Spot' in Ruby/Flame, along with one each of numbers 3, 4 and 5, all in the Flame colourway (4)

Geoffrey Baxter for Whitefriars, a trio of square Architectural glass slabs, all 17.5 cm, to consist of one of each numbers 3, 4 and 5, all in Flint (3)

Geoffrey Baxter for Whitefriars, a trio of uncatalogued square Architectural glass slabs, each 17.5 cm and of varying abstract design, one in (possibly) Twilight, with two in a pale Sea Green (3)

A collection of prints and pictures, to include architectural studies, two Italian engravings, landscape studies and others, (qty)

ALBERT WAINWRIGHT (1898-1943) - A bedroom interior, Salzburg, watercolour, unframed, 25cm x 17.5cm also painted verso with an architectural detail and five other drawings by the same hand to four pages (6)

ALBERT WAINWRIGHT (1898-1943) - 'Study of a seated boy wearing short trousers', ink drawing, inscribed 'Salzburg', unframed, 25cm x 17.5cm also painted verso with an architectural study together with one other drawing depicting a German brass band, painted verso (2)

~ A Victorian black slate mantel clock, of architectural form, Arabic dial, visible escapement, mask mount, 40cm height with another similar example and a further black slate clock (3)

~ A late Victorian mahogany single scoreboard with a carved architectural pediment above a bevelled glass mirror, 107cm by 87cm by 20cm

Batsford UK Illustrated Topographical, Architectural & Craft Series : A collection of 39 titles from the 1930/40s, most retaining their original illustrated dustwrappers, authors include Massingham & Edlin. Together with other UK topography series and Baker : Ludlow Town & Neighbourhood; Howard : English Church Woodwork & Vols. II & III of Herefordshire Royal Commission on Historical Monuments.

An early 20th century mantel timepiece, the circular silvered dial with black Roman numerals within a mahogany case of architectural form, h. 37 cm CONDITION REPORT: No keys. Back door locked.

An interesting Victorian vinaigrette rounded outline engraved with an architectural scene 1.25" long B'ham 1863 by FM

Late Victorian inlaid rosewood salon cabinet, the architectural pediment with foliate scroll inlay over cornucopiae between bevelled rectangular mirrors and bowfront shelves, in turn above large bevelled mirror plate and subsidiary mirrors and further inlaid panels, the lower stage with glazed two door cabinet between bowfront cupboards with galleried shelves beneath, 137cm wide x 243cm high Condition:

A mixed lot to include a modern mahogany compensated barometer/thermometer with architectural pediment and a pair of replica flintlock pistols and a small quantity of Masonic horse brasses (6).

First day covers, etc., 1975 CIBA European Architectural Heritage Year, IFI To Buy Centenary, etc. (a quantity), and various other envelopes, stamps, world used, etc. (a quantity)

A box of architectural hinges.

A 19th century watercolour and ink study of Egyptian hieroglyphs, architectural forms and symbols, framed and glazed, 23 x 43cm

A small Georgian mahogany freestanding cabinet, the lower section enclosed by four long graduated drawers together with a brush slide, the upper section enclosed by two astragal glazed panel doors beneath a broken architectural pediment, 85cm wide x 198cm high x 41cm deep

Two pairs of good quality 19th century etched mirror panels, either architectural or showman's caravan, the large panels with reverse etched symmetrical floral detail, the smaller pair with further symmetrical decoration, all of curved outline, 95cm high x 65cm wide approx and 50 x 60cm approx

A sepia architectural drawing of the Old Horse Guards Parade, 12 x 37cm, a black and white etching of Arlington House, 7 x 18cm, a further collection of 18th and early 19th century engravings relating to London landmarks, including aquatints after Rowlandson and Pugin, etc, various sizes, all framed

Vienna type regulator wall clock, with twin train enamel wall dial and architectural case, 110cm high

Early 20th century oak aneroid barometer thermometer in an architectural case with Corinthian columns and urn finial, 105 cm long

Continental architectural twin train mantel clock, with fancy enamel dial, striking on a gong, 45cm high; together with a further plaster novelty mantel clock mounted by a sleeping Pierrot (2)

Early 20th century continental gingerbread clock, the architectural case with glass fronted door enclosing a three train dial and mercury pendulum, striking on a bell, together with a four pillar clock, with circular dial and cast gilt mounts (2)