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A circa 1900 walnut two drawer side table with raised back, raised on square tapered architectural supports

Dering (Edward) - XXVII Lectures, or readings, upon part of the Epistle written to the Hebrues, title within woodcut architectural border, woodcut decorative initials, lacks final two ff. (2D1 & 2), margins of title and 2C8 repaired, 2C7 section of upper corner torn away, affecting part of printed side-note, stained, lightly browned, new endpapers, contemporary vellum, rebacked, preserving original backstrip, corners worn, soiled, [STC 6731], small 4to, Printed for Thomas Woodcocke, 1590.

Shaw (Richard Norman) - Architectural Sketches from the Continent, lithographed pictorial title and 100 plates, title foxed and water-stained at head, original cloth, gilt, worn and faded, rebacked, 1858 § Bridaham (L.B.) Gargoyles, Chimeres, and the Grotesque in French Gothic Sculpture, New York, 1930 § Castle (S.E.) Domestic Gothic of the Tudor Period, New York, 1927 § Gardner (Samuel) A Guide to English Gothic Architecture, Cambridge, 1922 § Toman (R.) Gothic: Architecture, Sculpture, Painting, 1999 § Schütz (B.) Great Monasteries of Europe, New York & London, 2004, illustrations, original cloth or boards, the last two with dust-jackets, the rest a little rubbed ; and 3 others, 4to (9)

Hope (W.H.St.John) - Windsor Castle: An Architectural History, 3 vol. including portfolio of plans, limited edition, Country Life, 1913 § Smith (H.Clifford) & Christopher Hussey. Buckingham Palace: Its Furniture, Decoration & History, Country Life, 1931 § Roberts (Hugh) For the King`s Pleasure: The Furnishing and Decoration of George IV`s Apartments at Windsor Castle, 2001 § Aldrich (M., editor ) The Craces: Royal Decorators 1768-1899, Brighton, 1990 § Brown (J.) The Garden at Buckingham Palace: An Illustrated History, 2004 § Major (Norma) Chequers, 1996, plates and illustrations, original cloth or boards, the first two rubbed with faded spines, the rest with dust-jackets ; and 7 others, v.s. (15)

A Vienna walnut wall clock with architectural pediment, arched glazed door enclosing enamelled chapter ring with Roman numerals, flanked by split pillars, pendant base, 84 cm high, late 19th / early 20th Century

A George III wheel barometer with thermometer, the architectural pediment above dry/damp dial, thermometer and 26 cm silvered dial, the base with level inscribed J Pini, 13 Baldwins Gardens, Leathern Lane, 108 cm high, Circa 1780 (faults)

An early 19th Century wheel barometer with thermometer the architectural pediment above dry/damp dial, thermometer, mirror within brass bezel, silvered dial above warranted correct level, the case with painted faux brass inlaid detail, 97 cm high, Circa 1830 (faults)

A George III mahogany stick barometer with architectural pediment above a silvered dial inscribed G.Davis, Leeds, the figured case with turned cistern cover, 99 cm high, Circa 1780 (faults)

A George III wheel barometer with thermometer the architectural pediment above dry/damp dial, thermometer with brass register, mirror within reeded bezel, silvered dial above level inscribed D. Luvatte, Preston, Warranted, 98 cm high, Circa 1810 (faults)

A reproduction Admiral Fitzroy's barometer, architectural pediment, printed instructions to back - H111cm

A reproduction Admiral Fitzroy's barometer, architectural pediment, printed instructions to back - H111cm

Alan Lambard (British, 20th Century), Liverpool School of Art and Design, one signed ""Alan Lambard, May 1952, Liverpool"", pen, ink and wash architectural drawings, 29 x 40cm, 42 x 29cm and 40 x 29cm (3)

A boxed set of Fröbel's wooden architectural building blocks.

A marble inset slate mantel clock of architectural form

A 19th century slate mantel clock of architectural form

Sterling Silver Tobacco Snuff Box, Paris, Circa 1870. Engine turned ornaments, the lid is engraved with an architectural view and floral ornaments. Marked with French silver marks, French export marks and illegible maker`s mark. 2.5cm X 8cm / 1in X 3.15in. 56gr / 1.8oz.

18th/19th century carved Eastern architectural panel converted to a dining table, 34 x 81 x 44in. (86 x 206 x 112cm)

A VICTORIAN OAK CLOCK BY VULLIAMY, WITH SILVERED DIAL SIGNED VULLIAMY LONDON NO 1724, FUSEE TIMEPIECE IN ARCHITECTURAL CASE WITH TRIANGULAR PEDIMENT

AN ANGLO DUTCH OAK, WALNUT AND EBONISED CHEST with geometric mouldings, gadrooned door above a central door flanked by smaller arched architectural doors divided by split pilasters, later brass lion mask and ring appliqués, on turned feet, the sides panelled, 112cm h; 58 x 123cm, c1680++Somewhat embellished, probably in the later 19th/early 20th c, also with minor repairs, the brass appliqués of later date. Structurally sound and decorative.

A quantity of 17th century and later carved figures, and architectural mounts (5)

A quantity of 17th century and later carved figures, and architectural mounts (5)

D H S Cranage 'An Architectural Account of the Churches of Shropshire' from Photographs by Martin J Harding, drawn by W Arthur Webb, Wellington Shropshire. Hobson & Co 1905. Soft back, (10 vols).

After Sir Frank Brangwyn R.A (20th/21st century) A religious procession entering a church, Workmen in a square with buildings beyond possibly Bruges, Figures outside a continental cathedral, inscribed, "published for the Architectural Press" in 1922, black and white prints, each 33.5 x 37 cm, (3)

A pair of Cantonese porcelain waisted vases, 19th century, with pierced handles, painted and decorated with panels of ladies and gentlemen in architectural landscapes, within blue fretwork frames, on grounds of flowers and precious objects, 41cm high(2) CONDITION REPORT: missing handle to one vase, hairline cracks noted to both necks, area of resotration to rim, overall general staining.

A South East Asian low chair, late 19th/20th century, the pierced back of architectural form, scrolling foliage, turned carved columns, above slatted seat, conforming feet.

A pair of Cantonese porcelain bough pots, 19th century, with gilded shell handles, painted with reserves of figures in architectural settings and birds in floral settings, on floral grounds, lacking pierced lids, 21cm high(2)

A Vienna regulator, late 19th/early 20th century, with ebonised and walnut architectural case, the enamel dial with Roman numeral chapter ring and subsidiary dial, with pierced hands, the pendulum with brass bob, 108cm high

A brass and silvered rectangular metal carriage timepiece by Matthew Norman, with a swing handle, the case of architectural form with four fluted columns on a plinth base, with enamel dial and Roman numeral chapter ring, signed Matthew Norman, above an alarm subsidiary dial, on a matted ground, with a leather carrying case and key, 10cm high

Two carved oak and gilt gesso gilded caryatid figures of Charity, late 17th/early 18th century, modelled as classically draped women, holding babies with children at their feet, the largest in an architectural niche, 47cm high, on wooden stands(2)

A French carved oak armoire, 19th century, with two glazed doors, carved and decorated with ribboned tied flowers and foliage, architectural moulding, flanked by column uprights, spiral floral carving, raised on style feet, 225 cm high, 145 cm wide, 57 cm deep.

A large collection of Cantonese export porcelain, 19th century, mostly painted with panels of figures in architectural settings, on gilt and floral grounds, to comprise a pair of lidded jars, a square tureen and lid, a rectangular tureen and stand, seven plates, a sugar bowl and cover,a large plate, six tea pots, lacking lids, a vase, an oval tureen and cover, six tea cups, eleven saucers and a small dish, together with group of five Chinese export cups, 19th century, painted with figures to the exterior 6.5cm high, together with a small quantity of Chinese export saucers, bowls and other cups, some from the Nanking cargo( a lot) CONDITION REPORT: Overall condition of lot, repairs and damages to most pieces, some with staples, some items with large damages, staining noted

A Gandhara grey schist fragmentary architectural stele, carved to represent the Buddha with an acolyte preaching to a crowd of followers by a tree, with a base of flower heads and undulating tendrils below, mounted on a black metal stand, 124 x 105cm

A large grey schist figure, probably depicting Thanatos, Greco-Gandhara, 2nd/3rd century, modelled in the round, standing full length with detailed hair, with large wings and carrying short sword, raised upon rectangular plinth, from a larger architectural fixture, 67cm high CONDITION REPORT: losses overall, red clay staining to areas

A quantity of 17th century and later carved figures, and architectural mounts (5)

A quantity of 17th century and later carved figures, and architectural mounts (5)

RUSSIAN FABERGE SILVER MOUNTED FRUITWOOD PHOTOGRAPH FRAME workmaster Anders Nevalainen (St.Petersburg 1908-17), of architectural form, the frieze mounted with double headed eagle, laurel wreaths and ribbon swags, above a bevelled glass panel with silver egg-and-dart border, flaked by fluted columns, the base with silver laurel wreath and anthemion mount, 84 zolotnik, sliding easel support, 20cm high, 13cm wide

VICTORIAN HEXAGONAL CARVED MAHOGANY CHURCH STOOP of architectural form, 100cm high

Architectural History: The Power Of Form Applied To Geometric Tracery; One Hundred Designs And Their Foundations Resulting From One Diagram by Robert William Billings, Architect. Published for the Author by William Blackwood & Sons, Edinburgh and London 1851. 26pp text + 100 illustrations presented two per page each faced with a geometric diagram showing the measurements and methodology, half title preceded by advertisement leaf for ""Mr Billings` Illustrated Architectural Works"", large tall octavo. `The author ....was first in the field to prove that not only was the whole detail of Gothic Architecture founded on Geometric law, but that the power of design still remained with us, waiting only on its application` - preface . Robert William Billings (1813 - 1874) was a London-born Victorian era painter and architect. He wrote The Power of Form, in which he showed examples of the use of geometry in architecture. He also illustrated The Baronial and Ecclesiastical Antiquities of Scotland. Many paintings based on his prints still survive in private collections.

An Edwardian mahogany inlaid portico clock, white enamel dial, Arabic numerals, pendant; a miniature mahogany architectural wall clock (2)

Architectural salvage - a set of 24 moulded glass Draner handles, threaded shafts (24)

A JAPANESE NETSUKE OF A SEATED MAN WITH BUCKET AND BOWL, AND AN EASTERN METAL BRACELET, formed of four links with figural and architectural scenes (2)

An American mantel clock in architectural case and a similar polished slate and marble clock

Irish Religious Architecture: A good Album of Architectural Views, mostly of Irish Churches, Convents, Schools etc. It contains engravings and woodcuts, litho prints, some original photographs, & a few original watercolour drawings, various sizes. Over 50 items and including orig. drawing, 'House of the Christian Brothers, Midleton, Co. Cork,' with an orig. photograph, c. 1875, of a large group, of students and clergy; also a printed and illustrated subscription Card for the Proposed O'Connell Memorial Church, Cahirciveen; together with a large Album of Newcuttings, 4to c. 1810-1830, mostly English interest. As albums, w.a.f. (2)

Miscellaneous books, mainly English topographical studies, Glossary of Architectural Terms, etc

An Edwardian mahogany and marquetry standing corner display cabinet:, crossbanded in satinwood, bordered with boxwood and ebonised lines and decorated with ribbon tied drapery, floral foliate scroll work and Neo- Classical urns heightened in ivory, the upper part with an architectural moulded broken pediment and simulated dentil cornice, enclosed by a pair of ogee arched astragal glazed panel doors, the lower part enclosed by a pair of panel doors between canted angles, on bracket feet, 79cm across, 217cm high.

Captain William Baillie, British 1723-1810- "Rembrandt, 1646" 1761, after Rembrandt': dry-point with etching, titled and inscribed agli dilitanti che anno il sapere pregiudizio luesta e dedicata within the plate 29x24cm: Hubert Von Herkomer, German/British 1849-1914- "Souvenir de Rembrandt" 1879; dry-point with aquatint printed in brown ink, signed, titled, dated and inscribed op:7 within the plate, 31.5x25cm: together with a quantity of 19th century and later prints, depicting landscapes and architectural scenes, by and after various hands, various techniques, various sizes, (unframed) (alot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

An American wall clock, in architectural oak case, with key and pendulum and two large, framed pictures

A 19th century Vienna regulator, enamelled dial with subsidiary seconds, 8-day movement striking on a gong, in architectural walnut case, with eagle surmount, with key, pendulum and weights, 3ft. 10in. high

A 19th century German cuckoo clock, architectural-shape with carved detail, movement striking on a gong, with key and pendulum, 20.5in. high

A Regency-style giltwood overmantel, architectural form moulded with anthemion and reeded columns, bevelled plate, 4ft. 8in. wide

A bag containing numerous engravings and prints including views of Cairo, Paris and architectural ruins.

A large book Glasgow Architectural Association Sketch Book Volume III 1888

A Green Onyx French Mantel Clock of Architectural Form with Ormolu Mounts and Gilt Dial. 23.5x14x25cm High

An American wall clock, in architectural oak case, with key and pendulum and two large, framed pictures

A 19th century Vienna regulator, enamelled dial with subsidiary seconds, 8-day movement striking on a gong, in architectural walnut case, with eagle surmount, with key, pendulum and weights, 3ft. 10in. high

A 19th century German cuckoo clock, architectural-shape with carved detail, movement striking on a gong, with key and pendulum, 20.5in. high

A Regency-style giltwood overmantel, architectural form moulded with anthemion and reeded columns, bevelled plate, 4ft. 8in. wide

Miscellaneous books, mainly English topographical studies, Glossary of Architectural Terms, etc

A collection of three late Victorian black slate mantle clocks, of column mounted architectural form, together with one other black slate clock (4)

A late Victorian black slate mantle clock, of architectural form, rouge marble column mounted, 29 cm (11 1/2 in) high, together with two other mantle clocks