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* Continental School. Young Man Stacking Pots, red chalk on laid paper, laid down on card, irregularly shaped (upper left corner excised), sheet size 20.9 x 14.1 cm (8.25 x 5.6 ins), window-mounted, together with a red chalk drawing of dilettanti beside antique architectural remains, looking on to the Coliseum, Rome, on laid paper, with watermark D & C Blauw with shield and posthorn, circa 1780's, lower right corner torn away, sheet size 25.8 x 36 cm (10.2 x 14.2 ins), plus an 18th century red chalk drawing of a seated cardinal, on laid paper, watermarked with anchor within a circle with six pointed star above, inscribed to verso top margin in French '...a l'etat major general du g.d. de toscane - ' and to bottom margin 'achette a Florence 1810', adhesive stain towards upper portion of the image, sheet size 24.3 x 16.4 cm (9.6 x 6.5 ins) (Qty: 3)NOTESProvenance: Estate of Michael Jaffe (1923-1997).

ARR * Newcomb (Mary, 1922-2008). Wives and Flowers, April 1961, oil on board, signed and dated lower right, additionally inscribed with title and price 20 gns to verso, 75.5 x 78 cm (29.75 x 30.75 ins), framed (Qty: 1)NOTESProvenance: Sheila and Michael Gooch, of Norwich. The present work obtained directly from the artist as part-payment for architectural alterations to the Newcomb family home at Mill Farm, Neatham, Norfolk, carried out by M & S Gooch, Architects, of Magdalen Street, Norwich in 1961. Thence by descent to the present owner. British artist Mary Newcomb is known for her pastoral scenes of the Norfolk countryside which incorporate dream-like natural forms, animals and wandering figures. In 1970 she began exhibiting with the Crane Kalman Gallery in London, where she garnered praise from fellow artists Ben and Winnifred Nicholson, Mary Fedden and others.

A Late 19th Century French Black Slate Mantle Clock of Architectural Form. 34.5cm high

Unframed engraving, architectural study, ' Gio Batta Piranesi ', 22.5ins x 31ins (including full margins)

A late 19th century French clock, having a white Roman dial, the inlaid architectural ebonised case with barley twist columns, raised on pedestal base, H.50cm

HEARTH STOOL, architectural design with buttoned turquoise leather upholstery on volute balustrade end supports, 49cm H x 130cm x 89cm.

Collection of architectural themed pictures

Architectural watercolour for proposed house at Chipping Campden for the Honourable Gerald Noel

A George William Knight watercolour, Architect artist for Stanley Peach and Partners Ecklestone Square winner Lutchens Architectural prize 1940- study for finished work which won the prize - Temple of Babylon - entitled Perspective from Southwest - in a gilt frame, 52x63cm - some overall foxing otherwise generally good

A George IV flame mahogany chiffoniere, having an architectural raised superstructure over single blind frieze drawer to twin panel cupboard doors, width 107cm

A late Victorian black slate and rouge marble cased mantel clock, having an enamelled dial with Roman numerals and 30 hour movement, h.23cm; together with a late Victorian black slate mantel clock of architectural form, having enamelled dial with Arabic numerals and eight day movement, h.33cm (2)

A large late Victorian black slate cased mantel clock of architectural form, having enamelled chapter ring with Roman numerals and eight day movement, width 44cm

A Fine Binocular 'Large Best', or 'N°1 Stand' Microscope Outfit, English, dated 1858*, signed in script to the foot ‘Smith & Beck 6 Coleman St. LONDON’ and ‘N°1873’, the microscope stands on a flat tripod foot with two supporting pillars, architectural in style, both terminating in trunnions supporting the microscope body, with plano-concave mirror on swing-arm and sliding collar, sub-stage condenser holder with rack-and-pinion adjustment, square Tully-type stage with X & Y control, swept limb with twin accessory holders, course focus to the top, fine focus mechanism acting on the nosepiece, Wenham prism in pull out/in drawer, with two cases of accessories the first case includes: objectives all signed ‘Smith & Beck’, 3in, 1 1/2in, 2/3in, 4/10in, 1/5in, two Leiberkuhns, a pair of low power binocular eyepieces, a pair of medium power binocular eyepieces, a high power eyepiece, an achromatic condenser with a wheel of stops, a Wenham-type parabolic condenser, a set of dark wells and holder, a polariser and analyser, a zoophyte trough, a live box various forceps, a stage bulls-eye, a stage side reflector, a double nosepiece a set of rotating selenite filters, the second case includes: an opaque disk rotator and a case of pegs and peg holders, a plate compressor, Maltwood's Finder photographed by Smith, Beck & Beck, 6 Coleman St. London, in red leather case, a second Zoophyte trough, a glass stage, a diamond engraver, an adjustment tool, high power monocular tube, a substage spot lens, a tourmaline eyepiece cap and a set of selenite filters, a Smith & Beck vertical illuminator in a can, a side reflector in a can, a substage prism, an erector lens, with large bullseye condenser, French polished mahogany cabinet with glazed door and silver plaque engraved ‘N’. Case measures 49cm tall.*From the Beck records.

Late 19th century oak architectural cased mantel clock, pointed arched top above egg and dart moulded cornice, gilt and silvered Arabic dial, twin train 'Junghans' movement striking on coil, on bracket feet, W30cm, H40cm Condition Report & Further Details Service advised for this clockClick here for further images, condition, auction times & delivery costs

Osbert Lancaster Typed signed letter TLS 1961 on Daily Express letterhead re article for Folio Society. Sir Osbert Lancaster, CBE was an English cartoonist, architectural historian, stage designer and author. He was known for his cartoons in the British press, and for his lifelong work to inform the general public about good buildings and architectural heritage. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.

A 19th Century French black marble cased mantel clock of architectural form with eight day movement and Arabic numerals

A 19th Century French brass cased clock garniture, the clock of architectural form with eight day movement by Vincenti flanked by two campana shaped urns

Jack Ray framed acrylic abstract of architectural facades, signed bottom right, 60 x 90cm

An early 20th century oak mantle clock in architectural case. 16' high

A Burmese folding Parabaik manuscript, containing Buddhist stories, narrated through pictures and text, painted on sa paper, the other side with tightly scripted Burmese Pali text in rounded form, the wood covers inset with mirror glass panels in architectural form. 56' open unfurled

An engraving, after Colen Campbell (1676-1729), Shobden Court in Herefordshire, another architectural engraving, Newcastle House in Lincolns Inn Fields, a Royston Jones study of a pier table and over mirror in Burton Constable, Yorkshire and a print of Hereford (4)

EMPIRE MAHOGANY EBONISED AND PARCEL-GILT OVERMANTEL MIRROR of architectural design, the rectangular plate flanked by ebonised and parcel-gilt pilasters, carved with stylised leaves, 152cm x 157cm high

PAIR OF "BAROQUE" WALNUT AND PARCEL-GILT LIBRARY BOOKCASES of architectural form with carved and painted decoration, each with a moulded cornice centred by a winged cherub mask over open shelves with an arched top, the rectangular panelled bases also with winged cherub masks, 102cm wide x 217cm high x 96cm deep (2)

Gripsholm. Billmark Sverige, folder of 12 colour lithographic plates depicting architectural, topographical and interior views, Stockholm: A. J. Salmson, no date, folio, publisher's wrap-around green cloth folder with paper title label. Together with Svenska Kvinnan, Carl Larsson, 1907 (2)

architectural study, mixed media on canvas, 77.5 x 77.5 cm

architectural study, mixed media on canvas, unframed, 77 x 77 cm

A late Victorian aneroid barometer with thermometer in architectural case with broken pediment, by Spikins, Guildford

A late Victorian mantel clock in oak architectural case, brass dial

A Victorian Gothic light oak-cased bracket clock, with elaborately carved architectural case with corner columns, engraved silvered dial signed Wilson of Maryport, together with original carved oak bracket, with 8-day chiming movement, clock height 61cm

A George III strung mahogany stick barometer by A. Grigo of Holborn, the broken architectural top over a silvered rectangular dial, signed 'A. Grigo 27 Leathr. Lane, Holb.', with aneroid thermometer and mercury tube with slide vernier, over a feather banded trunk and domed reservoir cover, 38in. (96.5cm.) high.

An early Victorian Channel Islands mahogany chiffonier, the peaked architectural back with serpentine shelf, the moulded top with outset corners on carved scroll brackets, over a hidden frieze drawer and pair of panelled cupboard doors, raised on bun feet, 40 x 18¼in. (101.5 x 46.25cm.), 48¼in. (122.5cm.) high.

A French 19th century architectural vaisselier or dresser, probably chestnut, the inverted breakfront cornice over a dentil frieze, the bank of three open shelves beneath with pale pink watered silk backing, flanked by outset fluted pilasters with Corinthian capitals, over a base with double panelled doors, on an inverted breakfront plinth base, 65 x 20in. (165 x 50.8cm.), 85¼in. (216.5cm.) high.

Thomas Billinton (British, late 18th century), Studies of architectural elements pen and ink with grey washes, signed and dated 1776 upper right 12 x 8¼in. (30.5 x 21cm.)* Condition: Crease upper left. Some toning to paper, more notably around margins. In a 19th century ebonised frame with gilt slip. 

A small 19th century mahogany cased wall clock, with a disk dial populated with black Roman numerals, fitted in an architectural case, 53 cm high, 23 cm wide.

A book containing various 19thC engravings of architectural features, by Pugin and others, incomplete.

BAROTSE / LOZI FOOD VESSEL ZAMBIA carved wood, of squat form, standing on a rounded foot with a finely carved architectural finial atop the lid, rich patination (Dimensions: 23cm tall)(23cm tall) Provenance: Michael Heuermann, Cape Town Terence and Bernice Pethica Collection, United Kingdom Note: cf. Eisenhofer. Spuren des Regenbogens [Chasing the Rainbow], 2001. P. 351.

MEDIEVAL BOOK MOUNT 14TH - 15TH CENTURY, WESTERN EUROPE gilt bronze, Saint John the Evangelist is depicted within an architectural frame, shown seated and looking over his shoulder, possibly towards an angel that may have appeared in a seperate panel, with perforations for attachment (Dimensions: 8cm tall)(8cm tall) Provenance: Private collection, Ireland Private collection, United Kingdom

ROMAN STATUETTE OF CUPID ROMAN EMPIRE, C. 3RD CENTURY AD carved marble, the nude figure shown posed against a palmette and foliage behind, the piece appears to be an architectural element, possibly part of a capital, raised on a bespoke mount (Dimensions: 27.5cm tall)(27.5cm tall) Provenance: Private collection, Scotland, acquired in the 1970's from Phillips Auctions, Edinburgh.

A large Italian breakfront architectural cabinet, in the form of a Tuscan Renaissance Palazzo, late 19th century, walnut and stained pine, 294cm high, 397cm wide, 123cm deep Provenance: Lamberty Art & Design, selected items from the storages.

A 19th century mahogany breakfront library bookcase,: the upper part with an architectural broken pediment, moulded dentil cornice and fluted frieze with carved paterae enclosed by two pairs of glazed panel doors, the lower part with a fluted frieze, containing two short and two long central drawers, flanked by an enclosed cupboard to either side on a plinth base, 236cm (7ft 9in) wide 239cm (7ft 10in) high.

A 19th Century Continental elm secretaire a abbatant:, in two sections, the upper part with a moulded architectural pediment and moulded cornice, enclosed by a pair of panel doors, the lower part with a single long frieze drawer, the fall enclosing a fitted interior with small drawers and pigeon holes and with central lunette fan inlay, containing two long drawers below, on block feet, 120cm (3ft 11 1/4in) wide, 224cm (7ft 4in) high.

An 18th Century style carved mahogany breakfront library bookcase after the original by William Vile made for King George III and Queen Charlotte at Buckingham House:, with an architectural moulded dentil pediment and broken cornice with egg and dart ornament, the frieze with scrolling foliage and shells and with garlands of flowerheads and foliage, the upper part with adjustable shelves enclosed by two pairs of bevelled glazed panel doors, between fluted half columns with Corinthian capitals, the lower part with a gadrooned edge, Greek key frieze, enclosed by a pair of central doors with raised scrolling acanthus leaves and cartouches, flanked by an enclosed cupboard to either side with foliate cartouche and laurel wreath ornament, the flanking pillasters with pendant fruit and flowerheads, on a plinth base with egg and dart decoration, 263cm (8ft 7 1/2in) long, 265cm (8ft 8 1/4in) high, 63cm (2ft 0 3/4in) deep.

A LATE VICTORIAN/EDWARDIAN GREEN ONYX MANTEL CLOCK OF ARCHITECTURAL FORM, brass mounts including presentation plaque, enamel dial with arabic numerals, eight day movement, gong strike, height 29.5cm, with key and pendulum

A Victorian slate and rouge marble eight day mantel clock , by James Tree of London, of architectural form, the dial set with Arabic numerals and maker's name, on a plinth base, 31cm wide, 12cm deep, 29cm high

Darren Yeadon (b.1970) Fish Signed, Carrara venatino marble, 50cm high See illustration Brought up by the sea in Whitby, Darren Yeadon began his work as a quarryman and stonemason. Learning about geology, how to extract materials from the earth; then to split huge pieces up, shape them and finally carve stones to fit into arches, church windows and architectural applications. He developed a real flair and interest in carving stone and three-dimensional forms. Suffering a life-threatening road accident in his mid-twenties caused him to readdress his approach to life and kindled his intense fascination and appreciation of nature and the beauty of our time on earth. He began carving rocks and off cuts from the quarry developing a strong personal style and dedication. He soon began to receive commissions and was sent to Italy to find a marble for a client. Seeking to develop a further understanding of the material he went to live in Carrara preferring the quarries of Michelangelo. Now established in both Pembrokeshire and Whitby, he continues to work from his studio in many types of stone and regularly goes over to Italy to buy Carrara marble.He has held exhibitions at the Staithes Gallery Whitby, Tenby Museum, the Houses of Parliament and the Pembrokeshire Botanical Gardens currently hold a number of his works.

HAC architectural cased mantel clock with silvered Roman dial, twin train 8-day movement half hour striking on a coil, No.3225, H29cm

Large Victorian polished slate architectural mantle clock with six columns, Roman dial with twin train movement striking the half hours on a coil, W51cm , H32cm

Large Edwardian stained and walnut architectural cased mantel clock with arched brass Roman dial, twin train movement half hour striking on a coil, H68cm

Victorian polished black slate and marble mantel timepiece, white Roman dial signed Clarke & Sons. Bedford, H27cm and a Victorian black slate architectural case mantel clock, twin train movement striking the half hours on a bell, H29cm (2)

Valerie Thornton Architectural Screen Print, signed in pencil and numbered 36/40, in a glazed frame, 55 x 43cm

A 1950's Skyline Design Coffee Table, by John Piper for Conran, of rectangular form, with formica top depicting a landscape of architectural scenes including St Paul's Cathedral, on black square form legs joined by a wooden shelf, 97cm by 38cm by 35cm

A Victorian walnut mirror back sideboard, having an architectural raised back centred with a bevelled mirror an fan carved upper spandrels, flanked by turned columns, above the base with an arrangement of three drawers and two pairs of cupboard doors, raised upon turned feet, 236cm H x 151cm W x 50cm D

An Edwardian walnut compactum wardrobe in the aesthetic style, by Lamb of Manchester, having an architectural pediment above a central mirrored door enclosing a foliate pattern fabric lined interior, the central door embraced by two pairs of small cupboard doors and an arrangement of nine graduated drawers, all applied with brass geometric open work back plates and swing handles, raised upon turned tapering feet, 227cm H x 216cm W x 66cm D

A Victorian oak cased Admiral Fitzroy wall barometer, the architectural case enclosing the paper back, stamped with the registration number '367 815', along with a mercury filled barometer, thermometer and atmosphere gauge (at fault), 111cm high

A late Victorian walnut mirror back sideboard, the architectural high back with three mirrors, above the base with an arrangement of four drawers and three cupboard doors, 230cm H x 152cm W x 54cm

Three wrought iron architectural mounts with a pair of supports, early 20th century, each cast with scroll terminals , possibly balcony mounts, longest 182cm (5)

A large 20th century zinc architectural finial, 160cm tall (a.f).

19TH CENTURY ORMOLU MANTEL CLOCK, two train eight day movement by AD Mougin, the ceramic dial with Arabic numerals, painted with a counting scene and marked W.T. Story, the pillared architectural case mounted with three urn finials, above a block base engraved with dedication, on an associated plinth, 46cm high, contained in a glass dome case

LATE 19TH CENTURY BLACK FOREST CUCKOO CLOCK, the two train eight day movement by G.H.S., the chapter ring with white Roman numerals, contained in an architectural case carved with ornamentation, on ogee bracket feet, 52cm high

Early XX Century Postcards, to include Bamforth's WWI sentimental, landscape, coastal, seaside, architectural etc, tv personality promotional cards, Victorian photograph album.