We found 35023 price guide item(s) matching your search

Charles Henry Rogers (b1930) British School - An original watercolour painting to depict two policeman in a London street scene amidst church and neoclassical architectural. Signed by the artist. Dated 1991. Framed and glazed. Measures 49cm x 39cm. 

Two sets of boxed architectural drawing instruments. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

* FRANCIS WYNNE THOMAS (BRITISH 1907 - 1989),ALPINE LANDSCAPEoil on canvas, signedimage size 50cm x 60cm, overall size 64cm x 74cm Framed.Note: Wynne was a Painter and art teacher born in Bromley, Kent. He was an architectural graduate from Cambridge University but went on to study art at Heatherleys (1930-34) under Frederick Whiting. During the War Wynne Thomas was an officer in the R.A.F. stationed at the Photographic Interpretation Unit at Medmenham, Buckinghamshire, where his skills of acute observation and detailed knowledge of boats were invaluable. He exhibited at the Royal Academy, the Royal Society of British Artists and the Royal Institute.

A Victorian carved pine corner cabinet with architectural doomed top and applied carved decoration (H210cm W120cm D60cm)

A Victorian black slate 8-day mantel clock, of architectural form, the enamelled chapter ring showing Roman numerals, flanked by four reeded columns, width 32cm

A late Victorian walnut wall clock, housed in an architectural case

A George III oak double door hanging corner cupboard, having broken architectural pediment and fluted detail

A Victorian black slate mantel clock of architectural form, the enamelled chapter ring showing Arabic numerals flanked by 6 reeded columns, width 43cm

A 1920's oak mantel clock of architectural form, dial with arabic numerals, on bun feet, label to interior British Jerome movements, instructions included, measures 28cm x 34cm x 15cm

An Early 20th century oak corner bar of architectural form, the top later inset with tiles, over two arcaded doors with applied split corinthuin type columns opening to a shelf behind, a wine rack under with provision for twelve bottles, H82cm, 104cm x 104cm

A late 19th/ early 20th century oak wardrobe of architectural form, the dentil cornice over a mirror door opening to reveal an interior fitted with hanging rail and shelf, the front with six shaped figured oak panels framed within four fluted pilasters having brass Corinthian capital mounts, the base, with conforming pilasters, fitted with one long and four short drawers, H215cm, W147cm, D62cm

A 19th century wooden bird cage, of architectural form, 44cm high

MOULE THOMAS.  Winkles's Architectural & Picturesque Illustrations of the Cathedral Churches of England & Wales. 3 vols. 3 eng. titles. 180 eng. plates & plans. Quarto. Half dark morocco, internal spotting & foxing. 1836-1842; also 2 other vols.  (5).

Items of moulded classical architectural items and a bust of Mozart

A painted wooden model of a cherub, 56cm long, an Italian style mirror, 42 x 33cm, a carved giltwood cresting, a gilt wooden cherub and various carved acanthus architectural details

A mixed lot of architectural prints, plans and other items to include certificates qualifying for the Royal Institute of British Architects, National Service and Royal Canadian Air Force, and a framed and glazed white alabaster architectural panel Location:

Anthony Ault (1937-2000) 'Cathedral Precinct, Gloucester - With suggested Eastern Approach', architectural watercolour and pen and ink sketch, signed and dated May 3rd 1945 lower right, unframed, 101cm x 68cmUnframed, some foxing and marks. Pink holes to each corner. Some small tears and creases to edges/corners. Old tape is applied to the reverse.

Geoffrey Baxter (1922-1995) for Whitefriars five architectural clear glass blocks, unsigned, three larger examples 18cm x 18cm x 3cm, the two smaller examples 17cm x 8cm (5)Some scratches and signs of wear. Both of the smaller blocks have chips to the reverse. One of the larger blocks with circles has some chips to the reverse. The larger block with squares has a lot of chips to the reverse.

"ILLUSTRATIONS OF THE COLLEGIATE CHURCH OF SOUTHWELL.....WITH AN ARCHITECTURAL DESCRIPTION" BY THE REV. J.F. DIMOCK PUBLISHED BY SIMPKIN, MARSHALL & CO. TOGETHER WITH "WYNGAERDE'S PANORAMA OF LONDON CIRCA 1544 (FACSIMILE) (2)

Miscellaneous Ephemera. A collection of miscellaneous ephemera & literature, including The Poor Man's Friend and Guide To Health; or Invaluable Remedies, by Thomas Hartley, Birmingham: E. Taylor, circa 1800(?), small 4to, Modern Etchings Mezzotints And Dry-Points, edited by Charles Holme, London: The Studio, 1913, large 8vo, postage stamps, Views of Tetbury and Neighbourhood photograph album circa 1900s, maps, prints, original architectural drawings, periodicals &cQTY: (3 cartons)

Cotman (John Sell). A Series of Etchings Illustrative of the Architectural Antiquities of Norfolk; with references to the authors who have described or figured them, London: Longman and Co & others, 1818, 59 etched plates only (of 60, lacking plates 25), some spotting and light mainly marginal water stains, all edges gilt, contemporary half morocco, joints splitting, some edge wear, folio, together with Specimens of Architectural Remains in Various Counties in England, but principally in Norfolk, 2 volumes, London: Henry Bohn, 1838, 54 etched plates only, including additional title and dedications (of 241), plus a fwe loosely inserted plates, a few detached with frayed fore edges, some light spotting, contemporary half morocco, joints and edges rubbed, folio QTY: (3)NOTE:Sold as a collection of plates not subject to return.

A 19thC Jerome and Co American architectural mantel clock, with triangular top and shaped finials, with 14cm wide back plate with stencilled Arabic dial, in a fitted case with eight day movement striking on a bell with pendulum and key, 37cm high.

An early 20thC oak stained architectural mantel clock, with 13cm diameter dial stencilled with Roman numerals, with a glazed door decorated with arches and flowers, on compressed feet with eight day movement, 49cm high.

A 19thC black slate and marble mantel clock, in architectural case, with 17cm diameter Roman numeric dial, flanked by quarter columns on a stepped base, the body inset with flowers with eight day movement, 49cm high.

Richard Beer (1928-2017), collection of four original drawings in ink and pencil with one watercolour, mainly French and Italian architectural subjects, largest image size 57 x 38.5cm. (5)

Frank Thompson (British, act.c.1875-1926), Italianate architectural detail with figures, watercolour, signed lower left, framed and glazed, 35.5 x 24cm.

A 19th century mantel clock in architectural black marble case with domed top and Corinthian side pillars, 8 day French striking movement

A collection of pictures to include; C Morris, landscape with a shepherd, oil on board, frame and glazed, 14cm x 19cm; Figures in front of architectural ruins, oil on canvas, framed 21.5cm x 28cm; Harold Forster, 'The Sad Jester', watercolour, framed and glazed, 42cm x 33cm; a map of Berkshire by Robert Morden; an ordinance survey style map of Milton; a map of Oxfordshire engraved by John Cary; and further pictures and maps (12)Frames with dents and scratches consistent with use; maps with foxing and discolouration; Morris picture in good condition; figures in front of ruins with some craquelure.

A pair of French painted /pokerwork decoration french architectural scenes. 41 x 50cm

A Le Roy et Fils architectural brass mantel clock, with pendulum and key, 37cm tall

Michele Sidney Diamond Ladies Watch. Retail value is $2,795. Size: 38mm. Stainless Steel & Yellow Plated. Architectural details frame the bold, round gold-plated case of the Sidney watch. This chronograph timepiece features a mother-of-pearl dial with sunray sub-eyes, date window and 117 hand-set diamonds on the bezel and hour markings. The diamonds atop each Sidney's bezel are placed using the MW signature setting for a uniquely MICHELE look. The gold-plated bracelet is interchangeable with any 18mm MICHELE strap.- All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted.

Ronald Maddox (British, B. 1930) "Caernarfon Castle" Signed lower left. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was published on the Fleetwood First Day Cover for the Great Britain 11p Caernarfon Castle stamp issued March 1, 1978. In the thirteenth century, Wales was an unbeatable thorn in England's side. The Welsh people, led by Llywelyn, remained independent by virtue of their spirited resistance against England. In 1282, however, Llywelyn was killed. And the hopes of the Welsh people died with him. Edward I quickly overran north Wales, and a series of mighty castles were built with the intention of dominating the Welsh people physically and psychologically. The Castle at Caernarfon -- the mightiest of these fortresses -- was begun in 1283. Eleven years later, much of the castle was destroyed in an uprising against the Crown. Repair work was immediately set in hand and by 1330 the castle stood much as it appears today. By 1485, Henry Tudor, of Welsh stock, ascended to the throne. The advent of the Tudor dynasty meant that Caernarfon and the other Edwardian castles were no longer needed. But through the centuries, to this day, Caernarfon has remained the supreme surviving example of Medieval architectural flourish, representing everything that modern man's imagination says a castle should be. Small wonder, then that Caernarfon has caught the imagination of writers and painters through the ages. Or that Dr. Johnson, when he saw Caernarfon in 1774, wrote in his diary that its stupendous magnitude and strength surpassed his ideas, for, as he said, he did not think there had been such buildings in the history of man. Image Size: 9 x 10.5 in. Overall Size: 15.5 x 15.25 in. Unframed. (B05122)

ARCHITECTURAL WALL MIRRORS, a set of three, 107cm x 55cm, bronzed finish frames. (3)

ARCHITECTURAL GARDEN TREE BENCH, antiqued green painted finish 77cm x 140cm x 140cm.

A good quantity of European topography, an architectural engraving and a catalogue of engravings by Alphonse Jos-Bosch on handmade paper, dated 1885.

German early 20th century wall clock in a mahogany case with an architectural pediment and turned finial, with applied carving and pendant finials, fully glazed door with a visible gridiron pendulum, eight-day spring driven striking movement striking the hours on a gong, dial with Roman numerals to the chapter and a gilt repouss� centre. Dimensions: Height: 82cm  Length/Width: 33cm  Depth/Diameter: 18cm

Mahogany cased mantle clock in a bespoke 20th century case with an architectural pediment and recessed brass pilasters, with an earlier 19th century French spring driven striking movement, striking the hours and half-hours on a coiled gong, two-part dial with an Arabic chapter, minute markers, steel spade hands and gilt centre. With pendulum.Dimensions: Height: 33cm  Length/Width: 26cm  Depth/Diameter: 13cm

Architecture, Art, and Illustrators - Eyland (Edward S.), Lightbody (Francis), & Burn (Robert Scott), Working Drawings & Designs in Architecture and Building; with Essays on Various Subjects, Richly Illustrated with Woodcuts, Edinburgh and London: A. Fullarton & Co., [n.d., c. 1860], full-page architectural elevations, some in-text illustrations, contemporaneous half-morocco over cloth, elephant folio (51.5cm x 38.5cm), (1); De Jolimont (Théodore Basset), Vues pittoresques de la Cathédrale de Paris […], Paris: Engelmann et Cie, 1826-1830, full-page lithographs of Medieval architecture and antiquities, 20th century blue leather over green cloth, 4to, (1); Puttrich (Ludwig), Denkmale der Baukunst des Mittelalters in Sachsen, Leipzig: Friedlein & Hirsch in Komm., 1836-1843, full-page lithographs, similarly bound to the former, small folio, (1); Reynolds (Sir Joshua), Discourses on Painting and the Fine Arts, Delivered at The Royal Academy, London: Jones and Co., 1825, [bound with], Ralph (Benjamin), The School of Raphael; or, The Student’s Guide to Expression Historical Painting […], illustrated, original cloth, 4to, (1); Ralph Caldecott’s Graphic Pictures, 1898, original pictorial cloth, oblong folio, (1); Pictures of Life & Character by John Leech, two volumes, 20th century leather over original pictorial green cloth, oblong folios, (2), [7]

Children's and Juvenile Books - Pogány (Willy, illustrator), Rubáiyát of Omar Khayyám, London: George G. Harrap & Co Ltd., [n.d., c. 1910], lithographed calligraphic and architectural borders, tipped-in colour plates, original limp brown suede, in gilt and blind, top-edge gilt, 8vo, (1); The Gateway to Shakespeare [...], With Sixteen Coloured Platea and many other Illustrations, London: Thomas Nelson and Sons, [n.d., c. 1910], further b/w plates and in-text illustrations, original pictorial cloth, top-edge gilt, 4to, (1); Underdown (Emily) & Morris (William), The Gateway to Romance, With Sixteen Coloured Plates and many other Illustrations, London: Thomas Nelson and Sons, [n.d., c. 1912], original pictorial cloth, 4to, (1); Mabel Lucie Attwell's Peter Pan & Wendy, 1955, 4to, (1); Wagner, (1); Italian Art History, (2); etc., [8]Provenance: the Chandos-Pole family, removed from the Library of Radbourne Hall, Derbyshire.

Drama and the Theatre - Egerton (William), Faithful Memoirs of the Life, Amours and Performances, of [...] Mrs. Anne Oldfield, Interspersed with several other Dramatical Memoirs, first edition, London, 1731, lacking portrait frontispiece, 20th century calf over marbled boards, architectural bookplate of George Rylands (1902-1999), 8vo, (1); The Works of Thomas Otway, three-volume set, London: C. Hitch and L. Hawes, et al, 1757, volume I with portrait frontispiece, contemporary calf, 12mo, (3), [4]

Scottish Sombre Binding, The Holy Bible [KJV] [...], Edinburgh: Printed by James Watson, 1722, architectural title-page engraved by Robert Wood, separate black-ruled New Testament title-page, printed in double-columns, contemporary black morocco, tooled and panelled and blind, all-edges gilt, printed polychrome endpapers, slightly later ink MS ownership inscription: W.T. Procter, 8vo, (1); De Cervantes Saavedra (Miguel) & Jarvis (Charles, translator), The Life and Exploits Of the ingenious gentleman Don Quixote de La Mancha [...], volume I only, second edition thus, London: J. and R. Tonson, 1749, engraved plates contemporary calf, Chippendale armorial bookplate: Evert Geo. Coussmaker Esqr, 8vo, (1); Zola, Rome, first English edition, 1896, 8vo, (1); Priestley's Good Companions, prize binding of three-quarter calf gilt, 8vo, (1); Folio Society, various, (7); etc., [21]

A mid-Victorian lady’s drawing-room commonplace album, compiled by Ellen ‘Nellie’ Shirley, dated from 14th February 1865, comprising verses addressed to ‘Nellie’ by her friends on leaving Evesham College and returning to Manchester, illustrated with botanical still lives in watercolour &/or pencil, further chromolithograph scraps and prints of flowers, further verse and prose, etc., contemporary red calf binding, blocked and picked-out in gilt, all edges gilt, 4to, (1); another similar, larger format and later in date, the property of Harriet Caggins, illustrated with 18 botanical, landscape, architectural, and topographical watercolours, including 2 of Venice, 6 similar pencil &/or pen-and-ink studies, further prints, including a Pear’s advertisement, ink manuscript commonplace verse and prose, conforming binding style, 4to, (1); an early 19th century European lady’s album, probably French, illustrated with some well-executed watercolours by different hands, including an allegory of love, mostly monochrome mixed media prints, finely bound in contemporary (?Parisian) red morocco gilt, oblong 8vo, (1); a late Victorian ink MS commonplace ‘journal’, partially-inscribed with contemporary transcriptions of society events from periodicals, contemporary green morocco gilt, upper-cover with owner’s monogram, clasp fastening (faults), 4to, (1), [4]

Photography - a Victorian photograph album, illustrated with approx. 110 b/w and sepia photographs and albumen prints of British topography, each annotated in contemporary ink MS, including Oxbridge Colleges, The Isle of Wight, The Chanel Islands, the Cornish and Devon Riviera and costs, Welsh and Scottish suspension bridges, and further sites of antiquarian and architectural interest, mounted on card leaves, original black morocco gilt binding, oblong 4to (27.5cm x 38.5cm), [1]

Edwardian Oak cased mantle clock in architectural case: h.35 x w.25cm.

A black slate and marble architectural style mantle clock.approx 40cm.

A 1920's Chad Valley Noah's Ark with wooden figures of Noah and his wife and ten animals, an early 20th Century German wooden building block set with applied paper architectural details, two vintage painted wooden ducks on wheels and two 1920's paintbox with China paint pots (6)

A COLLECTIVE GROUP OF 19th C. ENGRAVINGS INC. PORTRAITS AND ARCHITECTURAL SUBJECTS.

An oak bracket clock, of architectural design with a pointed cornice and pilasters on a bracket base, with a silvered dial and Roman numerals striking on gongs

A Biedermeier flame mahogany architectural collector’s cabinet, rectangular top with convex-moulded edge above an arrangement of drawers and a door, the later stand with a pair of frieze drawers, 122.5cm high overall, 90.5cm wide, 46.5cm deep

F.A. Davidson Thatched Cottagessigned and dated 1943, watercolour, gilt frame; other watercolour paintings, including an architectural plan and elevation for Wrexham Public Library, early 20th century and later, various sizes, (4), [5]

Mixed architectural and interior salvage items to include metal brackets and two green enamelled ceiling lightsLocation: 3:2

An Art Deco style walnut display cabinet with architectural moulded top, the angled front centred with slim bowed panel flanked a pair of doors, each with applied Art Deco motif to the lower section and raised on shaped feet, 98 x 116 x 28cm.

Assorted clocks including a German architectural mantle clock, a reproduction skeleton clock, a wall clock and a cuckoo clock.

An early 20th century gilt-brass architectural 8-day mantel clock, by Vincenti & Co, front cover detached, height 31cm

A reproduction brass skeleton clock, Gothic architectural design, with silvered chapter ring, striking on a bell under glass dome, with pendulum, overall height 44cm

Late 19th century bracket clock with German Blackforest movement by Lenzkirch in architectural temple shape walnut case with Corinthian pilasters, 40cm high.

Unusual 19th century Empire carved marble clock case, with lion surmount and carved with frogs and lizards to the architectural case, 53cm wide

A VICTORIAN BLACK SLATE AND MARBLE MANTEL CLOCK of pillared architectural form, striking on a gong

A COLLECTION OF PRINTS 18th and 19th century, engravings etc. mostly architectural

A Late 19th century French Slate Mantel Clock of Architectural Form, In Need of Restoration, 30cms Wide