We found 35023 price guide item(s) matching your search

A SMALL CARVED LIMESTONE AND TURNED MARBLE GOTHIC ARCHITECTURAL ELEMENT, reputedly from a French church, in the form of a pair of cluster columns with carved capital and base, 58cm wide x 57cm high

A PAIR OF GOTHIC REVIVAL ARCHITECTURAL STONE PILASTER ELEMENTS and the top and base of a column with crenellated decoration, the largest piece 51cm wide x 45cm high (4)

A PAIR OF PLASTER IONIC ARCHITECTURAL COLUMNS with fluted shafts, each 234cm high

A GROUP OF 14 ANTIQUE BLUE AND WHITE DELFT TILES, with architectural and figural scenes, each approximately 12.5cm squared

A Middle Eastern table, early 20th century, with square top carved with geometrical rope and stylised foliate designs, on a galleried base, pierced with architectural form archways on column supports with under tier on pierced legs, 36cm x 36cm square x 71cm tall CONDITION REPORT: top warped, missing mother of pearl inlay,

An Indian hardwood carved architectural panel, 19th/20th century, decorated with relief carving of parents and a child, possibly representing Shiva, Parvati and Ganesh, 33cm high CONDITION REPORT: old chips/ losses to top cresting, signs of lacquer/staining

A pair of Jaipur School gouache paintings, mid 19th century, depicting scenes from the Bhairavi Ragini of male and female figures on roof tops, within architectural and garden interiors, within blue and lined borders, framed and glazed, 25 x 17cm, (2) CONDITION REPORT: slight rubbing to borders otherwise in good condition

An Indian wooden carving of an Elephant, 19th century or earlier, part of an architectural element, modelled standing on a plinth, 39cm high, together with an Indian wooden carving of a couple in an erotic embrace, modelled on a plinth, with architectural back plate behind, 32cm high(2) Note: the figural carving was featured in - "Tantra - erotic figures in Indian art"- Bernard Soulie , p.28 CONDITION REPORT: signs to surface of scorching/black lacquer

Tim Rukavina, American b.1954- Venice; pencil, signed, 25.1x19.6cm: together with another pencil drawing by the same hand, depicting architectural moulding against foliage, signed and dated 1982, 32.6x26.6cm, and two other works by separate hands, both depicting classical figures, one watercolour and the other pencil heightened with chalk, one signed, 29.5x22.8cm and 32.7x23.4cm, (4)

A Stained Pine Display Cabinet, of architectural form, with a dentilled cornice and lunette frieze over an arched recess containing three shelves, between fluted pilasters, the lower part with two panelled doors between sunk pilasters, on a conforming plinth, 118cm by 51cm by 220cm

Gregory & Co. - an ebonised display cabinet with broken architectural pediment above a dentil frieze and open back, the centre section with bevelled glazed panels above a projecting base with leaf carved torus fluted frieze, the base fitted one long and two short drawers above an arcaded breakfront under tier, splayed tapered legs with stylised spade feet, brass fittings, stamped "Gregory & Co, 212 & 214 Regent Street, London", and numbered 2347, 228 cm high, 128 cm wide, 45 cm deep

A bracket style mantel clock, the hour and half past gong strike movement by Jughans, the carved beech case of architectural form, silvered dial with applied gilded spandel and chapter ring. The clock designed to sound the cuckoo call a/f Est £50 - £80

After Charles Campbell. two early architectural prints:The Royal Hospital, Greenwich and Althrop, Northamptonshire, the largest 33.5 x 50.5cm.

After G.B. Cipriani, two antique colour prints of classical muses, together with seven late 18th Century hand coloured costume prints and eight architectural views of the same period.

Four antique Italian hand coloured architectural prints, comprising three of classical frescoes from antiquity and another of a renaissance mural, the largest 39 x 65cm.

A pair of antique porphyry and white marble architectural form columns, together with a matching roso antico and white marble pair. (4)

Two early architectural prints of colleges: one of Wadham, the other of Trinity, the largest 40 x 47cm.

William Henderson Mezzotint Portrait of two girls, Mezzotint Head and shoulders portrait of a lady in bonnet and a collection of pictures including architectural drawings and others

A stone effect and metal architectural cupola with statue to centre - 31cm tall

A late Regency/William IV mahogany pedestal sideboard, the raised foliate decorated back over three cushion drawers on two architectural design pedestals with doors enclosing fitted interiors on a plinth base

Egypt.- - A large mixed group of prints of Ancient Egyptian wall paintings and carvings, including several large plates from works by Champillion-Figeac and Ippolito Rosselini, a group of 25 plates for Frederic Cailliaud's Recherches sur les Arts et Metiers....de l'Egypte, and others, engravings, lithographs, many coloured, v.s., occasional slight surface dust and minor tears to some sheet edges, early to mid 19th century § Prisse d'Avennes (Achille Constant T. Emile) A group of 28 plates from L'Histoire de l'Art Egyptien, architectural ornament, plans, sections and elevations, murals, friezes and sculpture, tinted lithographs and chromolithographs on folio sheets, occasional minor spotting and surface dust, mostly marginal, a few short tears at sheet edges, one with reduced margins, Paris, Arthus Bertrand, 1868-78; with 6 similar sheets from L'Art Arabe, v.s. (c.100)

A 19th Century French slate mantle clock case of architectural form, with gilt metal columns, movement lacking.

A 19th Century slate mantle clock of Architectural form, the movement striking on a bell

A group of 19th Century architectural salvage comprising: a gilt hoho bird from a George III fret work mirror; a mirror pediment; two gilt wood fan handles and a pair of gilt wood finials (6)

A Victorian slate noir mantel clock With a 10cm dial with Roman numerals the two train with outside countwheel striking on a saucer bell contained within an architectural case raised upon a plinth base. 23x32x15cms.

A Victorian brass variegated marble and hardstone mantel clock With a 9cm dial with Roman numerals, the two train Japy Freres movement No: 4216 striking on a saucer bell, the architectural case with variegated marble inset columns applied with hardstone roundels raised upon a plinth base and bracket feet, 29x25x14.5cms.

A Choice Edwardian inlaid rosewood and mahogany bureau cabinet circa 1900 In the manner of of Edwards and Roberts, with an architectural pediment centred with a satinwood flower head above a fretwork mirror panel, turned vase shaped finials above a fine inlaid frieze, depicting a two handled urn flanked by satin and stain wood half roundels above pendant harebell's and blooms. The lower part with a rectangular mirror above a fretwork gallery and a bevelled glass cabinet door flanked by an arrangement of open cupboards, two with mirror panels and glazed cabinet doors. The lower part of inverted break front form above a bureau with a finely inlaid marquetry panel, tied pendant harebell's fruit and blooms centred with a tableau of musical instruments, enclosing a fitted interior, a concave shelf enclosed by short doors and pigeon holes above a pair of cabinet doors finely inlaid with classical two handled urns, leaves and fruit above a shelf with a fretwork gallery. Flanked on either side by an inlaid frieze drawer and a glazed cabinet door with an inlaid panel with satinwood spandrels raised upon tapering legs. Overall inlaid satinwood, ebony and line inlays. 237 x153 x 56cms. (Illustrated)

A Victorian walnut hall stand With an architectural leaf carved pediment above a bevelled mirror and five brass acorn finial coat hooks above a frieze drawer with a shaped plinth with metal drip trays raised upon turned front legs. 210cms high x 91x37cms. CONDITION REPORT: Minor surface scratching, some foxing to the mirror, left hand coat hook missing in the centre, original drawer lining fitted with metal drip trays, front legs some scratching and rubbing good condition, back supports good condition.

A LATE 19TH CENTURY BELGIAN SLATE MANTLE CLOCK OF ARCHITECTURAL DESIGN, THE GILT BRASS DIAL WITH PRIMROSE ENAMEL CHAPTER RING INSCRIBED "RUSSELLS LTD, PARIS"

Beatrix Holms: a monochrome aquatint, "Rawson's Farm", and four etchings, architectural subjects, in black frames

Two Anglo-Indian ivory and sadeli-work watch stands, both second half 19th century, each of architectural design, with pierced ivory panels between sadeli-work pillars supporting a distinct arch embellished with turned finials, 31cm and 28.5cm high respectively (at fault) (2)

An early 20thC green onyx clock garniture, of architectural form having Corinthian column supports, 34cm high.

A 19thC Austrian ruby flash goblet, engraved with foliate scrolls, architectural features and running deer, on a double knopped stem and petalated base, 21cm high, and a Continental green glass goblet with prunts to the knop and tapered trumpet stem, 26cm high, (2)

A Junghans mantel clock in architectural oak case having silvered chapter ring with Arabic numerals, gilt scroll spandrels, bevelled glass dial door, striking hours and half hours on a gong, with key and pendulum, 40cms high 30.5cms wide

Architectural Salvage - sixteen casement windows, leaded lights including some window furniture, 109cm x 57cm approx., 1940

A Victorian Ashford slate and red marble architectural mantel clock, white dial, Roman numerals, Ansonia clock Co movement

A collection of architectural prints, some after Piranesi

An architectural brass spring-up clock, signed William Smith, Musselburgh, the 5" steel chapter ring signed William Smith Musselburgh, Maker & Inventor, enclosing a skeletonised centre upon a six column base enclosing a spring mechanism, upon a turned slate base, under a slender glass dome (a/f). Overall 59cm

A Continental mahogany secretaire abbatant, 19th Century, the stepped architectural top over a shaped frieze drawer above a fall, enclosing drawers and a cupboard door with columns, over three graduated drawers, all between half columns continuing to feet. 171cm by 110cm by 63cm

A Georgian-style mahogany gravity wall clock, rise and fall mechanism within recess, architectural pediment, 27in.

A Victorian mantel clock, traditional square dial with German gong-striking movement, with key and pendulum, in architectural oak case, 12in. high, together with a small inlaid oak timepiece, 4.5in.

A George II walnut and parcel-gilt mirror, architectural form with domed pediment and corner scrolls, carved giltwood details include cherub to arch, leaf-scrolls and cherub-head apron, circa 1740, 3ft. 8in. x 2ft. 8in. - mirror plate replaced

A Whitefriars glass Architectural slab No 4, designed by Geoffrey Baxter, cast with three circles (Ref. p.35 1969 Whitefriars brochure)

A FINE CONTINENTAL GILTWOOD AND GESSO MIRROR the architectural pedament with flowerheads, foliage and ho ho birds above a panel frieze with foliage and cherubs above a rectangular bevelled glass plate within a husk flowerhead decorated frame 212cm x 108cm

A FINE CONTINENTAL GILTWOOD AND GESSO ARCHITECTURAL MIRROR the rectangular plate within an egg and dart border frame with shell and acanthus leaf cresting above a conforming apron

Two Large Heavy Framed Architectural Prints together with Two Black and White Etchings

Victorian Slate Mantle Clock, architectural classical form

A circa 1900 veined marble three piece clock garniture of architectural outline

A postcard album of assorted postcards to include Red Indians, Animals and Architectural

A LATE 19TH CENTURY FRENCH BRASS CASED MANTLE CLOCK Of architectural form. (30cm x 30cm)

A Portfolio of L.M Austin architectural drawings to include Heston Aerodrome, Salisbury Cathedral Cloisters, various newspaper cuttings, a design for an outdoor clock, a study of the West Pediment, Aegina Temple, the Nave, Tintern Abbey and various other designs for screens and furniture

Ebonised architectural mantel clock with brass dial with gilt metal spandrels, black roman numerals and two train movement. 48cm high

Six architectural photographs depicting the main entrance and five interiors of the Cunard building, framed as two sets of three, each 43 x 100cm, framed and glazed (2).

A ledger "Men's Hall of Residence, University of Liverpool 1957", detailing bills & quantities involved in construction. Also a large quantity of architectural reference books many containing late 19th and early 20th century plates & engravings of public buildings and classical designs.

A quantity of professional architectural photographs, many of The Liverpool Athenaeum Club showing both interior and exterior views.

A Victorian mantel clock in architectural style black painted wooden case with decorative columns, metal lion mask handles and feet; together with an oak mantel clock.

A Victorian mantel clock in architectural style oak case, the circular roman dial on blue and cream ground.

Late 19th Century green onyx architectural two train mantle clock.

Richard Beer (British, b. 1928) An architectural study of a Venetian villa, ink and aquatint, signed in pencil lower right. H: 43cm W: 58cm

COMMEMORATIVE MEDALS, World Medals, Italy, Roman-related Uniface Cast Lead Mystery Plaquette, associated with the Danubian region in the 3rd Century AD, Helios/Sol in spread quadriga flies over numerous characters from Greek/Roman Mythology, including the Dioscuri with Helen, perhaps Fates, Furies, Graeae or Oracles, and Jason claiming the Golden Fleece from a dragon-headed man, together with others and animals, all within an architectural arch, approx 75mm x 75mm. Very fine.