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Georgian Architectural Dining Table Large Genuine English Reclaimed Timber 300x100x76cm RRP £ 4314

Boston Dining Table 240cm Weathered Oak & Aero distressed Aero aluminium top gives a modern twist to this classic dining table, combining a solid architectural shape with unexpected materials for an added visual dimension 240 x 100 x 76.5cm

Boston Dining Table 240cm Aero distressed Aero aluminium top gives a modern twist to this classic dining table, combining a solid architectural shape with unexpected materials for an added visual dimension 240 x 100 x 76.5cm

Various framed Lincoln Cathedral and other book plates, details of architectural, etc, each mounted and framed, 66cm x 56cm, etc. (4)

A late 19thC black slate mantel clock, in a domed top architectural case, the fancy 10cm dia. Arabic dial flanked by columns revealing an eight day movement, with central pierced scroll filigree work, 30cm high.

REGULATOR-DESIGN WALL CLOCK, Edwardian architectural cased wall clock with applied spindle sides

A FRENCH SLATE AND MALACHITE INLAID MANTEL CLOCK, C1870 the enamel dial painted with the heavens and clouds, having lunar work and three subsidiary dials for the days of the week, dates and months of the year, Breguet hands, in gilt brass egg and dart bezel above an HOLOSTERIC BAROMETER with enamel register and mercury thermometer, the movement striking on a bell, in architectural style breakarched case, with pendulum and contemporary key, backplate stamped U F Brevet SGDG in a star shaped punch, back of barometer stamped PHNB, 41cm h ++Side of cornice chipped in one place, enamel dial undamaged, movement apparently complete, the back with two frosted glass doors, the lower glass cracked

A WATERFORD CRYSTAL CASED MANTEL CLOCK, the architectural case with quartz movement having white dial with Roman numerals, H 16 cmCondition Reprot:With original box.

A COLLECTION OF LARGE ARCHITECTURAL PRINTS

A COLLECTION OF LARGE ARCHITECTURAL PRINTS

Set of four 19th century carved stone architectural scrolled mouldings, 67cm x 27cm .

A 19th century Antwerp style ebony and tortoiseshell veneered and ebonised cabinet on standthe plain top over two drawer frieze within carved wavy mouldings, over a pair of tortoiseshell panelled doors enclosing a fitted interior with two banks of five two-panel drawers flanking a central architectural panel with gilt brass mounts and reverse painted glass chinoiserie style plaques, removing to reveal a mirrored interior with gilt columns, ebony and ivory chequered floor and four drawers above and below, over two drawers to the apron beneath, on a stand with ring turned tapered legs and toupie feet, 40.5 x 18.25in. (103 x 46.25cm.), 54.75in. (139cm.) high.

A large Chinese jade mountain carvingpale celadon and dark brown mottled jade, of irregular shape, carved to both side with a rocky landscape, the front with robed gentleman and boy beneath sweeping pine tree, a deer feeds in the distance beneath architectural features, on hardwood stand, 10¾in. (27.5cm.) high.

French polished slate mantel clock, circa 1880, architectural case with a dome, surmounted with a brass finial, over two gold painted columns flanking a dial with Arabic numerals and retailer's mark 'Brown & Sons, Paris', the movement signed 'L P Japy & Co.' dated 1878, striking on a gong, all raised on a plinth base, height 34.5cm, width 23cmPlease note our special conditions of sale regarding clocks and watches

Early Victorian Gothic Revival patinated and gilt brass Days Patent face screen, having an internal tube enclosing a green silk circular pleated screen, over a column with Gothic window tracery and architectural Gothic circular base, B.Barth manufacturer's paper label to the base, height 23cm

Early 20th century watercolour, architectural study of the Times building in Paris, unsigned, 21" x 16", unframed.

An oak mantel clock of architectural form, with brass dial and gong-striking movement stamped 'W & H Sch Winterhalder & Hofmeier, 40cm.

A black slate mantel clock of architectural form, the brass dial with Arabic numerals, the gong-striking movement stamped 'J Marti', 34.5cm high, 40cm wide.

A rare glass egg form finger etui attributed to Palais Royal, circa 1860, the egg on a ring and chain to a gilt top mount, elaborate gilt hinge mount the egg with six titled architectural panels set within a ground of coloured sands and ground minerals, the interior probably later fitted with white metal miniature tools comprising stiletto, needlecase, bodkin, scissors and thimble (holed), 9cm excluding chain

A German five double course Guitar, third quarter 17th century and later, possibly made by Fleicher the head with shaped outline bearing ten fretted ivory pegs, the face of the head and neck with ebony and ivory floral inlay, the back of the head and neck with alternating ebony and ivory string banding, the table inset with a three-tier architectural rose, the ebony bridge flanked by freted floral moustaches, 92cm long

An early 20th century bronze and champleve enamel clock garniture, with architectural clock signed Greaves, New Street, Birmingham, 11in. and a pair of matching candlesticks, 8in.

A late Victorian oak bracket clock with architectural case and three train W&H movement H.21in.

A late 17th / early 18th century rosewood, ebony and red tortoiseshell mounted vargueno on stand, with cast brass gallery and central architectural modelled door enclosing four drawers, flanked by six long drawers, on later turned stand, stand W.4ft 2in. D.1ft 4in. vargueno W.3ft 9in. D.1ft 3in. H.2ft 2.5in.

A pair of mid 18th century style carved giltwood and walnut wall mirrors, of architectural form with oak leaf and acorn decoration, W.2ft 5in. H.4ft 5in.

An Edwardian Brass Mounted Wall Mounted Aneroid Barometer of Architectural Form, 30cm Wide

A late 19th Century French mantel clock, No. 9322 64, the 4.5ins black enamelled metal dial with Roman numerals in shaped cartouches, to the eight day two train movement striking on a bell, contained in black slate and gilt brass mounted case, the front decorated in gilt with clover leaves and the architectural top with turned brass finial and balustrades, canted corners with moulded brass pillars with turned finials, 19ins high

A collection of 19th Century glass photographic slides of Canterbury landmarks including the Cathedral, St. Martins Church, and architectural detail, each individually annotated, 3.25ins square overall, in two contemporary hard boxes

Pair of 19th Century French tin work Pigeonnier Boulins (pigeon holes) of architectural form

Two garden mirrors arched metal, architectural frame, H 160cm x W 65cm

A contemporary architectural design table lamp, having an ivory coloured shade, with glass cylinders, raised on a circular chromed base, 68 x 38 x 38cm.

Three framed etchings, architectural views signed and named in pencil.

A large 19thC Italian gilt brass cross with micro mosaic decoration, dove of peace to centre,architectural panels to the end pieces, 14”

Dutch Scene Oil on Canvas depicting Four Figures and a Dog by Classical Buildings, label to verso "Van Delen, Dirk", unframed.  Dirck Van Delen's work consists almost entirely of architectural paintings of imaginary palaces and church interiors.  He was a member of the Middelburg Guild of St. Luke from 1639-1665. In 1666 he gave to the Antwerp Chamber of rhetoric Olyftack a painting, which he had made in collaboration with the painter Theodoor Boeyermans. Two years later he became a member of the Olyftack.

A pair of gilt framed Architectural Prints.

A LATE 19TH CENTURY GREEN GLAZED FAIENCE STOOP, of architectural form, impressed factory marks verso, "HB Medaille d'Or", 30cm high

A 19TH CENTURY MAHOGANY FRAMED WHEEL BAROMETER WITH THERMOMETER, the case with architectural pediment, shell patera inlay, the silvered dial engraved 'P & P Gully, 50 Exmouth St, Spa Fields, London', overall height 98cm

A CIRCA 1930's/1940's SCRATCH BUILT DOLLS HOUSE, painted green with white balcony and architectural features including chimney stack and fireplaces, together with ANOTHER SCRATCH BUILT DOLLS HOUSE, two books and a small quantity of dolls house conten ts including; cutlery, phone, toys etc.

A pair of 19TH CENTURY ITALIAN SCHOOL religious icons of angels playing musical instruments in a Gothic style giltwood architectural frame, 47 cm high CONDITION REPORTS First icon - chip to the pediment with resulting loss. Split running all the way through to some of the carvings in two places which possibly has meant that this has been re-glued / fixed in some way. Loss and chip to the top of the carvings. Paintwork rubbed. Various scratches and scuffs and marks throughout. Various losses and chips in various places to the bottom mouldings.Second icon with angel facing left - significant damage to the carving to the top and has been off and repaired with various resulting losses and damage in various places. All over various cracks, scratches, scuffs and marks and paintwork appears both dirty and scratched. Arch around the angel with various losses. All over various general signs of wear and tear conducive with age and use - cracks, losses and repairs. See images for further details.47cm total height.

Leonard Curtis ( ) architectural colour litho study of old and new London buildings, signed

An incredible mid-20th century c1940's gourd shaped believed Doulton Stoneware large oversize factory Chemical or Acid vat collecting har / urn / pot. Constructed of thick heavy black stoneware pottery. Likely made by Doulton & Co, London. Measures approx; 136cm tall.  Similar pots feature in lots; 138, 139 and 140 NOTE: consigned from a local property where they have been used as architectural garden features since the mid 1960's. The vendor's father worked at a Bristol metal work factory, where it is believed these contained Zinc. Upon their release from the factory they were brought home, and pulled into place by the families Morris Minor. There they have remained until they were consigned to auction. The final photographs show an original Doulton & Co of Lambeth advertisement for this style of stoneware pot. 

An incredible 5ft high mid-20th century c1940's Doulton Stoneware large oversize factory Chemical or Acid vat collecting jar / urn / pot. Constructed of thick heavy stoneware, and stamped for ' Doulton & Co, London ,' to the front along with various other stamps. Large screw threads still remain to the top. Measuring approx 153cm (5ft) tall.  Similar pots feature in lots; 136, 139 and 140 NOTE: consigned from a local property where they have been used as architectural garden features since the mid 1960's. The vendor's father worked at a Bristol metal work factory, where it is believed these contained Zinc. Upon their release from the factory they were brought home, and pulled into place by the families Morris Minor. There they have remained until they were consigned to auction. The final photographs show an original Doulton & Co of Lambeth advertisement for this style of stoneware pot. 

An incredible 5ft tall mid-20th century c1940's Doulton Stoneware large oversize factory Chemical or Acid vat collecting jar / urn / pot. Constructed of thick heavy stoneware, and stamped for ' Doulton & Co, London ,' to the front along with various other stamps. Large screw threads still remain to the top. Measuring approx 153cm (5ft) tall.  Similar pots feature in lots; 136, 138 and 140 NOTE: consigned from a local property where they have been used as architectural garden features since the mid 1960's. The vendor's father worked at a Bristol metal work factory, where it is believed these contained Zinc. Upon their release from the factory they were brought home, and pulled into place by the families Morris Minor. There they have remained until they were consigned to auction. The final photographs show an original Doulton & Co of Lambeth advertisement for this style of stoneware pot. 

An incredible mid-20th century c1940's Doulton Stoneware large oversize factory Chemical or Acid vat collecting jar / urn / pot. Constructed of thick heavy stoneware, and stamped for ' Doulton & Co, London ,' to the front with various code marks - ' 180 HA ' ' RMST ' and others. This vat being seated within a custom made wooden transportation cradle. Measuring approx 153cm (5ft) tall.  Similar pots feature in lots; 136, 138 and 139 NOTE: consigned from a local property where they have been used as architectural garden features since the mid 1960's. The vendor's father worked at a Bristol metal work factory, where it is believed these contained Zinc. Upon their release from the factory they were brought home, and pulled into place by the families Morris Minor. There they have remained until they were consigned to auction. The final photographs show an original Doulton & Co of Lambeth advertisement for this style of stoneware pot. 

SHELL GUIDES: a good collection of pre war editions of the Shell Guides, 1934-1938, numbers 1-7 pub. Architectural Press and spiral bound, numbers 8-12 pub. Batsford and the first four of those with coloured spiral bindings, the latter two inc. John Piper's 'Oxon' in boards with dustjacket, upper cover to Sharp's 'Northumberland & Durham' with repaired closed tear across width, creasing and wear to some covers but generally in good+ condition. (12)

VICTORIAN ARCHITECTURAL SLAYE CLOCK WITH KEY

Two albums glued with postcards and images of churches and architectural features; a scrap book; adhesive albums of cigarette cards and others

A WATERFORD CRYSTAL CASED MANTEL CLOCK, the architectural case with quartz movement having white dial with Roman numerals, H 16 cm¦Condition Report:With original box.¦

ANSONIA CLOCK CO USA MANTEL CLOCK, the alabaster case of architectural form, having gilt face with Roman numeral and eight day movement, W 39 cm, H 36 cm

Early 20th Century postcards, a collection of topographical and architectural, European and UK

A large collection of wooden architectural items, including a pair of newel posts, various turned legs, turned spindles, scrolled carved brackets, cast iron trivot, etc

A collection of architectural marble / alabaster, including two plinths, a central stile and a box of various descriptions

An Edwardian inlaid oak architectural mantel clock with chime; a copper kettle; a brass trivet; a carved wood jewellery box

Edwardian mahogany double standing corner cupboard, architectural pediment above frieze with inlaid swags of flowers, double doors, Gothic design, astragals covering three fixed shelves, base with two single panel doors, smothered in white wood parquetry inlay, all standing on bracket feet, width 79cm (31), depth 43cm (17), height 120cm (87). For condition report please see the catalogue at www.peterwilson.co.uk

George III mahogany bureau bookcase, architectural pediment above two glazed doors, each with six hand drawn clear glass panels, covering three adjustable shelves, base with flap opening to reveal fitted interior, all above two short and two long graduated drawers, the whole bureau bookcase standing on ogee bracket feet, width 107cm (42), depth 56cm (22), height 242cm (95). For condition report please see the catalogue at www.peterwilson.co.uk

A WOOD ARCHITECTURAL FRAGMENT, GUJARAT, WESTERN INDIA, CIRCA 18TH CENTURYpainted and carved in relief, depicting a pair of figures within a columnar niche, one winged, the other holding a garland, mounted20.5 x 27.5 x 5.5cmProvenance: Henry Brownrigg, London (1943-2016)

A MONUMENTAL POTTERY VASE, MULTAN, PUNJAB, INDIA (NOW PAKISTAN), CIRCA 1880-90glazed earthenware, the bulbous body on separately-thrown waisted foot, the neck supporting an overhanging rim, the sides decorated with floral designs and calligraphic cartouches painted in cobalt and turquoise on tin-glazed white ground72cm highProduction of glazed ceramics in the Punjab was first seen in the 14th century, with tile decorations on tombs and mosques, the best known example being the Tomb of Rukn-i Alam (1324 A.D.), and tiles continued to be made over the subsequent centuries. During the British period, potters were encouraged to produce other types of object, such as vases and dishes to sell to Europeans, making up for a decline in architectural work.

A reproduction of a Regency brass table lamp and shade, 30 h and 19th century architectural engravings along with encyclopedias, pictorial knowledge, a log basket, a curtain, five white table cloths, a decanter, vases, jugs, Russian stamps and other items

A Victorian Named-View Stevengraph, The Crystal Palace, Woven In Pure Silk by Thomas Stevens, Coventry, 11.5cm x 18cm; other Stevengraphs by Thomas Stevens, including The Late Rt. Hon. W.E. Gladstone, Called to the Rescue: Heroism At Sea, Coventry: Old and New, historic scenes of Christianity, hunting, others; a Victorian Ancient Order of Foresters green ceremonial sash, by Stevens of Coventry, woven in coloured threads; 19th century and later architectural silks; etc (collection)

Photography - a 19th century Italian Grand Tour quarter-leather and faux morocco buckram photograph album, applied and illustrated with b/w and sepia photographs of Italian cities, their Classical Antique and Renaissance art treasures and their architectural edifices, including Milan, Florence, Venice and Rome, the pages 34.5cm x 45cm, silk effect endpapers, armorial presentation bookplate to Exeter City Library Presented by Miss Croslegh, oblong crown folio

Photography - a Victorian gilt-embossed red morocco leather rectangular photograph album, containing clipped, pasted and annotated photographic views of a British and Continental Grand Tour, general topography and geography, architectural and historical sites, including castles, stately homes, cathedrals, other scenes of daily life and infrastructure, gilt-edged leaves, 4to