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Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker. He was known for his minimalist and abstract art, often characterized by bold shapes, vibrant colors, and precise geometric forms. Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and afterward studied art in Boston and Paris. During his time in France, he was exposed to European modernism, which greatly influenced his artistic style. In the 1950s, Kelly emerged as a prominent figure in the art world, associated with the abstract expressionist and minimalist movements. He developed a distinctive style that emphasized the pure form, color, and space. Kelly's work often featured simple shapes like squares, rectangles, circles, and curves, arranged in a way that explored the interplay between positive and negative space. Throughout his career, Kelly created various series of works, including paintings, sculptures, drawings, and prints. He produced large-scale installations as well, often integrated with architectural spaces. Some of his most famous works include "Colors for a Large Wall" (1951), "Spectrum I" (1953), and "Austin" (1985-1998), a monumental building featuring colored glass windows and stone panels. Ellsworth Kelly's art has been exhibited extensively in major museums and galleries around the world. His contributions to abstract art and minimalism have had a significant impact on the development of contemporary art. His work is celebrated for its simplicity, precision, and vibrant use of color. Kelly passed away on December 27, 2015, in Spencertown, New York, leaving behind a remarkable artistic legacy. Measures 6.27 x 9 Verso is blank.Mounted to archival quality paper.

Berenice Abbott (1898-1991) was an American photographer known for her extensive body of work documenting the changing urban landscape of New York City in the 1930s, as well as her contributions to scientific and architectural photography. She was a prominent figure in 20th-century American photography.Born in Springfield, Ohio, Abbott initially pursued a career as a sculptor in New York City. However, she developed an interest in photography and studied the medium under the guidance of photographer and art historian Man Ray in Paris during the 1920s. Upon returning to the United States in 1929, Abbott embarked on her most renowned project, "Changing New York." This documentary project aimed to capture the city's evolving architecture and streetscape during a period of rapid urbanization and modernization. Abbott's photographs from this series, characterized by their clear and detailed compositions, provide a significant visual record of New York City's transformation during that time. Abbott's interest in scientific and architectural photography led her to work with the Physical Science Study Committee at the Massachusetts Institute of Technology (MIT) in the 1950s. She created visually captivating images that explained scientific concepts and phenomena, such as magnetism and wave motion. Throughout her career, Abbott contributed to various publications and taught photography. She also co-authored and published several influential books, including "Changing New York" (1939) and "A Guide to Better Photography" (1941). Berenice Abbott's work has had a lasting impact on the field of photography. Her documentary approach and technical precision contributed to the development of American photography during the 20th century. Her images continue to be celebrated for their historical value, artistic quality, and contribution to our understanding of urban environments and scientific subjects. Measures 7.76 x 9.74 Printed Circa 1990's> Verso is blank.Mounted to archival quality paper.

Frank Lloyd Wright, a pioneering American architect, is widely regarded as one of the most important and innovative figures in the history of modern architecture. Born in 1867, Wright's architectural philosophy emphasized harmony between human habitation and the natural environment, resulting in iconic designs that have left an enduring impact.Wright's architectural legacy can be encapsulated as follows:1. **Organic Architecture**: Wright championed the concept of "organic architecture," which sought to integrate buildings harmoniously with their natural surroundings. His designs aimed to create a seamless connection between the built environment and the landscape.2. **Prairie Style**: One of Wright's signature contributions to architecture is the Prairie Style, characterized by horizontal lines, flat or hipped roofs with broad overhanging eaves, and an emphasis on open interior spaces that flow into each other.3. **Innovative Materials**: Wright often utilized innovative materials and construction techniques for his designs. His use of steel and concrete allowed him to experiment with open floor plans and cantilevered elements.4. **Unity of Design**: Wright believed in a comprehensive approach to design, encompassing not only the building itself but also its interior furnishings, lighting, and even the surrounding landscape. This unity of design contributed to the holistic experience of his architecture.5. **Usonian Houses**: Wright's Usonian houses were intended to be affordable yet architecturally significant homes for middle-class Americans. These designs prioritized simplicity, functionality, and a strong connection to nature.6. **Fallingwater**: One of Wright's most famous designs, Fallingwater, is an iconic example of his organic architecture philosophy. The house appears to emerge from its surroundings and incorporates a waterfall into its structure.7. **Taliesin and Taliesin West**: Wright's architectural legacy extends to his studio and residence complexes, Taliesin in Wisconsin and Taliesin West in Arizona. These spaces served as living laboratories for his ideas and a hub for architectural education.8. **Global Influence**: Wright's influence extended beyond the United States, reaching architects and designers around the world. His innovative approach to architecture and his exploration of new forms continue to inspire contemporary architects.Frank Lloyd Wright's legacy as an architect who sought to harmonize human habitation with the natural world continues to resonate in the field of architecture and beyond. His innovative designs, emphasis on function and form, and commitment to pushing the boundaries of architectural expression have left an indelible mark on the built environment and continue to shape the discourse surrounding architecture, design, and the relationship between humans and their surroundings.Measures 4 x 4 x 1.5.

Berenice Abbott (1898-1991) was an American photographer known for her extensive body of work documenting the changing urban landscape of New York City in the 1930s, as well as her contributions to scientific and architectural photography. She was a prominent figure in 20th-century American photography.Born in Springfield, Ohio, Abbott initially pursued a career as a sculptor in New York City. However, she developed an interest in photography and studied the medium under the guidance of photographer and art historian Man Ray in Paris during the 1920s. Upon returning to the United States in 1929, Abbott embarked on her most renowned project, "Changing New York." This documentary project aimed to capture the city's evolving architecture and streetscape during a period of rapid urbanization and modernization. Abbott's photographs from this series, characterized by their clear and detailed compositions, provide a significant visual record of New York City's transformation during that time. Abbott's interest in scientific and architectural photography led her to work with the Physical Science Study Committee at the Massachusetts Institute of Technology (MIT) in the 1950s. She created visually captivating images that explained scientific concepts and phenomena, such as magnetism and wave motion. Throughout her career, Abbott contributed to various publications and taught photography. She also co-authored and published several influential books, including "Changing New York" (1939) and "A Guide to Better Photography" (1941). Berenice Abbott's work has had a lasting impact on the field of photography. Her documentary approach and technical precision contributed to the development of American photography during the 20th century. Her images continue to be celebrated for their historical value, artistic quality, and contribution to our understanding of urban environments and scientific subjects. Measures 7.02 x9.74 Printed Circa 1990's> Verso is blank.Mounted to archival quality paper.

"Hiroshi Sugimoto (born 1948) is a Japanese photographer and architect known for his minimalist and conceptual photographic works. He was born and raised in Tokyo, Japan, and later moved to the United States to pursue his artistic career. Sugimoto's photography often explores themes of time, memory, and the perception of reality. He is renowned for his ongoing series titled ""Seascapes,"" in which he captures vast seascapes with a long-exposure technique, resulting in images that have a serene and ethereal quality. Through this series, Sugimoto seeks to evoke a sense of timelessness and transcendence. Another notable series by Sugimoto is ""Theaters,"" in which he photographs movie theaters and drive-ins using a large-format camera and long exposure. These images capture the duration of an entire film screening in a single photograph, reducing the cinematic experience to a single frame.Throughout his career, Sugimoto has also explored other subjects, such as architectural landmarks, museum dioramas, and Buddhist sculptures. His work often blurs the boundaries between photography, sculpture, and installation art, and his meticulous attention to composition and technical precision is a hallmark of his style. Sugimoto's photography has been exhibited internationally and is part of numerous public and private collections. He has received numerous awards and honors for his contributions to the field of contemporary photography, and his work continues to be highly influential and widely celebrated in the art world. Measures 9.75 x 7.77 Printed circa 1990's Verso is blank.Mounted to archival quality paper. "

Berenice Abbott (1898-1991) was an American photographer known for her extensive body of work documenting the changing urban landscape of New York City in the 1930s, as well as her contributions to scientific and architectural photography. She was a prominent figure in 20th-century American photography.Born in Springfield, Ohio, Abbott initially pursued a career as a sculptor in New York City. However, she developed an interest in photography and studied the medium under the guidance of photographer and art historian Man Ray in Paris during the 1920s. Upon returning to the United States in 1929, Abbott embarked on her most renowned project, "Changing New York." This documentary project aimed to capture the city's evolving architecture and streetscape during a period of rapid urbanization and modernization. Abbott's photographs from this series, characterized by their clear and detailed compositions, provide a significant visual record of New York City's transformation during that time. Abbott's interest in scientific and architectural photography led her to work with the Physical Science Study Committee at the Massachusetts Institute of Technology (MIT) in the 1950s. She created visually captivating images that explained scientific concepts and phenomena, such as magnetism and wave motion. Throughout her career, Abbott contributed to various publications and taught photography. She also co-authored and published several influential books, including "Changing New York" (1939) and "A Guide to Better Photography" (1941). Berenice Abbott's work has had a lasting impact on the field of photography. Her documentary approach and technical precision contributed to the development of American photography during the 20th century. Her images continue to be celebrated for their historical value, artistic quality, and contribution to our understanding of urban environments and scientific subjects. Measures 8.5 x 12 Printed Circa 1990's> Verso is blank.Mounted to archival quality paper.

Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker. He was known for his minimalist and abstract art, often characterized by bold shapes, vibrant colors, and precise geometric forms. Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and afterward studied art in Boston and Paris. During his time in France, he was exposed to European modernism, which greatly influenced his artistic style. In the 1950s, Kelly emerged as a prominent figure in the art world, associated with the abstract expressionist and minimalist movements. He developed a distinctive style that emphasized the pure form, color, and space. Kelly's work often featured simple shapes like squares, rectangles, circles, and curves, arranged in a way that explored the interplay between positive and negative space. Throughout his career, Kelly created various series of works, including paintings, sculptures, drawings, and prints. He produced large-scale installations as well, often integrated with architectural spaces. Some of his most famous works include "Colors for a Large Wall" (1951), "Spectrum I" (1953), and "Austin" (1985-1998), a monumental building featuring colored glass windows and stone panels. Ellsworth Kelly's art has been exhibited extensively in major museums and galleries around the world. His contributions to abstract art and minimalism have had a significant impact on the development of contemporary art. His work is celebrated for its simplicity, precision, and vibrant use of color. Kelly passed away on December 27, 2015, in Spencertown, New York, leaving behind a remarkable artistic legacy. Measures 7.75 x 8.74 Verso is blank.Mounted to archival quality paper.

Frank Lloyd Wright, a pioneering American architect, is widely regarded as one of the most important and innovative figures in the history of modern architecture. Born in 1867, Wright's architectural philosophy emphasized harmony between human habitation and the natural environment, resulting in iconic designs that have left an enduring impact.Wright's architectural legacy can be encapsulated as follows:1. **Organic Architecture**: Wright championed the concept of "organic architecture," which sought to integrate buildings harmoniously with their natural surroundings. His designs aimed to create a seamless connection between the built environment and the landscape.2. **Prairie Style**: One of Wright's signature contributions to architecture is the Prairie Style, characterized by horizontal lines, flat or hipped roofs with broad overhanging eaves, and an emphasis on open interior spaces that flow into each other.3. **Innovative Materials**: Wright often utilized innovative materials and construction techniques for his designs. His use of steel and concrete allowed him to experiment with open floor plans and cantilevered elements.4. **Unity of Design**: Wright believed in a comprehensive approach to design, encompassing not only the building itself but also its interior furnishings, lighting, and even the surrounding landscape. This unity of design contributed to the holistic experience of his architecture.5. **Usonian Houses**: Wright's Usonian houses were intended to be affordable yet architecturally significant homes for middle-class Americans. These designs prioritized simplicity, functionality, and a strong connection to nature.6. **Fallingwater**: One of Wright's most famous designs, Fallingwater, is an iconic example of his organic architecture philosophy. The house appears to emerge from its surroundings and incorporates a waterfall into its structure.7. **Taliesin and Taliesin West**: Wright's architectural legacy extends to his studio and residence complexes, Taliesin in Wisconsin and Taliesin West in Arizona. These spaces served as living laboratories for his ideas and a hub for architectural education.8. **Global Influence**: Wright's influence extended beyond the United States, reaching architects and designers around the world. His innovative approach to architecture and his exploration of new forms continue to inspire contemporary architects.Frank Lloyd Wright's legacy as an architect who sought to harmonize human habitation with the natural world continues to resonate in the field of architecture and beyond. His innovative designs, emphasis on function and form, and commitment to pushing the boundaries of architectural expression have left an indelible mark on the built environment and continue to shape the discourse surrounding architecture, design, and the relationship between humans and their surroundings.Measures 6 x 6 x 2.25.

Vittore Carpaccio, an Italian Renaissance painter of the 15th and 16th centuries, emerges as a masterful storyteller through his vivid and meticulously detailed artworks. Born around 1465, Carpaccio is celebrated for his narrative skill, innovative compositions, and his contributions to Venetian painting.Carpaccio's artistic legacy can be encapsulated as follows:1. **Narrative Painting**: Carpaccio's paintings often tell intricate stories, capturing both historical events and religious narratives with a keen eye for detail and emotion. His ability to convey complex narratives through visual storytelling is a hallmark of his artistic prowess.2. **Venetian Color and Light**: Carpaccio's works are characterized by their luminous color palettes and skillful use of light. His sensitivity to the interplay between light and shadow adds depth and realism to his scenes, creating a palpable sense of atmosphere.3. **Diverse Subjects**: From religious scenes and mythological tales to historical events and portraits, Carpaccio's body of work covers a wide range of subjects. His versatility allowed him to excel in various genres, leaving a diverse and impactful artistic legacy.4. **Innovative Compositions**: Carpaccio's compositions often feature intricate architectural details and carefully rendered settings. His imaginative arrangements and attention to spatial relationships showcase his innovative approach to composition.5. **Civic Pride**: Carpaccio's depictions of Venice and its landmarks reflect his pride in his city. His "Cycle of Saint Ursula," a series of paintings in the Scuola di San Giorgio degli Schiavoni, provides a visual record of Venetian life and customs.6. **Influence and Recognition**: Carpaccio's works influenced other Venetian artists, and he was appreciated by his contemporaries for his ability to infuse his paintings with narrative depth and aesthetic beauty.Vittore Carpaccio's legacy endures through his contributions to Renaissance art, his storytelling prowess, and his innovative approach to composition and color. His works continue to captivate audiences, offering glimpses into the historical, religious, and cultural tapestry of his time while showcasing his artistic brilliance.Measures 20 x 40.

Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker. He was known for his minimalist and abstract art, often characterized by bold shapes, vibrant colors, and precise geometric forms. Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and afterward studied art in Boston and Paris. During his time in France, he was exposed to European modernism, which greatly influenced his artistic style. In the 1950s, Kelly emerged as a prominent figure in the art world, associated with the abstract expressionist and minimalist movements. He developed a distinctive style that emphasized the pure form, color, and space. Kelly's work often featured simple shapes like squares, rectangles, circles, and curves, arranged in a way that explored the interplay between positive and negative space. Throughout his career, Kelly created various series of works, including paintings, sculptures, drawings, and prints. He produced large-scale installations as well, often integrated with architectural spaces. Some of his most famous works include "Colors for a Large Wall" (1951), "Spectrum I" (1953), and "Austin" (1985-1998), a monumental building featuring colored glass windows and stone panels. Ellsworth Kelly's art has been exhibited extensively in major museums and galleries around the world. His contributions to abstract art and minimalism have had a significant impact on the development of contemporary art. His work is celebrated for its simplicity, precision, and vibrant use of color. Kelly passed away on December 27, 2015, in Spencertown, New York, leaving behind a remarkable artistic legacy. Measures 7.5 x 8.24 Verso is blank.Mounted to archival quality paper.

Chicago, also known as the "Windy City," is a dynamic and culturally diverse city located in the state of Illinois, United States. Here is an overview of what makes Chicago a vibrant and iconic destination:1. Architectural Marvels: Chicago is renowned for its impressive architecture, with a skyline that showcases a mix of historic and modern buildings. The city is home to architectural gems such as the Willis Tower (formerly known as the Sears Tower), the John Hancock Center, and the iconic Wrigley Building. Visitors can take architectural boat tours or explore neighborhoods like the Loop and River North to admire the city's architectural diversity.2. Cultural Attractions: Chicago boasts a thriving cultural scene with world-class museums, theaters, and music venues. The Art Institute of Chicago is one of the country's premier art museums, housing an extensive collection of artworks from around the world. The city is also known for its vibrant theater scene, including the renowned Steppenwolf Theatre Company and the Chicago Theatre. Additionally, Chicago is a hub for live music, with famous venues like the Chicago Symphony Center and the House of Blues attracting top artists from various genres.3. Millennium Park: Located in the heart of downtown, Millennium Park is a public park that has become an iconic symbol of Chicago. It features several notable attractions, including the Cloud Gate sculpture (known as "The Bean"), the Jay Pritzker Pavilion (an outdoor concert venue), and the Crown Fountain. The park offers green spaces, walking paths, and stunning views of the city's skyline.4. Navy Pier: Situated on Lake Michigan, Navy Pier is a popular tourist destination offering a variety of entertainment options. It features shops, restaurants, theaters, and amusement park rides. Visitors can take a boat cruise on the lake, enjoy fireworks displays, or take in panoramic views of the city from the Ferris wheel.5. Culinary Delights: Chicago is renowned for its diverse and delicious food scene. The city is known for its deep-dish pizza, Chicago-style hot dogs, Italian beef sandwiches, and an array of ethnic cuisines. Food enthusiasts can explore neighborhoods like Greektown, Little Italy, and Chinatown to indulge in a wide range of culinary experiences.6. Sports and Recreation: Chicago is a sports-loving city, home to legendary sports teams like the Chicago Cubs (MLB), Chicago White Sox (MLB), Chicago Bulls (NBA), and Chicago Bears (NFL). Fans can catch a game at iconic venues such as Wrigley Field or the United Center. The city also offers numerous parks, bike paths, and Lake Michigan beaches, providing ample opportunities for outdoor activities and recreation.7. Festivals and Events: Chicago hosts a variety of festivals and events throughout the year, attracting visitors from near and far. The Taste of Chicago, the Chicago Jazz Festival, Lollapalooza, and the Chicago Air and Water Show are just a few examples of the exciting events that take place in the city.With its vibrant arts scene, stunning architecture, diverse culinary offerings, and lively atmosphere, Chicago offers a unique blend of cultural experiences and urban charm. Whether exploring its museums, enjoying live performances, savoring its culinary delights, or cheering on the sports teams, visitors to Chicago are sure to find an array of attractions and activities to suit their interests.Mounted to linen.Measures 24 x 36.

Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker. He was known for his minimalist and abstract art, often characterized by bold shapes, vibrant colors, and precise geometric forms. Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and afterward studied art in Boston and Paris. During his time in France, he was exposed to European modernism, which greatly influenced his artistic style. In the 1950s, Kelly emerged as a prominent figure in the art world, associated with the abstract expressionist and minimalist movements. He developed a distinctive style that emphasized the pure form, color, and space. Kelly's work often featured simple shapes like squares, rectangles, circles, and curves, arranged in a way that explored the interplay between positive and negative space. Throughout his career, Kelly created various series of works, including paintings, sculptures, drawings, and prints. He produced large-scale installations as well, often integrated with architectural spaces. Some of his most famous works include "Colors for a Large Wall" (1951), "Spectrum I" (1953), and "Austin" (1985-1998), a monumental building featuring colored glass windows and stone panels. Ellsworth Kelly's art has been exhibited extensively in major museums and galleries around the world. His contributions to abstract art and minimalism have had a significant impact on the development of contemporary art. His work is celebrated for its simplicity, precision, and vibrant use of color. Kelly passed away on December 27, 2015, in Spencertown, New York, leaving behind a remarkable artistic legacy. Measures 7.5 x 8.24 Verso is blank.Mounted to archival quality paper.

Tiffany Studios was a renowned American decorative arts firm known for its production of stained glass windows, lamps, and other decorative objects. It was founded by Louis Comfort Tiffany in 1902 and operated until 1932. Tiffany Studios gained international acclaim for its innovative designs, exceptional craftsmanship, and use of opalescent glass.Louis Comfort Tiffany, the son of Charles Lewis Tiffany, the founder of Tiffany & Co. jewelry company, was a highly influential artist and designer. He was particularly known for his work in the Art Nouveau and Art Deco styles. Under his direction, Tiffany Studios produced a wide range of decorative items, including lamps, vases, mosaics, jewelry, and even architectural elements.One of the most iconic and sought-after creations of Tiffany Studios is the Tiffany lamp. These lamps featured intricate leaded glass shades with colorful and nature-inspired motifs. The designs often incorporated elements such as flowers, dragonflies, and geometric patterns. The lamp bases were typically made of bronze and elaborately decorated.Tiffany Studios also produced beautiful stained glass windows for private residences, public buildings, and churches. These windows were characterized by their vibrant colors, intricate details, and innovative use of glass. The windows often depicted nature scenes, biblical stories, and symbolic imagery.The craftsmanship and artistic quality of Tiffany Studios' creations set them apart. Each piece was meticulously handmade, with great attention to detail. The firm employed skilled artisans and craftsmen who worked collaboratively to bring Tiffany's designs to life.Today, original Tiffany Studios pieces are highly sought after by collectors and art enthusiasts. They are considered important examples of American decorative arts and are featured in museums and private collections around the world. The legacy of Tiffany Studios continues to influence and inspire artists and designers today.Measures 6 x 8 x .25 inches.Glass.Made after 1950s.Small desk display.

Berenice Abbott (1898-1991) was an American photographer known for her extensive body of work documenting the changing urban landscape of New York City in the 1930s, as well as her contributions to scientific and architectural photography. She was a prominent figure in 20th-century American photography.Born in Springfield, Ohio, Abbott initially pursued a career as a sculptor in New York City. However, she developed an interest in photography and studied the medium under the guidance of photographer and art historian Man Ray in Paris during the 1920s. Upon returning to the United States in 1929, Abbott embarked on her most renowned project, "Changing New York." This documentary project aimed to capture the city's evolving architecture and streetscape during a period of rapid urbanization and modernization. Abbott's photographs from this series, characterized by their clear and detailed compositions, provide a significant visual record of New York City's transformation during that time. Abbott's interest in scientific and architectural photography led her to work with the Physical Science Study Committee at the Massachusetts Institute of Technology (MIT) in the 1950s. She created visually captivating images that explained scientific concepts and phenomena, such as magnetism and wave motion. Throughout her career, Abbott contributed to various publications and taught photography. She also co-authored and published several influential books, including "Changing New York" (1939) and "A Guide to Better Photography" (1941). Berenice Abbott's work has had a lasting impact on the field of photography. Her documentary approach and technical precision contributed to the development of American photography during the 20th century. Her images continue to be celebrated for their historical value, artistic quality, and contribution to our understanding of urban environments and scientific subjects. Measures 8.25 x 10.5 Printed Circa 1990's> Verso is blank.Mounted to archival quality paper.

Jaipur, often referred to as the "Pink City," is a colorful and culturally rich city located in the Indian state of Rajasthan. It is the capital city of Rajasthan and is known for its magnificent palaces, vibrant markets, and Rajasthani heritage. Here are some key facts about Jaipur:1. Pink City: Jaipur earned the nickname "Pink City" because of its distinctive pink-colored buildings. In 1876, the city was painted pink to welcome the Prince of Wales, and the tradition has been maintained ever since.2. Historical Significance: Jaipur was founded in 1727 by Maharaja Sawai Jai Singh II and was one of India's earliest planned cities. The city's planning followed the principles of Vastu Shastra, an ancient Hindu architectural system.3. Hawa Mahal: The Hawa Mahal, or "Palace of Winds," is one of Jaipur's most iconic landmarks. This unique five-story structure with honeycomb-like windows was designed to allow royal women to observe street festivities while remaining unseen.4. City Palace: The City Palace of Jaipur is a majestic complex of palaces, courtyards, gardens, and museums. It is a blend of Rajput, Mughal, and European architectural styles.5. Amber Fort: Located just outside Jaipur, the Amber Fort is a magnificent hilltop fortress that offers panoramic views of the surrounding landscape. Visitors can ascend the fort on elephant-back or by jeep.6. Jaipur Literature Festival: Jaipur hosts the world's largest free literary festival, the Jaipur Literature Festival, attracting renowned authors, poets, and literary enthusiasts from around the globe.7. Rajasthani Culture: Jaipur is a vibrant hub of Rajasthani culture, art, and craft. Visitors can experience traditional folk music and dance, Rajasthani cuisine, and shop for textiles, handicrafts, and gemstones.8. Jantar Mantar: The Jantar Mantar in Jaipur is one of five astronomical observatories built by Maharaja Sawai Jai Singh II. It is a UNESCO World Heritage Site and features a collection of astronomical instruments.9. Markets: Jaipur is famous for its bustling markets, where one can find colorful textiles, handcrafted jewelry, pottery, and other traditional Rajasthani products. The Johari Bazaar and Bapu Bazaar are popular shopping destinations.10. Festivals: Jaipur celebrates various festivals with enthusiasm, including Diwali, Holi, and Teej. The city's colorful processions, cultural performances, and traditional rituals during these festivals are a sight to behold.Jaipur's regal architecture, vibrant culture, and warm hospitality make it a captivating destination for travelers seeking a taste of Rajasthan's royal heritage and vibrant traditions. Whether exploring its magnificent palaces, indulging in traditional cuisine, or shopping for souvenirs, Jaipur offers a truly enriching and unforgettable experience.Measures 24 x 30.Moutned to linen.

Vittore Carpaccio, an Italian Renaissance painter of the 15th and 16th centuries, emerges as a masterful storyteller through his vivid and meticulously detailed artworks. Born around 1465, Carpaccio is celebrated for his narrative skill, innovative compositions, and his contributions to Venetian painting.Carpaccio's artistic legacy can be encapsulated as follows:1. **Narrative Painting**: Carpaccio's paintings often tell intricate stories, capturing both historical events and religious narratives with a keen eye for detail and emotion. His ability to convey complex narratives through visual storytelling is a hallmark of his artistic prowess.2. **Venetian Color and Light**: Carpaccio's works are characterized by their luminous color palettes and skillful use of light. His sensitivity to the interplay between light and shadow adds depth and realism to his scenes, creating a palpable sense of atmosphere.3. **Diverse Subjects**: From religious scenes and mythological tales to historical events and portraits, Carpaccio's body of work covers a wide range of subjects. His versatility allowed him to excel in various genres, leaving a diverse and impactful artistic legacy.4. **Innovative Compositions**: Carpaccio's compositions often feature intricate architectural details and carefully rendered settings. His imaginative arrangements and attention to spatial relationships showcase his innovative approach to composition.5. **Civic Pride**: Carpaccio's depictions of Venice and its landmarks reflect his pride in his city. His "Cycle of Saint Ursula," a series of paintings in the Scuola di San Giorgio degli Schiavoni, provides a visual record of Venetian life and customs.6. **Influence and Recognition**: Carpaccio's works influenced other Venetian artists, and he was appreciated by his contemporaries for his ability to infuse his paintings with narrative depth and aesthetic beauty.Vittore Carpaccio's legacy endures through his contributions to Renaissance art, his storytelling prowess, and his innovative approach to composition and color. His works continue to captivate audiences, offering glimpses into the historical, religious, and cultural tapestry of his time while showcasing his artistic brilliance.Measures 19.5 x 40.

Oxford and Cambridge are two renowned university cities in England, known for their prestigious universities and rich academic traditions. Here's an overview of Oxford and Cambridge:1. Oxford University: Oxford is home to the University of Oxford, one of the oldest and most prestigious universities in the world. Established in the 12th century, it is composed of 38 independent colleges and offers a wide range of academic disciplines. The university's historic buildings, including the Radcliffe Camera and Bodleian Library, contribute to the city's architectural beauty.2. Cambridge University: Cambridge is home to the University of Cambridge, another world-renowned institution with a history dating back to the 13th century. The university is made up of 31 colleges, each with its unique character and traditions. Cambridge University has produced numerous Nobel laureates, making it a hub of intellectual and scientific achievements.3. Architectural Splendor: Both Oxford and Cambridge are known for their stunning architecture. The universities' colleges feature picturesque courtyards, majestic chapels, and grand halls. Iconic landmarks like the Bridge of Sighs in Oxford and the Mathematical Bridge in Cambridge add to the charm and character of these cities.4. Academic Excellence: Oxford and Cambridge are synonymous with academic excellence. The universities attract top scholars and researchers from around the world, offering rigorous academic programs and a stimulating intellectual environment. Students benefit from access to world-class libraries, research facilities, and renowned faculty members.5. Cultural and Arts Scene: Oxford and Cambridge have vibrant cultural scenes, with theaters, museums, and art galleries that showcase a range of artistic and cultural expressions. The cities host various festivals, music concerts, and theatrical performances throughout the year. The Oxford Literary Festival and the Cambridge Folk Festival are notable cultural events that draw visitors from far and wide.6. Punting and River Cruises: Both cities are known for their tranquil rivers, the Thames in Oxford and the Cam in Cambridge. Punting, a traditional boating activity, is a popular pastime for locals and visitors alike. Guided punting tours allow visitors to leisurely navigate the rivers while enjoying the views and learning about the cities' history.7. Academic Rivalry: Oxford and Cambridge have a long-standing friendly rivalry, particularly in the annual Boat Race, a rowing competition held between the universities on the River Thames in London. The race attracts considerable attention and has become an important event in the British sporting calendar.Oxford and Cambridge are not only centers of academic excellence but also offer a wealth of history, culture, and natural beauty. Whether exploring the historic colleges, immersing oneself in the intellectual atmosphere, or enjoying the cultural offerings, a visit to Oxford or Cambridge provides a glimpse into the rich academic and cultural heritage of these remarkable university cities.Measures 11 x 14.

"Hiroshi Sugimoto (born 1948) is a Japanese photographer and architect known for his minimalist and conceptual photographic works. He was born and raised in Tokyo, Japan, and later moved to the United States to pursue his artistic career. Sugimoto's photography often explores themes of time, memory, and the perception of reality. He is renowned for his ongoing series titled ""Seascapes,"" in which he captures vast seascapes with a long-exposure technique, resulting in images that have a serene and ethereal quality. Through this series, Sugimoto seeks to evoke a sense of timelessness and transcendence. Another notable series by Sugimoto is ""Theaters,"" in which he photographs movie theaters and drive-ins using a large-format camera and long exposure. These images capture the duration of an entire film screening in a single photograph, reducing the cinematic experience to a single frame.Throughout his career, Sugimoto has also explored other subjects, such as architectural landmarks, museum dioramas, and Buddhist sculptures. His work often blurs the boundaries between photography, sculpture, and installation art, and his meticulous attention to composition and technical precision is a hallmark of his style. Sugimoto's photography has been exhibited internationally and is part of numerous public and private collections. He has received numerous awards and honors for his contributions to the field of contemporary photography, and his work continues to be highly influential and widely celebrated in the art world. Measures 10.02 x 7 Printed circa 1990's Verso is blank.Mounted to archival quality paper. "

An early 20th century German chiming Mantel Clock, in an architectural carved walnut case, the brass dial with scroll spandrels and silvered chapter ring with Arabic numerals, the Junghans 8-day movement chiming on four gong rods, H:48cm x W:34cm x D:23cm.

After Barry Langley Jnr, a pair of reprint architectural engravings. Entiled 'Gothick Temple', and another, each aperture 50 x 39 cm.

A late 20th century French architectural engraving. 85cm x 137cm.

A set of six gilt and black Kent framed architectural engravings.

A 19th century architectural print. 43cm x 55cm.

A French architectural print. Showing the elevation and cross section of 'Plan d'un Corps de Garde projet sur la Rue Louis XVI', 75cm x 95cm

Late 19th Century French mantel clock of large proportions, with a gilt circular dial with Roman numerals enclosing an 8 day movement striking on a coiled gong, by H P & Co., in an architectural black polished limestone case flanked by bronze mythical creatures, on a plinth base, 53.7 x 58 x 18cm overall, (very slight case defects)

A large gilt framed architectural print COLLECT ONLY

A mahogany mantel clock, by Broderick, Peterborough, the mahogany and brass case of architectural form, with brass ring handles, on ball feet, the white enamelled dial with Roman numeral chapter ring, the movement with single fusee and pendulum, with a key, 27.5cm highProvenance: The clocks in the following lots were purchased from various retailers by the Late Sir Anthony Hilgrove Hammond KCB. Educated at Cambridge University he held various posts of importance in Government including Procurator General and treasury Solicitor in 1997. He was also the Standing Council for the Synod of the Church of England between 2000-2013. He was involved in several high profile enquires for the Government led by Tony Blair and held other titles including the Order of the Bath and the Master of the Worshipful Company of Glass Sellers.Condition Report: Cracks to the veneer to the top.missing moulding to the facade.some scratching and crazing to the enamel dialThis clock was purchased from the trade so the overall appearance is of a refreshed clock that has had work done to it to make it retail ready.

A collection of modern Russian lacquer ware boxes and other items, to include nine various boxes of rectangular form decorated with figural and architectural views, an egg, a sun glasses case with sunglasses, a box with a view of Kremlin Cathedral, six various shaped boxes and six decorated trays (Qty)

A Regency/William IV rosewood and brass inlaid mantel clock by Purvis. The case of architectural design with pierced brass side grills, on bun feet, the silvered dial with Roman numeral chapter ring and blackened steel hands, with two winding squares, engraved Purvis, North Audley St, Grosr Sqr, the 8 day brass twin fusee movement, with anchor escapement, with bell strike, signed to back plate, 26cm highAlexander Purvis is recorded as working in North Audley Street, Grosvenor Square, London from circa 1820, and most probably for a decade or so before. He was still known to be there in 1845. Provenance: The clocks in the following lots were purchased from various retailers by the Late Sir Anthony Hilgrove Hammond KCB. Educated at Cambridge University he held various posts of importance in Government including Procurator General and treasury Solicitor in 1997. He was also the Standing Council for the Synod of the Church of England between 2000-2013. He was involved in several high profile enquires for the Government led by Tony Blair and held other titles including the Order of the Bath and the Master of the Worshipful Company of Glass Sellers.Condition Report: Generally in good condition, restored, with minor wear and tear.Minor scratching to carrying handle.

An ebonised wood wall mounted regulator clock by W Blatterbauer, 19th Century, the case of architectural design, the white enamel dial with Roman numeral chapter ring, signed to the centre, W Blatterbauer, Funfkirche, with a pendulum and two brass cased weights and a winding handle, 67cm highProvenance: The clocks in the following lots were purchased from various retailers by the Late Sir Anthony Hilgrove Hammond KCB. Educated at Cambridge University he held various posts of importance in Government including Procurator General and treasury Solicitor in 1997. He was also the Standing Council for the Synod of the Church of England between 2000-2013. He was involved in several high profile enquires for the Government led by Tony Blair and held other titles including the Order of the Bath and the Master of the Worshipful Company of Glass Sellers.Condition Report: This clock is generally in good condition.Vendor bought a collection of clocks, mostly from shops, this clock has minor wear and tear. Movement is highly polished. There is no guarantee that it will work as a clock.

French brass mantel clock, late 19th Century, the case of pierced architectural design, the chapter ring with enamelled with Roman numeral indicators, the movement stamped Marc, Paris, 64539, with key and pendulum, 39cm high

Enamel Champlevé carriage clock, 19th Century, the case of architectural design with four Corinthian capital corner columns. On plinth base, overall decorated with panels of enamel with birds in branches and bats, with stylised foliate panels, the white enamel dial with Roman and Arabic numeral chapter ring, 18cm high including handleProvenance: The clocks in the following lots were purchased from various retailers by the Late Sir Anthony Hilgrove Hammond KCB. Educated at Cambridge University he held various posts of importance in Government including Procurator General and treasury Solicitor in 1997. He was also the Standing Council for the Synod of the Church of England between 2000-2013. He was involved in several high profile enquires for the Government led by Tony Blair and held other titles including the Order of the Bath and the Master of the Worshipful Company of Glass Sellers.Condition Report: Overall good condition. This clock has been refreshed and maintained for the retail market, and on examination maintained power and the chime mechanism was functioning. this does not guarantee that it will continue to maintain power after purchase and we recommend that the clock is serviced to ensure proper function.

PHILIPPE STARCK (Né en 1949)Suite de onze plans et projets d'architecte « 27 rue JJ Rousseau, Paris »Circa 1980Impression et crayons sur papierA set of eleven prints on paper « 27 rue JJ Rousseau, Paris » architectural projects by Philippe Starck circa 1980.For further information on this lot please visit Bonhams.com

Europe.- Photograph album.- c.200 mounted architectural and topographical photographs illustrating the travels of Elsie Beacham and her friend Mary Jennings, with many photographic postcards and cigarette cards also pasted in, all on c.58pp., captioned by hand, subjects including Königswinter, Linz, Bonn, Cologne, Lucerne, Paris, Versailles, Folkestone, Canterbury, London, Eastbourne, Cumbria, Edinburgh, Scarborough, The Cotswolds &tc, ink ownership inscription of E. Elsie Beacham to front pastedown, original cloth with brown paper wrapping, "Snapshots Home and Abroad" in ink to upper cover, some tears and soiling, [1936-49]; and 2 typewritten journals of Miss Beacham's travels with Miss Jennings in Switzerland and in Paris in 1937 and 1938 respectively, a few clippings and cards pasted in, 4to (3)

Binding.- Bible, English.- The Holy Bible, Containing the Old and New Testaments, and The Apocrypha, 3 vol., engravings by Charles Heath after Richard Westall, presentation inscription to front free endpaper of vol.1, occasional very light spotting, contemporary straight grain purple morocco, blind-stamped panelling with gilt heightening, with central '"Cathedral" design of alter with architectural backing, spine gilt with decorative pieces in compartments, folio, 1815.⁂ Provenance: Presentation inscription from William Chafy (1779-1843), Master of Sidney Sussex College, Cambridge and chaplain in ordinary to George III, George IV, William IV and Queen Victoria.

MOULE THOMAS.  Winkles's Architectural & Picturesque Illustrations of the Cathedral Churches of England & Wales. 3 vols. Eng. frontis, plans & plates after Robert Garland. Quarto. Half dark calf, marbled brds. 1836.

DAISIE W. GALSWORTHY.  Architectural Studies in France. 16 chromolitho plates (as called for) plus outline plates (some lacking). Large folio. Half dark morocco, rubbing & splitting. Batsford, 1877.

The Architectural Review 1932 'The Russian Scene'

A 19th century Benson's gilt metal architectural style mantel clock with panelled case flanked by pillastas, 34cm tall

Late 18th/early 19th century Staffordshire enamel patch box, the hinged cover with a monochrome architectural prospect inscribed 'Pump Room Bath', the cover with a mirror inset to the underside, over a pale pink box, 1.75" wide

Claude Henry Buckle RI., RSMA., (1905-1973) - Architectural subject, study of a cathedral or abbey doorway, signed, watercolour and gouache heightened with white, possibly on tinted paper, 11.75" x 9.75"

A bag containing a quantity of old glass slides including architectural, advertising and other examples - sold with a Panoramic Sydney photograph album

A late 19th Century oak cased mantel clock of architectural design with inset roundels, brass dial and eight day gong striking movement

A pair of George Horne coloured architectural prints, a watercolour of a church and two further prints

Decorative Bindings including The Arts of the Ming Dynasty An exhibition organised by The Arts Council of Great Britain and The Oriental Ceramic Society. London: Charles F. Ince & Sons Ltd., 1958. 4to, decorative red morocco with gilt tooled flower border to upper cover and coloured Morocco inlays, some rubbing; [Aesop. Fables. London, 1704.] Large 8vo, pp.129-223 only with corresponding plates, some marginal dampstaining, decorative leather binding with gilt tooled red and blue onlays in an architectural pattern

Trade catalogues Collection of trade catalogues, mainly Scottish, 19th and 20th century Shanks & Co, Barrhead. Illustrated Catalogue of Sanitary Appliances, 1899. Folio, original green cloth gilt (rubbed), 476 pp., colour and monochrome illustrations throughout;Lion Foundry Company, Kirkintilloch. Illustrated Catalogue of Cast Iron Manufactures. Volume I. Sixth Edition, c.1910. Folio, original blue cloth lettered and decorated in gilt, 336 pp., spine faded, small stain to front cover;Young & Marten, Stratford. Illustrated General Catalogue, c.1880. Volume 1 only (of 2), 4to, original maroon cloth gilt, 432 pp., chromolithographic decorative title-page heightened in gilt, chromolithographic plates depicting chimney-pieces, designs for tiles, kitchen ranges, etc., many heightened in gum arabic, tears to a couple of plates (f. 83 and a final leaf, a colour chart), section excised from initial text-leaf;Walter Macfarlane & Co., Glasgow. Illustrated Catalogue of Macfarlane's Castings. Seventh Edition, c.1900. 2 volumes, folio and 4to, original green cloth lettered in gilt;J. R. Howie, Hurlford, Kilmarnock. Catalogue of Drainage Materials, Chimney Pots, Cattle Troughs, Ridge Tiles, etc. [cover-title], c1933. 4to, original red cloth over flexible boards, 46 pp.;Glenfield & Kennedy, Kilmarnock. Illustrated, Descriptive, and Prices Catalogue (Abridged) of Water Works Appliances. Sixth Edition, 1906. 4to, original green cloth, 100 pp.;William Newman & Sons, Birmingham. Illustrated Catalogue of Brassfoundry and Patented Specialities in Door Springs, Fanlight and Skylight Openers, etc., 1925. 8vo, original green cloth;Woodworkers (Glasgow) Ltd. Scottish Woodworker, 1933. Folio, original cloth-backed lithographic wrappers, mimeographed typescript with lithographic illustrations;William McGeoch & Co. Ltd., Glasgow. Architectural and Builders Ironmongery, 1966. 4to, original blue cloth gilt;and approx. 30 others, including some 20 trade catalogues (mainly in wrappers) and 10 related items

Langley, Batty and Thomas Gothic Architecture improved by Rules and Proportions. In many Grand Designs of Columns, Doors, Windows, Chimney-Pieces, Arcades, Colonades [sic], Porticos, Umbrelos, Temples, and Pavillions etc. London: for John Millan, 1747. 4to (29.7 x 22cm), contemporary mottled calf gilt, engraved title-page, 2 pp. letterpress (headed 'On the Ancient Buildings in this Kingdom'; often lacking), 64 engraved plates, binding rubbed, spine-label perished, superficial cracking to joints in places [ESTC T132230; Harris 410]Note: Note: First edition, second issue, with a new title-page but retaining the plates from the first issue of 1741-2, which was published under the less explicit title Ancient Architecture, Restored, and Improved. 'An exceptional and original work, it was a pioneering attempt to give Gothic architecture the classical respectability of orders, motivated, as usual, by his interest in English freemasonry and handsomely engraved by his brother Thomas. Its novelty and light-hearted inventiveness, although scoffed at by amateur gothicists such as Horace Walpole and Thomas Gray, were just what many country squires wanted, prompting other architectural writers—William Halfpenny, T. C. Overton, and William Pain in particular—to follow Langley's lead' (ODNB).

A pair of 1970s' Aluminium clamp lamps in the style of Peter Nelson for Architectural Lighting, approx height 65cmGood condition, some surface wear commensurate with age and use.

A circa 1900 Roman architectural wooden mantle clock, ebonized, 8 day with Roman numerals

GERMAN ARCHITECTURAL BULIDING BLOCKS in wooden box

New York: Whitney Library of Design, 1997. Hardcover photography book depicting a structure overlooking a stunning landscape. Rachel Carley, a graduate of the Columbia University School of Architecture and Planning, with a degree in Historical Preservation, worked with photographer, Andrea Brizzi, to create this beautiful book. 224-pages, shows several colorful photos of architectural splendor in Cuba, from the early Colonial Era through the present. ISBN: 9780823011292. Artist: Rachel Carley and Andrea BrizziIssued: 1997Dimensions: 9.5"W x 12.25"H x 1"DManufacturer: Whitney Library of DesignCountry of Origin: United StatesProvenance: Collection of Marie-Claude Lalique Condition: Fine.

A 17th century Bible printed by John Field Cambridge 1657. The general title page with classical architectural design and device Alma Mater Cantabrigia signed Rob.t Vaughan Sculp., also on N.T. title and end of text. No Apocrypha. 8vo. (166 x 110mm). 19th century full calf, binding loose and scuffed, text fair. sold as found (Darlow and Moule 656)

A 17th century Bible printed by the Company of Stationers, London 1650. O.T. title page lacking. N.T. with engraved architectural design and Royal armorial (Darlow and Moule 622) bound with Concordance printed by Bourne and Young, London 1646. 8vo. (160 x 100mm). Contemporary perhaps, original full calf split in two, many owners sigs etc, bumped. Sold as found

Gary M. James (b. 1941) British, 'Donga', baboons amongst an architectural site by the coast, oil on panel with sgraffito, signed and inscribed, 18" x 28", (46 x 71cm).

An early 20th century Junghans oak architectural mantle clock, eight-day movement, brass and silvered metal dial, Roman numerals, 42cm high

A Georgian-style stick barometer mid-20th century, the broken architectural top with brass vase finial, over a silvered dial with aneroid thermometer, feather veneered trunk and turned mahogany cistern cover, 36 ¾in. (93.5cm.) high. *In good condition, with no faults.

19th century, the architectural arched cornice over a frieze with painted '1851' date tablet, over reeded panelled doors and two drawers beneath, enclosing a later fabric lined interior with three shelves, between canted corners and painted panel sides, decorated with rose hips, on turned pad feet, 59¼ x 22¼in. (150.5 x 56.5cm.), 75in. (190.5cm.) high.

English School, circa 1810 Portrait miniature of a gentleman, said to be Mr Greenwood, standing three-quarter length before a curtain and an architectural backgroundinscribed with the name of the sitter on an old label on the reversewatercolour on ivory11cmProvenance:Janet Niven, Woollahra, Australia, from whom acquired in 2014 by the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. FDQGK2HC.19 x 17.5cm framed

Follower of John Sell Cotman Château de Falaise, Normandy, France watercolour on paper 24 x 35cm Château de Falaise, the ancestral seat of the Dukes of Normandy, was the birthplace of William the Conqueror in approximately 1028 - in an earlier building on the same site. The present composition appears to be closely based on the etching Castle of Falaise (North View) of this subject by Cotman, which was published as pl. 90 in Architectural Antiquities of Normandy in 1821.

Sir Oswald Birley MC, RA, ROI (1880-1952) The Dining Room at Charleston Manor oil on canvas 73.5 x 62cm Provenance: By descent to the artist's wife, Lady Birley (1899-1981), Her sale, Christie's, held on the premises, Charleston Manor, Alfriston, Sussex; The remaining contents of Sir Oswald Birley's Studio, together with pictures and sculpture by other artists..., 13 October 1980, lot 20 The favourite painter of the elite and fashionable classes on both sides of the Atlantic, Oswald Birley’s formal portrait commissions have traditionally eclipsed - what he termed - his ‘off-duty’ works. These works, painted informally and principally for pleasure, included his still lifes, landscapes, interior scenes and architectural studies. Depicting the dining room at Charleston Manor, the present lot is an informal and intimate glimpse of Birley’s personal life. Like his portraiture, the present lot does not simply represent the view at Charleston, but, through the inclusion of paintings, ornaments and fine furnishings, presents the artist as a refined and cultured gentleman. The painting is executed in oil on a canvas support. The canvas tension is slightly slack. The paint layers are in a good, stable condition overall. There are some localised areas of wear and abrasion. The painting is unvarnished and there is a light layer of dirt present. Framed 84.5 x 73cm