We found 35023 price guide item(s) matching your search

*An architectural model of the proposed re-development of Quakers Friars Bristol by Robert Vorley in a perpex case 98cm x 96cm; with another of Castle Park Bristol (2).

An early 19th Century mahogany and boxwood inlaid Wheel Barometer, C Trombetta, Norwich, the architectural pediment (replaced) to a waisted case, set with inlaid shell design, and silvered alcohol thermometer over a spun brass bezel with convex glass, enclosing an 8” silvered dial with scale of 28-31, height 37 ½”

A late 19th Century black slate and variegated marble Mantel Clock, the architectural case with plain pediment, over half columns and plinth base, to a cast bras bezel enclosing a 4 ½” Roman enamelled dial with outside minute track and fleur de lys hands, to a circular brass movement , with anchor escapement, strike on a coil gong, height 14 ½”

An early 17th century joined oak, walnut and holly panelled chest, probably made in Southwark, in two parts, the rectangular moulded top above a dog tooth cornice and diagonal inlay to the frieze, above four long drawers with applied mouldings, with geometric panels and elm linings, flanked by panelled sides with architectural arches to the central panels, with a fretted apron on stile feet, 123cm high, 126cm wide, 58cm deep (restored). The type of inlay used on this chest is often attributed to immigrant German craftsman working in the Southwark area of London in the late 16th and early 17th centuries

An important Charles I joined oak chest, West Country, circa 1630, of architectural form, profusely carved with gadrooning, rosettes and scrolled foliage, the hinged top enclosing a shallow compartment with a narrow lidded well with steeply sloping interior (conforming to the shape of the pediment), the front with a central pediment with an inset bone plaque dated ‘1630’, above carved three-quarter columns and an arrangement of eight short drawers and one long deep drawer, flanked by side panels with conforming columns, on early front spirally turned bun feet, 107cm high, 125cm wide, 52cm deep. This chest can be attributed to the West Country by the style of decoration.

A fine 17th century Spanish polychrome and gilt decorated vargueno on chest, the upper section applied with engraved ivory panels and velvet backed wrought iron strapwork mounts, with side carrying handles, the fall front with an elaborate lock plate and clasp, enclosing an architectural polychrome and gilt decorated interior, with thirteen drawers around a central door enclosing three further drawers, the lower section with recess panelled sides and wrought iron carrying handles, the front with two lopers with carved shell terminals, above four geometric mitred, polychrome and parcel gilt decorated drawers, on turned bun feet, 158cm high, 109cm wide, 46cm deep. See Sotheby’s, New Bond Street, 29th October 2003, lot 181 for a similar vargueno on chest which is not as complete as the Boarsney house example and Sotheby’s, New York, 19th May 2006, lot 45 for a vargueno on an open stand with a similarly decorated interior.

German bracket clockGerman walnut bracket clock, circa 1900, the architectural case with brass face, silvered chapter, slow/fast and chime/silent rings, three train movement by Unghans striking on coil and rods. Height 44cm.

An Edwardian mahogany and inlaid mantel clock of shaped architectural form, raised on four brass feet.

PHILLIPS, Hugh-Mid-Georgian London, London 1964, dust-jacket, (grubby), JACKSON, Peter- John Tallis's London Street Views, London 1969, dust jacket torn, and BRYNE, Andrew-Bedford Square, An Architectural Study, London 1990, ex. Crown Estates Office Library, 2 with stamps. (3)

A boxed set of mahogany architectural building blocks, early 20th century.

A French alabaster and ormolu mounted figural mantle clock, 19th century. The case of arch top architectural form, on four lion paw feet. The case surmounted with a gilt metal classical female figure. 8 day, twin train, 1/2 hr striking on a bell. 46cm high.

A Gothic Revival oak and ebonised overmantel mirror in the style of William Burgess, the architectural top with trefoil terminals above a shaped plate, 140x136cm.

An Hispano-Flemish ebony, pewter and green-stained bone marquetry cabinet-on-stand of architectural breakfront form with an arrangement of drawers inlaid with grotesques and scrolls, centred by a portico with figure in a niche opening to reveal a perspectived mirrored interior, the stand with two male and two female silvered and giltwood term supports, 179cm. high x 130cm. wide, late 17th century and later (some reconstruction and restoration).

A Charles I joined oak four-panel chest circa 1640 of architectural form with panelled hinged lid enclosing interior with candle box above arcaded panels divided by fluted pilasters to front on tall stile feet some replacements to mouldings 67cm high 137cm wide 52cm deep

A late Victorian rosewood marquetry and pen-work veneered side cabinet in the manner of Edwards & Roberts, the back with architectural pediment over a mirrored cupboard and mirrored open shelf, the base with curved glazed end cabinets. Width 63ins.

An architectural black slate mantle clock, retailed by Mappin & Webb.

Old architectural brass fittings, mostly sash windows, catches and finger plates.

Billings (Robert William). Architectural Illustrations, History and Description of Carlisle Cathedral, 1840, bound with Architectural Illustrations of Kettering Church, Northamptonshire, 1843, addn. eng. title to each, numerous eng. plts., some occcasional old staining, library label to front pastedown, contemp. half calf, rubbed, upper joint cracked, 4to, together with Billings (Robert William), Illustrations of the Architectural Antiquities of the County of Durham, pub. Durham, 1846, num. eng. plts., damp mottling to margins, a.e.g., contemp. half morocco with gilt dec. spine, rubbed, 4to, plus Britton (J.), An Historical and Architectural Essay Relating to Redcliffe Church, Bristol, 1813, twelve eng. plts., recent cloth, 4to, plus Stewart (Rev. D.J.), On the Architectural History of Ely Cathedral, 1868, plts. at rear, orig. cloth gilt, spine a little darkened, 8vo, and Annals of St. Mary Overy; an Historical and Descriptive Account of St. Saviour's Church and Parish, 1st ed., 1833, twenty eng. plts. (foxed), incl. hand-col. plt. depicting stained glass, near-contemp. half morocco gilt, sl. rubbed, 4to, and one other related (6)

Britton (John). The Architectural Antiquities of Great Britain Represented and Illustrated in a Series of Views, Elevations, Plans, Sections, and Details..., 5 vols., 1807-26, addn. eng. titles, numerous eng. plts. & plans, occ. scattered spotting, modern non-uniform green cloth, 4to (5)

*Architectural Drawings. Mechanical and Architectural Drawings done by J. L. Matthews, Kendal, 1845, hand-drawn calligraphic title, sixteen well executed pen & wash drawings of mouldings, columns & doors/ surrounds etc. (inc.4 of spur wheels, water wheels & bevil wheels etc.), each image approx. 340 x 240mm, front endpapers creased, contemp. green half sheep gilt, joints worn and extrems. rubbed, slim folio (1)

A PAIR OF EARLY ENGLISH CARVED STONE BIRD-FORM HORIZONTAL ARCHITECTURAL GARGOYLES, weathered, some losses and repairs, each approx 22" long (see illustration)

AN EARLY ENGLISH CARVED STONE ARCHITECTURAL GROTESQUE DRAGON GARGOYLE, weathered, some losses and repairs, approx 33 1/2" high (see illustration)

AN EARLY ENGLISH CARVED STONE ARCHITECTURAL GROTESQUE GRIFFIN GARGOYLE, weathered, some losses and repairs, approx 31" (see illustration)

AN EARLY ENGLISH CARVED STONE ARCHITECTURAL GROTESQUE CHIMERA GARGOYLE, weathered, some losses and repairs, approx 31" (see illustration)

A 19th Century German walnut and parquetry wall clock with square brass dial and glazed trunk door in architectural case 36in. max.

A 19th century Continental walnut mantle timepiece with architectural case signed Johan Voggt Straubing 24ins

A composition pot of architectural Gothic form, a tall pot with an everted rim of ovoid form and a bird bath top (3).

A Victorian rosewood and inlaid architectural mantel clock. Illustrated

*Professeur de Simonet French early 20th century- Une Rampe en feu et bronze pou rl'escalier d'honeur d'un palais Concours Godeboeuf'; pen and brown ink and watercolour, original architectural study, inscribed and dated 1907 on the reverse, 54.2x80cm., (unframed)

Paris Modern III Partie, Maisons Champagne- A 19th century book of French engravings of architectural plans, 160 plates by various hands, leather spine, 33x25cm: together with three other 18/19th century scrap books containing various engravings by and after different hands, (4)

*Scandinavian School early 20th century- 'Et Raadhus'; pen and black ink, signed and dated April 1905, 57x92cm: together with three other architectural studies by the same or a related hand, similarly signed and dated, (4), (unframed)

Atfer Francois Vivares 1709-1780- Architectural elevation after R & J Adam, originally publ 1770; reproduction print, 51.5x38.5cm: together with seven other reproduction prints after the same suite, all in matching decorative frames, (8)

An early 19th Century mahogany cased Stick Barometer, the architectural pediment to an overhanging cornice, over free stranding columns flanking a paper dial, signed Manticha Fecit, London, with scale of 28-31, to a plain trunk with visible tube, over a hinged rectangular cistern cover and cushion base, height 39”

A mid 19th Century French ebonised and inlaid Portico Clock, the architectural pediment with overhanging cornice, over three gilt metal mounted twist columns, to a plinth base, with cast brass foliate bezel, enclosing a 3 ½” Roman enamelled dial with outside minute track and blued steel moon hands, to a circular brass movement with outside count wheel anchor escapement strike on a bell, height 18 ½”

An early 20th Century mahogany cased three train Mantel Clock, Junghans, the architectural case with a top to an overhanging cornice, with single arched glazed door and raised on a plinth base with bracket feet, to a 6” arched brass dial, with engraved detail and subsidiaries for chime/silent and regulation, over a silvered Arabic chapter ring, with outside minute track and signed Page Keen & Page Plymouth, with blued steel hands, to a triple barrel brass movement with anchor escapement and strike on four rods, height 17 ½”

A late 19th century marble cased mantel clock of architectural form, the 8 day movement striking on a single gong, width 47.5cm.

Late Victorian Walnut Cased Mantle Clock, the dial with granulated gilt centre, enameled outer dial with Arab Numerals, the case on small bracket supports with carved fan corners, moulded architectural pediment with castellated mouldings, raised finial surmount approx. 20" high x 12" wide

An Edwardian oak bracket clock with marquetry case of architectural form having an enamel dial with Arabic numerals and eight day movement striking a gong 15" high.

ATTRACTIVE HONEY WALNUT AND STAINED WOOD WALL CLOCK, IN THE VIENNA TASTE, the case with architectural pediment, surmounted by an eagle, and folding glazed door enriched with half round pilasters, complete with GUSTAV BECKER two train weight driven movement striking on a gong and wood pendulum. 1.09m

LATE 19th CENTURY WALL CLOCK IN THE VIENNA TASTE, the walnut and stained wood case with architectural pediment and folding glazed trunk door, complete with a JUNGHAUS two train spring driven movement striking on a gong together with wood rod pendulum. 88cm

LAWRENCE WEAVER: ENGLISH LEADWORK, ITS ART AND HISTORY, 1909, 1st edn, orig cl gt + J STARKIE GARDNER: ENGLISH IRONWORK---, [1911], 1st edn, orig cl gt worn + W GALSWORTHY DAVIE AND H TANNER: OLD ENGLISH DOORWAYS---, 1903, 1st edn, orig cl gt + GEORGE P BANKART: THE ART OF THE PLASTERER---, 1908, 1st edn, orig cl gt worn & soiled, ex-lib + JAMES S RICHARDSON: THE MEDIAEVAL STONE CARVER IN SCOTLAND, Edinburgh 1964, 1st edn, orig cl d/w + A W BARNES: ARCHITECTURAL LEADWORK---, 1930, orig wraps, (6)

A collection of ephemera relating to John Flavel Curwen (born 1860) including ledgers, designs, plans, photograhs and letters of Kendal and other local architectural interest - including handwritten note from W G Collingwood

A late 19th century mahogany barometer by J H Stewart, London with thermometer in architectural case

An Edwardian mahogany display cabinet having central tri glass panel with oval applique flanked by shelves and architectural fluted columns on triple drawer base and short tapered legs W48"

DOUGLAS DERRY (1893-1975) A collection of architectural designs, circa 1911-12, classical and other buildings, unframed

*Lamplough (Augustus Osborne, 1877-1930). Evening on the Banks of the Nile, with Tomb of the Kings beyond, watercolour, signed lower left, approx. 495 x 720 mm (19.5" x 28.5"), framed and glazed Augustus Lamplough was a landscape and architectural painter, who specialised in views of the Middle East and North Africa. He exhibited at the Royal Cambrian Academy, Walker Gallery, Liverpool, and The Fine Art Society. (1)

*Paget (R.W.T., 20th c.). A collection of twenty-one original pen & ink architectural drawings & views, 20th c., includes street scenes in Burford, Bourton-on-the-Water, Swindon, Exeter Cathedral, Coddenham, etc., some mounted, various sizes approx.150 x 170mm to 230 x 320mm (21)

*Cobb (Victor Ernest, 1876-1945). 'The Geelong Grammar School, Corio', 1931, etching, signed, titled and numbered 9/85 in pencil, plate size approx. 190 x 380 mm (7.5 x 15 ins), with margins, framed and glazed Victor Ernest Cobb was born in Melbourne, and studied at the National Gallery School under L. Bernard Hall. His reputation is based on his etchings of the architectural features of Melbourne, including views of the city, as well as coastal and countryside scenes. (1)

*Fitton (Hedley, R.E., 1859-1929). Rialto Bridge, Venice, etching, signed and titled in pencil to lower margin, plate size approx. 365 x 335 mm (14.25 x 13.25 ins), mounted Hedley Fitton was an etcher who specialised in architectural views and street scenes in London, Florence, Venice and elsewhere. He was awarded a gold medal by the Société des Artistes Francais. (1)

WILLIAM MONK A pair of architectural etchings. 7 1/2 x 12 1/2ins.

A pair of architectural etchings. Together with a marine woodblock print.

A George III oval cream jug with a gilt interior reed borders and embossed with two vacant architectural cartouches birds flowers and pagoda maker’s mark partially worn London 1805 4.25in (10.8cm) high 6oz.

England. Yearbooks. Regis pie memorie Edwardi tertii a quadragesimo ad quinquagesimum , London, Richard Tottell, 1565, title within woodcut architectural border, black letter text, woodcut initials, some contemp. marginalia, modern good quality antique style half morocco gilt, lettered on spine "Statutes Edward III 1565, folio STC 9583. Beale R44. A good wide-margined copy of the second edition of the year books from the 40th to the 50th, and last year of the reign of Edward III (1367-77). The year books are the first English law reports and are not just one of the foundations of English law but of every legal system in the world which has taken the common law as its model. (1)

Tricasso (Patricio, da Cerasari). Chyromantia del Tricasso da Ceresari Mantuano, ingeniosamente estratta da i libri de Aristotile, et altri Philosophi naturali. Nuouamente revista & consomma diligentia corretta & ristampata, Venice, heredi di Piero Ravano, 1543, title within woodcut architectural border, printers woodcut device to verso of final leaf, three woodcut initials, forty-nine full-page diagrams of the hand, a few minor marginal dampstains, contemp. limp vellum, a little soiled, 8vo This edition not in Adams. One of the best known early text books on palmistry, it claims to identify as many as eighty different shapes of hand and classifies them according to factors such as hardness, softness, dryness and moisture. (1)

Downes (Kerry). English Baroque Architecture, 1st ed, pub. Zwemmer, 1966, numerous b&w plts. and illusts, orig. cloth, a little rubbed, together with Lees-Milne (James), English Country Houses, Baroque 1685-1715, 1st ed, pub. Country Life, 1970, numerous b&w plts. and illusts, orig. cloth in d.j, plus Parissien (Steven), Palladian Style, Adam Style & Regency Style, together 3 vols, all pub. Phaidon, pub. 1992-94, numerous col. illusts, etc, all orig. cloth in d.j.s, square 4to, and Mowl (Tim, and Earnshaw, Brian), John Wood, Architect of Obsession, 1st ed, 1988, b&w illusts, orig. cloth in d.j, 4to, plus others on architectural history, mostly of the 18th c, many in d.j.s, 4to/8vo (approx. 80)

Pevsner (Nikolaus). Some Architectural Writers of the Nineteenth Century, 1st ed, Oxford University Press, 1972, orig. cloth in d.j, 8vo, together with McCarthy (Michael), The Origins of the Gothic Revival, 1st ed, Yale University Press, 1987, numerous col. and b&w illusts, orig. cloth in d.j, 4to, plus Muthesius (Stefan), The High Victorian Movement in Architecture 1850-1870, 1st ed, 1972, b&w illusts, orig. cloth in d.j, large 8vo, and Atterbury (Paul, & Wainwright, Clive), Pugin, A Gothic Passion, pub. Yale University Press, 1994, numerous col. and b&w illusts, orig. cloth in d.j, 4to, plus others on Victorian architecture and related, including some catalogues, many in d.j.s, 4to/8vo, VG (approx. 40)

Prints & Engravings. A collection of approx. twenty various prints and engravings, mostly 19th c, including an engraved portrait of Henry Duke of Glocester by George Vertue, 1736, five early 19th c. uncol. engs. of the last days of Louis XVI and Mlle. de Lafayette, in Hogarth-style frames, glazed, a pair of silk portraits of Napoleon III and the Empress Eugénie, by Passerat, St. Etienne, each approx. 170 x 105 mm, mounted, a hand-col. wood eng. view of a funeral at Hong Kong in 1859, four 18th c. engravings of Roman figure sculputres, after Chatillon, twelve hand-col. botanical plates by William Curtis, an engraved architectural design by Jacob Gibb, etc. (approx.20)

A 19th century twin train fusee cuckoo clock, the ebonised and painted case of architectural form with domed top housing cuckoo mechanism over enamel dial marked with Roman numerals, 44.5cm (17 1/2in) high

A Regency pollard oak architectural clock wall bracket, with cast ormolu acanthus and scroll mounts, 61cm (24in)

An ecclesiastical carved oak gothic wall niche, bordered by hipped architectural pilasters with lancet pediment above, flanked by crocketed spires, marked 'S. Michael', 70 cm (27 1/2 in)