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A pair of carved and pierced wooden frames of Eastern architectural form

Adrian Hill, 1897-1977: A group of unframed drawings including architectural scenes

Three Chinese jade plaques of rectangular and oblong shape, carved with figures amid architectural and landscape settings, the reverse with a three column inscription, 5cm high

A Georgian mahogany wheel barometer, the string inlaid case with shell detail set beneath an architectural cornice with silvered dials by G B Giobbio

A French architectural model of a staircase 49cm high

Waterbury tall case clock Waterbury tall case clock, executed in mahogany circa 1920, the architectural pediment surmounting the Doric pilasters flanking the bevelled single door opening to the nine tubes and etched brass dial, with a moon phase above the Arabic markers and rising on a molded base, 96.5"h x 29"w x 18"d

2 vintage architectural measures together with a collection of other vintage 20th century measures

An assortment of loose 19th Century architectural plates, mostly from the Building News and Builder.

A Victorian classical black slate mantle clock the architectural top supported with six brass columns with a black slate face

A good decorated Victorian Aesthetic period satinwood and satin birch compactum triple wardrobe with decorated frieze and panels. Reeded columns and architectural pediment. 215cm width x 61cm depth x 240cm height (but can be reduced to 230cm by removal of finial)

H.Davy - A series of etchings illustrative of the architectural antiquities of Suffolk - privately published Southwold 1827 3/4 calf, bookplate of Cuthbert Quilter Bawdsey Manor

A late 19th Century Vienna regulator with turned pilaster decoration and architectural surmount with mask decoration

A quantity of assorted antique books to include DOULTON "Decorative printed tins", WOLF MANKOWITZ "Wedgwood", assorted Miller's Guides and a box of architectural and technical books

Architecture 19th c manuscript volume in both German and English discussing architecture throughout Europe, with a number of drawings in the text illustrating various points made by the author. An interesting volume, clearly produced by a German architectural observer but written in both German and English with observations on various buildings in England including Westminster Abbey. No date but probably mid 19th c.

A 19th century marble and slate mantle clock of architectural form.

An early Islamic Indian carved sandstone architectural fragment, 83cm long, 15cm wide.

A large Belgian state mantle clock of architectural form surmounted with a figure of Brittania.

A French Mantel Clock with ebonised architectural case, blue and white painted face with birds, striking 8 day movement, 12 1/2in H

A brass repeater carriage clock with a subsidiary dial, in an architectural style case (AF), 6½'' high

A framed Jo Martain print of a dancing girl, and two unframed architectural prints, 15½'' x 10''

Early 20c oak architectural two train mantle clock

Victorian black slate & marble two train architectural mantle clock.

Victorian black enamelled finish architectural mantle clock with gilt metal Elephant & foliate mounts, two train movement.

Victorian black slate & marble two train architectural mantle clock

Early 20c German walnut two train architectural mantle clock

Early 20c oak German two train architectural mantle clock

Large Victorian black slate architectural mantle clock with French two train brass drum movement.

Victorian black slate & marble two train architectural mantle clock with French drum movement.

A Pair of Chinese architectural carved masks along with a lacquer circular box.

A French Black Slate and Malachite Triple Dial Two Train Calendar Clock, the Movement Striking in a Bell (Missing), the Principal 19.5 cm White Dial Signed E Earnshaw, Ilkley with Visible Escapement over Two 12.5 cm Circular Calendar and Holisteric Barometer Dials, Within an Architectural Shaped Stepped Case, 52 cm High.

A Reproduction Brass Architectural Twin Fusee Skeleton Clock Set on Oval Wooden Plinth with Glass Dome, Clock 39 cm High, Max Height 53 cm.

Late nineteenth century miniature longcase clock with eight day movement with lever escapement, circular dial with white enamel chapter ring, Arabic numerals and gilt centre with filigree decoration, in an architectural case with inlaid ebony and boxwood stringing and marquetry decoration, on a rectangular base, 42.5cm overall height

English bracket clock with quarter striking triple fusee movement on eight bells and five gongs, Westminster and Whittington Chimes, engraved silvered dial with secondary fast / slow regulator, chime silent and chime selector, in an oak architectural case with fluted pilasters, dentil moulding and swan neck pediment with carved rosettes standing on four bracket feet, 66cm overall height

Victorian Westminster chime bracket clock with six pillar, triple fusee movement on five gongs, engraved silvered break arch dial, signed J. W. Benson Ludgate Hill London, with subsidiary strike silent dial, in a Gothic architectural Cathedral-style oak case with Gothic window, pierced side frets, 75cm overall height CONDITION REPORT Good overall condition. Movement clean and working. Silvered dial is streaked. Case good condition, no visible signs of any major damage

A 19th Century Anglo Indian (probably Vizagapatam) buffalo horn, porcupine quill and sandalwood rectangular two-handled inkstand of architectural design, fitted three drawers, 17ins wide x 10ins deep x 16ins high (in poor condition), with inkwells for same

A late 19th Century German porcelain and gilt metal cased mantel clock, the 2.74ins enamel chapter ring with Arabic numerals to the eight day movement striking on a gong, contained in gilt metal ball pattern and porcelain case of architectural design, decorated in the "Vienna" manner, 16ins high

A late 19th Century French black slate cased mantel clock, the 4ins chapter ring with gilt numerals and surround to the eight day movement striking on a gong, contained in case of architectural design surmounted by an urn, 8.75ins wide x 5.75ins deep x 14.25ins high, and an aneroid barometer contained within a carved wooden case, with thermometer, 21ins high

EDWARD F.H. CHISNALL ICE MAIDEN GASPACHIO oil on canvas, signed 100cm x 76cm Artist statement : Trained at Glasgow School of Art in the days when the Mackintosh building was a working art school, not a museum. Post Grad and Travelling Scholarship. Managed own gallery in Pezenas, Languedoc. Work in public and private collections in Europe and Scotland. Commissions from many blue chip clients including universities, Financial groups, oil companies, promotional designs for cities and District Councils, official architectural prints and designs Glasgow Garden Festival, European City of Culture, Record companies, Spanish and Canarias governments, Comte`Ormesson` , Graf von Felsing and others. Published and broadcast author and poet. Books by Collins and Mainstream, Gold medal award winner in New York for the long-running Bell in the Tree drama series and las Premios Ondas, awarded in Barcelona. Long running features, strip cartoons and informatics in National newspapers. (Ref:mctfeb_1802)

Postcard album containing a quantity of rural and architectural scenes, some relating to Castle Howard

A mid Victorian carved gilt wood girandole mirror, having architectural cornice above an oval plate, lacking sconce branches, 133cm high x 53cm wide. (a/f)

A modern painted wall mirror, in the architectural style 115cm high x 80cm wide.

Karen Knorr, German b.1954- "The Demise of Logos" from Connoisseurs; c-print, 58x58cm, (may be subject to Droit de Suite) Note: Karen Knorr was born in Frankfurt and was raised in San Juan, Puerto Rico in the 1960s. She finished her education in Paris and London. Karen has taught, exhibited and lectured internationally, including at Tate Britain, Tate Modern, The University of Westminster, Goldsmiths, Harvard and The Art Institute of Chicago. She studied at the University of Westminster in the mid-1970s, exhibiting photography that addressed debates in cultural studies and film theory concerning the `politics of representation` practices which emerged during the late 1970s qnd early 1980s. She is currently Professor of Photography at the University for the Creative Arts in Farnham, Surrey. In 1986 her work Connoisseurs used colour to explore connoisseurship regarding authenticity, heritage and art in England. Here she introduced elements and staged events in the architectural interiors of Chiswick House, Osterley Park House and the Dulwich Picture Gallery.

S Fitoussi, French, mid-late 20th century- Architectural study; oil on canvas, signed, 65x54cm: J Myerson, British, mid 20th century- Formalist cityscape; oil on canvas, signed, 51x60.5cm: 20th Century- Roses in a vase; oil on panel, 45.5x30.5cm: British School, mid 20th century- "Last Year in Blackpool- Us"; oil on canvas board, 68x22cm: Mid 20th Century- Interior scene with chairs and a table; oil on board, bears inscription on the reverse, 61x42cm: J Myerson, British, mid 20th century- The Survivors"; oil on canvas board, signed and titled on the reverse, 50x60cm: Robert A Farquhar, British, mid 20th century- "Still Works, Night"; oil on board, signed, titled and dated May 1962 on the reverse, 53.5x68.5cm: D J Avery, Zimbabwean, mid-late 20th century- "Aloes on the Wall, Zimbabwe"; watercolour, signed and dated 59, bears label attached to the reverse of the frame, 41x41cm: Stanley Johnson, mid-late 20th century- Untitled abstract composition; gouache, signed and dated 1959, 43x63cm: Late 20th Century- Figures on a beach with seagulls; watercolour and mixed technique, 40.5x57cm: together with three other works in oil, mixed media and watercolour by different hands, to include a life study, a portrait and an abstract, various sizes, (13) (part unframed) (may be subject to Droit de Suite)

Anna Gault, French School, late 19th century- Portrait of a man, head and shoulders; charcoal on buff paper, bears label on recto École Nationale De Dessin Pour Les Jeunes Filles, 15 Points, Nom et prénoms Gault Anna, Éléve de la /classe depuis 1883, 60x45.5cm: together with nine further drawings in charcoal by the same hand of life and architectural studies and after the antique, one signed, six in matching glazed gilt frames, 60x45.5cm., ea., (10), (part unframed)

A VICTORIAN MAHOGANY CROSSBANDED AND INLAID SIDEBOARD OF INVERTED BREAKFRONT FORM WITH ARCHITECTURAL SUPERSTRUCTURE, FITTED WITH DRAWERS AND DOORS FLANKED BY REEDED PILLARS

* Architectural designs. A collection of eight designs for architecture, furniture, carpets and ceilings, probably French, late 19th/early 20th c. together eight designs, probably more than one hand, comprising a pen, ink, and watercolour design for a pedimented doorway and panelling with trompe l’oeil view of a large Jacobean-style house above (sl. edge-frayed), two carpet designs, one in gouache and the other in pencil with some watercolour, a watercolour design for a ceiling, two pencil designs for furniture, one for a commode tombeau and the other for an ormolu hall table (latter dated 1911 and indistinctly signed), and two pen & ink studies of classical architecture, entitled ‘Ordre Dorique’ and ‘Ordre Corinthien’ (latter dated 1910 and indistinctly signed as before), sheet size largest 62 x 44.5cm (24.5 x 17.5ins), smallest 18.5 x 29cm (7.25 x 11.5ins), all mounted (8)

* + Piper (John, 1903-1992). Carew Castle, 1982, colour screen print on Arches, printed by Kelpra Studio, with their blindstamp to lower right outer corner, one of ten proofs aside from the edition of 100, signed in pencil, and numbered A/P 10/10, image size 44 x 64.5cm (17.25 x 25.25ins), sheet size 55 x 75cm (21.75 x 29.5ins), framed and glazed. Levinson 334. A copy of John Piper’s Buildings and Prospects pub. The Architectural Press, 1948, in frayed and chipped dust jacket is included with this lot. (1)

A VICTORIAN TREACLE BROWN GLAZED BANK OF ARCHITECTURAL FORM

A late Victorian mantel clock, in large architectural slate case with applied neo classical decoration, 52cm high.

A gilt metal mounted slate architectural mantel clock.

A marble and slate cased architectural mantel clock having gilt metal mounted enamelled dial and open escarpment movement.

BOARDROOM CLOCK, early 20th century with oak architectural style case, gilt metal finials, mounts and paw feet, wire gong striking movement, the face inscribed 'Camerer Kuss & Co, Bond Street, London', 70cms H.

ARCHITECTURAL MIRRORS, a pair, with domed tops on a painted metal frame, 183cm x 107cm. (2)

A late 19th/early 20th century mantle clock, the gilt dial with visible escapement supporting a twin train striking movement in a gilt mounted onyx case of architectural form, h. 28 cm CONDITION REPORT: (Case with minor losses, otherwise ok, no guarantee as to working order)

John Hope W. : Windsor Castle, an Architectural History 1913. 2 Volumes + Portfolio Folder, Folio, two tone maroon cloth binding,gilt. Colour frontis, monochrome plates. Eight folding ( coloured ) plans in portfolio folder. CONDITION REPORT: Condition ; Vg. near fine copies.

M P NICOLLE, SIGNED IN PENCIL TO MARGIN, GROUP OF FOUR FRAMED AND ONE UNFRAMED BLACK AND WHITE ETCHINGS, Venetian and English Architectural Views, each approximately 6 ½” x 10 ½” (5)

EDWARD SHARLAND, GROUP OF SEVEN, ASSORTED EARLY 20TH CENTURY ENGRAVINGS AND WATERCOLOURS; together with further loose Engravings and Drawings; and a small album of Prints of Architectural Details (qty)

An exceptional silver chanukia by Anthony Elson, in the architectural form of three pillared arches with broken pediment surmounted by a crown, the side arches with flowering plants in urns. The altar, on lion's paw feet, opens for access to the lamps Marks AGE for Anthony Elson, London, 1990..23x6x29cm. high. wt.53.5oz., in fitted case.

A print, 3/50, "Cathedral, Durham", signed in the margin" W. Lishman," another, "Old Town, Leicester", signed in the margin, "Maya Sloane", and two other signed architectural prints

A bound folio containing a large number of architectural designs from the Spring Gardens Sketch Book, including churches, castles, crosses, church furniture etc, with a hand written index; another bound folio containing leaves from Carter (J) The Ancient Architecture of England, part II, 1807 and several pasted in sketches of architectural details including some marked Southwell Church