We found 35023 price guide item(s) matching your search

A set of four framed and glazed polychromatic early 19th century coloured architectural home designs, 14 x 21 cm.

An architectural slate mantle clock.

An Indian miniature picture of a courting couple, depicted nude and seated on rug with canopy in the background, framed and glazed, 31cm high x 21.5cm wide; together with a framed and glazed photographic print of figures in a boat on water and a photographic print of Gothic religious figures in an architectural context, (3).

An oak wall clock, with 8 inch steel dial, in architectural case, with fluted column uprights, 110cm.

A Victorian slate mantel clock, in architectural case, with column supports, and plinth base, 37cm, and another similar slate mantel clock with marble columns, 28cm.

A Black Forest mantel clock, in carved architectural case, height 39cm, (af).

A French repeating mantel clock, and an unusual Continental architectural watch stand

A quantity of black and white architectural and interior photographs, mainly 1930s

An architectural case oak mantel clock with square brass/steel dial. Circa 1900. Ht. 45cm

A 19th Century Continental Wall Clock, the ivorine dial inscribed Market Place, Hull, with twin weight driven movement in architectural walnut case with half round pilasters. 3` 7" (110cms) high.

A set of three monochromatic etchings of architectural interest signed by artist Charles O. Murray, 26 x 20 cm.

A contemporary framed and glazed limited edition architectural print of the Boleian library at Oxford University having All Souls College to the right, signed bottom right 'David Gentleman' in pencil 153/200, 66 x 53 cm.

LATE 19TH CENTURY FRENCH SLATE AND JASPER WARE MANTEL CLOCK of architectural form, with sage jasper pediment and columns, the circular dial with Arabic numerals and cylinder movement striking on a gong, 31cm high A condition report is available by contacting hamish@mctears.co.uk

19TH CENTURY FRENCH SLATE MANTEL CLOCK maker R and W Sorley of Paris, of architectural form, having circular gilt Roman numeral dial, the movement striking on a gong, 26cm high Good Condition.

19TH CENTURY FRENCH CHAMPLEVE ENAMEL ONYX MANTEL CLOCK of architectural form, having circular silvered dial flanked by corinthian columns, the `marque` cylinder movement striking on a gong, 34cm high A condition report is available by contacting hamish@mctears.co.uk

Books and Lantern Slides: books including, View Camera Technique, Photography: The First Eighty Years; colour lantern slides - including Autochrome of two seated girls, seaside views by P B Dannatt (9), F (23) and black and white quantity, including T Herbert Jones and Lucie M Jones, mostly architectural, titled, Herbert (43), Lucie (38), colour slides by Herbert (4), F (85) with interior construction of Bradwell Nuclear Power Station, 1957, and topographical and story sets (a lot)

CHINESE WOOD CARD CASE carved overall with figures in architectural landscape setting, 11.5cm high One section of the lid is repaired – cracked and glued.

CHINESE IVORY CARD CASE carved on either side with a shaped lozenge of figures in landscape/architectural settings, and with carved corners, 11.5cm high There is a crack in the ivory on both edges to one side of the lid

CHINESE BLUE AND WHITE OCTAGONAL ASHET with architectural landscape motifs to the centre, 37.5cm wide A few small cracks, surface scratches

JAPANESE IMARI SCENT BOTTLE of rectangular form with ridged edges, with landscape and architectural decoration, the stopper with six character mark, 11.5cm high No damage, very small colour losses

CHINESE LACQUERED BOX decorated with figures in architectural landscape scenes, the fitted interior with two lidded compartments, and containing various ivory and other carvings and pieces, 35cm wide There are small splits to the wood and areas of loss to the gilt - the top section and surrounding panels are faded, the interior shows wear in keeping with age and use

CHINESE GILT WOOD CARVED PANEL from a temple, the scene depicting figures in an architectural landscape, mounted on red velvet, the carving 16cm x 20cm Some loss to the gilt and small wear to the frame

Eighteenth century clock with eight day movement, brass breakarch dial with silvered chapter ring, engraved silvered centre, subsidiary second dial, brass winding holes and date aperture, cherub spandrels breakarch with silvered cartouche signed - W. Turnbull, Darlington, in an oak case with full length door, hood with turned columns and architectural pediment, 220cm overall height

Late eighteenth / early nineteenth century longcase clock with thirty hour movement, painted breakarch dial with floral spandrel, brass winding holes and subsidiary second dial, breakarch with painted pastoral scene, signed - Patie & Peggy, in an oak case with printed door hood, with turned columns and architectural pediment, 204cm overall height

A mid 19th Century black marble mantel clock, the architectural case engraved flowers and foliage and inset variegated marble panels, the cream enamel chapter ring with Arabic numerals and fitted an eight-day movement striking on a gong, 32cm (12.5") high

Pair solid bronze architectural room sconces

A 19th Century oak longcase clock with later alterations and repairs, the square brass dial with silvered chapter ring and date aperture inscribed Thomas Helm Ormskirk, enclosed by a broken architectural pediment, over a shaped long trunk door and canted bracket plinth.

A LATE 19TH/EARLY 20TH CENTURY AMERICAN ANSONIA MANTEL CLOCK having architectural style case with all over later marbled painting, flank mask handles and plinth, raised on cast scrolled forefeet, 30cm high, x 22cm wide

John Pye, after JMW Turner, ``Wycliffe nr Rokeby``, an unframed engraving, together with a large collection of framed and unframed engravings and prints, architectural or topographical interest, including some Arthur Rackham illustrations and other works after George Cuitt, etc

Fransen (Hans) ARCHITECTURAL BEAUTY OF THE OLD CAPE AS SEEN BY ARTHUR ELLIOTT Photographs of houses and farmsteads now largely demolished or ruined taken at the beginning of the twentieth century. 343 pages, frontispiece portrait, 162 plates, grey cloth, a good copy in the dust jacket. `Of the nearly ten thousand negatives in the Elliott Collection less than 2000 are of architectural subjects. Of these, 160 of the best and most interesting have been selected, nearly all depicting subjects no longer in existence. The thirty-odd photographs of scenes that do still exist unchanged today have been included because they are Elliot`s `classics`. They also introduce a note of optimism. `Editor`s note. Publisher Place: Cape Town Publisher: A.A. Balkema Publication Date: 1969 Condition: Good Size: Oblong 4to (275 x 285 mm) Category: Architecture Reserve: $40

[Fisher (Roger C.), Le Roux (Schalk) & Maré (Estelle) Editors] ARCHITECTURE OF THE TRANSVAAL xviii + 338 pages, many illustrations, sketches and plans, black vynide, a very good copy in the dust jacket. `Architecture of the Transvaal is a seminal collection of writings by twelve South African architectural critics, each knowledgeable in his or her field of interest, on the rich and diverse heritage of the built environment of the region. It also presents an overview of the architectural heritage of South Africa. Many of the high-quality black-and-white illustrations appear here for the first time.` Editor`s note. Publisher Place: Pretoria Publisher: University of South Africa Publication Date: 1998 Condition: Very Good Size: Tall 8vo (285 x 185 mm) Category: Architecture Reserve: $100

Walton (James) OLD CAPE FARMSTEADS 47 pages, colour frontispiece, maps and numerous plans and illustrations, blue cloth, a very good copy in the dust jacket. `In the first part of the book the author considers some possible European sources of origin of the Cape rural vernacular architecture and traces its development during the first two centuries of Colonial settlement at the Cape. In subsequent sections he deals with the architectural components of the Cape wine farm and stock farm, ranging from simple wolwehokke, vethokkies, soap houses, pigsties, fowl runs and dovecots to the ornate manor houses and wine cellars. The book is profusely illustrated with over 190 line drawings and photographs by the author and 90 drawings and photographs by Alys Fane Trotter, Johannes Mulder, E.V. Strade, Arthur Elliot and others.` Editor’s note. Publisher Place: Cape Town Publisher: Human & Rousseau Publication Date: 1989 Condition: Very good Size: Small 4to (260 x 210 mm) Category: Architecture Reserve: $30 Click here to view further details and images

Jeremy Watson The Urban Trail a walk through East London`s Central business District and older suburbs Edges a bit worn as one would expect with a card cover. 175 pages with index following. Contains sketches and detail of interesting aspects of East London`s architectural heritage. Publisher Place: East london Publisher: Heritage Committee of the Institute of South African Architects Publication Date: 1989 Condition: Good Size: Quarto Category: Architecture Reserve: $20 Click here to view further details and images

A 19th Century bath stone garden ornament of architectural design

A FRENCH ARCHITECTURAL BELGIAN BLACK MARBLE MANTEL CLOCK THE PILLAR SHAPED CASE SURMOUNTED BY THE BRONZED SPELTER FIGURE OF A BOY WITH A DOG

AN ARCHITECTURAL STYLE BELGIAN BLACK MARBLE MANTEL CLOCK, LATE 19TH C

A FINE 19TH CENTURY FRENCH ORMOLU AND CHAMPLEVE ENAMEL MANTLE CLOCK of Islamic architectural inspiration, the dial painted with foliage. 11.25ins high.

A late Victorian bracket clock, of architectural form, the square brass dial with silvered chapter ring and with later eight day Lenzkirch movement, chiming on two gongs

Four photographs (Melford Hall/Horham Hall, Kentwell), four black and white engravings, two large architectural prints/watercolours, and one black print (The Hon Viscount Palmeston)

*ENGLISH SCHOOL. A Folio of unframed sketches, circa 1880-1910; the majority in pencil, many depicting landscapes, some of architectural interest.

*ENGLISH SCHOOL CIRCA 1910. Design for a Room Interior, watercolour, unframed, 13 1/2 x 18 in; two other watercolour designs for tiles/wallpaper, by the same hand; and a quantity of pencil sketches, some of architectural interest on loose album leaves by W.A. Pyte, circa 1910 (qty)

*A COLLECTION OF UNFRAMED DRAWINGS, depicting architectural subjects by various hands, including works by E. Sanson; Cecil James Parker; subjects include `Hertford, British Hospital, 1879; Design for The Royal Academy 1928;` and `Entrance to a Tunnel for a Trunk Road` (qty)

A 19th Century barrel fronted Corner Cupboard painted scene with figures of courtiers in architectural surroundings, raised shelf to back, 3ft 8in H

A 19th century low stained oak cabinet with three open upper shelves with carved aprons and a lower cabinet with heavy architectural mouldings

A Print of an architectural buildings

A mid Georgian style carved giltwood and painted wall mirror of architectural construction with a broken arch pediment and scroll and leaf carved finial, the mirror frame carved and moulded with rosettes, the drop finial leaf and scroll carved, 52"h, 30"w.

A 19th Century German mantel clock, the wooden case of architectural form, the glazed door flanked by turned and fluted pilasters, raised on a bracket foot base, the gilded dial bearing Roman numerals, a Kundo German 400 day mantel clock with visible escapement beneath a glass dome, and a modern battery operated carriage clock (3)

A 19th Century slate mantel clock of architectural form, decorated with angels and laurel branch, the circular enamelled chapter ring bearing Arabic numerals, together with an early 20th Century Wellington type mantel clock, the circular silvered dial bearing Arabic numerals (2) CONDITION REPORTS Slate clock has wear, scuffs, chips to edges. Yellowing and stains to dial/chapter ring. Other clock with wear, scuffs and splits to wood. We can make no guarantees as to whether complete, nor whether in working order.

"Pencil sketch on paper, Architectural study, 39.5 x 28cm; and an unframed poster from gallery Moos, Toronto, `Zunga`, and Zunga pastel of a woman (3)"

A sketch book containing an extensive collection of architectural and landscape based pencil sketches with locations noted, including Melrose Abbey, Bridge at Dunkeld, Kenmore, Stirling from the forth, Inveraray, Loch Lomond, Keswick etc, approximately 40

A 19th century marble mantle clock of architectural form, the domed top inset with reclining cherubs, above pilasters and a figural case frieze on plinth and ball feet, the circular dial with Arabic numerals, 36cm high

An 18th century naive stick barometer, by Thomas Shaw of Wibsey Low Moor, the stained mahogany case having architectural pediment, glazed door revealing printed paper dial, 91cm high

A Vienna regulator type ebonised wall clock, with an architectural pediment, glazed door and sides, the circular enamel dial with Roman numerals, 115cm high

A pair of 19th century variegated marble architectural mantel clocks with extensive ormolu moulding and rams mask mounts, white enamel dial and balance spring time piece movement, height 11.5"

An Edwardian carved walnut architectural mantel clock with gilt dial and striking movement, ht 20"

A 19th century architectural black mantel clock; postage scales, table linen and a lap desk

A late Victorian gilt bronze monstrance by John Hardman & Co, of architectural form, with pedestal cross surmount above a tiled spire supported by crocketed flying buttresses, raised on an octagonal jewel-set knopped column over a lobed foot bearing a dedicatory plaque dated 1894. Literature: Fisher, Michael, MA, FSA, Hardman of Birmingham - Goldsmith and Glasspainter, Landmark Publishing 2008, p. 18 (illustrated)

A 19th century bronze cluster column table lamp base, with architectural stepped base, 48cm (19in) high

An oak and carved lime wood architectural wall panel, the panel with applied relief bust study in profile of a bearded gentleman, bearing the chip carved legend Inigo Jones, 38 x 25.5cm (14 3/4 x 10in), together with a turned sycamore treen bowl, probably early 19th century, 14cm (5 1/2in) diameter

A large Victorian painted and parcel gilt overmantle mirror, of architectural form, with acanthus carved frame, 122cm (48in)