We found 35023 price guide item(s) matching your search

A pair of silver salts of circular form on raised column feet with architectural repousse decoration, blue liners and matched HM silver spoons, London 1869, makers mark worn

A cased set of silver teaspoons of architectural form, Sheffield 1922, makers mark Northern Goldsmiths Co

A late Victorian black and rouge marble mantel clock of architectural design

WWII – Architectural plans to Heinrich Himmler’s mansion at Tagernsee – ephemera original architectural plans for the mansion at Tagernsee which became Himmler’s personal retreat throughout WWII. Drawn on a single large sheet of paper approx 50x48ins. An ms note to verso indicates that this was a duplicate plan – no doubt given to Himmler for his own inspection. Slight weakness in folds^ and a few minor close tears – easily conserved in our estimation. The drawings show the house in profile and plan with detailed drawings of the floor plan of the house showing rooms etc. A number of high profile Nazis had mansions built for them around the idyllic lake at Tagernsee^ south of Munich. Himmler’s was one of the finest. It naturally fell vacant in 1945^ but still stands today as a private residence.

A late 19th/early 20th century mahogany framed table top adjustable stereoscopic viewer, the folding case opening and tilting to reveal large magnification and two smaller lens and viewing card holder, unmarked, also a 19th century yew veneered rectangular hand held stereoscopic viewer with twin lens, with sight adjuster ring handle, also a collection on in excess of 200 assorted stereoscopic viewing cards, various makers and scenes to include Underwood & Underwood Queen Victoria, Xcelsius stereoscopic viewers, Lord Kitchener and Queen Victoria, Blackpool circa. 1918, collection of English 1920s privately taken slides, landscapes, architectural scenes etc, also a small quantity of blank mounting cards

A 19th century oval charcoal shoulder length portrait of a young woman in headscarf with signature bottom right E Ayliffe, 36cm maximum in gilt frame together with a further charcoal study of a young girl carrying a water bottle, by the same hand and with label verso "Pencil drawing by Ella Ayliffe RWA, 1885", 48 x 28cm in wooden frame, further pictures and prints including a black and white engraving of a wood gatherer, a black and white etching of Beverley Cathedral after Oswald Fletcher, a further set of four unframed black and white etchings of architectural subjects, etc.

A pair of 19th century sepia wash drawings of continental architectural subjects including figures praying at a church, indistinctly signed with initial M? and dated 1842, 19 x 13cm (in one frame), a watercolour of a landscape setting with a figure signed bottom right F Davenport and dated 1846, 15 x 23cm, a small watercolour of female figures in a cityscape, 10 x 7cm, a further watercolour of a figure on a country lane and a coloured print from The Red Books of Humphrey Repton showing a large country house in coastal setting (all framed).

Books relating to architecture (lot of 10) Books relating to architecture including Bernard Maybeck Architect of Elegance, Art & Architecture of the Late Middle Ages, Rockefeller Center Architecture As Theater, The History of Forts & Castles, Building in Wood, Architecture A Visual History, American Architecture, A Pictoral History of English Architecture, The University Club An Architectural Celebration, and The Illustrated Atlas of the World`s Great Buildings Starting Price: $50

A pair of architectural prints, framed

An Ebonised Vienna Type Wall Timepiece, circa 1890, architectural top with turned finials, 6-1/2-inch enamel dial with Roman numerals, single weight driven movement with deadbeat escapement, backplate stamped Remember, 120cm high

Two Carved and Painted Architectural Brackets, height 90cm

A gilt carved wood and gesso architectural plinth, height 44cm.

A Dutch marquetry wall cabinet in 18th century style with architectural pediment and glazed canted sides flanking the single glazed door, width 100cm, height 89cm.

A French marble cased architectural mantel clock.

Three framed architectural prints, and other framed prints and certificate.

A 19th century Scottish mahogany longcase clock, by John Bryson, Dalkeith, the circular painted dial with subsidiary seconds and date rings, the eight-day movement striking on a bell, with brass spoke pulleys, the architectural case of well figured mahogany, with chamfered corners, 205cm

Jennifer Semmens - `Interlocking Forms` (Architectural Study), mixed media, signed and dated 1993 in pencil recto, titled label verso, approx 97cm x 68cm, within a stained wood frame.

Jennifer Semmens - `Old Palace Ruins II` (Architectural Study), mixed media, signed and dated 1993 in pencil recto, titled label verso, approx 48cm x 33cm, within a stained wood frame.

A late 19th Century slate mantel clock with eight day movement striking on a gong, the gilt dial and enamel chapter ring with Arabic numerals, the architectural case with gilt decoration, together with a late 19th Century mantel clock, four keys and a pendulum.

A 20th Century hardwood decorative birdcage-on-stand of architectural form, with turned spindle spires and mesh panels, on turned legs, height approx 200cm.

A rare Beswick 1950s tripod fruit bowl with impressed number 1387 design by Albert Hallam with abstract architectural design to inner bowl and black outer .

A collection of Continental hand-painted tin-glazed tiles decorated with an architectural column and fruit

An Art Nouveau walnut overmantel, architectural-shape with inset embossed copper panel, arrangment of mirrors and shelves, 3ft. 5in. high

A 19th century French clock garniture, Marti movement striking on a gong, architectural case with painted and gilded porcelain dial, with key and pendulum, pair of candlestands on square bases, all on plinths and under glass domes, clock 13in. - glass dome damaged.

A Georgian-style burr walnut mantel clock, arched brass dial with moon phases, movement striking on a bell, architectural case with brass finials and scroll feet, 9.5in..

An early 20th century oak cased Vienna type regulator with fluted pilaster decoration and architectural surmount

A Victorian black slate and marble inlaid mantel clock of architectural form with marble pilaster decoration

A circa 1900 black slate cased architectural mantel clock with German eight day movement

A 19th century black slate mantel clock of architectural form

An inlaid mahogany overmantel mirror of architectural form

A veined marble clock garniture, of architectural form, the clock 32cm high.

A WALNUT MANTEL CLOCK IN ARCHITECTURAL STYLE CASE, THE TIMEPIECE WITH PRIMROSE ENAMEL CHAPTER RING, LATE 19TH C

BOX: Various Architectural, building, structural, surveying, etc (Box).

Chinese Peoples Republic of China friendship blocks, architectural game.

A weathered copper architectural roof top air vent

An early 19th century Biedermeier mahogany bureau chest of architectural form

A pair of Continental carved gilt wood shell form architectural fittings, 18th century, of stylised shell form with twin scrolls to the bases, overall gilded, 23cm high x 25cm wide, (2).

A late 19th century garniture comprising a French mantle clock in a gilt metal and porcelain mounted case of architectural form, h. 41 cm, signed Hall & Co., of Paris, on stand under a glass dome and a pair of matching cassolettes on stands, all under glass domes CONDITION REPORT: clock case with pitting, gilt to porcelain rubbed, no guarantee as to working order, pendulum missing

A Persian prayer rug, finely woven, with architectural prayer arch on a red ground and vase of flowers, a/f worn and frayed edges, 132 by 78cm.

Two Fornasetti architectural plates printed marks and Prospettiva to reverse, (2) 25.5cm diameterCondition report: No damage or restoration.

French gilt brass architectural mantel clock. inset with porcelain panels of birds, circa 1880, the upright case with columns flanking a Roman dial, eight day movement by Achille Brocot striking the half on a coil, height 34cm (ticks, winds, strikes; pendulum, winding key). *See clocks and watches proviso.

Mahogany chiming bracket clock, late 19th century, the architectural case with pineapple finials, grille sides, side columns and gilt metal neo-classical friezes, on bracket feet, the silvered arched dial with Roman hours, chime/silent ring, signed E. White Haymarket London , triple fusee movement, anchor escapement, chiming the Westminster quarter and striking the hour on coils, the backplate signedE White, Haymarket, London , height 44cm (ticks, winds, chimes, strikes; with pendulum, keeper, winding and door keys).*See clocks and watches proviso.

A Victorian black slate mantel clock garniture, of clock and two domed plinths, of classical architectural form with column supports, brass dial inscribed Charles Fox, Paris, with presentation plaque dated 1877, 37cm.

A Victorian slate mantel clock, in classical architectural case, with marble columns, on plinth base, 36cm.

A detailed drawing of a dog along with a architectural building print

An Architectural metal lamp standard having applied accanthus leaf decoration raised on a triform base

A 19th century Black Forest Gothic styled architectural cuckoo clock, a/f

William Callow (1812-1908) - 'Hotel de Ville, Ypres, Sept 14, 1850', architectural pencil study, 34 x 26 cm, the reverse with gallery label for the Squire Gallery, London, by repute formerly in the possession of Mrs William Callow, the late widow of the artist Condition Report Some faint spotting

`Outrage`, Ian Nairn, The Architectural Press, Westminster, 1955; and `The Elements of Mechanics...` James Wood, Cambridge, 1841; and `The Kenya Settlers` Cookery Book and Household Guide`, published by Church of Scotland Woman`s Guild

18th / 19th Century ink and watercolour, architectural study of a mansion house

Pair of large oak architectural columns raised on stepped plinth bases inscribed G.E.S.V. X.P. Mercy in memory of the reverend J.A. Fyfe (priest) Maoxon, vicar of Camden Town from 1896-1907

ARCHITECTURAL STUDY OF STAIRCASE, mahogany, 59cm.

Victorian mantle clock in stained wood architectural case

An Edwardian walnut bracket clock of architectural form, with H.A.C. 14 day striking movement, the brass dial having silvered chapter ring with Roman numerals, the case having Corinthian columns and an anthemion stylized pediment, 40cm high.

A quantity of French architectural prints and a collection of 1920's calendars by Arthur Leach & Co (qty)

LLOYD PAYNE & AMIEL MANCHESTER AN EDWARDIAN OAK BANJO BAROMETER having architectural pediment, silvered calibrated mercurial thermometer and aneroid barometer, fronted by a heavy cast brass bezel, dial signed, 96cm

A Wileman & Co Foley Faience bedroom clock, of architectural form, transfer printed with windmills and sailing boats, registration number 379153, 11” wide, together with a Shelley chamber pot, pattern number 8509, 9 3/4” diameter (2).

A 19th Century black slate cased mantel clock, with French brass eight day movement striking on a single gong inscribed “Medaille D’Argent Vincentt 1855”, the circular dial with Arabic numerals in an architectural style case with embossed brass panels to the pediment and entablature over four brass columns on a stepped base, 13 1/4” high.

AFTER S TUSHINGHAM "A Continental street scene", black and white etching, signed in pencil in the margin, AFTER SHARLAND "Chester cathedral", coloured etching, signed in pencil in the margin, AFTER CECIL ALDIN - a set of four reproduction dog prints, three architectural prints, V S "Haystacks and cottage", watercolour, monogrammed lower right, PAT ROGERS "Head study of a terrier", coloured chalks, AFTER ARCHIBALD THORBURN "Coming in from the sea", coloured print, etc

HITLER, ADOLFOriginal Drawing - (ORIGINAL)An original sketch by Adolf Hitler for the Liberation Monument in Linz. Austria. Pencil on paper, unsigned, numbered by Albert Speer "29". Front view of the Liberation Monument combined with the stadium, above right the ground plan. Size 24 x 20 cm. With Albert Speer`s statement from 3 January 1979 (written in English) confirming that the drawing at hand was Hitler`s concept for the Liberation Monument in Linz. The sketch is listed under no. 29 in Speer`s catalogue of sketches by Hitler and was made in Speer`s presence on the Obersalzberg on 21 November 1941. Well executed architectural drawing, a genre Hitler was specialised in. Sketch and statement together in passepartout. Further images on request.