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A PAIR OF ITALIAN ARCHITECTURAL STYLE DRAWINGS

A Victorian oak mantel clock of architectural form, brass dial with enamel chapter ring bearing Arabic numerals, visible brocot escapement, 25cm x 19cm x 30cm, and a Continental late 19thC faux slate and marble mantel clock, 26cm x 12cm x 33.5cm, (2).

A late 19thC oak longcase clock by Thomas Armstrong & Brother, Manchester, the engraved silvered break arch dial with chapter ring bearing Roman numerals, chime silent subsidiary dial, eight day movement with quarter Westminster chimes, the case with architectural hood bearing doric capitals, trunk door inset bevelled glass raised on a plinth base, 213.5cm high.

LATE 19TH CENTURY BLACK FOREST CUCKOO MANTLE CLOCK, ARCHITECTURAL OAK CASE SURMOUNTED BY CUCKOO IN TOWER, CASE AF

A mixed group of pictures and maps, all unframed, aeronautical chart of England and Wales, Claud de Jongh print of Old London Bridge, Tower Bridge architectural print, Royalty of England etc

Watercolour architectural study "Lord Mayor's Chapel" (34cm x 24cm)

A gilt brass miniature carriage clock with English movement, needs attention, and white enamelled face with black Roman numerals, the architectural case with bevelled glass panels and silvered ribbed columns on a silvered plinth. Ht.10cm., handle lowered.

A fine example of a mantel clock in the Egyptian architectural manner, the ebonised base supporting the massive tapering columns and lintel in Jugendstil gilt brass with rosewood inlay including Zodiac signs around the gilt cased white enamel dial with eight day visible pendulum movement striking on a bell. 22x9x 27.5cm. Condition reportVery good general condition, very slight wear on ebonised corners. Pendulum suspension spring missing.

A walnut collector’s cabinet of architectural form, the lockable inlaid front doors, key missing, opening to reveal two drawers with recessed brass handles containing an assortment of coins and paper money, including German State loan notes dated August 1914 for 1&2 marks, a Chinese 5 Yen, etc. Also a cased set of Isle of Man decimal coins 1975 and a set of five Isle of Man Tynwald Millennium 1979 crown coins. Condition reportCabinet generally very good condition subject to the following. Shrinkage cracks to back with some veneer missing to the base plinth on this back face. One very small corner of inlaid stringing, about 3mm. long, missing. Cased coins as issued, other items variable .

12 sets of large size cards, mostly Player and Wills issues, in 3 slip in albums, “Gilbert & Sullivan 2nd Series, “Wild Animals”, “Fables of Aesop”, “Public Schools”, “English Period Costume”, “Sporting Trophies”, “Architectural Beauties”, “British School of Painting”, Heraldic Signs and Their Origin”, “British Regalia”, “Old Naval Prints”, “Flowering Shrubs”, and 70 large size type cards. catalogue value £675. VGC

A PAIR OF ANTIQUE CARVED GILT PINE ARCHITECTURAL ROOM ORNAMENTS in the form of flower and fruiting swags around ribbon tied reed bundles, each approximately 19cm wide x 63cm high together with a further smaller pair of floral swags, 33cm high and a carved ribbon tied supportive knot element, 19cm wide x 21cm high (5)

A DECORATIVE PARCEL GILT OAK AND PAINTED BOX and cover, the lid in the form of a crown, the lid possibly originally an antique architectural boss, the box 35cm diameter x 46.5cm high overall

A PAIR OF ANTIQUE INDIAN CARVED WOODEN ARCHITECTURAL BRACKETS decorated with leaves, flowerheads and turned finials, each bracket with traces of green paint, 125cm x 89cm (2)

MIRROR, Architectural style with an arched top, 136.5cm W x 181cm H.

A 19TH CENTURY MAHOGANY AND BRASS BRACKET CLOCK, with white enamel dial, eight day movement striking on two bells, signed Johanness Seytz, in an architectural case, with brass galleried top and rectangular platform base. 2ft 5ins high x 2ft 0ins wide.

An impressive early 20th Century octagonal oak library table by Lamb of ManchesterThe octagonal leather inset writing surface above two pairs of opposing frieze drawers each with turned button handles centred with a flower head, the table raised on two substantial bracket supports each centred with a bull's eye roundel and flanked by two fluted architectural type columns the brackets joined by a fluted and turned cross stretcher and raised on scroll feet with castors , drawer stamped Lamb, Manchester, 197x77x129cm

An early 20th Century eight-day mantel clock The arched architectural case with embossed beading, raised on a stepped base, the glazed door revealing white enamel dial and black Roman numerals, with pendulum, 33cm high.

An early 20th Century Winterhalder and Hofmeier eight day mantel clock The arched architectural case with glazed arched door, raised on a stepped on a plinth base and raised on compressed bun feet, enclosing silvered dial with 4 inch chapter ring, with black Roman numerals, stamped Lamer Kuss & Co. beneath slow/fast and chime/silent dial, 29cm high. CONDITION REPORT: Lot 145Cannot guarantee working condition of clock.Some discolouration to dial,Movement looks clean,Case good condition,With pendulum.

An early 20th Century French marble eight day mantle clock, by Azur, ParisThe white slate simplistic architectural casing, raised on a high plinth base, enclosing a 5 inch white enamelled dial with black Roman numerals, movement stamped 2188712, 32cm high.

A French 19th Century marble 8-day clock garnitureThe architectural case with carved panels and gilt metal mounts, housing a 3 inch white enamelled dial, flanked by two twin branch swag garnitures. CONDITION REPORT: Lot 301Good Condition,No guarantee working order.Size of clock 27.5cm high, garnitures 23cm high

An early 20th Century carved oak cased 8-day mantel clockThe carved architectural case with square glazed door, housing silvered chapter ring and putti spandrels, the twin fusee movement striking on a gong, 35cm high. CONDITION REPORT: Lot 304Cannot guarantee working condition of clock.Case good condition,movement appears to be in good order,with pendulum.

A late Victorian Vienna eight-day wall clockOf small proportions, the arched architectural case with glazed door enclosing white enamelled dial with black Roman numerals, with pendulum, 76cm high. CONDITION REPORT: Lot 37Cannot guarantee working condition of clock.Good condition,Case, dial and movement clean.

A late 19th Century French mantel clockThe stepped architectural green onyx base with gilt metal swept supports surmounted by a gilt metal figure of a young boy, the eight-day movement with white enamelled dial and black Arabic numbers, 67cm high

An Art Deco marble and slate mantel clock garnitureThe domed architectural case inset with various panels encircling a hexagonal glazed dial with stylised numerals and flanked by twin classical garnitures, clock 25cm high. CONDITION REPORT: Appears to be working, ticking although working order can't be guaranteed. Clock case minor chip on one corner. Opposite corner chip repaired, otherwise good.

A Persian Prayer rug with architectural style column decoration to the centre field on a red ground within a cream ground scrolling foliate decorated border 122 cm x 79 cm

A French brass four glass bracket clock, late 19th Century, of architectural form, bevelled glass glazing, champleve enamel decorated case including pillars, gilt dial with Arabic numerals and matching champleve pattern bezel, the movement striking on a gong, signed L.R, Brevete, S.G.D.G, with mercury pendulum and key, height 37cm

VICTORIAN BRASS CLOCK OF ARCHITECTURAL FORM WITH A CIRCULAR DIAL & FRENCH MOVEMENT, SIX GLASS PANELS & THREE BRASS PINAPPLE FINIALS, MARKED JAPY FRÈRES.HEIGHT: 16 INCHES, WIDTH: 9 INCHES, DEPTH: 5.5 INCHES.NO OBVIOUS DEFECTS & INCLUDES KEY & PENDULUM.

*Exhibition Prints. A group of 18 vintage bromoil vintage gelatin silver prints by Murray Barford, circa late 1920s, including landscapes and architectural interest, various sizes including large format, many on exhibition card mounts with labels and details to versos, plus a gelatin silver portrait of an unidentified man, possibly Murray Barford, indistinctly signed and dated 1932 to mount beneath (19)

*Clock. A Victorian black slate mantel clock, the architectural case inset with malachite roundels, the circular dial with roman numerals and mercury pendulum, 47.5 cm high x 38 cm wide (lacking brass backplate) (1)

*Table cabinet. A late 19th-century Continental table cabinet in the Renaissance style, of architectural form inset with seventeen enamel panels to the exterior finely painted with classical scenes, four enamel columns each with brass putto with grapes or playing the cymbal's, the two doors enclosing inner enamel panels plus three drawers each inset with an enamel panel, 23cm high x 20cm wide x 18cm deep (would benefit from restoration) (1)

*Watling (Hamlet, 1818-1908). A small archive of watercolours and drawings, approximately sixty-three watercolours and drawings in pencil or pen & ink, on twenty-two folio card or paper sheets, some mounted, mostly to rectos only, of stained glass, wall paintings, and architectural details of churches, some signed, mostly titled, and some with extensive anotations by the artist, a number relating to images of St. Edmund, on conjoined sheets, with a title-page 'Ancient Paintings of St. Edmund In painted glass on Screens etc. In the Eastern Counties by H. Watling, Stonham', sheet size 53.5 x 33cm (21 x 13ins) and smaller, together with a few pencil drawings on tracing paper, all loosely inserted in card folder, spine worn Titles include: 'Screen and Loft, Sheringham, Norfolk'; 'Ruins of an ancient little chapel upon a hill E. of Bures village the evident site of the Coronation of St. Edmund (now used as a cattle shed)'; 'Martyrdom of St. Edmund - A mural painting in the Nave of Stow Bardolph Ch. Norfolk'; 'Ancient Carving of St. Edmund In the possession of a Gentleman at Ipswich. Actual Size. A.D. 1460'; 'St Zita, Shorthampton, Oxon'; 'Curious Mason's Marks from ye Pillars in Coddenham Church'; 'N. Window of Chancel Herringfleet Suffolk'. Antiquary, artist and school master Hamlet Watling devoted much of his life to recording church and other antiquities in his native county of Suffolk. He was prolific in output, and although much of his work was never published, there are holdings in public and private collections. He conducted excavations, contributed to learned societies, compiled twelve manuscript tomes of Suffolk heraldry and genealogy, and wrote lengthy weekly columns in the regional press for over forty years. He also became involved in excavations on Roman sites in Suffolk during the 1860s and 1870s. He helped launch the career of Nina Frances Layard (1853-1935), the pioneering archaeologist of Ipswich who became one of the first female Fellows of the Society of Antiquaries of London in the early 1920s. (a folder)

*Richards (Timothy). A pair of plaster bookends modelled as Baden Baden theatre & Opera House, with label to rear 'Timothy Richards Commissions', 17cm high Timothy Richards is an architectural model maker from Bath. (2)

A 19th Century rosewood and inlaid portico mantel clock, the French eight-day bell striking movement regulated by a countwheel and numbered 307 to backplate, with silvered Roman numeral dial and moon hands, the architectural case with box stringing and marquetry inlay decoration and gilt metal mounts to the columns, on an associated plinth base 42cm high

An early 19th century Georgian solid mahogany bureau desk. The hinged top enclosing a architectural fitted interior above a chest of two short and three long drawers being raised upon bracket feet

An interesting 19th century folio / scrap book - featuring many architectural studies, cornices, etc.

A 19th century magic lantern of metal and brass form together with a large collection of slides to include eclesiastical, architectural etc. Measures 44cms long.

Richter’s Anchor Blocks (German) four boxed sets containing quantity of shaped and colour stone building blocks, together with instruction leaflets for No.4 and 6 Bridge, No.2, 4 and 10 Architectural Models and others lacking covers, all sets not complete, one slid lid not complete and broken, together with a boxed wooden French architecture building set, a boxed Alphabet set containing quantity of printed card letters and a Little Red Riding Hood child’s tea set, (lot).

AN ARCHITECTURAL BLACK MARBLE MANTLE CLOCK, Arabic numeral chapter ring, stepped plinth base, approximately 20cm x 13.5cm x 25cm high (key and pendulum)

A BLACK MARBLE MANTLE CLOCK, of architectural form having ormolu dial with Arabic numerals, approximately 36cm x 16cm x 31.5cm high (a/f)

Mexia (Pedro). The Historie of all the Romane Emperors, Beginning with Caius Julius Caesar, and successively ending with Rodulph the second now raigning..., First collected in Spanish by Pedro Mexia, since enlarged in Italian by Lodovico Dulce and Girolamo Bardi, and now Englished by W.T., London: Matthew Lownes, 1604, title within woodcut decorative architectural border (with 18th century signature & small hole), woodcut portrait illustrations, initials and headpieces, lacking first and last blank leaves (A1 & 4F8), leaf 3Z2 provided in facsimile, some dust-soiling and fraying to title and few other leaves, some worm holes at front of volume (mostly to lower margin), armorial bookplate of T. Leonard Ellis to upper pastedown, contemporary dark brown sheep, rebacked (faded), folio STC 17851. (1)

Cave (C.J.P.). Roof Bosses in Medieval Churches, an Aspect of Gothic Sculpture, 1st edition, CUP, 1948, numerous monochrome illustrations, original brown cloth in price clipped dust jacket, covers rubbed and torn with some loss to head and foot, 8vo, together with Jourdain (Margaret), English Interior Decoration 1500-1830, A Study in the Development of Design, 1st edition, 1950, numerous colour and monochrome illustrations, original gilt decorated green cloth, spine slightly faded, large 4to, and Foxell (Simon), Mapping London, Making Sense of the City, 1st edition, 2007, numerous colour and monochrome illustrations, original decorated boards, oblong 4to, plus other modern architectural and historical reference and related, mostly original cloth in dust jackets, G/VG, 8vo/4to (6 shelves)

Fergusson (Peter & Harrison, Stuart). Rievaulx Abbey, Community, Architure, Memory, 1st edition, 1999, numerous colour and monochrome illustrations, original white cloth in dust jacket, large 4to, together with Cautley (H. Munro), Suffolk Churches and their Treasures, 3rd edition, 1954, numerous monochrome illustrations, plus colour frontispiece, original red cloth in dust jacket, covers slightly faded and rubbed to head and foot, 8vo, and Fitchen (John), The Construction of Gothic Cathedrals, A Study of Medieval Vault Erection, 1st edition, 1961, monochrome illustrations, original blue cloth in dust jacket, covers slightly toned and rubbed to head and foot, 8vo, plus other modern architectural and historical reference, some foreign language, including La Nuit des Temps, approximately 85 volumes, mostly original cloth in dust jackets, G/VG, 8vo/4vo (6 shelves)

Wright (Peter Poyntz). The Parish Church Towers of Somerset, The Construction, Craftsmanship and Chronology 1350-1550, 1st edition, 1981, numerous monochrome illustrations, original black cloth in dust jacket, covers slightly faded, 8vo, together with Mowl (Timothy), Elizabethan Jacobean Style, 1st edition, 1993, numerous colour and monochrome illustrations, original black cloth in dust jacket, 4to, and Danconan (P.L., Aeschlimann, E.), The Art of Illumination, an anthology of manuscripts from the sixth to the sixteenth century, 1st edition, 1969, numerous colour and monochrome illustrations, original blue cloth in dust jacket, covers slightly rubbed and marked, 8vo, plus other modern architectural and art reference and related, including Penguin History of Art, 10 volumes, mostly original cloth in dust jackets, G/VG. 8vo/4to (6 shelves)

Vasi (Guiseppe Agostino). Itineraire Instructif de Rome Ancienne et Moderne, ou Description Generale des Monumens Anciens et Modernes et des ouvrages les plus remarquables de peinture, de sculpture et architecture de cette ville celebre et de ses environs..., rectifi‚ par A. Nibby, 2 volumes, Rome, Chez l'Auteur, 1818, 48 engraved plates, 2 folding maps, contents internally clean, contemporary half calf, heavily rubbed and some wear, with backstrip to first volume partly deficient, and backstrip to second volume missing, 12mo, together with Hobhouse (John Cam), The Substance of Some Letters written from Paris during the last reign of the Emperor Napoleon, 2 volumes, 2nd edition, with additional notes and a prefatory address, 1817, some minor spotting, contemporary full calf, heavily rubbed and worn with some loss to spines, 8vo, plus other antiquarian interest, mostly 19th century, including John Britton, The Architectural Antiquities of Great Britain, 3 volumes, 1807-12, Joseph Wilkinson, The Architectural Remains of the Ancient Town & Borough of Thetford in the Counties of Norfolk & Suffolk, 1822, P. Doddridge, The Family Expositor: or, A Paraphrase and Version of the New Testament, 3 volumes, 1761, numerous copper engraved plates, contemporary full calf, rubbed and some wear to joints, with one or two covers detached, 4to, Thomas Dugdale, England and Wales Delineated, edited by E.L. Blanchard, 2 volumes, L. Tallis, circa 1850s, Britain & Brayley's Beauties of England and Wales (Hertfordshire, Huntingdonshire & Kent), circa 1810, lacking title and preliminary leaves, Tacitus, [Opera], Amsterdam, Caspar Commelin, 1664, etc., mostly leather bound, various sizes contemporary gilt decorated half calf, rubbed, spine of volume 1 worn with loss at head, 12mo (3 shelves)

Bond (Francis). Gothic Architecture in England..., 1905, numerous black and white illustrations, period inscription to front endpaper, some minor spotting, original gilt-decorated red cloth, 8vo, together with Anon, Our National Cathedrals (The Richest Architectural Heritage of the British Nation), volumes 1-3, circa 1880, numerous colour plates, bookplates to front pastedowns, volume 1 front endpaper and frontispiece detached, some minor toning, original gilt-decorated red cloth, spines slightly faded and rubbed to head and foot, 4to, plus Millingen (Alexander Van), Constantinople, 1906, 43 colour plates with tissue guards by Warwick Goble, bookplate to front pastedown, original decorated cloth, spine slightly rubbed to head and foot, 8vo, plus other 19th and early 20th-century architectural and historical reference, all original cloth, some decorative, G/VG, 8vo/4to (6 shelves)

A late Victorian mahogany chiming mantel clock, the eight day three train movement striking on eight bells and five gongs, the arched dial with a silvered chapter ring with Roman and Arabic numerals and inscribed with the retailers name 'WEST & SON DUBLIN', with gilt cast foliate spandrels and three subsidiary dials for chime / silent,'slow / fast, chime on eight bells / Westminster on Gongs, in an architectural case with gilt brass pineapple finials and Corinthian capital columns, 49.2cm high, 42cm wide, 29.7cm deep.

A late 19th century Vienna regulator wall clock, the eight day movement striking on a gong, the backplate stamped '1000000 5948', with a white enamel dial with Roman numerals and a subsidiary seconds dial, in an architectural walnut and part ebonised and burr case, 126cm high, 43cm wide.

A late 19th century French gilt brass grand sonnerie carriage clock by Henri Jacot, with repeat, the platform lever escapement striking on two gongs, the backplate with Jacot's parrot stamp and numbers '7623', the base with selector lever for 'Full Striking, Silent, Quarters', the white enamel dial with Roman and Arabic numerals with an engine turned surround engraved with gilt leaves, in an architectural case, 17.5cm high, with its leather travelling case. (2)

A late 19th century German burr walnut chiming mantel clock, the eight day three train movement striking on five gongs, with pull repeat, the backplate stamped 'LENZKIRCH AGU, NO 1 MILLION', with a silvered dial and chapter ring with Roman and Arabic numerals and subsidiary slow / fast and chime / silent dials, in an architectural case with fish scale gilt brass panelled sides, 45cm high, 33.8cm wide, 24cm deep.

Early 20th Century German architectural two train mantel clock with brass face and silvered Arabic chapter ring, yellow metal figural and foliate mounts.

Early 20th Century German two train oak architectural mantel clock with brass face and silvered Roman chapter ring.

Small black slate architectural mantel clock with back winding movement.

Tray of vintage and antique tools, architectural items, etc.

A 19th century French ormolu and porcelain panel clock, depicting Chinese maidens in customary dress, the architectural case with three brass finials to top, the painted dial flanked by columns. H. 35cm

ART REFERENCE. - Raymond LOEWY. Industrial Design. London & Boston: Faber and Faber, 1979. 4to (265 x 262mm.) Numerous illustrations. Original cloth, dust-jacket (light browning, spotting to interior). - And thirty other volumes of art, architectural and design reference (31).

An early Victorian mahogany chiffonier, with architectural ledge back over single drawer and a pair of arch panel cupboards, flanked by split turned columns, 92cm wide.

WILLIS (R.) The Architectural History of the University of Cambridge . . . Edited with large additions, and bought up to the present time, by John Willis Clark. 3 vols. & atlas of plans. num. plates (some d-page) & text illus., atlas with 29 d-page plans (mostly with coloured overlays); gilt buckram, roy. 8vo. 1886.

C. Trombetta, Norwich, a Georgian stick barometer: the mahogany case with satinwood edge moulding, a turned cistern cover to the base and an architectural pediment to the top, with a glazed door to the brass dial, engraved with a barometer gauge and having an inset thermometer to the side, engraved with the maker's name C. Trombetta, Ld Howe St, Bend, Norwich, height 97cm. * Biography; Charles Trombetta, an Italian immigrant, married Mary Fisher at St Stephens Church, Norwich in 1797 and is recorded as working at Lord Howe Street, Benedict's Street circa 1800 and after.

David Sawyer [British School 20th Century]- London Architectural Studies:- a pair, pen and ink with collage both signed and dated 19.12.66 on the backboard each 45 x 35cm. *Notes Both pictures were framed at Kensington Art Framers, 131 Kensington Church Street.

A late 19th Century French black slate mantel clock, the 4ins diameter gilt dial with circular Arabic numeral cartouches, to the eight day two train movement striking on a gong, contained in black slate and gilt brass mounted case of architectural design, 12ins high, an Edwardian mahogany cased mantel timepiece, 9.75ins high, and a 19th Century gilt metal cased mantel clock, 9.5ins high