We found 35023 price guide item(s) matching your search

A grey painted and parcel gilt architectural open bookcase, in George II style, the arched top with four adjustable shelves with flowerhead and dart carved mouldings, turned classical columns with Corinthian capitals supporting scrolls centred by a flame finial, above a leaf carved block draped with laurel leaf and berry garlands, on a moulded parcel gilt plinth, 249cm high, 167cm wide, 63.5cm deep. Of recent construction. Note: the contents of the bookcase are not included.

Victorian mahogany banjo barometer with an architectural pediment, shell inlay, boxwood and ebony stringing, silvered dials, signed - A. Tacchi, Bedford.

A Victorian walnut cabinet on chest, architectural pediment above a pair of etched, mirrored doors enclosing two shelves, three long drawers beneath, the whole carved with leaf scrolls, on turned feet, 3ft. 9in.

A late 19th/early 20th century ebonised musical bracket clock, traditional arched brass dial with silvered chapter ring, German movement both striking on seven bells and chiming on gong, architectural ebonised case embellished with ormolu mounts and finials, on ormolu claw feet, 2ft. 1in. high, complete with ormolu mounted bracket

A pair of Victorian black slate mantel ornaments, ancient architectural form, each with a bronze figure surrounded by columns, 11in.

An Edwardian inlaid mahogany mantel clock, architectural form with enamelled chapter ring, timepiece movement, 12in. high - with key and pendulum

A 17th Century Spanish Vargueno Cabinet. The ornate front fitted with ten architectural style drawers with spindle columns fronting the recessed bone inlaid panels; with raised gilded borders. The two doors with central locks open to reveal secret sliding panels to hidden compartments 21½ ins (54 cms) high, 37 ins (94 cms) wide, 14½ ins (37 cms) deep.

AN EMPIRE STYLE MAHOGANY CHIFFONIER, the mirror-backed superstructure with architectural pediment supported on substantial turned tapering columns above a rectangular top over a drawer above a pair of asymmetrical doors, above a recess with substantial turned tapering columns, applied with gilt-metal mounts, early 20th century. 1.80m by 0.84m by 0.37m

Boccaccio (Giovanni) Laberinto d`Amore. Con una Epistola a Messer Pinto de Rossi Confortatoria del Medesimo Autore, title within woodcut architectural border, woodcut initial, A1-8 some worming, loss of a few letters to all these ff., some staining, [Adams B2181; Censimento 16 CNCE 6268], [Venice], [Nicolo detto Zopino], [1525] bound with Boccaccio (Giovanni) Ameto ouer comedia delle nimphe fiorentine, title within attractive woodcut border, woodcut vignette to verso of final text f., repaired tear to lower margin of final text f., [Adams B2126; Censimento 16 CNCE 6260], [Venice], [Nicolo detto Zopino], 1524, later vellum, spine gilt and with red and black morocco labels, rubbed, 8vo

"Early 20thC Vienna style regulator, walnut case, architectural pediment, circular chapter ring with coppered brass Art Nouveau floral centre"

"Variegated marble and slate mantel clock of architectural broken pediment form, white enamel face, Roman numerals, C.1890"

Dutch School, circa 1600 Portrait of a lady, bust-length, in a black dress with a white ruff and lace cap inscribed ':DIN[G...E]N:· TOMMAS: IXX' (along upper edge) oil on panel 9½ x 8 in. (24.1 x 20.4 cm.) in a 17th Century architectural carved and gilded gesso frame View on Christie's.com

Circle of Christian Stocklin (Geneva 1741-1795 Frankfurt) An architectural capriccio of classical ruins with travellers; and An architectural capriccio of classical ruins with figures in Oriental costumes conversing in the foreground oil on panel 10 x 12¼ in. (25.4 x 31.1 cm.) a pair (2) View on Christie's.com

Four boxes of assorted ceramics and glass including:- pair of Victorian tapering vases, each handpainted with architectural scenes on royal blue ground (4 boxes)

Quantity Victorian pottery jelly moulds including Shelley architectural types elongated fluted moulds, etc (9)

A late 19th/early 20th Century French lacquered brass and jewelled mounted mantel clock with leaf moulded decoration, the circular dial with Arabic numerals to a twin train movement striking on a gong, housed within an architectural type case with turned baluster pillars surmounted by an Etruscan style finial on bracket supports, 30 cm high

A pair of oak hall chairs by Robert Thompson "The Mouseman" of Kilburn, the back rail of architectural form, carved with a mouse over a plain panel and panel seat on square chamfered and block supports united to the square back legs by stretchers

Giuseppe Bernardino Bison (Palmanova 1762-1844 Milan) A seated woman with two children carried in a shawl on her back (recto); Fragmentary architectural design (verso) signed 'Bison' pen and brown ink on blue paper, unframed 6½ x 5½ in. (16.3 x 14 cm.) View on Christie's.com

A folio of prints and engravings including works After Francis Wheatley J. Hassell Thomas Barker 3 Asian prints and architectural works for Harrison`s History of London (approx. 62)++Various - as seen* All lots marked with an asterisk are subject to VAT on the hammer price.‡ All marked lots may be subject to Droit de Suite / Artist`s Resale Right.For details please see www.woolleyandwallis.co.uk department page.All condition reports are a guide only and should be used as such.

MURRAY`S Architectural Guides, Berkshire, Buckinghamshire and Lancashire, TREASE Geoffrey, Nottingham, GRAY, Duncan, Settlement to City, STEWART Rev D.J., Architectural History of Ely Cathedral, various on Old Churches, etc (18)

CARRON Company, Architect`s Catalogue, blue cloth, Comyn Ching & Co (London) Ltd, Architectural and Builders Ironmonger, Catalogue no 75 and a MAC (Metal Agencies Co Ltd), Catalogue `89 (3)

A Victorian slate mantel clock, of classical architectural form, on plinth base, 40cm.

A Victorian mantel clock, classical architectural form, with military inscription dated 1885, 32cm.

A MAHOGANY AND BRASS MOUNTED BIEDERMEIER SECRETAIRE A ABATTANT, 19th century, the stepped flared top over frieze drawer with oval brass drop handles, panelled fall front revealing fitted architectural style interior with satinwood banding and stringing, and deep drawer below over a base drawers with flared end, on bracket feet, 39" x 18 3/4" x 53"

E. L. Lutyens - 27 architectural drawings, Viceroy`s House & Queen Mary`s Dolls House

A rectangular decalcomania and decoupage panel mounted low table, 19th century, low table modern, purchased from Mallett, panels decorated with large central motif of oriental characters mounted on canvas, surrounded by architectural follies, a monkey, birds, butterflies, flowers and other animals, raise on Cobham legs, 139 x 115 x 38 cm.

A SYCAMORE, AMBOYNA AND SANTOS ROSEWOOD MARQUETRY MIRROR BY DAVID LINLEY, LATE 20TH CENTURY The frame inlaid with architectural designs including lancet arches around a bevelled rectangular plate, bearing the stamp 'DAVID LINLEY 1993' 40 in. (101.5 cm.) high; 32½ in. (82.5 cm.) wide View on Christie's.com

A SET OF THIRTY-TWO CHINESE-EXPORT RELIEF CARVED CHESS PIECES LATE 19TH CENTURY The discs carved with figural representations denoting each piece and to the reverse carved with architectural and figurative scenes Each piece -- 1½ in. (4 cm.) diameter Together with a Chinese-Export parcel-gilt black lacquered folding games box, late 19th Century, the exterior decorated for chess and the interior for backgammon -- 19¼ x 19¼ in. (49 x 49 cm.) View on Christie's.com

Copper Arts and Crafts mantel clock of architectural form with Art Nouveau style decoration and brass carrying handles, integral key wind movement manufactured by the British United Clock Company Ltd Birmingham

A 19th Century bone panelled pocket watch stand, of architectural form, in two parts, the bone panels with stained and pierced decoration, 17in. (43cms) high (some losses).

The Architectural Digest, a Pictorial Digest of California`s Best Architecture... Vol. IV, No. 4, 4to, pictorial wrappers, plates, Los Angeles, 1928.

Robinson (Charles Mulford) Modern Civic Art, or the City made Beautiful, 8vo, cloth gilt, uncut, ex-library copy, New York & London, 1903; Rosengarten (A.) and Collett-Sandars (W.) A Handbook of Architectural Styles, 8vo, cloth, illustrations, 1927; Lathrop (Elise) Historic Houses of Early America, 4to, cloth, plates, illustrations, New York, 1936; Fletcher (Sir B.) A History of Architecture, 8vo, cloth gilt, plates, 1950; Robertson (H.) Architecture Arising, 8vo, cloth, plates, 1944; Giedion (S.) Space, Time and Architecture... Third edition, enlarged, 4to, cloth, d-j, plates & illustrations, 1954; Doxiadis (C.A.) Ekistics, an Introduction to the Science of Human Settlements, 4to, cloth, illustrated glassene d-j, illustrations, 1969 (7).

P. Primoli, Newcastle: a mid 19th Century inlaid mahogany wheel barometer, with architectural cornice above a thermometer with inlaid shell panels below, circular silvered register, signed `P. Primoli, Side, Newcastle`, warranted, foliate medallion to apron, 39in. high.

A George II style mahogany and gilded mirror, of architectural form, the pediment top with central carved shield ornament and carved swags, a mask above the architectural style pediment, the bevelled plate with gilded moulded decoration, the sides with fruits, flowers and leaf scrolls, 55 x 28in. (140 x 71cms).

A LARGE COLLECTION OF MID 20TH C PROFESSIONAL ARCHITECTURAL PHOTOGRAPHS INCLUDING LARGE FORMAT PHOTOGRAPHS MANY OF NOTTINGHAM INTEREST

ARCHITECTURAL MIRROR, formed from a cast iron window with mirrored panels, of large proportions, 252cm H x 144cm W.

ARCHITECTURAL MIRRORS, a pair, in black metal frame, 145cm x 93cm. (2)

ARCHITECTURAL MIRRORS, a pair, with domed top, in a metal frame, 208cm x 109cm. (2)

LINEN PRESS, Regency period flame mahogany, the architectural cornice above two well figured rectangular panelled doors enclosing trays above two short and two long drawers and swept splay bracket supports, 125cm W x 226cm H x 58cm D.

A small collection of assorted architectural engravings, together with a spy print

A framed copy of an architectural Scale drawing of Saddell Castle, Kintyre, Argyle, a framed engraving of Wellington College and engraving of Lady Smythe

"A late 19th/early 20th century German wall clock, the enamelled dial with gilt bezels in an ebonised and walnut case of architectural outline, h. 97 cm "

A 19th century sketch book of Charles E Oliver of Newcastle-on-Tyne. Born in 1856 Oliver trained as an architect and the sketch book dates from the early part of his career. There is a detailed survey of The Mission School in Prudoe Street, Newcastle, perhaps done as an exercise. There are a number of skillfully executed pen and ink drawings including a view of Bamburgh Castle from the north, dated 29th June 1884 and St Peter`s Church, Bywell on Tyne dated June 1882. Other pages have detailed drawings in pen and ink of architectural features of buildings visited, 9 x 5.5in, spine missing, front and back boards detached but contents sound.

A late 19th century ebonised and gilt fourteen day mantel clock of architectural form by HAC Wurternberg, height 50cm.

* BOGDANOV-BELSKY, NIKOLAI 1868-1945 View of a Church signed, c. 1930s Oil on canvas, 66 by 78 cm. "Authenticity has been confirmed by the expert I. Geraschenko.Authenticity has been confirmed by the expert V. Petrov. The work will be included in the book on Bogdanov-Belsky, prepared by A. Kouznetsoff.Exhibited: Khudozhniki Russkoi Emigratsii v Tchernogorii, Museum of Podgoritsy, December 2008.Tshernogoriya. S Palitry Russkikh Khudozhnikov, Embassy of Montenegro in the Russian Federation, Central House of the Artists, 21 April - 3 May 2009.Literature: Exhibtion catalogue, Khudozhniki Russkoi Emigratsii v Tchernogorii, Museum of Podgoritsy, December 2008, plate 1, illustrated. Exhibition catalogue, Tshernogoriya. S Palitry Russkikh Khudozhnikov, Embassy of Montenegro in the Russian Federation, Central House of the Artists, 21 April - 3 May 2009, p. 25, illustrated.The renowned Russian artist Nikolai Bogdanov-Belsky is above all famous for his genre scenes. His works showing village children are full of true life, and are without doubt among the best examples of Russian genre painting of the late 19th and early 20th centuries. While in Russia, the artist painted very few refined landscapes and city views, focusing on his favourite theme. Having settled in Latvia, Bogdanov-Belsky, while continuing to paint genre scenes, regularly executed wonderful landscapes of the countryside and towns. This new direction in the artist’s work is most likely linked to his wish to widen the range of his creative possibilities, and to position himself with confidence as a landscape artist. Towards the end of the 1910s, Bogdanov-Belsky’s painterly style changes significantly. The almost academic realism of the artist, which he had taken on from the Itinerants of the late period, ceases to exist. The artist becomes seriously interested in Post-Impressionism. His colour scheme becomes more open and vibrant, and his brush strokes more elongated and abrupt. From now onwards, his paintings are full of sunlight, free from dark umber tones. Bogdanov-Belsky travels extensively, visiting Germany, France, the Baltic States, and Yugoslavia. The two magnificent views of Belgrade offered here were painted in 1930, while the artist was in Yugoslavia. The corner of the old town and the ancient church are painted with the artist’s characteristic mastery. The composition of the work is carefully chosen and distinguishes itself by its perfection and clear division of space. The truthful descriptiveness and the thorough attention to the architectural details make the painting an important historical document."

The Architectural Press, London, Mouldings of the Tudor Period, Turned, Woodwork, Wrought Iron work x two, Mouldings of The Georgian Periods, Brickwork details, six portfolio editions (6)

CAMPBELL, Colin (fl. 1715-1729). Vitruvius Britannicus or The British Architect. London: 1717-1731. Volumes I-III only, 2° (vols I-II 497 x 348mm; vol. III 462 x 295mm). Vols I-II with engraved titles in state C (vol. I with first numerals of 'II' erased, indicating 1717 issue), engraved dedication to vol. I, 159 etched and engraved architectural plates (plate 32 in vol. II appearing twice), 31 of which double-page (some folding), numbered 1-100 in each volume, all in 1717 states; vol. III with title printed in red and black, text in English and French, 73 etched and engraved plates numbered 3-100, 21 of which double-page. (Vol. I: occasional very light browning; Vol. II: occasional very minor marginal worming, a couple of double-page folding plates with edges lightly creased, very light crease to last double-page plate, light variable browning; vol. III: minor marginal worming, plates 31 and 32 with light spotting, double-page plate 91-92 torn along vertical fold without loss, dampstaining to endpapers extending through title, text leaves and into first couple of plates, also affecting last 7 plates.) Contemporary calf (worn, front covers detached). Provenance: Georg Steinmetz (20th-century ink stamp to pastedowns) -- Wasmuth Antiquariat (Berlin bookseller's ticket to vol. I). FIRST EDITIONS of vols I-II, 'arguably the most influential and original British architectural book ever published' (RIBA). This was partly owing to the conscious decision to exclude the pretty views to be found in prospect books such as Kip's Britannia Illustrata, and rely on the effectiveness of purely scientific representations. Although the text and plate list in vol. III calls for plate 101 and Harris also listing 101 plates, this was not issued in this 1731 edition (cf. RIBA 3547). Fowler 76 (vols. I-II); Harris 97 (vols I-II), 102 (vol. III); RIBA 3544 (vols I-II), 3546 (vol. III, 1725 edition). (3) View on Christie's.com

PALLADIO, Andrea (1508-1580). Les Bátimens et les Desseins de André Palladio recueillis et illustrés par Octave Bertotti Scamozzi. Vicenza: Giovanni Rossi, 1786. 4 volumes, 2° (460 x 320mm). Engraved portrait of Palladio, engraved vignettes to titles, 208 plates (on 210 sheets) of which 33 double-page by David Rossi, Gaetano Testolini and others. (Light crease on title of vol. IV, occasional browning, light spotting and soiling.) Contemporary red straight-grained half morocco over red straight-grained paper-covered boards (extremities lightly rubbed, corners bumped). Provenance: Bibliothèque de M. Tourton (label) -- Bruno Hessling (Berlin bookseller's ticket). The second French edition. Bertotti Scamozzi (1719-1790), who produced and illustrated this edition, was a distinguished architect and the main representative of neoclassical art in Vicenza, Palladio's home town. 'Fece cosa nobile e grandiosa nel produrre queste grandi opera Palladiane, e nell'illustrarle' (Cicognara). The Architectural Library, AL2, P171; for the first edition of 1776-83, cf. Berlin Kat. 2722, Cicognara 598 and Fowler 231. (4) View on Christie's.com

CAVALIERI, Giovanni Battista (1525-1597). Romanorum imperatorum effigies. Rome: Franciscus Coattinus, 1590. 8° (171 x 114mm). Engraved title within architectural border, crown at top hand-coloured, full-page engraved coat-of-arms of Cavalieri, 157 portraits on 152 leaves by Cavalieri, with the blanks *7-*8, hand-coloured printer's device on verso of final leaf. (Occasional light soiling, lower corner of I3 torn away with loss of one letter on verso.) Contemporary vellum (lacking ties, lightly soiled, rubbed). Provenance: partly erased old inscription at head of title -- Thomas Hodkin, Newcastle on Tyne (bookplate). Brunet I: 1697. View on Christie's.com

[DICKSON, R.W.] 'Alexander McDONALD' (fl. 1799-1815). A Complete Dictionary of Practical Gardening. London: R. Taylor and Co. for George Kearsley, [1805]-1807. 2 volumes, 4° (265 x 205mm). 61 hand-coloured engraved botanical plates by F. Sansom after Sydenham Edwards [including 19*], 13 uncoloured architectural plates by after C. Blunt and J. Farey Jr. (Lacks L2, paper fault to title of vol. I slightly affecting imprint, light spotting to plain plates, light offsetting to coloured plates, some limited offsetting, spotting and browning of text.) Contemporary gold-tooled red morocco, gilt edges (extremities rubbed, small wormhole to spine of vol. II). Provenance: Eliza Philips (book label). FIRST APPEARANCE OF EDWARDS' PLATES which were subsequently re-issued as The New Botanic Garden and The New Flora Britannica (both London, 1812). BM(NH) III, p.1207; Cleveland Collections 718; Dunthorne 106; Great Flower Books p.115; Nissen BBI 479. View on Christie's.com

BELIAVSKII, Frants Mikhailovich. Poezdka k Ledovitomu Moriu. [Journey to the Arctic Ocean.] Moscow: at the Press of the Lazarev Institute of Eastern Languages, 1833. 8° (217 x 130mm). Hand-coloured frontispiece, additional engraved title, 3 hand-coloured folding plates by Zheren, and one folding engraved plate of snowflakes. (Spotting and some soiling in the text, one coloured plate with some foxing, engraved pate with tears and some old repairs.) Contemporary Russian green morocco, spine lettered in gilt, sides panelled in gilt and blind and centred with a large architectural design blocked in gilt, edges gilt, pink moiré silk endpaper, edges gilt (light wear). Provenance: K. Shmataev (signature in an early hand). FIRST EDITION, IN A HANDSOME RUSSIAN ROMANTIQUE BINDING, with moiré endpapers, and finely hand-coloured plates. Beliavskii reports on his journey to Western Siberia, his encounters with the Ostiak and Samoyedic peoples, their customs including Shamanism, and language, flora and fauna. The illustrations also include a plate of various snow crystal structures. Obol'ianinov 157. View on Christie's.com

A PAIR OF CARVED OAK FLUTED ARCHITECTURAL COLUMNS PROBABLY ENGLISH, EARLY 18TH CENTURY EACH WITH CORINTHIAN CAPITAL, THE LOWER SECTIONS WITH APPLIED EBONISED MOULDING ON SQUARE BASES 75 IN. (190 CM.) HIGH (2) View on Christie's.com

A MASON'S PATENT IRONSTONE IMARI PART DINNER-SERVICE CIRCA 1830, IMPRESSED MARKS OF HEXAGONAL SECTION, PRINTED AND PAINTED WITH PEONY AND ARCHITECTURAL RESERVES ENRICHED IN GILDING, THE TUREENS WITH LOTUS FLOWER FINIALS, TO INCLUDE: A PAIR OF BOTTLE-COOLERS, A SOUP-TUREEN, SAUCE-TUREENS, PLATES AND PLATTERS (94) View on Christie's.com

AN ANGLO-GERMAN 'NONESUCH' CHEST LATE 16TH CENTURY THE ARCHITECTURAL FRONT PROFUSELY SET WITH MARQUETRY AND PARQUETRY DECORATION, INCLUDING TOWERS AND BUILDINGS, THE SIDES WITH CARRYING HANDLES, THE LID WITH GEOMETRICAL CHANNELS PREVIOUSLY SET WITH INLAY 24½ IN. (62 CM.) HIGH; 46½ IN. (118 CM.) WIDE; 25 IN. (63 CM.) DEEP View on Christie's.com

Victorian mahogany hall table, with architectural back, frieze drawer and on turned legs.

ARCHITECTURAL PEDIMENT, early 20th century stone, of two parts, in the form of a winged angel, 49cm H x 104cm W x 20cm D.

ARCHITECTURAL MIRRORS, a pair, with domed top, in black painted metal frame, 148cm x 92cm. (2) (as found)

ARCHITECTURAL STYLE MIRRORS, a pair, of iron effect with an arched top, 109cm W x 207cm H. (2)

MIRRORS, a pair, architectural style, in distressed painted metal finish, 132cm x 89cm. (2)

CLOCKS - A LATE 19TH CENTURY BLACK SLATE MANTEL CLOCK having classical architectural centre with arched pediment and flank Corinthian pilasters, flanked by twin cast black finished metal cherubs sitting on a break front moulded plinth, 33cm x 41cm