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Peter Nicholason, "An Architectural Dictionary", in 2 vols. London 1819, calf 4to and "The Practical Builder", London 1825, (3)

PAIR OF HAND COLOURED ETCHINGS featuring architectural scenes, mounted, framed and under glass, 70 x 32cm

An early 19th century inlaid mahogany secretaire bookcase, architectural pediment, fitted secretaire drawer, two cupboards under, flanked by spiral and fluted column - H220cm, W115cm, D60cmCONDITION REPORTbreakages to glazed panels, some moulding missing and loose

A QUANTITY OF 19TH CENTURY ARCHITECTURAL MOULDINGS (provenance: from various buildings in The Parade, Royal Leamington Spa)

NICHOLAS WALFORD OF AYLESTONE A GEORGIAN DESIGN MAHOGANY CASED STICK BAROMETER, having architectural pediment, 96cm high

A French mantel clock, fitted a movement striking on a gong, in a black slate architectural case, 31.5 cm high Condition report Pendulum present

A 19th Century Mahogany Long Case Clock, the architectural hood with turned pilasters above a panel door and conforming plinth base, the brass dial inscribed Joshua Farrer and with later electric movement

An Ansonia black painted mantel clock, of architectural form, 38cm wide; together with another slate mantel clock.

An extending tripod for a builder's level circa 1940-1960s an architectural piece

A collection of Bohemian amber glass 19th century to include a scent bottle, cup, and goblet, each with floral and architectural designs.(3)

A collection of giltwood architectural mounts brackets and other related pieces

Puck a rare Doulton Lambeth stoneware architectural figure designed by Harry Simeon, Puck modelled seated crossed legs, on separate circular bird bath base, stamped Doulton regd 736777, minor losses figure 40cm. high, 63 cm. diam. bowl. (2) Literature Desmond Eyles & Louise Irvine Doulton Lambeth Wares, Richard Dennis Publications, page 194 for a comparable figure.

A set of three Martin brothers stoneware Aquatic architectural panels, each tapering form with fluted capital and base, modelled in low relief and incised with grotesque fish, eels and aquatic creatures, in shades of brown and blue on a buff ground, losses and old repairs, 49cm. high, 33cm wide (3)

A Martin Brothers stoneware pond by Robert Wallace Martin, incised with panels of scrolling foliage with dragon masks, in shades of brown, comprising sixteen architectural panels, incised R W Martin & Bros London & Southall, two panels replaced, paper lot label,110cm. wide, 25cm. high. (16) Provenance 20th Century Decorative Arts 25th May lot 269. Private collection. Literature 20th Century British Decorative Arts Christie's South Kensington, 28th October 1998 lot 205 for a comparable pond commissioned by Sir Samuel Hoare in 1884 for his house in Cromer.

A Martin Brothers stoneware architectural tile panel by Robert Wallace Martin, cast and carved with panels of geometric foliage, the shoulder painted with a panel of scrolling foliage with dragon mask terminal, in shades of brown highlighted in white, the inside painted with waterweed, a Martin Brothers stoneware pedestal base and a Martin Brothers stoneware column incised with scrolling foliage, probably a jardiniere stand or a fountain base, tile unsigned, pedestal signed R W Martin London, damages and repairs 24.5cm. high, 23cm. wide (5), column 76cm. high (5) Provenance 20th Century Decorative Arts 25th May 1990 lot 269 (part) Private collection.

Mackay Hugh Baillie Scott, (1865-1945), manner of Little Thakeham, 1911 watercolour on paper architectural design, unframed signed in yellow Baillie Scott 1911 38 x 26.5cm.

A Gothic Revival painted wood display cabinet possibly designed by William Burges, square section, with glazed panels to all sides, the gilt wood stencilled architectural panels, with applied metal corner panels, lock-plate and handle unsigned 25.5cm. square, 42cm. high

Horatio W Lonsdale (1846-1919) Study for East Window of St Anne's Church, Stanley Liverpool, 1890 watercolour on paper, framed signed and dated 1890 lower left, paper label to reverse 36.5 x 26.5cm. Catalogue Notes Horatio Walter Lonsdale established an architectural partnership with William Burges and they worked on several buildings together, including Saint Fin Barre's cathedral, Cardiff Castle and Castel Coch.

A Martin Brothers stoneware clock dial, circular with pierced apertures, incised with foliate panels glazed blue and brown on a buff ground, a Martin Brothers stoneware oil reservoir dated 1876, a cover and two Martin Brothers stoneware architectural kerb stones, incised marks to reservoir, chips, dial 14cm. diam. (5)

An Edwardian mahogany wall hanging corner display cabinet, fretworked architectural pediment with fluted urnular finial, blind fretwork to frieze, satinwood banded astragal glazed door, pierced apron.

A continental silver and enamel box, import marks for Stockwell & Co, London 1926, the red guilloche enamel circular box with hinged cover depicting figural scene within wooded and architectural landscape, all within red guilloche enamel and gilt border, 73mm diameter

A French gilt brass repeating carriage clock, the white dial with Roman numerals covered by foliate engraved front plate, subsidiary hours dial below six, the architectural case flanked with Corinthian columns, swing handle, chimes on a gong. H. 15cm

A 19th century marquetry inlaid mahogany bureau bookcase, the broken architectural cornice over a pair of astragal glazed doors, the fall enclosing a fitted interior, over two short and three long graduated drawers, on bracket feet, 103cm wide x 225cm high.

Attributed to Giuseppe Galli Bibiena (1696-1756), An architectural capriccio, pencil and sepia wash, 24cm x 32cm.

A pair of Lincolnshire oak linen fold panelled and carved back 3' headboards and footboards, twin beds, with side rails, back panels carved with architectural columns and flowers with expensive Hypnos mattresses.

A late 19th century metal cased architectural mantle clock.

A large late 19th century slate cased architectural mantle clock with white ceramic dial and American movement.

Two very unusual mid-19th century black lacquer gilt and polychrome painted salon chairs, each with architectural framework and stuffover seat

Five antique carved stone Gothic architectural fragments, probably 17th century or earlier, largest measures 61cm x 68cm

Mid-19th century French ormolu and porcelain mounted clock garniture in the 16th century gothic taste, the clock in architectural case with cast knights and trophies of arms, porcelain dial and panels painted with knights and coats of arms, French eight day movement striking on bell signed E Roy & Fils flanked by pair of matching three branch candelabra. The clock 32cm high

George III bracket clock with eight day twin-fusee repeat movement striking on a bell, signed - Gowlands Sunderland, white enamel dial with ringed winding holes and Roman numerals, also signed - Gowlands Sunderland, in an ebonised architectural case with brass mounts, fish-scale side frets and garland ring-handles, on four ball feet, 42cm overall height (pendulum and key present)

A pair of late Victorian oak hall chairs, the raised architectural backs with carved foliate and moulded rails, the turned galleries flanking central inset floral tiles over solid seats and turned forelegs

An 18th century continental table cabinet, fall front with marquetry detail showing birds amongst blossom on ashwood background within further geometric borders, the sides and top with further geometric detail, the fall front revealing a fitted interior with central cupboard flanked by six further drawers and three dummy drawers (plus 2 secret drawers), all with architectural marquetry detail, the rising top with iron hinges, 51 cm tall

A collection of pictures, comprising coloured prints of architectural subjects including door surrounds, gateway, etc, together with a black and white photographic montage print of famous pieces of architecture including cathedrals, etc, oil painting on board of a still life with guitar and fruit, various small topographical engravings including Plymouth breakwater from the west, Mullyan (sic) Cove, Cornwall, etc

A collection of architectural drawings and designs,mostly from the School of Architecture, London Polytechnic (qty.)

A COMPOSITION PORTRAIT PLAQUE OF SIR EDWARD ELGAR, dated 1892 and indistinctly signed P. Pandes?, in an architectural oak frame with fluted Corinthian pilasters. Plaque 41.5cm by 29.5cm

A VICTORIAN BRASS SINGLE FUSEE SKELETON CLOCK, of architectural form with Gothic pointed arches, the silvered chapter with Roman numerals, raised on a marble plinth with glass dome, key and pendulum. Overall 46cm

A VICTORIAN BRASS SINGLE FUSEE SKELETON CLOCK, SIGNED THWAITES, the opposing brass architectural frames with Gothic points and painted Roman chapter, the eight day chain driven movement striking a bell, under a glass dome and raised on a marble base, complete with pendulum and key. Overall 48cm

An Edwardian stripped pine bedside cupboard with shallow raised architectural back over a rectangular panelled door set on a plinth, together with a carved oak spinning chair with octagonal seat and carved foliate detail

A pair of black and white architectural prints

ARCHITECTURAL MOULDINGS, a quantity, of Victorian gilt gesso pieces, the design attributed to John Gregory Crace (Provenance: Sothebys Chatsworth Attic sale, lot 112, October 2010) some lenghts 310cm. (Qty) (with faults)

STATIONS OF THE CROSS, a set of nine, plaster cast with architectural frames and polychrome painted detail, I, II, III, IV, VI, VIII, X, XIII, XIV, 48cm W x 78cm H x 8cm D (with faults). (9)

A Carved Baroque Figural Architectural Fragment (A/F). The painted & partially gilded wooden carving depicting a winged angel draped in a gilt cloth sat upon a scrolling bracket with a cherub's face mask to the centre, 26 ins (66 cms) high.

Two antique engravings, one in verre eglomise mount, along with a chalk pastel architectural view

Four Staffordshire and style flat-backs; one depicting two figures with a clock and three in architectural form

A French Late 19th Century Architectural Brass Cased Mantel Clock with Spring Driven 8 Day Striking Movement on a Bell, 1/2 and Full Hour, Porcelain Dial. Stands 13.75 Inches High.

French - Early 20th Century Impressive and Decorative Brass Cased Mantel Clock with 8 Day Movement with Porcelain Dial, Ornate Architectural Brass Case. 9.5 Inches High & 8 Inches Wide.

Black Slate Architectural Mantel Clock, Cream Chapter Dial With Roman Numerals, Between Coloured Marble Pillars.

Two Jerusalem souvenir olive wood bottles and stoppers each carved with architectural scenes and with bands of geometric inlay, height 23cm.

An Indian oval miniature at the centre the Taj Mahal surrounded by eight further architectural views, 3 x 2.5cm.

An early 20th century large cast iron architectural radiator with plinth base, six cylinder uprights and platform top. Measures: 78cm x 60cm x 29cm.

A Victorian cast Iron architectural heater radiator of double form raised on pedestal base. Measures: 100cm x 55cm x 17cm.

After W Russell Flint. A framed and glazed print of a watercolour of a maiden in architectural scene. Measures: 28cm x 39cm.

A pair of 19th century / early 20th century architectural Church ecclesiastical uplighters, with brackets. Purportedly from a church in Staple Hill, removed upon demolition in the 1980's. Measures H89 x W55 (cm).

A Victorian oak ebonised corner cabinet raised on plinth with architectural design having flared top above. Measures: 94cm x 63cm x 63cm.

A Victorian HAC - Hamburg America regulator wall clock of architectural form having 8 day movement with decorative facia. Measures: 75cm x 31cm x 18cm.

An early 20th century large cast iron architectural radiator with plinth base, three cylinder uprights and platform top. Measures: 97cm x 50cm x 16cm.

A pair of vintage early 20th century gypsy framed chrystoleums of architectural scenes

A collection of 3 Wills cigarette card albums being filled in the main. To include Signalling Series, Naval Dress & Badges, Ogdens Flags & Funnels of Leading Steamship Lines, Wills Flag Waving, Wills botanical, Players Architectural, Players countryside, Ogdens vehicles, occupational, armorial crested etc. Also Players Dickens, Royalty, Greek gods, portrait and others etc

Selections from the Early Ballad Poetry of England and Scotland, KING (Richard John) - editor, William Pickering, London, 1842. First Edition. Title printed in red and black within a woodcut architectural border. 291 pp. Bound in contemporary dark brown calf over slightly bevelled boards, the covers with a blind tooled border. The spine divided into six panels, lettered in the second. Marbled endleaves, red edges.