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A Victorian walnut cased Vienna style wall clock with a rearing horse crest above an architectural pediment and a gilt metal dial with a Junghans two train movement.

A Late Victorian ash dressing table the architectural raised back with a shelf and spindled gallery above a rectangular moulded top two short and 2 long drawers and a conforming ash pot cupboard with a single drawer and cupboard door.

Sheila Nicholson, set of 3 watercolours, architectural interior decorator's designs for the Hyde Park Hotel, Knightsbridge, signed and dated 1971, 22" x 29", framed, (3).

SIX SHELVES OF BOOKS, INCLUDING THE ARCHITECTURAL ASSOCIATION SKETCH BOOK, NEW SERIES, VOL 12 AND PAPERBACK BOOKS

A VICTORIAN PARCEL GILT ROSEWOOD AND EBONISED ARCHITECTURAL STYLE CABINET, WITH TRIANGULAR PEDIMENT AND PILASTERS TO THE DOOR AND SIDES AND A CONTEMPORARY SIMILAR BLACK AND GILT JAPANNED TWO DOOR CABINET

TWO ARCHITECTURAL SLATE MANTLE CLOCKS, THE SMALLER WITH FRENCH GONG STRIKING MOVEMENT, BOTH CIRCA 1900

R.I.B.A. International Architecture 1924-1934, Catalogue to the Centenary Exhibition of the Royal Institute of British Architects, 1934, a few colour and many monochrome illustrations, original pictorial wrappers with design by John Farleigh, small 4to, VG, together with Reports on the Present Position and Tendencies of the Industrial Arts, as indicated at the International Exhibition of Modern Decorative and Industrial Arts, Paris, 1925, colour and monochrome plates, original cloth with label to spine, rubbed and spine label somewhat worn, 4to, plus Illustrated Souvenir, The Royal Academy Exhibition of British Art in Industry, 1935, numerous monochrome illustrations, original printed wrappers, small 4to, and others similar, including W. Aumonier, Modern Architectural Sculpture, 1st edition, Architectural Press, 1930, Michel Roux-Spitz, Realisations, 2 volumes, [1932 & 1950], Siegvard Bernadotte & Johs. Lehm-Laursen, Moderne Dansk Boligkunst, 2 volumes, 1946-47, Michael Farr, Design in British Industry, a Mid-Century Survey, with a foreword and postscript by Nikolas Pevsner, Cambridge University Press, 1955, etc. (14)

Smithson (Alison & Peter). The Euston Arch and the Growth of the London, Midland & Scottish Railway, foreword by Nikolaus Pevsner, 1st edition, Thames and Hudson, 1968, numerous monochrome illustrations, original cloth backed pictorial boards, oblong folio, together with Banham (Reyner), The New Brutalism, Ethic or Aesthetic?, 1st edition, Architectural Press, 1966, numerous monchrome illustrations after photographs, etc., original black cloth gilt in dust jacket, very slightly rubbed to extremities, 4to, plus others similar, including R. Myerscough-Walker, The Perspectivist, 1st edition, Pitman, 1958, Reyner Banham, A Guide to Modern Architecture, Architectural Press, 1962 & The Architecture of the Well-Tempered Environment, Architectural Press, 1969, Architects' Year Book, numbers 1 & 5, 1945/53, etc., mostly original cloth in dust jackets, 4toThe Euston Arch and the Growth of the London, Midland & Scottish Railway, foreword by Nikolaus Pevsner, 1st edition, Thames and Hudson, 1968, numerous monochrome illustrations, original cloth backed pictorial boards, oblong folio, together with Banham (Reyner), The New Brutalism, Ethic or Aesthetic?, 1st edition, Architectural Press, 1966, numerous monchrome illustrations after photographs, etc., original black cloth gilt in dust jacket, very slightly rubbed to extremities, 4to, plus others similar, including R. Myerscough-Walker, The Perspectivist, 1st edition, Pitman, 1958, Reyner Banham, A Guide to Modern Architecture, Architectural Press, 1962 & The Architecture of the Well-Tempered Environment, Architectural Press, 1969, Architects' Year Book, numbers 1 & 5, 1945/53, etc., mostly original cloth in dust jackets, 4to (11)

Plan. Plan, Architectural Students Association Journal 1-9, 1948-51, numerous illustrations and adverts, original spiral-bound paper binding, some spotting, 8vo, VG (9)

Piper (John). lithograph title and frontispiece, black & white plates and illustrations, original cloth in dust-jacket, together with Gorman (Maurice & Dunnett, H. McG.), Inside the Pub, 1st edition, Architectural Press, 1950, black & white plates & illustrations, colour illustrations by Gordon Cullen, original cloth in dust-jacket, with Jones (Barbara), The Unsophisticated Arts, 1st edition, Architectural Press, 1951, black & white plates and illustrations, original cloth in dust-jacket, and Richards (J.M.), The Functional Tradition in Early Industrial Buildings, 1st edition, Architectural Press, 1958, black & white plates and illustrations, original cloth in dust-jacket, plus fourteen other Architectural Press publications including Gardens in the Modern Landscape, by Christopher Tunnard, 1938, High Victorian Design a study of the exhibits of 1851, by Nikolaus Pevsner, 1951, Lettering on Buildings by Nicolete Gray, 1960, New Houses collected and described by Penelope Whiting, ARIBA, 1964, and Exhibition Design, edited by Misha Black, new edition, 1951, all original cloth in dust-jackets, few with light fraying to edges, all 4to, G/VG (18)

Collins (Peter). Concrete, The Vision of a New Architecture, 1st edition, Faber & Faber, 1959, & Changing Ideals in Modern Architecture 1750-1950, 1st edition, Faber & Faber, 1965, monochrome illustrations, both original cloth in dust jackets, very slightly rubbed, large 8vo, together with Blake (Peter), The Master Builders, 1st edition, 1960, monochrome plates after photographs, original cloth in dust jacket, 8vo, VG, plus Hope (Alice), Town Houses, 1st edition, Batsford, 1963, numerous illustrations after photographs, original cloth in dust jacket, very slightly rubbed to extremities, small 4to, and others on British modern architecture and architectural history (40)

Koch (Alexander). Academy Architecture and Architectural Review, 20 volumes, a run, numbers 11-40, 1897-1911, numerous monochrome illustrations, the first 10 volumes bound in contemporary half plum cloth gilt, slightly rubbed, the remaining 10 volumes in original publisher's blue cloth, very slightly rubbed, small 4to, together with Die Kunst, Monatshefte fur freie und angewandte kunst, volumes 27, 44, 56, & 58, 1912-13, 1920-1921, 1926-1927 & 1927-1928, colour and monochrome plates and illustrations, all original publisher's cloth gilt, a little rubbed and first volume very slightly faded to spine, together with Deutsche Kunst und Dekoration, edited by Alexander Koch, volumes 61 & 62, October 1927-September 1928, numerous colour and monochrome plates and illustrations, original gilt-decorated blue cloth, rubbed and some fraying to joints, plus Stadtebau Monatshefte fur Stadtbaukunst, 2 volumes, 1926-1927, numerous monochrome plates, original printed wrappers bound in, contemporary cloth with paper label to spine of each volume, 4to (28)

Bennett (T.P.). Architectural Design in Concrete, 1st edition, Ernest Benn, 1927, monochrome illustrations after photographs by F.R. Yerbury, original red cloth gilt in dust jacket, restrengthened to head and foot of spine to verso, 4to, together with Mieras (J.P. & Yerbury, F.R.), Dutch Architecture of the XXth Century, 1st edition, Ernest Benn, 1926, numerous monochrome plates after photographs, original orange cloth in dust jacket, rubbed and marked, 4to, plus Ahlberg (Hakon), Swedish Architecture of the Twentieth Century, with a preface by F.R. Yerbury, 1st edition, Ernest Benn, 1925, monochrome plates and illustrations, original blue cloth gilt, a little rubbed and some marks, thick 8vo, and other similar monographs on modern architecture, published by Benn, Batsford, Studio, etc., including Recent English Domestic Architecture, 6 volumes, published by Technical Journals, 1908-[1922], Lloyd, A History of English Brickwork, 1925, 4 volumes of The Builder, 1901-03, etc. (45)

Raymond (Antonin). Antonin Raymond His Work in Japan 1920-1935, edited by Katsuya Nakamura, Tokyo 1935, inscribed as a gift from the architect to R. Lester Buffins Architect Chicago, Honolulu, numerous illustrations from photographs, spiral-bound cloth binding, together with Raymond (Antonin), Antonin Raymond Architectural Details, Architectural Press, London and Kyobashi-Ku, Tokyo, 1938, numerous illustrations from photographs, spiral-bound cloth, (one of 1000 copies), plus an autobiography of the architect, all 4to (3)

VARIOUS ARCHITECTURAL DRAWINGS, with framed diplomas etc

A Vienna Wall Clock with white dial and twin weight driven movement, in architectural style walnut case, 3' 7" (110cms) high.

*Architectural Details. Revett (Nicholas), A collection of forty-eight engravings, circa 1790, uncoloured engravings of architectural reliefs and elevations, capitals, statues and plans, all mounted in good 'lined' mounts, various sizes and condition Originally published in 'The Antiquities of Athens' (1762 - 1816). (48)

Jones (& Co., publishers). Views of the Seats, Mansions, Castles, &c. of Noblemen and Gentlemen in England, Wales, Scotland, & Ireland; with other Picturesque Scenery..., parts 4-42, 45-58, 60-71, 73-75, published 1829, numerous engraved plates on india paper, original printed wrappers, light wear, slim 4to, together with Shepherd (Thomas, illust.), Modern Athens! or Views in Edinburgh, parts 2-31 & 42-43, published 1829, numerous engraved plates on india paper, original printed wrappers, some worn, slim 4to, with Jones' Views of the Cities of Bath and Bristol, with other Picturesque and Architectural Illustrations of the Counties of Somerset and Gloucester, parts 1-27, 30-34, 36-43, published 1829, numerous engraved plates on india paper, original printed wrappers, some light wear, slim 4to, plus [Storer, James], The Antiquarian Itinerary, Comprising Specimens of Architecture, Monastic, Castellated, and Domestic..., 7 vols., 1815-[18], numerous engraved plates, edges untrimmed, original cloth backed marbled boards, printed title labels to spines, small 8vo, plus four volumes of Britton's Beauties of England and Wales for North Wales, South Wales (two copies of each) (small carton)

Trade Catalogues. Practical "Moderne" Houses by Wates, Builders of Quality Homes, 98 London, Mitcham, Surrey, circa 1934, numerous illustrations, original pictorial wrappers stapled as issued, oblong 4to, together with other various architectural trade catalogues, including John Laing & Son, 1937, Country Gentleman's Association, Artistic Country Buildings, 3 volumes, 1911, 1913-14 & circa 1915, John P. White, Bedford, Garden Furniture and Ornament, circa 1900, Daily Mail Designs for Ideal (Workers) Homes, 1919, The Daily Mail Bungalow Book, 1922, Red Triangle Cement Organisation, Ideal Houses, 1928, etc. (15)

Betjeman (John). Ghastly Good Taste or, a Depressing Story of the Rise and Fall of English Architecture, 1st ed., 1st issue, 1933, folding panorama at end, errata slip, spare label tipped-in at end, original cloth-backed boards, a little rubbed with marginal fading, 8vo, together with First and Last Loves, 1st ed., 1952, black and white illustrations, original cloth, d.j. by John Piper, slight fading to spine, 8vo, plus Of the Atmosphere of a Church, by J.N. Comper, Sheldon Press, 1947, illustrations, original wrappers, slight marginal soiling, 8vo, inscribed to upper wrapper: "You must certainly read this. J. Betjeman XVII. XI. MCMXLVII", with others including Image. A Quaterly of the Visual Arts, vols. 1-8 [all published], 1949-52, Murray's Architectural Guides for Berkshire, Buckinghamshire & Lancashire, 1948-55 and John O' Connor's Canals, Barges and People, 1950 (18)

Smith (Joseph, publisher). Ecclesiarum Angliae et Valliae Prospectus or Views of the Cathedrals in England and Wales of the Collegiate Church of Westminster and South-well & of the Royal Chapel of St. George at Windsor, Accurately Engrav'd on Copper Plates by the best Artists and printed on Imperial paper, To which is prefixed an Historical Account of each of them, printed for Joseph Smith, 1719-[1724], engraved vignette title with text in English and French, additional letterpress title printed in red and black (Nouveau Theatre de la Grande Bretagne... tome troisieme), dated 1724, 24pp. double column letterpress text in English and French, twenty-seven engraved plates only, by James Cole, H. Hulsbergh, William Emmett, J. Harris, and I. Collins (of which twenty-two are double-page or folding), including large folding plate showing the interior of St Paul's Cathedral, London (closed tear to fold without loss), contents partly loose, bookplate of the Bibliotheca Lindesiana to front pastedown, early 19th century half calf, rubbed and some wear, folio (sheet size 517 x 309mm) See Cicognara 3997 & 4003. Not in Harris, British Architectural Books. An incomplete copy of the third volume of Kip's Britannia Illustrata, being the 1724 reissue of Joseph Smith's Ecclesiarum Angliae et Valliae of 1719, containing fine views of the major churches and cathedrals of England and Wales. (1)

R.I.B.A. Catalogue of the Royal Institute of British Architects Library, 2 volumes, reprinted Dawsons, 1972, original grey cloth gilt, thick 4to, together with Catalogue of The Drawings Collection of the Royal Institute of British Architects (C.F.A. Voysey by Joanna Symonds & Edwin Lutyens by Margaret Richardson), 1976/73, Journal of The Royal Institute of British Architects, 11 volumes, a run, volumes 56-66, 1949-59, and other architectural interest, including Twentieth Century Architecture series, numerous journals, booksellers' catalogues, etc. (3 shelves & 2 cartons)

*Gruner (Ludwig publisher). A collection of approximately sixty-five lithographs, circa 1850, chromolithographs and lithographs of architectural reliefs, designs and prospects, some plates with some spotting, occasional duplicates, each approximately 520 x 440 mm (approx.65)

Breslauer (Alfred). Ausgefuhrte Bauten 1897-1927, mit einer einleitung von Wilhelm von Bodes unter mitarbeit von Hermann Schmitz, 1st edition, Berlin, 1927, tipped-in colour plates, monochrome photogravure plates, original brown cloth gilt, morocco label to spine, a little faded to spine and a little fraying to joints, 4to Presentation copy, signed and inscribed by Alfred Breslauer in ink to front endpaper to Lotte Salinger, dated 3rd July 1927. Lotte or Charlotte Salinger was the daughter of Paul Salinger (1865-1942), the brother-in-law of Alfred Breslauer and his architectural partner between 1901 and 1934. (1)

Late 19th/early 20th Century heavy slate, architectural style mantel clock with cherub decoration and finial, gilt metal face and drum movement.

An early 20th century Swiss carved beechwood cuckoo clock, the architectural case mounted with muskets and game, having a Roman dial and chiming gong. H.48cm

A Walnut Mantel Clock with Architectural Pillar Each Side (pendulum inside).

A 19th Century architectural style black slate and red marble mantel clock, the floral chased decorated case with eight day bell striking movement, white enamel dial with Roman numerals, recessed visible escapement and decorative brass and bevelled glass bezel, 43 x 35 cms

GORDON HEMM (of Liverpool, see page 715 of Buckman) fine architectural study of the Liver Buildings and adjoining waterfront buildings on the Mersey with numerous boats and tugs etc, signed, 27 x 42 cms

An architectural oak cased boardroom clock with eight day movement by Ansonia, gong striking, the ivory enamel chapter ring in gilt surround with bevelled glass. 35x15x43cm.

WALL CLOCK. A 19th century ebonised walnut, regulator wall clock, in architectural case. Height 115cm.

Charles Knight – 2 Volumes Old England ‘A Pictorial Museum’, Lethaby' Westminster Abbey’s and The Kings Craftsmen', 1906, 2 Volumes 'Domestic Architecture of England during the Tudor Period', London 1911, J Alfred Gotch ‘Architecture of the Renaissance in England', Volume 1 and 2, 1894, and assorted architectural titles.

A large late Victorian walnut hallstand of full height, the raised back with architectural pediment, turned spindle gallery over a bevelled edge shield shaped mirror flanked by cast iron scrolling coat hooks with rams head finials over a simple pronounced shelf and decorative vein marble top, central frieze drawer flanked by umbrella/stickstands

A late 19th century oak long case clock, the hood with glazed panelled door, the hood with cut supports and beneath an architectural frieze, enclosing a square brass dial and movement

A 19th century Dutch walnut wall mirror of rectangular form with architectural pediment, with typical floral marquetry detail, enclosing a bevelled edge mirror plate

An Edwardian oak bracket clock in the classical style with ionic column supports beneath an architectural cornice, with silvered dial and eight day striking movement

An eastern wool rug showing architectural detail of buildings, etc, set within further geometric borders, 170 x 115 cm approx

ARTHUR GEORGE HILL: ARCHITECTURAL AND HISTORICAL NOTICES OF THE CHURCHES OF CAMBRIDGESHIRE, L, 1880, 1st edn, old cl gt worn + REV EDWARD CONYBEARE: A HISTORY OF CAMBRIDGESHIRE, L, 1897 1st edn, fdg map, orig qtr cf gt worn, teg + J F GREENWOOD: TWENTY-FOUR WOODCUTS OF CAMBRIDGE, L, John Lane, The Bodley Head Limited, 1926, limited edn (850) numbered, 24 woodcuts compl, orig cl bkd bds, ptd paper label to top bd and to spine, d/w + "URBS CAMBORITUM" PSEUDONYM WILLIAM ROBERT BROWN: LEAFLETS OF LOCAL LORE, circa 1895, [32pp] of "Cambridgeshire Cameos", rebnd cl (not recent) by Wilson & Son Binders, Cambridge (4)

A small architectural lion head terminal on later wooden base

Edwardian oak cased mantel clock of architectural form with quarter fluted pillars, brass capitals, French two train movement stamped with makers mark striking on gong, raised on brass ogee feet

A Junghans walnut mantel clock, architectural case and decorative Roman numeral dial and movement striking on a gong, 53cm

A companion pair of historical architectural prints to include The Vatican and another, each well framed in black painted and giltwood glazed frames (2) 50 x 45cm overall

The Pantheon and Triumphal Arch, a companion pair of historical architectural prints, each in a black painted and giltwood frames (2) 50 x 45cm overall

An early 20th Century mahogany cased architectural mantle clock, the silvered foliate engraved dial with Roman numerals and minute track, eight day brass movement striking on a gong with half hour strike. pendulum and key 34cm high.

A good quality mid 20th century boxed architectural block building set, and a chess set with white and yellow metal pieces, the glass topped case forming the playing board - (2)

Britton (John) The Architectural Antiquities of Great Britain, five volumes, half calf, London 1814, and other volumes on architecture, medieval art, and other subjects (2 boxes)

VENETIAN SCHOOL, 18th CENTURY ARCHITECTURAL DESIGN WITH A COLONNADE AND A GATEWAY Pen and sepia ink with grey wash 22.5 x 34.5cm. ++ A few spots and stains; a little faded; some old creases; laid onto old support sheet

ROMAN SCHOOL, 18th CENTURY ARCHITECTURAL DESIGN OF A PUTTO WITHIN LEAFY SCROLLS Bears inscription Carlo Marati [Carlo Maratta], pen and sepia ink and wash, unframed 38.5 x 29.5cm. ++ Laid down; a little worn; needs a clean

LIEUT. COLONEL CHARLES BAILEY, RE (1803-1865) A SCOTTISH ALBUM, COMPRISING ARCHITECTURAL AND LANDSCAPE SUBJECTS AT DUNFERMLINE, LUCE ABBEY, AYE, LINLITHGOW, STIRLING, ARROQUHAR FROM INVERSNAID, LOCH LONG, INVERARY [see illus.], PASS OF GLENCOE, BALLAHULISH, GLEN NEVIS, BEN VENUE, LOCH KATRINE, EDINBURGH, ROSLYN CASTLE, HADDINGTON, PEEBLES, NEIDPATH, THANES CASTLE, LOCH DOON, GIRVAN, CROSS RAGUEL ABBEY, GLEN APP, LINNCLUDEN, KENMUIR, MERRICK HILL, DAILLY, GLEN ROSIE, GREAT CUMBRAE ISLAND, ARRAN, DUNDRENNAN, ST. ABBS HEAD, LARGS, TIBBY SHIELS, LOCH AWE, THE STOBO HOPES, THREAVE CASTLE, KINROSS, LOCH LEVEN, BERWICKSHIRE COAST and elsewhere Fifty nine, mid-1850's, none signed but each neatly inscribed with title on image and/or support sheet, watercolour 13.5 x 25cm. approx or smaller ++ Generally good colour; support sheets grubby/stained/foxed

A FOLIO OF 19th CENTURY WATERCOLOURS to include a view of `Inner Harbour, Grenada, W. Indies` 29.5 x 46cm, various landscape studies and architectural subjects, three marine watercolours (possibly by A. Taylor after William Callow) and two nearly identical Neapolitan gouaches (these 25.5 x 29.5cm and 24 x 35.5cm.), approx 45 leaves (a lot)

J. ATWOOD SLATER (Fl.1883-1906) A FOLIO OF ARCHITECTURAL DRAWINGS AND WATERCOLOURS, PRINCIPALLY ECCLESIASTICAL SUBJECTS To include finely executed studies of Westminster Abbey, Salisbury Cathedral, Albi, Amiens, Auxerre, Issoire [see illus], Mantes, Nevers, Rouen, Sens, Vezelay, Ravello, Taormina and elsewhere, many signed or initialled, many inscribed, some dated c.1880-1886, various sizes, 38 x 27cm approx and smaller (approx 30 leaves plus some other oddments) ++ Satisfactory; some grubby and/or worn

A MAHOGANY CABINET ON BASE, 19th century, with architectural pediment above a pair of fielded panelled doors enclosing adjustable shelving, on a base with three cockbeaded graduated long drawers, 195 x 96cm

Two George III architectural engravings, Improvements to the Port of London, George Dance 28th July 1800

Chinese 20th century lacquer fan decorated with figures within architectural settings in original fitted case

A stunning large ledger scrap book entitled for HANSLIP FLETCHER - Artist of the London Street. An extensive collection of newspaper clippings and artwork by Hanslip Fletcher. To include architectural topographical clippings mostly of 18th and 19th century London. The column clippings each by various people with Fletcher artworks to right hand pages

A large collection of large vintage and retro amateur landscape and architectural photograph studies dating from the 1960's to include several local vista's along with some European views, shipping etc please see images. All photo's by local Photographer and Artist F. Streeter

A collection of paintings by Chamberlain. To include Venetian watercolour, watercolour street scene painting, countryside painting in colours. Also pen and ink architectural drawing along with lithographs and others etc

Four 18th century Dutch Delft ceramic manganese purple decorated tiles, three depicting architectural landscapes, one depicting a farmer, 13 x 13cm.

A large Chinese celadon glazed twin handled baluster vase painted in underglaze blue with architectural landscape, unmarked, height 44cm (af). CONDITION REPORT: One handle is missing, the other has a loss to the lower part. There are also some nibbles to the rim.

A Chinese carved rootwood figure of an elder with two fish, height 36cm (part missing), and a hardwood circular tray carved with architectural landscape, diameter 39.5cm (2).