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Shenval Press . Italian Paintings and Drawings at 56 Princes Gate London SW7, 2 volumes, 1959, numerous black & white illustrations, uniform original red cloth in slipcase, 8vo, together with Wm. Helburn , Architectural Details (ornamental and structural) of the Renaissance Period in England, circa 1900, New York, 52 black & white plates, modern endpapers, some light spotting & marks, modern red cloth spine retaining contemporary red half calf, boards slightly rubbed with minor loss, large 4to, and other pre 20th & modern art history & reference, some leather bindings, many original cloth in dust jackets, some paperbacks, G/VG, 8vo/4to (Qty: 6 shelves)

A Victorian oak architectural bracket clock by James Williams, Castle Street Liverpool, the architectural pediment with brass frieze and turned finials surmounts a gilt dial set with Roman numerals and silvered chapter ring, above a Gothic frieze and with mounted plaque stating 'Presented to Mr James Scott of the Cunard Office staff on the occasion of his marriage, 21st June 1894', height 43.5cm. CONDITION REPORT Small chips from both finials and from around the rear door clasp, piece of the classical pediment missing.

An inlaid oak cased H.A.C brand mantle clock, with an architectural case flanked with fluted columns, 33 cm high, 22 cm wide together with a decorative late 19th century continental hand painted floral and figural porcelain cased mantle clock (2).

A Victorian Vienna regulator wall clock with a white enamelled dial populated with black Roman numerals and a subsidiary dial, set within a glazed architectural case with ebonised fluted pilasters, 86 x 34 cm (maximim).

A small Victorian stripped pine wash stand, with a central frieze drawer, raised on turned column supports over a shaped platform base and bracket supports on bun feet, 80 cm high, 105 cm wide, 46 cm deep, together with an architectural pine framed wall mirror, 137 x 66 cm (maximum).

Five black and white pictures in black frames, Contemporary, Architectural view.

Interior Sculpture: ▲ A pair of polished aluminium mannequins designed by Nigel Coates, circa 1990, 170cm and smaller (height adjustable) Made for the Jigsaw Clothing Company, Knightsbridge, London, with sectional constructed torsos, these are some of the most striking design of mannequin ever made. Nigel Coates is an English architect, author, and prolific designer of interiors, exhibitions, products, and lighting. He grew up in the town of Malvern, Worcestershire and was educated at Hanley Castle Grammar School before studying at the University of Nottingham (1968-71) and the Architectural Association (1972-4). He formed Branson Coates Architecture with Doug Branson in 1985-2006.

Architectural: A rare Georgian carved sandstone panel of Izaac Walton, late 18th century, standing on the riverbank originally holding a fishing rod and net, 170cm high by 98cm wide By repute, this rare carved stone plaque is believed to have been set in the wall of a public house close to the home of Izaac Walton, who was an English writer, best known as the author of The Compleat Angler written in 1653, a pastoral discourse on the joys and stratagems of fishing that has been one of the most frequently reprinted books in English literature. He also wrote a number of short biographies that have been collected under the title of Walton’s Lives. After the restoration of the monarchy in 1660, one of Walton’s Royalist friends, George Morley, was made bishop of Winchester and offered Walton residence in the bishop’s palace, where he stayed for the rest of his life and it is from a public house in the area that this plaque is reputed to have come from. His final personal revision (the fifth edition) of The Compleat Angler appeared in 1676 and included additional material written by his friend Charles Cotton.

A collection of Architectural Salvage, including fire surrounds, grates, and other items. (as a lot, S.N.S.R.) (1)

A LARGE ADAM STYLE ARCHITECTURAL FAN LIGHT of arched form, 230 cm wide x 74 cm high

Victorian slate mantel clock, by Curtis & Horspool, Leicester, French cylinder movement striking on a gong, architectural form, 33cm high.

Victorian slate mantel clock, architectural form, circular dial, French cylinder movement, striking on a gong, height 38cm, and another slate and marble mantel clock, white circular dial (chipped).

A Victorian cast iron Corinthian architectural column , with traces of blue paint, and two half examples, each approximately 350cm long (3)

A Victorian slate mantle clock of architectural form, the gilt rimmed dial with Roman numerals, the structure decorated with engraved flowers and scrolls, height 26 cm

An Edwardian ormolu and porcelain hour repeating carriage clock, with architectural case and enamelled Roman dial signed E.W. Spink?, the sides decorated with panels of maidens representing spring and autumn, unsigned movement number 1300, height 6.75in., with brown leather travelling case

An early 20th century French ormolu and white marble clock garniture, the architectural cased clock surmounted with military trophies, with floral swagged painted arabic dial and eight day countwheel movement, 13in., with a pair of matching two light candelabra, 10in.

An early 20th century French silvered and parcel gilt hour repeating carriage alarum clock, in floral engraved architectural case with japonaiserie bird and peony design dial, movement striking on a gong, 7in.

A Regency brass inset mahogany mantel timepiece, with architectural case and enamelled Roman dial, single fusee movement signed Moginie, Pimlico, 9.75in.

After Ben Nicholson, three prints of church architectural studies, framed and glazed, 47 x 31cm

Architectural hanging wrought iron candelabra

Architectural mahogany mantle clock with gilded face

Victorian polished slate and marble architectural mantle clock with Arabic dial inscribed Richardson Paris, twin train movement striking the half hours on a coil, W37cm , H31cm

Large Victorian polished slate architectural mantle clock with six columns, Roman dial with twin train movement striking the half hours on a coil, W51cm , H32cm

Ke-Shi Chen Architectural and Landscape Design for the Royal Botanical Garden, Edinburgh, 1994' Watercolour and ink, signed and dated, in a glazed and giltwood frame, 85 x 63cm

An Art Deco spelter and marble sculpture, of a lady in seated pose, wearing long flowing dress, raised on Siena and black marble long architectural base, h.33.5cm, w.74cm.Figure and capitals are loose.Poor patina to the figure.Some scratches to the marble.

A quantity of architectural picture plates (7), including transverse section of Hereford Town Hall.

A rare and unusual early 19th century French figurine clock, the case of domed top architectural form in Belgian black marble, cast and gilded classical mounts, featuring a gilded figurine of a loosely clad female holding up her shawl to obscure most of the dial, annular chapter ring silk suspension movement, unsigned, bell striking, 51cm tall, with pendulum and key, the back door is of metal construction, approx weight 17kgsCondition: generally untouched and dusty, back door hinges need attention, some crazing/ cracks to chapter ring, very minor chips to base and one corner, ticking condition, figurine probably bronze but cannot look underneath or remove to confirmPlease note we have more pictures of this clock on our Saleroom catalogue

Yuli (Yuily) Yulievich (Yulevich) Klever (Estonian/Russian, 1850-1924). "Horse and Sleigh Rider on a Long Winter Road". Oil on canvas. c1915-1917. Signed lower right. Good condition; unobtrusive top horizontal canvas addition or crease, hidden on the verso by the stretcher bar. Frame size: 22 7/8 x 30 1/2 in. (581 x 775 mm). Image size: 18 x 24 in. (457 x 610 mm). Klever studied at the Russian Academy of Arts in Saint Petersburg, informally known as the St. Petersburg Academy of Arts, initially in an architectural class (1867-1868) and then in landscape (1868-1870) as a pupil of Vorobjev and Klodt. The landscape, especially winter snow scenes, became Klever’s calling. [27876-10-4000]

Collection of five Victorian chromolithographic mechanical Christmas & New Year cards: 1) c.1870 card depicting bouquet of flowers, opens to reveal elaborate three-dimensional representation of family skating on a frozen lake and, above, an interior scene with family decorating Christmas tree; 2) c.1870 mechanical peepshow, four-card construction, central oval picture opens to reveal 3-D winter landscape with sea and sailing vessel; 3) c.1870 pop-up card, Gothic windows opening to reveal interior setting with girl and printed message, 'A Happy New Year to you all'; 4) c.1890 New Year card depicting dove and flowers at a window, opens to reveal boy and girl beneath an arch; 5) c.1890 Christmas card, opens to reveal elaborate architectural scene with peacock and flowers, figure at a window, some wear and loss (5)

WILLIAM DE MORGAN A SQUARE GLAZED TERRACOTTA TILE, blue rose pattern, to the reverse of the tile remains of words "Architectural" and "Poole", 15cm square, together with A LIVERPOOL DELFT TILE with Sadler print, c.1765, 12cm x 13cm and a blue and wh ite tile (3)

Peter Nelson - Architectural lighting Ltd - A set of three 20th century retro vintage multi adjustable lamps with rail slide fixing and cylindrical aluminium shade. One lamp having a clamp fitting and the other two having unusual fittings. Measures; 70cm tall.

Twelve assorted framed modern decorative prints including architectural, porcelain etc

An Edwardian mahogany and inlaid desk timepiece of architectural form, Roman enamelled dial, Swiss 8 day drum movement with platform escapement

Three 8 day mantel clocks including onyx architectural form

An early 20th Century Junghans 8 day spring driven wall clock of architectural form, walnut veneered case, Roman enamelled dial, key and pendulum

Riou (Stephen) The Grecian Orders of Architecture, first edition, engraved title-vignette, 6 vignettes and 28 plates, some folding, some light offsetting, title lightly foxed, etched bookplate of Earl of Aylesford of Packington, Warwickshire, contemporary half calf, rubbed, extremities repaired, [Blackmer 1425; Harris 746], folio, by J. Dixwell, for the Author, 1768.⁂ "Riou was in Athens while Stuart and Revett were working there, and decided to produce an architectural theory for the use of the Greek architectural orders then being described and measured by Stuart and Revett." (Blackmer). The book is dedicated to James Stuart who, along with David Garrick, Soame Jenyns and George Stubbs, is included in the list of subscribers.

Bible, Latin.- Divi Pauli Apostoli Epistolae, brevissimis & facillimis scholiis per Ioannem Gagneium...illustratae, collation: A8 a-t8 v10, Roman letter, title within woodcut architectural border, woodcut criblé initials, lacking final blank, occasional light staining, lightly browned, 18th century French green morocco, gilt, flat spine in compartments with floral and foliage decorations and double red morocco labels, triple gilt filet borders with circular corner-pieces to covers, rubbed, g.e, 8vo (binding 131 x 91mm.), Simon de Colines & Galliot du Pré, 1538.⁂ First edition of the Epistles of St. Paul with text and commentary by Jean de Gagny, chaplain to François I. Provenance: Castle Howard copy (large engraved armorial bookplate, recording this as a gift of Sir David Dundas). Literature: Adams B1846; Renouard, Colines, p.294; Schreiber 154; not in D&M.

Piranesi (Giovanni Battista) Campus Martius Antiquae Urbis, engraved title, frontispiece, dedication with 2 half-page vignettes, 2 initials, 2 tail-pieces, and 43 engraved plates, numbered I-XLVIII, with plate V on six sheets joined and folding as plates V-X, plates XII and LXVI with two subjects each, plate XLVIII with 3 subjects, the folding plate 'Scenographia machinae' by Arnold van Westerhout after Francesco Fontana included here as plate XXXI as usual, excellent impressions on thick Italian laid paper with several variant fleur-de-lis watermarks throughout, the folding plan with several careful old repairs to splitting alongside folds, some occasional spotting, mainly visible in the margins, bound in handsome contemporary calf, elaborate border and central lozenge tooled in gilt, with ornamental floral decoration, masks, and urns, spine gilt in compartments with six raised bands, g.e., a little rubbed, spine ends and corners slightly worn, large folio, 1762.Provenance:Private collection, Rome [sold with accompanying export license]Literature:cf. Hind p.85⁂ A magnificent copy in contemporary binding, with fine impressions throughout. The centrepiece fold-out Ichnographia, or plan of the Campus Martius in Rome, stands as a spectacular example of Piranesi's genius for design and printmaking, showcasing both the artist's personal observation and archaeological research, alongside his ability for architectural imagination.

Italy.- Saint-Non (Jean Claude Richard, l'Abbé de) Voyage pittoresque ou description des royaumes de Naples et de Sicile, l'Imprimerie de Clousier, 4 vol. in 5, first edition, half-titles, engraved title vignettes by Augustin de Saint-Aubin, Pierre-Philippe Choffard and Varin, after Jean-Honoré Fragonard and Duplessi-Berteaux,, dedication f., 305 plates (including the 'phallus' plate in vol.2, which is often lacking), maps and plans by Claude-Augustin Duflos, Le Roy, Prévost, Saint-Non and others after Fragonard, Jean-Pierre-Louis-Laurent Houel, Hubert Robert, Saint-Non, and others, illustrations and head- and tail-pieces (of which c.20 of the latter hand-coloured), a few short repaired tears, some spotting and light browning, vol.2 with some marginal water-staining, 19th century half calf, richly gilt spines in compartments and with red morocco labels, [Blackmer 1473; Berlin Kat. 1904; Cicognara 2708; Cohen-De Ricci 928-930], folio, Paris, de l'Imprimerie de Clousier, 1781-1786.⁂ 'One of the monuments of French eighteenth-century book production.' (Blackmer).Jean Claude Richard de Saint-Non went to Italy in 1759 and studied art and architecture in Rome where he met the artists Fragonard and Hubert-Robert, who were among those who contributed drawings for this work. He travelled to Naples with them in the spring of 1760, spending several weeks in Naples itself, as well as visiting Paestum, Pompeii and Herculaneum, where he drew copies of murals and antiquities. On his return to Paris in 1761 preparation of the plates was put in hand under the direction of Jean Benjamin de Laborde, co-author with Zurlauben of the equally monumental Tableau... de la Suisse. However the cost of such a lavish production ruined Saint-Non and hastened his death in 1791.The magnificent engraved plates include views of Naples and its environs, neighbouring towns, Vesuvius, churches, palaces and other buildings, catacombs, temples, tombs, grottos, ancient and Renaissance works of art, and many other architectural and scenic subjects, with the descriptive text by Dominique Vivant-Denon.Provenance: John Wordsworth (1805-1839) lassical scholar and priest, son of Bishop Christopher Wordsworth and nephew of the poet William Wordsworth (ink inscriptions to front endpapers).

Late 19th Century Continental fruitwood-cased wall clock with enamelled cellular Roman chapter ring, two-train movement in architectural case, 64cm high

Early 20th Century German mantel clock, Hamburg American Clock Co, with Roman chapter ring and two-train movement, in architectural case, 42,5cm high

•JOHN MAKEPEACE OBE (b.1939): A SYCAMORE OCCASIONAL TABLE, the rectangular glass top raised on a shaped architectural base, 35cm H x 63cm Sq Provenance: Purchased by the vendor from Farnborough Barn Limited, Oxfordshire, c. 1989

•GEORGY K LOUKOMSKI (1884-1952) A folio of mixed works, predominately architectural drawings, some set designs and figural studies (a lot) Georgy Kreskentevich Loukomski was a Russian artist, art critic and art historian. After the Russian Revolution of 1917 he emigrated to Western Europe, continuing his work as an art historian and artist, mainly of architectural works.

•GEORGY K LOUKOMSKI (1884-1952) A folio of mixed works, predominately architectural drawings, some set designs and figural studies (a lot) Georgy Kreskentevich Loukomski was a Russian artist, art critic and art historian. After the Russian Revolution of 1917 he emigrated to Western Europe, continuing his work as an art historian and artist, mainly of architectural works.

•GEORGY K LOUKOMSKI (1884-1952) A folio of mixed works, predominately architectural drawings, some set designs and figural studies (a lot) Georgy Kreskentevich Loukomski was a Russian artist, art critic and art historian. After the Russian Revolution of 1917 he emigrated to Western Europe, continuing his work as an art historian and artist, mainly of architectural works.

MAPLE & CO. LONDON. AN EARLY 20th CENTURY OAK CASED QUARTER CHIMING LONGCASE CLOCK the hood having an architectural pediment above a glazed door flanked by turned brass capped reeded columns, the trunk with glazed door on panelled box base, the 12" arched brass dial having gilt spandrels and silvered chapter ring surrounding a matted center with subsidiary seconds dial, the arch with Chime/Silent dial fronting an substantial three train eight-day weight driven movement chiming the quarters on four gongs and striking the hours on a larger gong 245cm high

AN 18TH CENTURY POLYCHROME PAINTED ITALIAN CARVED WALL PANEL with architectural pediment above an arcaded panelled front having painted medallions depicting monuments surrounding a central frame 121cm high 114cm wide.

A LATE 19th CENTURY QUARTER CHIMING TRIPLE FUSEE BRACKET CLOCK the fine architectural figured oak case having a carved domed pediment above a glazed door flanked by carved canted corinthian columns enclosing a 7" gilt foliate engraved dial with silvered Roman chapter ring and two small subsidiary dials for Tune selection and Chime/Silent, the retailers plaque signed 'BOLTON SMITH, 26 DUKE STREET, MANCHESTER SQUARE. W.' fronting an eight-day triple chain driven fusee quarter chiming movement playing Westminster on four gongs or Whittington on eight bells and striking the hours on a large gong 61.5cm high

A 19th century Danish Architectural two sided sample plaster moulding board 58cm x 156cm high

A 20th century composite stone architectural tablet, depicting a bearded mask with spider, 60cm h x 43cm w

Early 20th Century fretwork bird cage of architectural form with glass panels, width 46cm (areas in need of assembly).

19th Century oak bracket timepiece with an eight day single train fusee movement, the 8in silvered dial engraved with Roman Numerals & BARRAUD & LUNDS, 49 CORNHILL, LONDON 4867, the oak architectural case with a paper label for Barraud & Lund, 49 Cornhill, height 46.5cm (pendulum & key)

German WIN Architectural Mantle Oak Cased Clock (Winterhalder & Hofmeier ) with silvered dial and Arabic numerals. The back plate marked for WWH and Co EP. Spring driven and 5 bells. Shaped bombe form and raison on bracket feet. Height 16 inches in height.

Architectural Interest - Pair of Antique Indian Wooden Gates; the gates being approx 110 cms w x 180 cms h. 

F.SMALMAN SMITH. 19th.C. ENGLISH SCHOOL. A SERIES OF FIVE ARCHITECTURAL DRAWINGS FOR A VICTORIAN VILLA TOGETHER WITH A FRAMED DEDICATION TO M.B.SHAKESPEARE OF STOURBRIDGE INSCRIBED BY THE ARCHITECT, PEN AND INK WASH. 35 x 45cms. (6)

Dimmick Maker to the Queen, Cowes, Freshwater and Ryde; a late Victorian black slate and verde antico marble mantel clock of architectural style, the twin train movement striking on a gong, 28.5cm wide, with key (2).

A GRAND TOUR BRONZE ARCHITECTURAL MODEL of the Temple of Vesta, on Sienna marble base, 13cm high

BRITTON, John, The Architectural Antiquities of Great Britain, London, 1807. -1821. In 10 vols. 4to. numerous plts. ½ marbled bds. glt. Spines, plus 2 others. 12

PARKER, John Henry, pub. Architectural Notices of The Churches of The Archdeaconry of Northampton, London, 1849. 4to. frontis. with tissue guard. 43 mounted engrs. ½ bds. tog.with BRITTON John, The History and Antiquities of The Metropolitical Church of York. Illus. By a series of engravings of views, elevations, plans and Details. Longman, 1819. Fo. Plus 3 other related. 5 EGS bkpts

A GRAND TOUR STYLE ARCHITECTURAL MODEL of the Baptistry of Pisa, on green marble base, 25cm high