We found 35023 price guide item(s) matching your search

A 19thC French brass mantel clock, marked V A B Brevete, the 9.5cm Dia. Roman numeric dial in an architectural case, set with four columns revealing a keywind movement, marked to the back plate, 23cm H.

Britton (John). The Architectural Antiquities Of Great Britain Represented And Illustrated In A Series Of Views Elevations Plans Sections And Details, of various ancient English Edifices With Historical And Descriptive Accounts Of Each, London 1826, marbled and leather gilt highlighted boards. (5 volumes)

Various books architecture related and others, Pevsner (Nikolaus) various to include Staffordshire Suffolk, Cheshire, South Lancashire, etc., Inside Churches, Illustrated Guide To Britain, various architectural history periodicals, to include Calvin (Howard), various other books on architecture, Imperial London, Venetian Villas, etc. (3 shelves)

Timothy Richards, model of Ca' d'Oro limited edition number 15/480, British Gypsum Plaster, Architectural Fine Arts Commission; together with bookend modelled on pedestrian entrance to Burlington House Courtyard, commissioned by the Royal Academy of Arts from Timothy Richards of Keynsham; and bookend modelled on the Main Entrance to the National Portrait Gallery (3). Main entrance of National Portrait Gallery: railings loose.All with small marks and wear to the edges.

Various architectural coloured prints (4)

A Victorian ebonised architectural design over mantel mirror, with acanthus leaf carved decoration, and turned columns, W149cm, H119cm

Miscellaneous Books - Literature, mainly British but some French, late 19th century and onwards, including some pocket editions; ICS Reference Library, various volumes, half-leather bindings; early 20th century and later building reference; various histories and guides to British Medieval cathedrals, abbeys and parish churches, all 20th century; architecture; ecclesiology; topography; Observer's Guide; Victorian and later theatre interest; Antiquarian and later, including Graves (Robert), Count Belisarius, first edition, 1938, h/b; another, similar; 19th century and later works on the Holy Land and Egypt, various; early 20th century fiction, pictorial cloth; some later, pictorial dust jackets; Art and Architectural History, Roman and onwards, including Kenneth Clark; Victorian and later photography, including Julia Margaret Cameron; Medieval and later history, various; some academic titles and presses; Penguin Paperback Classics, original covers; social history, some folk lore and mystery; etc, large quantity

AFTER WILLEM SWIDDE, Architectural scenes etc, group of 6 etchings, circa 1700, assorted sizes, (4) all unframed

A 19th Century gilt brass and champleve enamel carriage clock, the architectural case with pilasters, enamel dial with Roman numerals, the top inscribed 'Presented to F.C. Holmes by the teachers & pupils of Rhondda county school Perth. Sep 1898', within a leather carry case with key, currently not functioning, height 13 cm

A 19th Century French slate and brass mantle clock, by Vincent and Cie Medaille D'Argent, brass dial with Roman numerals, architectural frame with Romanesque columns, movement inscribed 'Vincent & Cie 1855' no.628148, height 31 cm x length 39 cm

A Resin Two Handled Vase on Architectural Plinth, Egyptian Figural Ornament and Spode Italian Blue and White Vase (Chip to Rim)

A four piece silver tea set of 1930's form having engine turned architectural detail, hard wood handles, and circular pedestal feet, Sheffield 1936, Walker & Hall, approx 1453g

A miniature silver trophy of plain form having architectural handles, London 1922, Robert Pringle & Sons

A Victorian black and rouge marble mantel clock of architectural design having circular Roman numeral dial and striking movement

A cased set of six silver coffee spoons having architectural terminals, Sheffield 1923, Cooper Brothers & Sons Ltd

BRONZE MEDAL FROM THE WORLD ATHLETICS CHAMPIONSHIPS 1983, the obverse with architectural decoration and two figures in the foreground, inscribed 'Helsinki', the reverse depicting male figures in relay and inscribed 'MM 1983', the edge inscribed 'Sporrong' and '0355-3000', 7cm diameter, 280g, in fitted box Note: This bronze medal was won by Great Britain in the mens 4 x 400m relay race at the World Athletics Championships. The first staging of the World Athletics Championships, these were staged in Helsinki, Finland, in August 1983. The GB team was formed by Ainsley Bennet, Garry Cook, Todd Bennett and Philip Brown.

Original vintage travel advertising poster: Germany Fly TWA Jets designed by renowned American artist, David Klein (1918-2005). In this 1960's design, the artist depicted the fabled Gooseman of Nuremberg. This poster was part of an extensive series designed by David Klein for TWA to promote tourist travel in the late 1950's and early 1960's. David Klein (February 23, 1918 – December 9, 2005) was an American artist, best known for his influential work in advertising. Although he produced illustrations for Broadway theatrical productions, Hollywood films, the United States Army, and numerous corporate clients, Klein is best remembered for the iconic travel images he created for Howard Hughes and Trans World Airlines (TWA) during the 1950s and 1960s. Trans World Airlines (TWA) was a major American airline that existed from 1930 until 2001. It was formed as Transcontinental & Western Air to operate a route from New York City to Los Angeles via St. Louis, Kansas City, and other stops, with Ford Trimotors. With American, United, and Eastern, it was one of the "Big Four" domestic airlines in the United States formed by the Spoils Conference of 1930. Howard Hughes acquired control of TWA in 1939, and after World War II led the expansion of the airline to serve Europe, the Middle East, and Asia, making TWA a second unofficial flag carrier of the United States after Pan Am. Hughes gave up control in the 1960s, and the new management of TWA acquired Hilton International and Century 21 in an attempt to diversify the company's business. As the Airline Deregulation Act of 1978 led to a wave of airline failures, start-ups, and takeovers in the United States, TWA was spun off from its holding company in 1984. Carl Icahn acquired control of TWA and took the company private in a leveraged buyout in 1988. TWA became saddled with debt, sold its London routes, underwent Chapter 11 restructuring in 1992 and 1995, and was further stressed by the explosion of TWA Flight 800 in 1996. In 2001, TWA filed for a third and final bankruptcy and was acquired by American Airlines. American laid off many former TWA employees in the wake of the September 11, 2001 attacks and closed its St. Louis hub in 2003. TWA was headquartered at one time in Kansas City, Missouri, and planned to make Kansas City International Airport its main domestic and international hub, but abandoned this plan in the 1970s. The airline later developed its largest hub at Lambert-St. Louis International Airport. Its main transatlantic hub was the TWA Flight Center at John F. Kennedy International Airport in New York City, an architectural icon designed by Eero Saarinen, and completed in 1962. Poor condition, paper losses and tears in margins, reinforced with water soluble brown tape on reverse. Country: USA, year of printing: 1960s, designer: David Klein, size (cm): 63.5x40

Original vintage travel advertising poster: London Fly TWA designed by renowned American artist, David Klein (1918-2005). In this 1960's design, the artist depicted some of London's main tourist attractions, including Big Ben and Westminster Abbey. This poster was part of an extensive series designed by David Klein for TWA to promote tourist travel in the late 1950's and early 1960's. David Klein (February 23, 1918 – December 9, 2005) was an American artist, best known for his influential work in advertising. Although he produced illustrations for Broadway theatrical productions, Hollywood films, the United States Army, and numerous corporate clients, Klein is best remembered for the iconic travel images he created for Howard Hughes and Trans World Airlines (TWA) during the 1950s and 1960s. Trans World Airlines (TWA) was a major American airline that existed from 1930 until 2001. It was formed as Transcontinental & Western Air to operate a route from New York City to Los Angeles via St. Louis, Kansas City, and other stops, with Ford Trimotors. With American, United, and Eastern, it was one of the "Big Four" domestic airlines in the United States formed by the Spoils Conference of 1930. Howard Hughes acquired control of TWA in 1939, and after World War II led the expansion of the airline to serve Europe, the Middle East, and Asia, making TWA a second unofficial flag carrier of the United States after Pan Am. Hughes gave up control in the 1960s, and the new management of TWA acquired Hilton International and Century 21 in an attempt to diversify the company's business. As the Airline Deregulation Act of 1978 led to a wave of airline failures, start-ups, and takeovers in the United States, TWA was spun off from its holding company in 1984. Carl Icahn acquired control of TWA and took the company private in a leveraged buyout in 1988. TWA became saddled with debt, sold its London routes, underwent Chapter 11 restructuring in 1992 and 1995, and was further stressed by the explosion of TWA Flight 800 in 1996. In 2001, TWA filed for a third and final bankruptcy and was acquired by American Airlines. American laid off many former TWA employees in the wake of the September 11, 2001 attacks and closed its St. Louis hub in 2003. TWA was headquartered at one time in Kansas City, Missouri, and planned to make Kansas City International Airport its main domestic and international hub, but abandoned this plan in the 1970s. The airline later developed its largest hub at Lambert-St. Louis International Airport. Its main transatlantic hub was the TWA Flight Center at John F. Kennedy International Airport in New York City, an architectural icon designed by Eero Saarinen, and completed in 1962. Fair condition, stains and foxing, small paper losses, creases and small repaired tears in margins. Country: USA, year of printing: 1960, designer: David Klein, size (cm): 97.5x63

Original vintage travel advertising poster: Switzerland Fly TWA designed by renowned American artist, David Klein (1918-2005). In this 1960's design, the artist depicted some of the sites of Switzerland with its mountains, chalets, and unique clothing styles. This poster was part of an extensive series designed by David Klein for TWA to promote tourist travel in the late 1950's and early 1960's. David Klein (February 23, 1918 – December 9, 2005) was an American artist, best known for his influential work in advertising. Although he produced illustrations for Broadway theatrical productions, Hollywood films, the United States Army, and numerous corporate clients, Klein is best remembered for the iconic travel images he created for Howard Hughes and Trans World Airlines (TWA) during the 1950s and 1960s. Trans World Airlines (TWA) was a major American airline that existed from 1930 until 2001. It was formed as Transcontinental & Western Air to operate a route from New York City to Los Angeles via St. Louis, Kansas City, and other stops, with Ford Trimotors. With American, United, and Eastern, it was one of the "Big Four" domestic airlines in the United States formed by the Spoils Conference of 1930. Howard Hughes acquired control of TWA in 1939, and after World War II led the expansion of the airline to serve Europe, the Middle East, and Asia, making TWA a second unofficial flag carrier of the United States after Pan Am. Hughes gave up control in the 1960s, and the new management of TWA acquired Hilton International and Century 21 in an attempt to diversify the company's business. As the Airline Deregulation Act of 1978 led to a wave of airline failures, start-ups, and takeovers in the United States, TWA was spun off from its holding company in 1984. Carl Icahn acquired control of TWA and took the company private in a leveraged buyout in 1988. TWA became saddled with debt, sold its London routes, underwent Chapter 11 restructuring in 1992 and 1995, and was further stressed by the explosion of TWA Flight 800 in 1996. In 2001, TWA filed for a third and final bankruptcy and was acquired by American Airlines. American laid off many former TWA employees in the wake of the September 11, 2001 attacks and closed its St. Louis hub in 2003. TWA was headquartered at one time in Kansas City, Missouri, and planned to make Kansas City International Airport its main domestic and international hub, but abandoned this plan in the 1970s. The airline later developed its largest hub at Lambert-St. Louis International Airport. Its main transatlantic hub was the TWA Flight Center at John F. Kennedy International Airport in New York City, an architectural icon designed by Eero Saarinen, and completed in 1962. Poor condition, stains and foxing, minor tears and pinholes in margins. Country: USA, year of printing: 1960, designer: David Klein, size (cm): 99.5x63.5

Original vintage souvenir menu from Da Meo Patacca, a 19th-century taverna located in the Trastevere area in the centre of Roma, the Italian capital city. In July 1959 Remington Olmsted, American actor and Roman of adoption, conceived and founded the restaurant Da Meo Patacca in Rome. He recreated the atmosphere of a Roman tavern of the nineteenth century within the splendid setting of Trastevere, historical and architectural gem of medieval Rome. The dishes, the location, the furnishings: everything in the restaurant Da Meo Patacca expresses history, the rich and fascinating history of the city, but above all the history of the Roman people and their ancient traditions; the lighting is still entrusted to the gas lights, to the oil pans, to candles and soft lights, the waiters are in costumes of the time, professional musicians go around the tables every evening entertaining the customers with Roman songs, jokes and folk songs. Fair condition, tears and paper losses in margins. Country: Italy, year of printing: 1960s, designer: G. P D'Esifomie, size (cm): 100x43

Original vintage travel poster published by Air France to promote its flights to France with a stylised design by Jean Picart le Doux showing a cockweather in the foreground and typical Loire castle in the background. Air France stylized as AIRFRANCE, is the French flag carrier headquartered in Tremblay-en-France. It is a subsidiary of the Air France–KLM Group and a founding member of the SkyTeam global airline alliance. As of 2013 Air France serves 36 destinations in France and operates worldwide scheduled passenger and cargo services to 168 destinations in 78 countries (93 including overseas departments and territories of France) and also carried 46,803,000 passengers in 2015. The airline's global hub is at Charles de Gaulle Airport with Orly Airport as the primary domestic hub. Air France's corporate headquarters, previously in Montparnasse, Paris,[5] are located on the grounds of Charles de Gaulle Airport, north of Paris. Air France was formed on 7 October 1933 from a merger of Air Orient, Air Union, Compagnie Générale Aéropostale, Compagnie Internationale de Navigation Aérienne (CIDNA), and Société Générale de Transport Aérien (SGTA). During the Cold War, from 1950 until 1990, it was one of the three main Allied scheduled airlines operating in Germany at West Berlin's Tempelhof and Tegel airports. In 1990, it acquired the operations of French domestic carrier Air Inter and international rival UTA – Union de Transports Aériens. It served as France's primary national flag carrier for seven decades prior to its 2003 merger with KLM. The Châteaux of the Loire Valley are part of the architectural heritage of the historic towns of Amboise, Angers, Blois, Chinon, Montsoreau, Nantes, Orléans, Saumur, and Tours along the Loire River in France. They illustrate Renaissance ideals of design in France. Poor condition, folds and cracks, small tears in margins, poster trimmed all around on margins and corners cut. Country: France, year of printing: 1956, designer: Jean Picart le Doux, size (cm): 92.5x60

A 19th century French marble inlaid walnut miniature dresser, with broken architectural cornice over four pairs of doors, divided by drawers 23cm wide x 39cm high. Illustrated.

A 19th century French green painted double bed, with architectural headboard and fluted column mounts, 160cm wide x 145cm high.

A group of assorted prints and engravings, including a pair of hand coloured engravings after Paul Sandby: The West Ffont of St Pauls Covent Garden; The Piazza Covent Garden, and further mainly architectural subjects.(7)

The major components of a 19th century fire place and a pallet of various architectural parts, (qty).

Early 20th Century woodblock architectural study of a Church Under Stormy Skies

A Victorian Gothic architectural pediment in the style of A. W. N. Pugin, in original polychrome colours with gilded highlights, scrolling acanthus to the pitched top and composite columns to the sides, 109 by 28 by 102cm high.

An Edwardian overmantel mirror, with bevelled rectangular plate, architectural oak frame with turned and fluted columns supporting a carved pediment, 83 vt 12.5 by 105.5cm.

Gordon King - 'Drawn from Life', signed copy published by Washington Green, 1999, also a large quantity of other reference works to include biographies, architectural subjects etc.

A late 19th century musical wall clock, by Junghans, Roman dial, case of architectural form

THREE 20TH CENTURY CHINESE EMBROIDERED SILK PANELS, depicting figural, bird and architectural scenes, each framed and under glass, 43cm x 43cm and 37cm x 37cm overall

R.L. Christie of Edinburgh carriage clock of architectural form with Roman numerals, white enamel dial, to include key and leather travel case

Early Victorian mahogany swing dressing mirror of architectural form with triangular arch top, the mirror flanked by columns above two frieze drawers, 124cm tall Arch top has small loss at the right edge. Something missing from each turned pillar (2 holes in each) and there is some surface scratching.

Victorian mahogany breakfront four-door wardrobe with architectural arch pediment above four flame cut panel doors raised on plinth base, 264cm wide

Gillian Montegrande (b.1960), Concentric raised quarter circles on black base, 32cm high Gillian Montegrande, has always had a leaning towards design, which has manifested itself in numerous ways; most notably, landscape and furniture and now into ceramics. After attending a ceramics course taught by Gordon Cooke, she found that her memory muscle for clay was still there, from studying it in her youth and so it came back with ease but this time with a great deal of passion as well. She has surprised herself in the direction she has taken with her work, which has a strong architectural, sculptural and sometimes abstract style. As she states, "The shapes and designs are already in me, they're just waiting to come out." Her appreciation of ancient pottery has informed her choice to concentrate on the form and the raw clay, rather than surface decoration and glazes and prefers to fire the pieces to Stoneware. She has been fortunate enough to sell everything she has made, mainly through auction with increasing hammer prices each time and appears to have a seed of a following. Her work can be found in galleries in Cornwall, France and New York. Condition reports are not available for this sale.

Gillian Montegrande (b.1960), Black waves on white, 34.5cm high Gillian Montegrande, has always had a leaning towards design, which has manifested itself in numerous ways; most notably, landscape and furniture and now into ceramics. After attending a ceramics course taught by Gordon Cooke, she found that her memory muscle for clay was still there, from studying it in her youth and so it came back with ease but this time with a great deal of passion as well. She has surprised herself in the direction she has taken with her work, which has a strong architectural, sculptural and sometimes abstract style. As she states, "The shapes and designs are already in me, they're just waiting to come out." Her appreciation of ancient pottery has informed her choice to concentrate on the form and the raw clay, rather than surface decoration and glazes and prefers to fire the pieces to Stoneware. She has been fortunate enough to sell everything she has made, mainly through auction with increasing hammer prices each time and appears to have a seed of a following. Her work can be found in galleries in Cornwall, France and New York. Condition reports are not available for this sale.

Gillian Montegrande (b.1960), "Like a Building" Grogg exposed on beach. 33cm high Gillian Montegrande, has always had a leaning towards design, which has manifested itself in numerous ways; most notably, landscape and furniture and now into ceramics. After attending a ceramics course taught by Gordon Cooke, she found that her memory muscle for clay was still there, from studying it in her youth and so it came back with ease but this time with a great deal of passion as well. She has surprised herself in the direction she has taken with her work, which has a strong architectural, sculptural and sometimes abstract style. As she states, "The shapes and designs are already in me, they're just waiting to come out." Her appreciation of ancient pottery has informed her choice to concentrate on the form and the raw clay, rather than surface decoration and glazes and prefers to fire the pieces to Stoneware. She has been fortunate enough to sell everything she has made, mainly through auction with increasing hammer prices each time and appears to have a seed of a following. Her work can be found in galleries in Cornwall, France and New York. Condition reports are not available for this sale.

Gillian Montegrande (b.1960), Black with white indent and stopper, 29.5cm high Gillian Montegrande, has always had a leaning towards design, which has manifested itself in numerous ways; most notably, landscape and furniture and now into ceramics. After attending a ceramics course taught by Gordon Cooke, she found that her memory muscle for clay was still there, from studying it in her youth and so it came back with ease but this time with a great deal of passion as well. She has surprised herself in the direction she has taken with her work, which has a strong architectural, sculptural and sometimes abstract style. As she states, "The shapes and designs are already in me, they're just waiting to come out." Her appreciation of ancient pottery has informed her choice to concentrate on the form and the raw clay, rather than surface decoration and glazes and prefers to fire the pieces to Stoneware. She has been fortunate enough to sell everything she has made, mainly through auction with increasing hammer prices each time and appears to have a seed of a following. Her work can be found in galleries in Cornwall, France and New York. Condition reports are not available for this sale.

Nuova Collezione di Vedute di Roma, c.1820, comprising etched architectural views after Piranesi and others, plus two folding maps of Rome, oblong quarto, contemporary half-calf with marbled boards, oxblood morocco title label, raised bands

A 19th century Masonic giltwood looking glass, broken architectural pediment, with Masonic compass, he plate flanked by Corinthian columns, 74cmx 56cm

Gerald Rickards (British 20th Century 1931-2006), architectural scene, oil on canvas, 36cm x 56cm, unsigned, unframed.Gerald Rickards was one of Wigan?s most distinctive and best-loved artists, specialising indepicting buildings in his own distinctive style, from small private houses to large country houses.Meticulous attention to details was an important feature in all his work. Paintings ranged fromsemi-abstract oils, small watercolour studies, reinforced with line, to larger watercolour/gouachecompositions, murals and stained-glass design.Born in Aspull, he lived in Billinge near Winstanley College (previously Up Holland GrammarSchool) where he was Head of Art for 26 years. He was the first Artist in Residence at DrumcroonEducation Art Centre. Following early retirement, he devoted all his time to painting from 1985until his death in 2006.He was a student at Wigan School of Art and Liverpool College of Art followed by a post graduatefellowship at Edinburgh College of Art where he was the prize winner for the most distinguishedwork of college year. A travelling scholarship to study mural painting in Europe followed inaddition to work on the Diaghilev Exhibition for Edinburgh Festival and the Sunday Observer inLondon.Early work (1960-1975) featured semi-abstract oils, linear patterns adapted from plans of largebuildings and some religious motifs. The latter part of the 1970?s featured subjects which wereeasier to recognise including mythological creatures and birds depicted in a decorative two-dimensional manner with lots of detail in linear backgrounds. Later works featured parts ofbuildings, with special attention given to detail, and the relationship between façade andbackground. The traditional approach to perspective was avoided and subjects were oftenrepeated with variations of colour and arrangement.He held over two dozen exhibitions at galleries in the North West, Midlands, Cambridge, London,Salisbury & Norwich Cathedrals. All had a particular theme ? National Trust properties, churches,cathedrals, waterside buildings, Oxbridge colleges, Thomas Hardy etc.Large scale works include the 37-foot Charter Mural in the History Shop, Wigan and a floor toceiling panel at Holgate School, Orrell. Other murals included Scottish Scout Headquarters,Manchester Airport, Nantwich Post Office and Warwickshire College (open competition winner inthe last two). Also, a ten-section painting for Newnham College at Cambridge, a collectionfeaturing all the buildings in the Close at Salisbury and seven section painting of Rufford Old Hall.He submitted the winning design for the 25-foot square Preston Guild window, designed andpainted the 15-foot high Queen?s Hall window in central Wigan, a window at Ince St Mary?s and a3-setion stained glass project for Christ Church, Aughton.His work was purchased by several educational establishments, local authorities, BritishWaterways, National Trust, Newnham College, Blackpool Gazette, English Schools AthleticsAssociation and for private collections in many European countries, America and Australasia.Prints were produced from several of the ongoing series, featuring national and local subjects, plusa triptych commemorating the last rugby match at Central Park.Provenance - sold on behalf of the Rickards estate.

A LATE 18TH CENTURY CIRCULAR MAHOGANY INLAID AND BRASS BOUND SEDAN CLOCK, circular enamel dial and later movement, 6 ins diameter together with an architectural rosewood stand, 16 1/2 ins high.

French slate architectural two train mantel clock marked 'Heitzmann's & Sons'. (B.P. 24% incl. VAT)

Fattorini & Sons Bradford architectural oak two train mantel clock. (B.P. 24% incl. VAT)

20th Century battery operated oak architectural mantel clock.(B.P. 24% incl. VAT)

Early 20th century mantel clock with ivorine dial, in architectural walnut case, 30cm high 

George III stick barometer with concealed bulb and exposed mercury tube, engraved and silvered dial with separate pointer, signed 'John Philpott, Thaxted', in a feathered mahogany case with inlaid ebony and boxwood stringing, architectural pediment and turned brass urn finial, 98cm overall length

19th century wheel barometer with 8 inch silvered dial and central indicator, signed 'Stringer & Cappella, Newport' and separate thermometer in a mahogany veneered case with inlaid shell and floral paterae, architectural pediment with turned brass urn finial, 100cm overall length

Late 19th / early 20th century mantel clock with eight day twin fusee movement striking on two gongs, signed 'W. & H. ScH.', rectangular silvered dial with silvered chapter ring, Arabic numerals and separate fast / slow and chime / silent dials, in a walnut veneered architectural case with carved decoration, side glasses and caddy top, 47cm overall height (winding key, door key and pendulum present)

Late 19th century mantel clock with eight day spring-driven movement striking on a bell, brass breakarch dial with scroll spandrels, silvered chapter ring and matted centre, breakarch with face mask spandrels and silvered fast / slow regulator dial, in an oak case of architectural form, with carved decoration, pitched top with three turned finials on four turned feet, 45cm overall height (pendulum present, key lacking)

TWO PINE ARCHITECTURAL MOULDINGS each 208cm in height together with a gilded pine curtain pelmet, 277cm long (3)

A GROUP OF VARIOUS ORNAMENTS to include a piece of Georgian carved pine architectural element with traces of original gilding, a circular bronze plaque depicting Schiller, carved marble egg and dart ornament etc., a gilt carved piece 21cm wide x 27cm high (8)

Hallmarked silver weighted candlesticks of Architectural form. Hallmarked London 1905, Thomas Bradbury and Sons.

Arts and Crafts display cabinet with shaped front and sides. The top frieze panel inlaid with copper and Mother of Pearl motifs. Leading to the single door with leaded glass panes and cranberry glass accented panes. Inner green lining appears to all be intact over the shelves and back. Supported by four tapering architectural legs. - Key in office

Italian School (19th century) Architectural Pastiche Oil on canvas 34 x 225cm (13¼ x 88½ in.)

Tony Robbin (New York, Washington DC born 1943) Abstract Mixed Media Painting. Pencil signed lower right. Robbin has had over 25 solo exhibitions of his painting and sculpture since his debut at the Whitney Museum of American Art in 1974, and has been included in over 100 group exhibitions in 12 countries. He holds the patent for the application of Quasicrystal geometry to architecture, and has implemented this geometry for a large-scale architectural sculpture at the Danish Technical University in Kongens Lyngby, Denmark, as well as one for the city of Jacksonville, Florida. Tony Robbin is a pioneer in the computer visualization of four-dimensional geometry. Since 1981, his realtime rotation programs of four-dimensional figures have been useful for obtaining an intuitive feel for four-dimensional space, and quasicrystal space.Image Size: 18.25 x 26 in. Overall Size: 27.25 x 34.5 in. Framed behind glass.

Edwardian mahogany architectural cased bracket clock with Roman dial, twin train brass movement stamped W & H. SCh striking the quarter hours on two gongs, H41cm

Victorian slate marble architectural cased mantel clock with circular Arabic dial, twin train movement striking the half hours on a coil, H39cm

A 19th century oak cased German Junghans mantle clock, the signed movement striking on a gong, the case architectural

A quantity of framed and glazed decorative prints, including botanical and architectural