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Bassett Smith, W, Architectural Sketches and Drawings at Home and Abroad, B T Batsford (London 1898)

Adrian Ryan, British 1920-1998- Irish street scene; gouache, signed, 19x32cm: Adrian Ryan, British 1920-1998- View over Montauroux at sunset; gouache, signed, 18x23cm., (2) (may be subject to Droit de Suite) Note: Adrian Ryan was born in London in 1920, and brought up at Hintlesham Hall, Suffolk. He was educated at Eton, and the Architectural Association and Slade School of Art. Ryan was associated with the St. Ives School. He first visited Cornwall in 1943. He lived in Mousehole for twenty years from 1945, though he always retained a London studio. He was one time President of the Newlyn Painters` Association and exhibited with the influental Crypt Group. He was a lecturer at Goldsmiths College of Art, 1948-83, and at Cambridge College of Art, 1967-85, and he had his first solo exhibition at the Redfern Gallery, London, in 1943. His work is to be seen in many public collections, including the Tate Gallery, the Victoria & Albert Museum, The Arts Council, Contemporary Art Society, Manchester City Art Galleries, the Nuffield Foundation, the Sainsbury Trust, National Gallery of New Zealand, the National Gallery of Northern Ireland and the Beverly Hills Hotel.

Circle of Benjamin West PRA, American/British 1738-1820- Group figure sketches in classical architectural settings; oil on paper laid down on card, five, ea. approx 5x6.5cm or 6x5cm, (5) (unframed)

A large red leather bound album, 19th century, containing a range of images, to include old master paintings, architectural ruins, sculpture, views of Indian interiors and further topographical views, 56cm high; together with six further albums containing views around Europe, two including WWII boats at sea, a tour of India and portraits, (7).

A Victorian large format photograph album, late 19th/ early 20th century, containing grand tour images to include views of the Orient and Europe including Florence and Rome, sculpture, sea views, architectural images and further topographical views, 73cm high x 53cm wide, (a/f).

A French Regence ormolu figural mantel clock, the architectural case decorated with a musician, fitted 8 day striking movement set with a Roman enamelled dial, the plinth base decorated with dolphins, raised on circular spreading feet, 24cm high x 20cm wide. (A/F)

A Victorian slate and marble drum cased mantel clock, the 8 day striking movement set Roman enamelled Brocot dial with outer minute track and an ormolu egg & dart bezel, raised on an architectural plinth base, 38.5cm high x 60cm wide.

A Regency gilt wood triple plate overmantle mirror, with architectural pediment over ball frieze with scroll and mask decoration below, the plates flanked by a pair of reeded columns. (losses) 82cm high x 132cm wide.

A pair of 19th century gilt wood pier glass of architectural form, the pediments centered with roses above a moulded frames on plinth bases, 118cm high x 67cm wide.

A 19th century Northern European oak over mantel mirror, the architectural pediment centered with cartouche, monogrammed JR, above ionic pilasters, plinth base, 212cm high x 165cm wide.

An architectural / eclesiastical interest crochet from the Bristol High Cross in Stourton, Wiltshire AD1373.

A quantity of unframed original plans and working architectural drawings relating to Piccadilly, Manchester, and a library in Manchester, many have the architect's notes and various other inscriptions to the reverse, many are coloured.

Attribué à Giovanni Nicolo SERVANDONI (1695-1766) Caprice architectural dans la campagne romaineToile56 x 72 cmRestaurations

École VÉNITIENNE du XIXe siècle, dans le goût de Francesco GUARDI, Caprice architectural animé, Toile, 24 x 19 cm

Burgess (J. Tom). Historic Warwickshire, 1893, numerous b & w illusts. from photos, later cloth gilt, a little rubbed and dust-soiled, together with Harper (Charles G.), Summer Days in Shakespeare Land, 1st ed., 1912, b & w illusts. from photos and drawings, orig. dec. cloth, a little rubbed and darkened on the spine, 8vo, plus Fleetwood-Hesketh (Peter), Murray’s Lancashire. Architectural Guide, 1st ed., 1955, b & w illusts. from photos, orig. cloth in sl. frayed d.j., tall 8vo, with other British topography and history etc. (6 shelves & a carton)

Philip Jolley (British, b.1956) An architectural raku glazed vase, of trapezium and triangular forms, impressed potter`s mark, 8" high.

John Piper (British, 1903-1992) Hafod signed, titled in pencil verso, watercolour and ink and with pencil sketch drawing of the Hafod estate to the reverse inscribed in pencil `Hafod looking east across the valley at the house` 15 1/2" x 19 3/4". Provenance: with Ernest, Brown and Phillips Ltd., The Leicester Galleries; Ernest Hilton Fine Art Dealers, Cambridge Exhibited: Ernest, Brown and Phillips Ltd., The Leicester Galleries, Artists of Fame and Promise: Part II, August 1949. This picture Hafod is characteristic of a series of paintings Piper composed at the outset of the Second World War in 1939 and the early 1940`s, with its rusty colours and barren, but romantic visualisation of the Welsh landscape. In August 1939, John and Myfanwy Piper travelled on holiday to Wales, eventually reaching the house and estate of Hafod in Cardiganshire. The estate had previously attracted the artists John Warwick Smith and John Sell Cotman, presumably because of its reputation as one of the finest examples of the European picturesque landscape. Piper considered it `a dream` and wrote: `The crumbling green mountains are Hafod`s natural scenery. Up here there is a bare region that stretches for miles to the east and south. It is a landscape to be seen in summer evening light, with its grey stone patches, its deep brown gashes of peat in the bog and occasional peat stacks, and its dark blue lakes. The Hafod valley…has been decorated artificially, but so exquisitely that its beauty is as great in decay as it was in youth`. Rather than creating a pastoral landscape in the grand manner as was common for landscape painters, Piper depicts in Hafod a modernist romantic vision of Britain, far distant from the imminent preparations for war being made in England, but as Piper writes where `Tragedy, on the whole, has triumphed…the woods up the valley are dishevelled…but the beauty of the whole place in decay is overpowering`. (both quoted from John Piper, Decrepit Glory: a Tour of Hafod, The Architectural Review, LXXXVII, June 1940, pp.208-210) This picture was possibly also included in Piper`s first solo exhibition of the war at The Leicester Galleries as Hafod across the valley (no.1).

A BLACK FOREST CUCKOO CLOCK, early 20th century, 6 3/4" dial with gothic Roman numerals, the two train weight driven movement with anchor escapement, the arched architectural case carved with foliate branches and two deer figures, with eagle surmount, 30" high

Four Architectural and Educational display models, a `Lots Bricks` building block set, and a box

A colour print showing the architectural elevation of a three-storey building, with rusticated facade, classical columns and pediment with the Latin inscription to the frieze NICOLAVS ET ALOYSIVS FOSCARI FRATRES FEDERICI FILII, 49.5 x 49.5cm; together with two other smaller architectural prints, 45.5 x 34cm each (3)

A Victorian polished slate-cased mantel clock with architectural gilt metal mounts £40-80

An early 19th century mahogany wheel barometer, inlaid with conch shells and rosettes, architectural pediment, dial signed Lewis, Egham, 3ft. 2in.

A 19th century French brass mantel clock, with enamelled dial and Japy Freres movement count-wheel striking hours and half hours on a bell, architectural case with cast urn surmount and lion-mask ring handles, with key and original pendulum, 18in.

A 19th century Black Forest mantel clock, with enamelled dial, in architectural case, with key and pendulum, 18in. high - one finial detached

A 19th century French gilt-brass and champleve enamel clock garniture, architectural clock with a column to each corner, gong-striking movement by Marti, 13.5in and a pair of baluster-shape candlesticks, the whole brightly enamelled with formal leaf-scrolls -no key and pendulum SEE ILLUSTRATION

Victorian black slate striking clock in classical architectural case 32cm

A superb William IV mahogany Bookcase on Cupboard, architectural pediment top on cornice, having nine panes each with moulded glazing bars, revealing four adjustable shelves, flanked by corbels with the same circular motif, the base with plain top and having large single panel opposing doors, revealing full width adjustable shelf on plinth base, well figured throughout, 99'' high x 52'' wide

A Victorian Slate Architectural mantle Clock Corinthian in design having white enamel face under glass with brass rim with 8 day timing movement

"Four rolls of wallpaper, one flocked, c1900, printed with architectural frieze design (4)"

"Alan Powers, (b1955), No 1 Paultry, architectural study, collage in mixed media, signed l.r., c1991, 53.5x 73.5cm"

A Collection of 16 printsTo include a 19th century architectural engraving of Oxford Physick Garden gate, a coloured engraving of a Mediterranean port, and 14 others (16).

A Collection of Architectural printsTo include a set 12 plates showing archways and doorways, each engraved by Batty and Thomas Langley 1741, each 10 ¼" x 7 ¾" and A General Prospect of Vaux Hall Gardens, After Samuel Wale, Published in the Survey of London: volume 23, 11 ¾" x 16 ¼", and an engraving of The Cathedral Church Bangor (14).

A WALNUT VIENNA STYLE WALL CLOCK with architectural case, enamel dial and two train movement.

A Victorian black slate architectural mantel clock, Ansonia Clock Company, spring driven movement, 34cm high

A pair of 20th Century faux marble plaster architectural columns with square capitals and bases, heights approx 228cm (faults).

A Victorian slate architectural mantel clock (AF), 46cm high.

An Edwardian oak-cased architectural form mantel clock, the arched brass dial with silvered chapter ring and chime/silent in the arch, the gong striking and chiming movement stamped Gustav Becker, 39cm high

A Victorian glass ice pail of tapered cylinder form, engraved overall with scrollwork surrounding ovals engraved with birds and architectural towers, 28cm high

Victorian mantel clock with eight day French movement striking on a gong, matt brass dial with cream enamel chapter ring, in a black marble architectural case with engraved floral decoration and applied dedication plaque

Late nineteenth century mantel clock with eight day spring-driven movement striking on two gongs, signed - Lenzkirch A.G.U. 6.5 inch square brass dial with matted centre and silvered chapter ring, in a decorative oak architectural case with brass mounts and side handles, 47cm overall height

Late nineteenth century mantel clock with eight day spring-driven movement striking on two gongs, signed - Lenzkirch A.G.U., 6 3/8 inch square, brass dial with matted centre, face mask spandrels and silvered chapter ring, in an architectural case with Corinthian pilasters, 40cm overall height

Wooden architectural building blocks (unpainted), in wooden box with turned columns

Italy 500 Lire (40) 1974, 1975, 1981, 1982 Gallei, 1982 Garibaldi, 1984 Los Angeles Olympics Prooflike, 1985 Italian Presidency of the Common Market, 1985 Architectural montage Prooflike, 1985 Year of Music UNC, 1985 Manzoni, 1985 Etruscan Culture, 1986 Year of Peace UNC, 1986 World Cup Football UNC, 1987 Year of The Family UNC, 1987 World Athletics UNC, 1987 Leopardi UNC, 1988 Bosco UNC, 1988 Seoul Olympics UNC, 1988 University of Bologna UNC, 1988 Constitution UNC,1989 Fight against Cancer Prooflike boxed, 1989 Columbus, 1990 Football World Cup Proof FDC (2), 1990 Football World Cup Boxed UNC, 1990 Discovery of America Proof FDC boxed, 1990 EEC Presidency UNC, 1990 Tiziau UNC, 1991 America Discovery UNC, 1991 Flora and Fauna UNC, 1991 Ponte Milvio UNC in the wallet of issue, 1992 Rossini UNC in the wallet of issue, 1992 Flora and Fauna UNC, 1992 Lorenzo de Medici UNC, 1992 Columbus UNC1992 Piero Della Francesca, 1992 Barcelona Olympic Proof FDC, 1993 Death of Horace UNC, 1993 University of Pisa EF, 1993 Wildlife Protection UNC

A GEORGE II WALNUT AND FEATHER BANDED BUREAU the flap veneered in four sections and enclosing an architectural fitted interior above four drawers, on later bulbous feet and castors, 111cm h; 92 x 52cm On the top a number of old blackened scratches and stains, the turned knobs Victorian replacements, the locks old replacements, the brass keyplates original, the flap and handles to the interior original although lacking one of the small brass knobs, of pleasing colour/patina, minor veneer chips on one side

A GEORGE III INLAID OAK BUREAU BOOKCASE the light oak contrasted with mahogany banding and chevron stringing, the frieze with two shell paterae above glazed doors, the bureau with architectural fitted interior above drawers, on bracket feet, 242cm h; 94 x 47cm, early/mid 19th c Minor horizontal shrinkage crack in flap. Small veneer loss to cabinet, old shrinkage crack in left side of bureau but in good overall condition and decorative

A VICTORIAN OAK BRACKET CLOCK signed on the engraved and silvered dial ROBERT S ROBERTS LEAMINGTON, with subsidiary regulation, Chime/Silent and Chime on 8 Bells/Westminster dials in the arch, the well engineered triple fusee movement striking on a coiled wire gong and chiming on a carillon, in architectural case with open pediment, fluted pilasters and scroll frets on breakfront base, 59.5cm h A typically fine quality late Victorian clock, a little dusty but complete and in good condition, the silvered dial in need of cleaning. Minor old chip on rear corner of the pediment that is hardly noticeable

Two 18th century carved pine architectural roundels carved with quatrefoil foliate decoration, 12in. (30.5cm.) diameter. (2) * These roundels are believed to have been salvaged from the bomb damaged ruins of the Inns of Court, London during WW2.

Two Architectural Engravings.

A Damascene style inlaid wooden corner cabinet late 19th / early 20th century, the Gothic style architectural cabinet extensively inlaid with mother-of-pearl, ebony and bone, with balustraded balconies, pierced finial gallery and central carved and inlaid cupboard door below a carved domed architectural panel, 51½in. (131cm.) high, 29½in. (75cm.) wide, some losses.

A William De Morgan tile on Carter`s Architectural blank painted with carnation and segmented leaf design, in shades of blue, turquoise and green on a white ground impressed marks, 15.5cm. square

A William De Morgan Flamingo tile, on Carter`s Architectural blank, painted in shades of yellow, blue, green and aubergine on a white ground chipped edge 15cm. square Literature Rob Higgins & Christopher Stolbert Robinson William De Morgan Arts and Crafts Potter, Shire Library, page 52 this two tile panel repeat illustrated.

A Heart of Heritage collection of 25 sterling silver medals, to mark European architectural heritage year 1975, approx. 35ozs.

A late 19th Century Mantel Timepiece by The British Union Clock Company with ivorine dial in an architectural style brass case in the form of a Cathedral. 8" (21cms) high.

A late 19th century Continental Wall Clock with embossed copper and ivorine dial in architectural style mahogany case. 3`2" (97 cms) high.

A 19th Century Vienna Wall Clock with ivorine dial, gong strike and twin weight driven movement, in walnut case, with architectural pediment, reeded pilasters and glazed door. 4` 2" (127cms) high overall.

A late Victorian black marble and green malachite mounted architectural mantle clock with enamel dial, Roman numerals, 36cm h

A late Victorian black slate architectural mantel clock

A late Victorian green onyx and gilt bronzed mounted architectural mantle clock, with Arabic numerals, 34cm w

AN ARTS AND CRAFTS BRASS FENDER having architectural ends ornamented with S-scrolls with inset Ruskin pottery type roundels, flanking a plain bar and supports. 134cm(L) Condition Report: Some dents and scratches but generally good.

A VICTORIAN PHOTOGRAPH ALBUM containing various architectural photographs and more interesting rock climbing photographs from the period, local and national (qty) Condition Report: Damage to spine, scuffs etc throughout, fading and discolouration to pages, some photographs loose with damaged edges, viewing advised.