We found 35023 price guide item(s) matching your search

Late 19th Century French gilt metal and alabaster mantel clock, Japy Freres, Paris, with Roman dial and two-train movement striking on a bell, the architectural case with urn surmount over painted panel on toupie feet, 42cm high

Modern American cherry-cased mantel clock, Model 1260, Ansonia Clock Company, Inc., USA, with Arabic cellular chapter ring, in architectural case with bevelled glazing, 41cm high excluding handle

A carved Venetian architectural plinth

A pair of architectural garden ornaments

St Paul's Cathedral by Arthur F E Poley published London 1927, The Orders of Architecture by Arthur Stratton in three volumes, The Orders of Architecture by R Phene Spiers, Two Volumes of Practical Notes for Architectural Draughtsmen in two volumes, and Some Architectural works of Inigo Jones .

A set of five late Victorian reverse painted pictures, rendered in naive manner overall, the mountainous settings painted with figures and architectural features including windmills and an inn, 53 x 73cm overall including glazed maple frames

A set of six architectural engravings for Thornton's New and Complete History and Survey of London and Westminster, Each 36 x 23cm (14 1/4 x 9 1/8), two of which 23 x 36cm (9 1/8 x 14 1/4in.)(6) Provenance: Shefford Woodlands House, Berkshire The proceeds of sale from this collection will be donated to a number of local charities.

Brian Nolan (British Bn 1931),Architectural Industrial Bridge Landscape,signed, pastel, 17cm x 25.5cm

Julia Barrow - The Queens Club 1986, limited edition print, signed lower right hand corner, together with local planning and architectural prints

A Victorian Gothic light oak-cased bracket clock, with elaborately carved architectural case with corner columns, engraved silvered dial signed Wilson of Maryport, together with original carved oak bracket, with 8-day chiming movement, clock height 61cm

Mawson [Thomas]-Civic Art - and 4 other Architectural books/folios

Cross [Alfred W.S] and Mundy [Alan G] Practical notes for Architectural Draughtsmen

Original Letters, Illustrative of English History [...], Notes and Illustrations by Henry Ellis [...], three volumes, Printed for Harding, Triphook, and Lepard, London 1824, & the, Second Series, four-volumes, Printed for Harding and Lepard, London 1827, some monochrome full-page and fold-out engraved illustrations, uniformly bound in contemporary Regency stained mauve half-calf and marbled boards gilt, drab endpapers, wood engraved Landscape Armorial bookplates attributed to Thomas Bewick (1753-1828) to recto of each volume: Joseph Cook, signed in facsimile, with inset view of Newton Hall, Northumberland, owner's coat of arms in the foreground, 8vo, (7); Original Letters Illustrative of English History [...], second edition, three-volume set, contemporary publisher's boards, 8vo, (3), [10]; Victorian Novels - Smedley (Frank E.): Lewis Arundel; or, The Railroad of Life, with Illustrations by "Phiz" [Hablot Knight Browne], second edition, Virtue, Hall, & Virtue, London 1855, contemporary half-calf and cloth boards, 8vo; Harry Coverdale's Courtship, and All That Came of It [...], Virtue Brothers & Co, London 1864, contemporary pictorial cloth gilt, 8vo, (2); Cockton (Henry), The Life and Adventures of Valentine Fox the Ventriloquist, with Sixty Illustrations [...], George Routledge, London 1844, later red cloth binding, 8vo; Ainsworth (W[illiam] Harrison): Windsor Castle, &, Old St Paul's, varying publishers and editions, London 1847, Old St. Paul's lacking title-page and prelims, illustrated, harlequin contemporary cloth, 8vo, (2), [5]; Architecture - Handbook to the Cathedrals of England, [edited b Richard John King]: Southern Division, Parts I & II, John Murray, London 1861, illustrated with full-page wood engravings by Orlando Jewitt (1799-1869), contemporary cloth bindings as issued, Romanesque quatrefoils, gilt Medieval architectural spines, 12mo, (2); others, Eastern Division, 1862; Western Division, 1867; Northern Division, 1869, (2), [6]

A WELL PRESENTED EDWARDIAN CARVED OAK MIRROR BACK SIDEBOARD, the triple mirror top with architectural detail over a dog kennel centre base section of four drawers and two cupboard doors with polished brass work on a plinth base, 211cms overall height, 152cms width, 58cms depth

A late Victorian/Edwardian stripped mahogany dressing chest of two short and two long graduated drawers beneath a rectangular swing mirror with beveled edge plate and architectural pediment

A contemporary reproduction longcase clock with architectural hood enclosing a brass arched dial with Roman numeral chapter ring and cast spandrels, the trunk partially enclosed by an arched glazed panelled door and inlaid detail, complete with pendulum and three brass cased weights

Interesting American wooden black slate style twin train mantel clock, the architectural case with cast metal corinthian columns, twin handles and feet, the pierced gilt dial inscribed with Arabic numerals, striking on a gong, 45cm wide, pendulum and key

Good quality Persian floor rug with architectural decoration upon a red ground, 190 x 130cm

Walnut cased Vienna wall clock, ivorine dial, double-weight driven movement by Gustav Becker, architectural case, with an eagle over, 136cm, (a.f.)

A walnut Vienna-type wall clock, moulded architectural pediments, glazed door, circular enamelled dial with Roman numerals, the movement striking on a gong, 122cm.

A Victorian ebonised and gilt over-mantel mirror, architectural pediment, rectangular plate, 96cm x 137cm.

The Holy bible containing the Old Testament and the New. Cambridge: John Field, 1668, engraved architectural title by John Chantry, front cover loose

* SUSAN BROWN, COLOURS OF VENICE I oil on board, signed 50cm x 50cm Framed and under glass. Note: Susan Brown is the recipient of many art prizes and awards for her contemporary paintings these include: The Laing Art Competition; Hunting Art Prize, Regional Winner; Penrose Purchase Prize 2005 and the Singer & Friedlander Sunday Times Watercolour Competition 2001 where she was a finalist. She works predominantly using watercolour and acrylic. Much of Susan's work features European cities. She has focused on man-made structure and city life and man's relationship with his environment. These architectural studies explore the rhythm and movement within buildings and interiors. Susan Brown paintings appear in many notable private and public contemporary art collections. These include: Allied Domecq, Halifax PLC, The Royal Bank of Canada, Jarvis Construction UK, The National Trust, The Sir George Martin Trust, Natwest PLC, Ove Arup & Partners, Provident Financial, Woodmansterne Publications, The Universities of York and Sheffield, Yorkshire Water PLC. In 2019 she has solos shows at the Walker Galleries Harrogate and The Red Rag Gallery, Cotswolds and in 2017 a 100 page book "Susan Brown, Venice Paintings" was published.

William Black, (20th century), architectural abstract, oil on board, 51 x 43cm, signed and dated 65, together with Italian school, still life, oil, signed indistinctly (2)

Approx. 130 1920's 'The Builder' architectural Drawings.

Edwardian oak architectural cased mantle clock, sloped arched top with carved decoration, brass dial with Roman and Arabic silvered chapter ring, bevel glazed door enclosed by two fluted pilasters, twin train driven movement striking the hours and quarters on two coils, back plated stamped 'W. H. SCH. 5 - Winterhalder and Hofmeier', H41cm

A 19TH CENTURY ALBUM OF MEDITERRANEAN GRAND TOUR PHOTOGRAPHS Includes architectural studies, a five panel view of Marsamuscetto harbour, Malta, and further afield "Corktown Harbour" Queensland and "Sugar Loaf Islands" and Breakwater, Taranaki, New Ze aland, 14cm x 19cm. In blue leather album

Various architectural prints of Roman temples

JOHNSON & BURGEE: JOHNSON PHILIP (1906-2005) & BURGEE JOHN (1933-     ) American Architects who worked in partnership from 1967-91. A 12 x 12 print of the architectural drawings for the AT&T World Headquarters at 550 Madison Avenue in New York, boldly signed in black inks by both Johnson and Burgee with their names alone to the lower border. Artist's Proof number 24 of 50. A few very slight, minor corner creases, otherwise VG 

Architectural antiques. Nine wrought iron pillar capitals

An early 20th century oak mantle clock in architectural case. 16' high

17th-century map of Buckinghamshire, Saxton & Hole, hand-coloured copper engraving on laid paper, together with an engraved architectural view of Chantmarle House, two Thomas Moule maps of Boston and Cambridgeshire, and a sheet of armorial/heraldic crests from an 18th-century Owen & Bowen road map for Oxford to Cambridge, all framed (5)

A Late Victorian Belgium Slate Architectural Clock Engraved putti scene to pediment, engraved chapter dial with Arabic numerals, Movement stamped, Japy Freres - lacking pendulum, height 15 inches, 15 inches at widest point

Bentley (Nicolas Clerihew, 1907-1978). Original pen and ink cartoon with three layers, circa 1932, depicting the verse 'Romance' from the book All Fall Down, the cartoon being composed of the original layer of paper on board, 15 x 13.5 cm (5.75 x 5.25 ins), showing two men seated in a railway carriage, representing the first image accompanying the poem, the second (partial) layer tipped over the first, altering the heads of the two men and representing the final image of the poem, and the third (partial) layer tipped over the first 2 layers, altering the image to represent the middle image of the poem, the three layers numbered in pencil 90, 92, and 91 respectively, together with All Fall Down! or The Nonsense Fancier's Assistant, compiled by Nicolas Bentley, Who Also Drew the Pictures, 1st edition, [1932], numerous black & white images accompanying verses, including the verse and images described above, some finger-soiling and minor marks, original yellow boards printed in red, soiled and stained, lacking spine, small 4to, plus Fantoni (Barry, 1940) , Two original pen and ink on paper cartoons, the first entitled 'Dungovernin', depicting a man and dog outside the gates of a large house with the name over the gates, sheet size 18 x 14.5 cm (7 x 5.75 ins), the second entitled 'Ronan Point Files Lost', depicted on the side of a newspaper stand selling The Times, and showing a man approaching the newspaper seller, with the caption beneath Perhaps They Were Stacked on Top of Each Other, both items signed at centre bottom and mounted on board, sheet size 17 x 12.5 cm (6.75 x 5 ins) (Qty: 4)Provenance: 'Ronan Point Files Lost' was originally in the Charles Knevitt Collection. Knevitt was the architectural correspondent for The Times in 1984 who interviewed Sam Webb - an architect who helped submit evidence to the Ronan Point inquiry held after a block of flats partly collapsed following a gas explosion in 1968 - who stated that some parts of the inquiry report had been altered. Knevitt's story ran on the front page of the paper. Soon after, the report files were released into the public domain, following which Webb alleged that some of the files he had seen in 1970 were missing, or 'lost'. Barry Fantoni was a cartoonist for The Times between 1983-1991.

A COLLECTION OF FRENCH ARCHITECTURAL ENCYCLOPEDIAS

A late 19th century sailor's cut paper work Valentine:, the central rosette of gold painted hearts and foul anchors surrounded by circular vignettes of a courtship, wedding, departure and return of a sailor, interspaced with flowers and cherubs, framed and glazed, 50.5 x 50.5cm, together with a cased pair of hand painted figures of a sailor and his wife with embossed landscape panorama by Dobbs, Bailey & Co in a glazed architectural case, 24.5 x 24.5 x 13cm (2)

AN ARCHITECTURAL CAPSTONE - OF JACOBITE INTEREST LATE 17TH CENTURY of triangular outline, cross sword and sceptre, with initials I E K, dated 1698 below, surmounted by crown 45cm high x 39cm at widest point Note: The Earldom of Kintore and Lord Keith of Inverurie and Keith Hall was created in 1677 and first issued to John Keith, maternal grandson of the Earl of Mar and the son of the 6th Earl of Marischal. The 10th and last Earl Marischal was John Keith (c. 1693-1778), a staunch Jacobite, he managed to escape to the Continent after actively participating in the rising of 1715, where he was able to serve the Jacobite court at Avignon and be its ambassador to Spain and then Prussia, dying in Potsdam in 1778. Although the original location of this stone is untraced it presumably graced a lintel or doorway above one of many properties owned by John Keith. It is tempting to consider it may have been removed after the '15 in defiance of his participation from one of his forfeited estates.

A walnut-cased mantel clock of architectural form with brass dial, the movement striking on a gong, 55cm high.

A black marble architectural mantel clock having a French drum gong-striking movement, 32cm high.

FRANK LLOYD WRIGHT,; AN AUTOBIOGRAPHY, 1st ed 1943, with Hitchcock; ' In The Nature of Materials', and other books of architectural interest

Cased set of 1950s colour slides mainly English architectural scenes, holiday photos from Paris, German etc, all annotated (60 approx) Condition Report Click here for further images, condition, auction times & delivery costs

Victorian black slate architectural cased mantel clock with circular Arabic dial, twin train movement striking the half hours on a coil, H39cm Condition Report Click here for further images, condition, auction times & delivery costs

VICTORIAN GOTHIC OAK CARVED REREDOS from a church in Newport (salvaged by the vendor approximately 30 years ago during commissioned work) the back of which a scene from the last supper has been removed but the outline of the scene is clear, 209cms high x 318cms wide together with a similar period carved oak architectural stall-finial believed to orignate from Llandaff Cathedral Provenance:PLEASE SEE FULL PROVENANCE / BACKGROUND IN LOT 190 Being sold on behalf of stonemasons and structural engineers W Clarke, Llandaff, Cardiff. W Clarke are one of the oldest companies in Cardiff to continue operating. The company has a long working association with Llandaff Cathedral and was involved in the construction and installation of external monuments to the building during nineteenth century restoration projects, led by architect John Prichard

TWO VICTORIAN PLASTER MAQUETTES of classical architectural form Provenance:from the offices of structural engineers W M Clarke, Llandaff, Cardiff. W M Clarke are one of the oldest companies in Cardiff to continue operating. The company has a long working association with Llandaff Cathedral and was involved in the construction and installation of external monuments to the building during nineteenth century restoration projects, led by architect John Prichard

PARCEL OF VICTORIAN & POSSIBLY LATER PLASTER MAQUETTES, architectural sections including large floral column cap ETC Provenance:PLEASE SEE FULL PROVENANCE / BACKGROUND IN LOT 190 Being sold on behalf of stonemasons and structural engineers W Clarke, Llandaff, Cardiff. W Clarke are one of the oldest companies in Cardiff to continue operating. The company has a long working association with Llandaff Cathedral and was involved in the construction and installation of external monuments to the building during nineteenth century restoration projects, led by architect John Prichard

PARCEL OF VICTORIAN PLASTER MAQUETTES including 'Green Men' tiles, gargoyle, architectural column base ETC Provenance:PLEASE SEE FULL PROVENANCE / BACKGROUND IN LOT 190 Being sold on behalf of stonemasons and structural engineers W Clarke, Llandaff, Cardiff. W Clarke are one of the oldest companies in Cardiff to continue operating. The company has a long working association with Llandaff Cathedral and was involved in the construction and installation of external monuments to the building during nineteenth century restoration projects, led by architect John Prichard

FURNISHING FRAMED PRINT OF 'MONA LISA', together with two furnishing architectural prints

Middle East.- Abbondanza (Vincenzo) Dizionario Storico delle Vite di tutti i Monarchi Ottomani, double column, title with woodcut printer's device, woodcut tail-piece, some light browning, contemporary half-vellum, gilt label to spine, scuffed and soiled, [Atabey 2 (extra-illustrated copy); not in Blackmer], 4to, Rome, Luigi Vescovi, 1786.⁂ Rare work on the Ottoman Empire. Includes biographical entries for monarchs and other leading figures, topographical references, as well as architectural and religious entries.

Edwardian rosewood, bone and boxwood inlaid cabinet having architectural pediment above a mirror back with shelf above, the base fitted three mirror glass panel doors opening to reveal shelves, 62cm wide x 143cm high

A selection of framed and glazed Allom and Thomas prints depicting architectural buildings together with a framed invitation from Lady Clifton dated June 1865, and a framed and glazed cut-away of a gentleman. Est. £30 - £50.

A three piece stained alabaster and onyx clock garniture, the clock of architectural form with gilt metal dial set with Arabic numerals, height 28cm. Additional InformationNot tested, no guarantee of working order, general wear and tear throughout. 

A late 19th century satin walnut mantel clock with architectural stepped case, rectangular silvered dial inscribed 'Examined by Bolton Smith, 89 Wigmore Street, London' beneath slow fast dial flanked by fluted pillars to a brick decorated base, the movement signed Lenkirch and numbered 52/895821, height 37.5cm.

I CrespinAunt Maria Bassett (relative of Thomas Surge Moore and G.E. Moore)WatercolourSigned and dated 1832 lower right16.5 x 13cm Together with a further work of Maria Bassett and one depicting Lydia Sturge (nee. Moxham), and a number of prints; architectural, costume design and portraits (qty)

Architectural Salvage - A set of six late 20th century retro vintage industrial tubular steel constructed exterior wall uplighters. Reputedly being removed from a nightclub in Bath. Measures; 78cm, long.  

A 19th Century wall hanging Black Forest style cuckoo clock of architectural form, having white Roman numeral chapter ring with trunk and leaf decoration to front, with twin weight movement. Measures 36cm tall by 28cm wide. 

A black slate mantle clock of architectural form with three ionic columns, the circular dial with Arabic numerals and a plinth base together with a pair of Stag hunting tapestries

A three-sectional pine kitchen wall rack with architectural pediment centred by an urn finial above three open shelves spaced by pilasters, 208cm wide, 22cm deep, 148cm high (2)

Five books, 'Ornastele' embossed metal ceilings, dados friezes, cornices and moulding manufactures the Graves End Ceiling Co London, a catalogue for various mouldings, covings, architectural designs etc, T Gowing; 'A Soldiers Experience of a Voice From The Ranks', written by the late Sergeant Major of the 7th Royal Fusiliers, a leather bound gilt tooled album containing a large quantity of black and white postcards with scenic, coastal and architectural images of the British Isles and Continent, a copy of a limited edition of 525 of 'The Plantagenet Roll of the Blood Royal', being a complete table of all the descendants now living of Edward III King of England by the Marquis of Ruvigmy and Raineval with black and white prints and charts (5).

Thirteen books relating to the arts and to the city of Liverpool to include Gordon Hemm 'St George's Hall Liverpool' with black and white plates, 'The History of Liverpool From 1207-1907 Some Notes' edited by Louis Lacey, a 700th anniversary souvenir printed by the Lyceum Press, an official booklet celebrating the centenary celebrations of the Liverpool and Railway 1830-1930, a Corporation of Liverpool Walker Art Gallery catalogue of the permanent collection, HM Cundall 'William Callow: An Autobiography', George Chandler 'Liverpool', a 1796 pull-out plan of Liverpool in burgundy binding, 'The Watercolours of JM Turner' with articles by W G Rawlinson and A J Finberg with thirty illustrations in colour, 'The Genius of JMW Turner' with black and white illustrations and R Bridgens 'The Antiquities of Sefton Church' an 1835 edition with engravings and architectural engravings of details of the interior and exterior of the building etc.

A Victorian walnut architectural mantel clock with twin-train movement striking on coiled rod, the dial set with Roman numerals and flanked by pilaster columns on plinth base, height 34.5cm and an Edwardian mahogany drum clock (2). CONDITION REPORT Some splits to the case, home made replacement pediment.