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RICHARD & CO., PARIS, A 19TH CENTURY BRONZE ORMOLU AND PORCELAIN MANTEL CLOCK Of architectural style, with a classical urn and pineapple finial, circular porcelain dial hand painted with flowers and birds, raised on tapering legs and retaining original wooden plinth.

Jean Wheeler - Two oils on canvas - Architectural studies, framed, and one other oil on canvas depicting a figure in a garden Condition:

Modern oil on canvas - Architectural scene with figures, signed Azim and dated '92, framed Condition:

Pair of carved ebonised spandrels depicting vine and acorn decoration respectively, together with three carved wooden architectural volutes and one other carved element Condition:

Two architectural models crafted by 'The Down House Marbling Company of Penzance' depicting a rotunda and porticoed building after designs by Palladio Condition:

An 18th century porcelain footed cream jug, overall painted with Oriental architectural landscape, height 12.5cm and another similar transfer decorated lozenge shaped example (af) (2). CONDITION REPORT: Silver shaped jug has a few rim chips (see photos), otherwise both ok.

A collection of 18th and 19th century ceramics including a floral painted tea caddy, height 11.5cm, a bell shaped footed loving cup, transfer decorated with Oriental architectural landscape, a mug with inscription, various tea cups including Newhall and a Staffordshire cottage money box. CONDITION REPORT: Please refer to photogrpahs for condition of mug

A pair of Minton porcelain shaped circular cabinet plates, each centred with a hand painted architectural and mountainous landscape within gilt Greek key border and with floral and fleur de lys motifs to the rim, impressed marks to base, diameter 23.5cm. CONDITION REPORT: Plates appear to be in general good condition, minor surface dirt and wear.

A c.1900 Indian silver vase of tapering form with flared crimped rim, overall embossed with figural and architectural landscape above knopped stem and similarly decorated domed circular base, height 12.5cm, approx 4.5ozt.

ISRAEL ESEEVIC ZAKHODER; a matched set of six early 20th century Russian silver Kiddush cups with bright cut floral and architectural decorate, Kiev 1892 - 1907, the largest height 4.5cm, combined approx. 2.8ozt, an associated electroplated Art Deco style stand with ebonised bobbin turned handle, length 34cm.

Four classical architectural prints, Hoorst print of woman next to fire, a needlepoint of a small girl, four prints of rural scenes, etc (11).

ALEX DANDIE; watercolour, 'Joppa Pans', coastal architectural landscape, signed and dated lower right, 1905, titled lower left, 22.5 x 30cm, framed and glazed.

A PAIR OF ENAMEL OPERA GLASSES each draw with a young 18th century couple with sheep to an architectural background, stamped 'Rodrigues-12 Picadilly'

19/20th Century Bronze Mounted Renaissance style Ebonized Miniature Cabinet with Viennese Enamel Plaques. Shaped in a architectural form with gilt bronze fittings, finial of Liberty affixed to top along with cherubs at each corner, includes a total of 36 enamel on copper plaques. Signs of rubbing and nicks to edges, wear to lacquer. Measures 11-3/4" H x 10" W x 9" Depth. Shipping $62.00 (estimate $4000-$6000)

Architectural Salvage - carvings and crestings, various

Lacquered Brass Clock Garniture in the Architectural Style

[Udall, William]. The Historie of the Life and Death of Mary Stuart Queene of Scotland, 1st edition, Iohn Haviland for Richard Whitaker, 1624, engraved portrait frontispiece within embellished surrounds, title within architectural woodcut border, a few decorative woodcut initials and headpieces, armorial bookplate, early 18th-century sprinkled calf gilt, rubbed and corner tips bruised, small folio This appears to be the first biography in English of Mary Queen of Scots. STC 24509a. (1)

Early Victorian Architectural Drawing, in a walnut frame, 33” sq

Metcalfe (J., & Carmichael, J.W.). Eight Views of Fountains Abbey, intended to Illustrate the Architecture and Picturesque Scenery of that Celebrated Ruin..., with an Historical and Architectural Description by T. Sopwith, Ripon: Sold by W. Harrison, 1832, eight engraved plates (closed tear to 'East Window &c from the Interior' to lower margin & running into image), light spotting mostly to margins, original cloth-backed wrappers, printed title label to upper cover, manuscript marks to upper cover (mostly in chalk), some dust-soiling & fraying to edges, slim folio, (49 x 31cm), together with Westall (William), Views of Fountains Abbey and Studley Park, Yorkshire, London: J. Rodwell & W. Westall, 1846, eight engraved plates, scattered spotting, original printed wrappers, stitched as issued, spine edge worn, slim folio, (35 x 25.5cm) Abbey Scenery 373 & 383. (2)

Piper (John). English Scottish and Welsh Landscape, chosen by John Betjeman and Geoffrey Taylor, with original lithographs by John Piper, second impression, 1945, 12 colour lithograph plates, original pictorial cloth, rubbed, 8vo, together with Hutchison (Harold F.), London Transport Posters, 1st edition, London Transport Board, 1963, numerous colour plates, original cloth in dust wrapper, a little marked and minor fraying to extremities, large 8vo, plus Laver (James), Art for All, London Transport Posters 1908-1949, 1st edition, Art and Technics, 1949, colour and monochrome plates, original cloth gilt in rubbed and frayed dust jacket with a little loss, large 8vo, and other art reference, including George Dawe, The Life of George Morland, circa 1910, Claude Roger-Marx, Bonnard Lithographe, Monte Carlo, Andr‚ Sauret, 1952, a bound volume of architectural wood engravings from The Building News, 1878-79, 10 issues of Image, 1946-1951, Motif, A Journal of the Visual Arts, No. 2, February 1959, etc. (approximately 150 volumes) (3 shelves)

Guillim (John). A Display of Heraldrie: Manifesting a more easie accesse to the knowledge thereof then hath beene hitherto published by any, through the benefit of method, whereinto it is now reduced by the industry of Joh. Guillim Purseuant of Armes, 1st edition, 2nd issue, London: Printed by William Hall for Raphe Mab, 1611, title within architectural woodcut border (repaired to margins), numerous woodcut armorials some full-page (mostly with early hand-colouring), colophon dated 1610, D2-D4 with repaired horizontal closed cut at foot, final three leaves repaired to upper outer corners, front free blank with manuscript shield and ownership signature of Robert Pilts (leaf torn with loss and repaired), bound with at rear twenty-seven leaves of manuscript index (some leaves blank), some dampstaining at head, dust-soiling and occasional marks, late 19th/early 20th century half morocco gilt, joints & extremities rubbed, folio STC 12501, ESTC S120346. Second issue of the first edition dated 1611 on title. (1)

Hall (Joseph). Pharisaisme and Christianitie: Compared and set forth in a sermon at Paules Crosse, May 1. 1608, printed by H.L. for Samuel Macham, 1609, 87 pp., title within architectural woodcut border, lacking front blank, a little light soiling, previous owner signature, later half calf, rubbed, 8vo STC 12701. The second issue, first published in 1608. (1)

A 19TH CENTURY ARCHITECTURAL DRAWING OF A FIGURAL SCULPTURAL MONUMENT, squared up for enlargement

A LATE VICTORIAN WALL CLOCK with an architectural style case, 82" high

A 19TH CENTURY FRENCH ARCHITECTURAL ENGRAVING by Ransonnette 'TEMPLE, OU MONUMENT QUI SE VOIT A PALMYRE'

A late 19th Century German walnut cased mantel clock by Lenzkirsch and retailed by E. Dobell of Hastings, the 6.5ins square brass dial with silvered chapter ring with Roman and Arabic numerals, to the eight day two train movement striking on a gong, contained in walnut case of architectural design, on bracket feet, 15.75ins high, and a late 19th Century German ebonised cased and gilt metal mounted mantel clock, the 5.25ins diameter engraved silvered dial with Roman numerals, to the eight day two train movement striking on a gong, contained in rectangular case, the shaped top with carved scale ornament and on moulded base with bun feet, 21ins high

A mahogany mantel clock in the Victorian manner, the 7.75ins diameter painted metal dial with Roman numerals, to the eight day two train movement striking on a bell, contained in associated mahogany case of architectural design, with angled pediment and two turned pillars to front and on bun feet, 20ins high

A miniature 19th Century satin walnut and ebonised cased "Vienna Regulator", the 2.5ins white enamel dial with Roman numerals, to the single train movement with "gridiron" pendulum, in satin walnut and ebonised case of architectural design, with shaped cresting and turned finials, 16.5ins high overall

A late 19th Century "Vienna Regulator" clock movement in later case, the 7ins diameter white enamel dial with Roman numerals to the eight day two train weight driven movement striking on a gong, wooden pendulum rod with brass bob and two brass cased weights, now contained in replacement mahogany case of architectural design, with angled pediment and full length glazed door flanked by fluted columns, 46ins high

A mid-19th Century figured mahogany longcase clock by Lawrence of Southampton, the 13.25ins diameter silvered dial with Roman and Arabic numerals and with subsidiary seconds dial, to the eight day two train movement, shaped top brass plates and striking on a bell, contained in figured mahogany case of architectural design, the hood with angled pediment and astragal mouldings, the arched trunk door with canted corners and the base with raised astragal mouldings, on block feet, 79ins high Note: "The Directory of Hampshire Clockmakers" by Martin Norgate records two Lawrence's in Southampton - Francis Lawrence at 13 High Street in 1851 and James Lawrence in Union Terrace, Southampton in 1844.

A LATE 17TH / EARLY 18TH CENTURY GERMAN PARCELGILT BEAKER of plain tapering form chased with three oval architectural vignettes, each separated by chased foliate scrolls, maker's mark struck twice and town mark once, by Johann Paul Schmidt, Leipzig c.1700; 3.3" (.5 cms) high; 2.7 oz

AN EARLY 18TH CENTURY MOUNTED TORTOISESHELL OVAL SNUFF BOX with a "stand-a-way" hinge, the cover with an inlaid pique-work architectural scene with trees, a flower and a serpent with "topped" hearts below the inscription "Ils son unis malgre lenvi", unmarked 1720-30; 3.3" (8.5 cms) long

A LATE 19TH CENTURY AUSTRO-HUNGARIAN SILVERGILT MOUNTED ENAMEL BOX, oval with a polychrome figural scene around the sides, an architectural landscape on the base and lovers on the cover, maker's mark "SC", Vienna 1860-70; 2.25" (5.7 cms) long

A collection of architectural brackets or mounts, terracotta, some stamped J Armitage and Sons, Manchester and Sheffield

An early 20th century National Time Recorder, oak cased clocking in machine, of architectural design and cast iron detailing, 135cm high

A limited edition etching of an impressive building monogrammed N E K and dated '72 to the plate, signed in pencil indistinctly together with three other architectural prints

A collection of Continental architectural prints, unframed (af)

French late 19th c mantel clock, gilt painted figure of a Renaissance man with dagger, wooden stand, green onyx mantel clock striking on a coil & a black marble & slate architectural clock (3)

Andrew Fairbairn Affleck (c. 1874-1936):A hand signed etching of architectural interest, 47 x 24 cm; together with a Surrealist style print (2)

A cased set of six silver coffee spoons having architectural terminals, Birmingham 1928, William Adams Ltd and a Victorian silver dessert spoon, London 1847, Charles Boyton

An early 20th century bleached case mantel clock having architectural detail with brass spandrels

Four German boxed architectural building bricks

A Victorian album of architectural and other watercolours and a small sketchbook, 4.5 x 9.5in and 10.5 x 14in (approx 70)

A 19th century Vienna wall clock, with enamelled Roman dial and subsidiary seconds, in architectural walnut case, 3ft 4ins

GARDEN MIRRORS, three, Architectural style verdigris with an arched top, 102.5cm H x 53cm W. (3)

A Colonial hardwood padouk bookcase, with floral carving, and inlaid decoration, blind carved doors, architectural cornice, and military brass handles, raised on hairy paw feet, 112 by 50 by 225cm high.

An Edwardian black slate mantel clock of architectural form having an enamel dial with Arabic numerals and eight day movement, together with one other similar (2)

A late Victorian black slate mantel clock of architectural form having a gilded brass dial with Roman numerals and eight day movement striking on a gong (a/f)

20th century AD. A paper scroll with architectural header, panel of manuscript text with gold punctuation, transverse panels of gold, red and green geometric ornament; two black seals to the bottom panel. 237 grams, 650 x 32.5cm (256 x 12 3/4"). Property of a Birmingham collector; by inheritance. [No Reserve]. Fine condition, torn.

18th century AD. A flat discoid marble plaque with high relief image of nude, winged Nike kneeling to sacrifice a bull with a dagger; the bull resting on a tiered base, head drawn up vertical, forelegs bent; Nike kneeling on the bull's back, draped robe to the right shoulder, wings extended to the rear, left hand to the bull's muzzle, right hand raised with dagger above the bull's head. See Mark, I.S. The Sanctuary of Athena Nike in Athens: Architectural Stages and Chronology, American School of Classical Studies at Athens, Volume XXV, 1993 for discussion of the Nike cult. 32 grams, 61mm (2 1/2"). Property of a Lincolnshire collector; acquired on the UK art market, 2010-2015. A scene of Nike sacrificing a bull appeared on the temple of Athena Nike at Athens, now in the British Museum, London, under accession number 1885,1212.1 . Another is in the Athens Acropolis museum (Acr.972"). Nike, the goddess embodying victory, was sometimes a patroness of competition in the games as well as of military conquest. A torch race, possibly the Lampas of Panathenaia, was concluded with the sacrifice of a bovine to Nike, as shown on a number of 4th century BC vases. . Fine condition, edge chipped, usage wear.

A Good Quality Reproduction Walnut and Gilt Metal Mounted Four Door Library Bookcase in the Regency style, with an architectural pediment above four glazed doors enclosing shelves, the base with four cupboard doors, 232cm by 51cm by 255cm

A CONTEMPORARY CHERRY WOOD VENEERED BOOKCASE of architectural 19th century style with partial columns dividing three sections with adjustable shelves over drawers to base, having brass cup handles, raised on bracket feet, 138cm wide x 175cm high

SINGER SEWING MACHINEalong with architectural sewing box

Set of four Victorian architectural drawings of cottages, dated 1864 and signed William R. Chapman

A collection of carved oak, walnut, mahogany and beechwood architectural mouldings, and similar; together with a set of four Chinese carved and pierced hardwood examples.

A quantity of architectural moulds.

A quantity of architectural plaster mouldings.

A gilt metal mounted striking mantel clock of architectural form together with another slate mantel clock (2)

A striking slate mantel clock of waisted architectural form surmounted by a spelter Marley horse

An alabaster mantel clock of architectural form together with an ebonised mantel clock (2)