We found 35023 price guide item(s) matching your search

A pair of early 20th century Theatre plaster architectural plaque, modelled with the masks of a classical man and woman and finished on gilt

A late Victorian mahogany Asrey's patented drinks cabinet, titled 'The Janitor', of architectural form, the twin hinged covers opening to reveal a central four divisional tantalus with four square cut glass decanters, a silver mounted lemon squeezer, cigar cutter, cigarette dispenser and fittings for glasses, above two lined humidor drawers and titled plaque bearing retailers name and undertier, on turned tapering demi fluted legs with quiver capitols, on leather castors, 110cm high x 80cm wide x63cm deep

A 19TH CENTURY MAHOGANY AND CHEQUER BANDED WRITING OR STRONG BOX on stand, with a hinged lid enclosing an arrangement of compartments and drawers and secret drawers within an architectural surround, one long base drawer on moulded square section chamfered supports, with fretted brackets, brass carrying handles, 23" wide .

A reproduction Admiral Fitzroy barometer, with colour printed register in architectural mahogany case, in original box, 3ft. 6in.

A Black Forest mantel clock with gong-striking movement, in architectural walnut case, 19in. high -faults

A Victorian slate mantel clock the architectural case with red marble cornice and columns, with incised gilt floral decoration, the gilt and white enamel dial with roman numerals, with a two train movement, striking on a gong 32cm wide, 42cm high, 15cm deep

An impressive Victorian beadwork and needlework panel woven with an architectural scene with a fountain and deer to the centre, with inner floral surround and outer architectural border, framed and glazed 178cm x 100cm

A late 19th century gilt metal carriage clock with handle to top, the architectural case flanked by columns on a stepped base, the cream coloured chapter ring with black arabic numerals, with push button repeater, striking on a coiled gong, 16cm high; and a pair of mid 19th century Derby style campana form vases, decorated with a bird and flowers on a gilt and cobalt blue ground, 10.5cm high -3

A set of three French architectural prints, "La Construction Moderne", 11" x 12"

A set twelve architectural photographs

An Architectural style metal mantel clock with urn pediment and pierced decoration, the painted enamel dial with Roman numerals, 17.5in (44.5cm) high.

John Player & Sons old Naval Prints (15), Architectural Beauties (10), Golf (12), British Naval Craft (11), Championship Golf Courses (5), Dogs (11), together with sundry large cards

An Indian Mughal style watercolour, 19th Century of a commercial scene within an architectural setting.

French architectural marble mantel clock, circa 1870, the gothic style case in black with incised gilt ornament, red columns and verde antico strings, two train movement with Brocot suspension striking on a gong. Height 54cm.

A gilt brass table lamp base, cast as an architectural column

A Victorian Mantel Clock with Ivorine dial and striking movement in architectural style black slate case. 12 1/2" (31cms) high.

A German Mantel Clock with steel and brass dial and gong strike in architectural style oak case. 13" (33cms) high.

A 19TH CENTURY PAINTED ARCHITECTURAL OVERMANTEL MIRROR with broken arched pediment, ribbon tie and swag decoration, 73" x 70"

A Mahogany heart-shaped Silver or Occasional Table, with an arched arcaded fretwork surround and also applied with ball finials, plain frieze and raised on three tapering square pierced supports, joined by a “C” scroll “X” stretcher with a central circular undertier on architectural type feet, circa late 19th Century (losses), 36” wide

Edwardian presentation chiming mantel clock with carved walnut architectural case, gilt and silvered dial on bun feet, 40cm

Victorian oak Gothic-style high back elbow chair with architectural back with inset blue velvet panels, overstuffed blue velvet seat on turned supports (made by Mr Ross of Halstead for the Old High Street Congregational church, Halstead)

Good quality 1930's Elkington silver plated carving trolley made for the Savoy Hotel in London with domed revolving lid and architectural supports, stamped Savoy Hotel.

Edwardian bracket clock, in mahogany architectural case, with gilt and silvered dial, glazed door, raised on bun feet, German movement, 41cm high

A pair of 19th Century bronze figures, Mars and Minerva, both seated, raised on architectural slate bases with bronze columns, 29cm (11.5") high, probably from a clock set

an Italian Carved Ebony and Capo di Monte Porcelain Mounted Table Casket in Renaissance Style, circa 1870, of architectural shaped rectangular form, the lid inset with a relief plaque depicting gods led by Jupiter attacking an equestrian group, opening to reveal a black velvet lined interior, the lock stamped "Nettlefold VR Patent", and with inset gilt bronze elaborate hinge, within carved wood satyr mask and leaf flanking panels, with four further panels around the casket sides attributed to Capo di Monte, including a Bacchanalian feast, and the Judgement of Paris, the carved wood pilasters worked in relief with Roman style heads amongst acanthus and beaded detailing, on an indented gadrooned plinth, 25cm high, 31.2cm wide, 25cm deep See illustration

a Gilt Brass Striking Mantel Clock with Garniture, circa 1900, the case with architectural pediment, bronzed Corinthian columns, plinth with acanthus leaf work upon a shaped base, 4-inch dial with Arabic numerals, twin barrel movement with striking on a gong, movement backplate stamped "Marti" and numbered "4333 52", 33cm high, together with matching gilt brass and bronzed urn garniture decorated with flowers, fruit and insects, 27cm high See illustration

a "Vienna" Wall Timepiece, circa 1890, the walnut veneered case with architectural top, front glazed door flanked by fluted side columns, waisted plinth, 7-inch white enamel dial with Roman numerals, triangular shaped single weight driven movement with adjustable pallets and deadbeat escapement, movement backplate stamped "Lenzkirch 1 million" and numbered "111949", 125cm high

A late 19th century white marble cased mantel clock of architectural form, with gilt metal mounts, the French eight day movement striking on a single gong, the gilt chapter ring with Roman numerals, height 35 cm, with pendulum.

A late 19th century marble cased composed clock garniture, the clock of architectural form with pediment top, the eight day movement striking on a single bell, the chapter ring with Arabic numerals, height 29 cm, with pendulum and key, a pair of similar marble circular pedestal dishes on stepped bases, and a late 19th century variegated marble timepiece, on a stepped circular base, height 19.5 cm, (4).

An early 20th century slate cased mantel clock of architectural form, height 25.5 cm, with pendulum, two other mantel clocks, two wood and leather letter racks, a metronome, a set of postal scales, and oddments, (a lot).

Walnut Bookcase, with architectural pediment, glazed doors enclosing shelves.

A French architectural gilt spelter champleve mantle clock, circa 1900, the dial with blue enamel Roman numeral plaques, the cylinder moverment stamped 'R.C 1956', striking on a bell, on a giltwood stand, 42cm high

A Victorian carved oak architectural sideboard, the top section having galleried and crested cornice above a bevelled glass mirror, flanked by two astragal glazed doors, the inverse breakfront base with four central drawers and four cupboard doors flanked by four further cupboards on a plinth foot, 245cm high x 312cm wide

HENRY AND B WINKLES: ARCHITECTURAL AND PICTURESQUE ILLUSTRATIONS OF THE CATHEDRAL CHURCHES OF ENGLAND AND WALES, L 1836-42, 3 vols, added engrd ttls, 178 engrd plts, mod cl (3)

A Charles II period ebonised striking table clock By Henry Jones, London the lacquered brass dial with silvered Roman numeral chapter and angel mask spandrels, the matted centre with a date aperture, the movement with thick brass plates secured by seven baluster pillars, the twin train fusee movement with verge escapement and the back plate signed Henry Jones in the Temple and with a calibrated countwheel giving hour strike on a bell, within a panelled architectural arched ebonised case, raised on bracket feet 31cm wide, 44cm high, 14cm deep Note: the movement of this clock was exhibited at the British Clockmakers Heritage Exhibition at the Science Museum in 1952, catalogue number 91.

A 19th century Japanese black and gilt lacquer cabinet on stand the two panelled cupboard doors decorated with figures and buildings in landscapes, enclosing an architectural balconied interior, with galleried shelves, drawers and doors, on British stand with pierced fretwork frieze and triple cluster column legs, scrolled spandrels, on chamfered block feet 91cm wide, 160cm high, 55cm deep

S. J. N. (early 20th century) The Madonna and Child with Saint ?Anne, oil on canvas, the stretcher inscribed 'Copied by S J N 1904' 48 x 35 cm (19 x 14 in), in a gilded and polychrome architectural frame, also inscribed 'S. Nichol..' (in ink) and '24 Eldon Road' (in pencil)

An early 19th century mahogany four piece mercurial barometer, with architectural pediment, the case inlaid with double cocquillage and an inlaid line, indistinct maker's mark, 96cm (38in)

A George IV mahogany Secretaire bookcase, the upper part with architectural cornice with bead ornament, fitted two adjustable shelves enclosed by a pair of glazed doors with reeded astragal glazing bars, the base with Secretaire drawer with recessed front and bead ornament enclosing interior fitted pigeon-holes and seven satinwood fronted small drawers, three long graduated drawers under with later brass ring handles with circular backplates, shaped apron, on splayed bracket feet, 41.5ins wide x 19.75ins deep x 90ins high (top and base associated)

An Herat woollen rug, the blue ground decorated with three graduated boxed architectural reserves within deep trailing border, 103cm x 198cm

A 19thC travelling musical box, 2.5" cylinder playing on a comb, in black stained horn case, the cover with detailed raised architectural decoration depicting 'Theatre de L'Odeon', in outer wooden carrying case - a/f

St GEORGE'S, BLOOMSBURY, view of the interior, together with a pencil drawing, four architectural pictures and prints and a collection of pictures and prints

Black and white engravings of architectural studies and an engraving of Winchester

Early 20th Century oak cased child's architectural building set with real miniature bricks.

A 20th Century Wall mounted Cuckoo Clock, the architectural case with applied bird and foliate decoration, to a composite Roman dial with further composite hands, and weight driven movement with anchor escapement, and strike on a coiled gong, and further cuckoo, height 18”

A late 19th Century carved Walnut Bracket Cuckoo Clock, the architectural case with applied fruiting vine and bird mounts, to a fenced plinth on bracket feet, to a 4” dial with applied Roman numerals and carved bone hands, to a twin fuse wooden movement with back mounted count wheel and anchor escapement, with strike on a coiled gong and a further pair of cuckoo bellows

A 19th century continental 'Biedermeier' ash secretaire a abattant, the stepped cornice above a recessed panel front, the top drawer above a fall front enclosing an architectural interior of drawers, pigeon holes and secret compartments, above three further drawers, on block feet, 62.25in (157.7cm) h, 43in (109.4cm) w, 22in (56cm) d.

After Robert Adam. South Front of Kedleston, a print, 21.5 x 29.75in (54.5 x 75.5cm), another architectural drawing after William Kent, and five similar smaller architectural prints. (7)

Robert Shaw, Irish, late 18th century- "Plan and Elevation of a Bridge.. to be built over the River Liffey at Island Bridge, Dublin"; pen and black ink wash, signed and with inscription, 31x42cm: together with two other late 18th century architectural bridge designs/proposals for the Island Bridge over the River Liffey, Dublin, by different hands, both pen black ink and watercolour, each with inscription and one signed Turnhale, Note: Island Bridge and the surrounding area are named, because of the island formed at the junction of the Camac and Liffey rivers. In 1577, during the reign of Queen Elizabeth I of England, while Sir Henry Sidney was Lord Deputy of Ireland, an arched stone bridge was built here to replace an earlier structure nearby at Kilmainham. This bridge was swept away by a flood in 1787, and in 1794 the replacement bridge, that is standing today, was constructed. The structure is a single 32-metre span ashlar masonry elliptical arch bridge and was originally named Sarah's Bridge after Sarah, Countess of Westmoreland and Vice-Queen of Ireland, wife of the then Lord Lieutenant of Ireland, John Fane, 10th Earl of Westmorland, who laid the first stone on the June 22, 1794. The bridge was renamed Island Bridge in 1922 following independence of the Free State, similarly to many other Dublin bridges named for British peers. (3) (unframed)

British School 18/19th century- "Elevation of the Dairy Front at Downing..(Flintshire)"; pen and black ink, architectural design, after Sir Richard Westmacott 1777-1856, bears inscription in brown ink "Elevation of the Dairy Front at Downing, Designed by Richard Westmacott, the Distinguished Sculptor", verso, 26x40cm., (unframed)

James Cheney, late 18th century- "Little Budworth Church, Cheshire", architectural drawings, elevation and ground plan, watercolour, pen and black ink, signed and dated 1799, 48x34.5cm:British school early 19th century- Ceiling design; pencil and watercolour, 33x42cm; together with a collection of 18/19th century architectural designs/elevations, ground plans to include "Block Plan of Milton Place, House and Offices..", dated July 1813, "Roof of the Hall at East-Horsley" and others, (11) (unframed)

A decorative Antolian rug with architectural field, stepped medallion and geometric design. 6.2in. x 3.8in..

A George IV rosewood linen press, the architectural pediment over twin recessed panel doors above an arrangement of two short and two long graduated drawers upon ebonised turned supports, the whole with brass strung inlay, 225 x 127 x 56 cm.

A LATE 17TH CENTURY FRUIT WOOD CHEST PROBABLY NORTH EUROPEAN having a twin panelled drawer above a two door cupboard of cushion framed architectural moulding within a wavy ribbed border, the interior fitted with three graduated oak drawers with ring handles, on compressed bun feet, 112cms wide x 98cms high.. See Illustration

19th Century Bohemian engraved ruby flash goblet, the bucket bowl with allover engraved decoration depicting architectural scenes and deer, 15cm high

19th Century Bohemian cut glass goblet having engraved ruby flash decoration of architectural scenes, 13.5cm high

A Regency style stick barometer, mahogany, the rectangular silvered register signed G Martinou, the mahogany case with architectural pediment and chevron stringing with exposed tube and circular cistern, 95.5cm high

A Russian silver cigar or cheroot case, marked for Moscow 1893, of rectangular shape engraved with a basket weave design around an oval cartouche, niello decorated with an architectural landscape, the base with a cross hatched design, 9.5 x 5.5cm, 3oz

William Morris for William De Morgan, A Tulip and Trellis pattern tile, Architectural Pottery Company mark, 15cm square The Architectural Pottery Co was formed in 1854 and opened in 1855. The company was eventually absorbed into Carter and Co and went on to form the basis of Carter's floor tile manufacturing business. They are best known for supplying blanks to William de Morgan.

G Bennington (English, 20th Century) Architectural Study signed lower left "G Bennington" watercolour 47 x 69cm