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A Victorian slate mantel clock, of architectural form, with enamelled chapter ring, Arabic numerals, and presentation inscription 'Presented to First VBN Regt. Presented to Sgt. Major Collins by the Staff Sergeants and Sergeants as a mark of their respect and regard, December 10th 1894'; 11" high.

A late 17th century North European ash and parquetry cabinet on an ebonised stand, the cabinet with parquetry panels, the doors, sides and back with marquetry architectural arches, with metal side handles, the hinged top enclosing a stepped recess, the doors to the front enclosing a marquetry interior, with ruined townscapes and foliage, the interior with false drawers, drawers, fluted columns and urns in niches around an arched door, all with war trophies and other marquetry, the later associated stand carved with masks, the central arcaded stretcher with turned finials, on fluted and spirally reeded ends supports on plinth bases with scroll feet, 148.5cm high x 47cm deep x 84cm wide (worm)

An early 19th century Dutch walnut and floral marquetry display cabinet, the top with an architectural pediment and a moulded cornice above two astragal glazed doors enclosing velvet lined shaped shelves, flanked by glazed canted corners, the base with two panelled doors on bun feet, 239cm high x 54cm deep x 176cm wide

A walnut feather banded standing corner cupboard in George II style, the top with an architectural moulded pediment above an arched door with bevelled glass enclosing shaped shelves, the base with a drawer, above a panelled door, with brass handles and escutcheons, on bracket feet, 230cm high x 85cm wide

Sir Ernest George, R.A., RE - 'Foubert's Place, Regent St.'; etching, signed and titled within the plate, and signed in pencil, 26x28.8cm: together with four other etchings of architectural subjects by the same hand, and one other titled 'Sonning Bridge', published by A. Clement, Paris (5).

A Victorian mahogany chest, of four long graduated drawers, flanked by architectural pillars, upon double bun feet, (111x110cm)

A large folio of prints and drawings, including architectural drawings, 18th century prints and engravings after Old Masters etc, many engraved by Robert Strange, London (qty)

Paterson, John Two designs, as executed, for the Dining Room at Sundrum Castle, incorporating plans and elevations; and a quantity of other architectural designs and sketches relating to the estate (qty)

A collection of Victorian and Edwardian double damask table linen, including a fine example woven with a border of Persian and mythical figures and architectural motifs, bearing ink mark C.E. Mitchell, 232cm x 340cm, (some repairs); an another depicting game; and lengths of glazed cotton; a collection of Sundram towels, circa 1820s; and further whitework table and bed linen, contained within a baize lined travelling trunk, 92cm x 50cm x 51cm

A late Victorian black slate and marble eight day mantel clock of architectural form.

A Collection of Early Games and Puzzles, including two Table Croquet sets, an Architectural Building Set, The Strand War Game, Dennis Wheatley's Invasion, the Scripture Text Pastime, Mark Over Sportsman's Game, Miniature Dominoes, two TV related jigsaw puzzles, Table Tennis Game etc

Burr walnut and ebonised mantel clock, of architectural form with a circular white enamel dial with Roman numerals in black, 9 1/2in (24.2cm) high

A pair of fine quality 19th Century Gothic revival hall chairs, architectural arch topped backs with pierced fretwork decoration. Raised on turned supports. (2)

An Edwardian hazel pine marble top wash stand, a central bevelled mirror with architectural arch top above a tiled back frieze, the base with a central drawer and 2 panel doors flanking. Raised on a shaped plinth. 48" x 24" x 68".

An early 17th century plank top coffer with later pine plank top. The front panel with a fine carved Gothic architectural arch frieze. Raised on styled feet. 72" x 22" x 25".

A Victorian polished red marble mantle clock, the French eight day movement with locking plate striking mechanism. The circular dial with porcelain chapter ring and Arabic numerals, minute divisions and exposed escapement to centre. The architectural case with central glass panel, flanked by half round columns exposing mercury compensated pendulum. 44cm high

A GEORGE III MAHOGANY STICK BAROMETER, by J Lione of London, having broken architectural pediment, engraved brass scale, thermometer and herringbone veneer body. 38.5" high.

An early 20th century portfolio of architectural plans and drawings by Eden King, containing pen and ink studies and watercolours of various projects

A Charles II oak coffer, frieze carved about the lockplate "I B 1673", the architectural front with three arcaded panels, boarded top enclosing interior with candle-tray, 3ft. 9in.

AN ART DECO RUBY AND DIAMOND BROOCH, CIRCA 1925, OF ARCHITECTURAL DESIGN, SET WITH TWO PEAR SHAPED RUBIES TO A BRILLIANT CUT DIAMOND AT THE CENTRE, THE PIERCED GROUND SET THROUGHOUT WITH ROSE CUT DIAMONDS AND CALIBRÉ CUT RUBY HIGHLIGHTS

An early 18th century continental parcel-gilt scent flask, in the form of a faceted drop, with a shaped ring, screw cover, the body engraved with architectural scenes and strapwork, unmarked, first third of the 18th century, 3.25in (8.2cm) high, 1oz.

Follower of Niccol˜ Codazzi and follower of Jan Miel Architectural capriccio of the interior of a palace with an elegant company promenading oil on canvas, unlined 96 by 132.5 cm.; 37.375 by 52.125 in

Circle of Niccol˜ Codazzi Architectural Capriccio with the raising of Lazarus oil on canvas 74 by 56.3 cm.; 29.125 by 22.125 in

Property from a Deceased's Estate Follower of Gennaro Greco An Architectural Capriccio with Figures Amongst Ruins oil on canvas, shaped top 89 by 120.2 cm.; 35 by 47.25 in

A Savona maiolica bottle second half 17th century marked Levantino, the circular body with a tall neck, painted in blue with a sketchy scene of a gentleman courting a lady set in an architectural countryside, the label underneath their feet reading qu.fior sambuco, factory mark in underglaze-blue

A Paris, Dagoty, tete-a-tete early 19th century in Empire-style, decorated with an architectural landscape between gilt bands, the rims and finials gilt, the teapot and milk jugs with scroll handles with lion-mask terminals and the teapot with a lion-mask spout, comprising: a teapot and cover, a milk jug, a sugar bowl and cover and two cups and saucers stencilled mark P.L.Dagoty et E.Honore ˆ Paris (9)

A silver gilt and niello shrine / box, Moscow 1804, of architectural form, surmounted by an orthodox cross over the hinged cover, embellished with a scene of the crucifixion on a herringbone engraved ground. Height 15.5cm.

A Biedermeir architectural cherrywood and ebonised cupboard, the flat overhanging pediment,above three panelled cupboard doors,within bold turned columns,upon block feet,(192x187cm)

A Victorian slate eight day striking architectural clock

Fordyce (William). The History and Antiquities of the County Palatine of Durham, comprising a Condensed Account of its Natural, Civil and Ecclesiastical History, 2 vols., Newcastle, Thomas Fordyce, [1855-56], eng. plts., occasional light spotting, recent red cloth gilt, 4to, together with Surtees (Robert), The History and Antiquities of the County Palatine of Durham, vols. 1 & 4 only, 1816-40, engraved plts., unmatching contemp. bindings, folio, together with Roby (John), Traditions of Lancashire, 2 vols., 4th ed., Routledge, 1867,half-titles, eng. port. frontis., twenty-two steel-eng. plts. by Finden, occ. light spotting, orig. cloth gilt, rubbed, 4to, (large paper copy), with Willis (Robert & Clark, John Willis), The Architectural History of the University of Cambridge, and of the Colleges of Cambridge and Eton, 3 vols., (without plans vol.), C.U.P., 1886,b & w illusts., school lib. stamps and bookplate to each vol., t.e.g., remainder rough-trimmed, fore-edges foxed, orig. cloth gilt, rubbed, and with a few ink stains, spines darkened, and frayed at ends, large thick 8vo (9)

R.C.H.M. An Inventory of the Historical Monuments in the County of Northampton, vol. 6 (Architectural Monuments in North Northamptonshire), pub. H.M.S.O., 1984, num. b&w illusts. from photos., sketch maps and ground plans, etc., together with Heward (John and Taylor, Robert), The Country Houses of Northamptonshire, pub. R.C.H.M. 1996, num. b&w illusts. from photos., sketch maps and ground plans, etc., both orig. cloth in d.j., 4to, plus Lindsay (Ian G., and Cosh, Mary), Inveraray and the Dukes of Argyll, Edinburgh University Press, 1973, num. b&w illusts. from photos., orig. cloth in d.j., folio, and others, various (11)

Reynolds (Herbert Edward, ed.). Wells Cathedral: its Foundation, Constitutional History, and Statutes, 1881, list of subscribers at end, b & w plts., facsimiles, etc., slight foxing, t.e.g., contemp. half calf, rubbed and some soiling, upper joint partly cracked to lower portion, folio, together with Parker (John Henry), The Architectural Antiquities of the City of Wells, 1866, b & w wood eng. illusts., orig. cloth, a little rubbed and spine faded, minor fraying to extrems., plus Serel (Thomas), Historical Notes on The Church of St. Cuthbert, in Wells, 1875, sev. b & w plts., orig. cloth, rubbed and some wear, rebacked with remains of orig. spine laid down, 8vo, and others on Bath and Wells, mostly ecclesiastical history, including Lives of The Bishops of Bath and Wells, by Stephen Hyde Cassan, 1829, The Life of Thomas Ken, D.D., Bishop of Bath and Wells, by E. H. Plumtre, 2 vols., 2nd ed. revised, 1819, etc. (21)

Stackhouse (T.). Ancient or Pagan Britain. A Course of Lectures on the Architectural & Other Remains of Britain, parts 1 & 2, [all published], 1833, forty uncol. soft-ground litho. plts., orig. printed wrappers, stitched as issued, frayed and chipped at edges, 4to 75 copies printed for private distribution. (2)

Gerard (John). The Herball or Generall Historie of Plantes, Gathered by John Gerarde of London, Master in Chirurgerie, very much enlarged and amended by Thomas Johnson Citizen and Apothecarye of London, [2nd ed., revised], printed by Adam Islip, Joice Norton & Richard Whitakers, 1636, [xxxviii] + 1630 + [46] pp., eng. architectural title, some marks and marginal stains, lower outer corner torn with a little loss, and repaired with blank paper, following leaf repairs to upper outer corner and lower margin, minor staining to extrem. upper outer corners at front of vol., num. botanical woodcuts throughout, woodcut dec. initials, head- & tail-pieces, without blank at front and rear, final leaf a little creased and with small repair to head and foot, not affecting text, some minor marks (generally in good condition), contemp. full calf, heavily rubbed and scuffed, rebacked, thick folio STC 11752. The Advertisement to the Readers to verso of final leaf describes this edition as the '2nd Edition of revised Gerard'. (1)

Italy. Topographical, architectural and genré prints and engravings, 19th century, incl. ten engraved views of Venice after Turner and four views of Venice after Stanfield, various sizes (approx. 170)

Original artwork. A collection of approx. sixty original pen & ink drawings, illustrations, and other artwork, mainly early 20th-c., including a pen & ink illustration by Gerald Waltho, titled Passing Show, with caption to lower margin, signed and dated 1922, approx. 300 x 195 mm, a pencil sketch of a workman, attributed to Francis Dodd R.A., sheet size approx. 275 x 175 mm, a pen & ink architectural view of a church tower and town buildings, possibly in Belgium, by A. E. Pearce, early 20th c., approx. 285 x 180 mm, a small watercolour view of a coastline, possibly North Africa, signed Geo, approx. 90 x 138 mm, and others similar, incl. book illustrations, advertising, small portrait sketches, a pen & ink design for the Savage Club House Dinner, January 1928, by Alfred Leese, etc. (approx. 60)

Bible [English]. The Bible That is, The Holy Scriptures Contained in the Old & New Testament. Imprinted at London by Robert Barker, Printer to the Kinges Most Excellent Maiestie.., [1612], eng. Old Testament title with architectural border, New Testament title present dated 1611 (with ink inscription to verso dated 1684 & with small hole), colophon dated 1612, one full-page woodcut illustration, woodcut illusts. & maps to text, Old Testament leaves Bb2 & Bb5 duplicated, leaf Fff excised to lower margin, closed tears to lower margins of leaves Aa5 & Aa6 neatly repaired, long closed tear to leaf Vv2, Apocrypha lacks leaves Ttt3 & Ttt4, bound with the Genealogies by J.S. at front, with woodcut genealogies and double-page map by John Speed, and bound with the Whole Booke of Psalmes at rear, dated 1618, last few leaves of Book of Psalmes slightly damp soiled to margins and last two leaves neatly repaired with archival tissue, occ. small holes to few leaves throughout and some general browning to margins with some weakening of paper, modern blind panelled calf, folio Herbert 312. (1)

Gramm (Johann Christian). Der Architekt fur Freunde der schoenen Baukunst. Facaden, Grundrisse und Details, Frankfurt, 1854, addn. litho. title printed in blue, red and black, twenty-five hand-col. litho. plts. of architectural designs, elevations, details, etc., titles with minor marginal waterstains to fore-edge, a.e.g., contemp. maroon morocco gilt, rubbed and some staining, covers sl. bowed, folio (1)

Siren (Osvald). The Imperial Palaces of Peking, 3 vols., Paris & Brussels, 1926, 274 collotype plts. after photographs by the author, twelve folding architectural drawings and two maps, t.e.g., remainder rough-trimmed, orig. cloth gilt, a little rubbed and some minor wear to extrems., 4to (3)

Boileau (D.). The Art of Working in Pasteboards, upon Scientific Principles: to which is added, an appendix, containing directions for constructing architectural models: intended as a sequel to Papyro-Plastics, or the Art of Modelling in Paper, 1827, eight folding eng. plts. (a little stained), single ad. leaf at rear, orig. blue boards, short closed tear at head of spine, small 4to (1)

Weir Schultz (R) and Barnsley (S),The Monastery of Saint Luke of Stois in Phocis, published London, Macmillan & Co. Ltd 1901; The Church of Nativity at Bethlehem, edited by Robert Weir Schultz, published London, B.T. Batsford, 1910, containing Robert Weir Schultz's book plate and two other architectural books by Robert Weir Schultz

An early 19th century mantel clock, with white painted round dial, eight day striking movement, the mahogany and brass inlaid case with architectural pediment, pierced side panels, and ring handles, on ball feet, 17 3/4" high (45cm)

An early 20th Century walnut cased Mantel Clock, the architectural case with hinged and glazed door and raised on a plinth base to a 6.5" brass dial with silvered Arabic insert and black steel hands, the movement with anchor escapement and strike on a coiled gong, height 14"

An early 19th Century mahogany cased Sedan Timepiece of architectural form with ring side handles and plinth base to a cast brass bezel and 4" Roman enamelled dial with black steel hands and a later replacement movement, height 10"

A late 19th Century black slate Mantel Clock of architectural form, the palladium pediment over four reeded columns on a plinth base to a two part ivorine Roman dial, the circular movement with anchor escapement strike on a coiled gong, height 10.5"

A late 19th Century black slate Mantel Clock of architectural form, the broken arch pediment over free standing reeded columns on a plinth base to a two part ivorine dial with visible escapement to a later spring driven movement with strike on a coiled gong

Black marble architectural design column support mantel clock "11" height.

Early 19th century 8 day longcase clock by S.W. Price of Brecon, painted break arch face with riverscape and cottage details, cross banded oak casing with swan neck architectural hood.

Vienna-style walnut cased regulator clock, architectural pediment with enamel white face, 47" height.

Late 19th century walnut striking bracket clock with continental movement striking on two gongs, the case of architectural form with raised gallery, 30cm

A folio of unframed architectural drawings, life drawings, plans and designs, some by G.J.F.Hookway

Architectural styled black slate clock, working order

A Victorian gilt brass strut clock, the cartouche shaped case engraved with foliate scrolling, floral and architectural decoration, centred by silvered circular dial, on hinged X-shaped support, 21cm high

Italian Architectural Study And Ruins, two albumen prints mounted on card, untitled and un-credited, 12 1/2" x 9" and 14 1/2" x 11 1/4", (Circa 1860's).

A VICTORIAN BLACK SLATE MANTEL CLOCK in an architectural case with 6 columns, 16" across

An early 19th century blue and white transfer ware shaped dessert dish, printed with a traveller near a ruined tomb overlooking an Italianate bay, within a jumbled border of architectural emblems, 29cm (11 1/4in)

An early 19th century 8-day bracket timepiece, fitted a single fusee movement, the rosewood case of arch topped architectural form, with applied leaf carved mantel and side corbels, fitted a bevelled lens and cast bezel, 32cm (12 1/2in)

A woollen Herat rug, the central red ground with architectural geometric decoration within twin continuous trailing borders, 205cm x 108cm

An Edwardian mahogany Secretaire bookcase, having a broken architectural pediment above twin astragal glazed doors enclosing a shelved interior, the base fitted Secretaire drawer above twin recessed panelled doors, the whole with satinwood banding and oval satinwood inlays and all raised on bracket feet, height 228cm, width 103cm

A Victorian black slate and variegated stone mantle clock, circa 1880, the 4" annular dial with arabic numerals, eight day movement striking on a gong, the inlaid case foliate engraved and surmounted by an architectural pediment, 11" high