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Walter Shaw-Sparrow Frank Brangwyn and His Work, One of 160 copies, folio, orig wrappers, uncut, 1910 With a lithograph after Brangwyn of the Gate of St Bart’s hospital Also a mixed group of costume and architectural prints, drawings and watercolours, v.s. (9)

After Thomas Sandby (1721-1798). A View of the Aviary and Flower Garden, at Kew; A View of the Menagerie, and its Pavillion, at Kew. Two engravings, by Charles Grignion. Each c. 30 x 46cm (11 3/4 x 18 in). With two large lithographs of villas and other architectural plates (10)

19th century architectural slate mantle clock with gilt brass mask-mounts

A group of prints of architectural subjects, five after designs by Colen Cambell, one after Inigo Jones, mounted and in gilt frames, 70cm high, 55cm wide, overall

A Charles II oak press cupboard, circa 1660, the lunette carved frieze above a pair of turned pillars to the shelf section, below is a drawer and cupboard door, carved throughout with architectural and foliate motifs, 159cm high, 112cm wide, 42cm deep condition report:** Marks, scratches, splits and abrasions consistent with age and use. Old repairs, chips and marks of various size. Replaced handle and hinges

A Victorian mahogany crossbanded eight day longcase clock, the 13 inch arched painted dial signed `David Caler, Merthrn`, the face with centred date aperture and subsidiary seconds dial within a ring of Roman numerals, the architectural ruin painted spandrels, under a cottage painted arch, the hood with swan-neck pediment over wrythen moulded front corner hood pilasters, over a short Gothic arch trunk door, between front corner wrythen moulded short trunk pilasters, on a box base and later skirting plinth, 238cm high

Glossary of Architecture, 2 vols, Betjeman, English Parish Churches, 2vols plus other Architectural interest (Box)

A LARGE AND UNUSUAL VICTORIAN WALNUT VIENNA REGULATOR WALLCLOCK with architectural pediment, large white enamel dial with black Roman numerals, and with three brass weights and pendulum. Overall height 6ft.

A SMALL AND UNUSUAL 19TH CENTURY ARCHITECTURAL BRASS CARRIAGE CLOCK of Gothic design with white enamel dial and sedan type movement. 4.5ins high.

A late 19th/early20th century ebonised wood mantle clock of Classical architectural form with domed and moulded cornice, 2 pairs of flanking columns and plinth base, the 8 day movement striking on a gong with part cream enamel, part gilt metal dial and Roman numerals (as viewed).

A walnut-cased "penny-in-the-slot" freestanding Polyphon, playing 50cm, (19½") discs, architectural casing, with shaped pediment and finials, arched glazed door, flanked by ornamental three-quarter columns, drawer under, on plinth stand, with a panelled fall front, incorporating corbels, labelled twice "Drop the penny in the slot, Guldmann & Co., 45A Market Street, Manchester", height 203cms. (80"), plinth width 85cms, (33½").

A 19th Century Part Leather Bound Book "The Architectural Antiquities of Great Britain" by John Britton 1826, with illustrations (binding in need of restoration

Gomez Regulae, Ordinationes, 1546 title within ornate woodcut architectural border, woodcut decorated initials, woodcut printer`s device to verso of final text f., 1732 purchase inscription of J. Feste to front free endpaper and with his name to upper margin of title, small green ink stamp of `Bibliotheque Cte. Chappaz de la Prat` to title, occasional foxing or spotting, old green reversed calf, split at head of spine, corners worn, faded and soiled, [Not in Adams], folio, Paris, Galliot du Pré, 1546.

* Jacques Chereau after Vanloo Marie Princesse de Pologne engraving 49 x 34cm (overall); together with three loose architectural engravings (4)

GOUGET. The Origin of Laws, Arts, and Sciences, in 3 vols Edinburgh 1775, 8vo, 9 folding plates, 3 folding tables, browned, dusty; HOLBEIN. The Dance of Death, 33 plates after Hollar (of which 31 coloured), London 1816, 8vo, lacks binding; with - The Artist`s Repository and Drawing Magazine, 3 odd vols. (II, III and V) London: C Taylor circa 1785, 8vo, with various stipple, architectural, figural and coloured botanical plates (bindings worn)

WILLIS and CLARK. The Architectural History of the University of Cambridge, in 4 vols 1886, untrimmed, t.e.g., cloth

An ornate French black marble brass mounted architectural mantel clock.

A French black and pink marble cased architectural mantel clock.

German oak bracket clock , late 19th century, the heavily carved architectural case with broken arch brass face, silvered chapter ring, slow/fast, and eight/four chime, triple barrel movement by Winterhalter & Hofmeier striking the quarter on gongs and and eight bell carillon. Height 66cm.

A GEORGE II GOLD-MOUNTED GLASS SCENT-BOTTLE CIRCA 1750/1760 Upright cut glass flask of oval section, overlaid with pierced gold cagework embossed with architectural elements, rocaille, flowerheads and foliage, the neck champlevé enamelled with opaque white band inscribed 'JAIME MON CHOIX', scroll and leaf-chased independent gold stopper with detached chain 3¼ in. (82 mm.) high View on Christie's.com

A LARGE SECTION OF GEORGE III BLUE-PAINTED AND PARCEL-GILT CARVED ARCHITECTURAL MOULDING CIRCA 1758-65, ATTRIBUTED TO JOHN VARDY, PROBABLY FOR SPENCER HOUSE Carved with ribbon-tied berried laurel 73 in. (185 cm.) long View on Christie's.com

A COLLECTION OF GEORGE III GILTWOOD AND GILT-GESSO ARCHITECTURAL CARVINGS AND SECTIONS MAINLY CIRCA 1758-65, SOME ELEMENTS ATTRIBUTED TO JOHN VARDY AND JAMES 'ATHENIAN' STUART, PROBABLY FOR SPENCER HOUSE Various sections of cornicing, dado and other mouldings, partly distressed, losses, contained in two boxes Various sizes View on Christie's.com

A GEORGE II BROWN PAINTED AND PARCEL-GILT REVERSE PROFILE ARCHITECTURAL FITMENT EARLY 18TH CENTURY, POSSIBLY FROM A BED CANOPY 41½ x 39½ in. (105.5 x 100.5 cm.) View on Christie's.com

* Sir Osbert Lancaster CBE 1908-1986- "Is Mr Peter Wilson Aware....."; original artwork illustration possibly intended for publication, pen and coloured ink, signed and with typed caption, 25x14cm: Early 20th Century- Humorous caricature of an academic figure; pen and black ink, inscribed verso, (2) (part unframed) Note: A Cartoonist, author, art critic and stage designer, best known for his cartoons published in the The Daily Express. He initially worked with Betjeman at the Architectural Review In 1936 he published Progress at Pelvis Bay, the first of his many books of social and architectural satire. In 1939 he became cartoonist at the Daily Express, where he pioneered the Pocket Cartoon, a topical single-panel single-column drawing appearing on the front page, since imitated in several British newspapers. In these he sympathetically mocked the British upper classes, personified by his characters William (8th Earl of Littlehampton, formerly Viscount Draynflete) and his wife Maudie. During his Express career he drew some 10,000 cartoons over a period of 40 years

T V Duncan, Architectural Draughtsman, act.1909- "Tuscan Order; Doric; Ionic; pen and black/grey ink wash, a pair, each signed, 54x36cm, ea., (2) (may be subject to Droit de Suite)

E Hedley Fitton 1859-1929- "Chichester Cross"; published Dec, 1st by R Dunthorne Wilson, London; dry-point etching printed with tone, signed in pencil, 43x35cm: together with similar dry-point etchings by Albany E Wowarth 1872-1936, and others, (4) Note: Hedley Fitton was an engraver and printmaker noted mainly for his architectural etchings. His etchings included street scenes and important cathedrals in London, Florence, Edinburgh and Paris, In 1907 the Societe des Artistes Francais awarded Fitton a Gold Medal for his work. Fitton was a pupil at the Warrington School of Art in Cheshire. He travelled and worked extensively in England, Scotland, France and Italy. He lived in Didsbury in the 1890s, working as editor and illustrator for The Daily Chronicle in Manchester.

A 19th century Continental walnut cased Vienna type wall clock, striking on a gong, with pendulum and key, the case of ornate architectural form with eagle surmount above the full length glazed panelled door flanked on either side by turned pilasters and mirrored shelves, height 4` 4"

A 19th century Continental Vienna type wall clock by Gustav Becker, striking on a gong, with pendulum and key, the case being typically of architectural form, height 2` 10"

A Victorian Aesthetic design oak and pollard oak sideboard, having a raised mirrored back of architectural form above the kneehole base section with central shallow drawer flanked on either side by a panelled cupboard door, raised on a plinth base, width 204cm (illustrated)

An early 19th century lacquered wall clock, the architectural pointed pediment above circular silvered dial flanked by spandrels above shaped base, with brass flame and torch finials by Abraham Western Lewes, Abraham Lewes appears in G.H Baillie watch and clock makers of the world with his brother James as a clock and watch maker circa 1779, volume 1, with single train and fusee movement complete with pendulum, height 51.5cm (illustrated)

A 19th century Junghans oak cased mantel clock of architectural form, the domed top above brass dial with spandrel frieze and corners, the movement striking on two gongs, height 54.5cm (illustrated)

A Victorian black slate and veined marble mantel clock of architectural form, the circular ceramic dial with Roman numerals and the movement stamped Vingenti and dated 1855, height 36cm

A Late 19th Century Oak Side Hall Chair with Carved Acorn Motif and Broken Architectural Top Rail.

A Late 19th Century Satinwood Combination Wardrobe the Centre Section with Two Short and Three Long Drawers to Base, Recessed Shelf and Cupboard and Two Short Drawers Over. Mirror Fronted Hanging Compartments Either Side, Broken and Carved Architectural Top and Carved Panels. Together with Breakfront Dressing Chest Having Centre Drawer and Recessed Shelf with Two Banks of Four Short Drawers Either Side, Two Raised Jewel Drawers and Mirror Support.

A Victorian black slate architectural mantel clock, with circular enamel Arabic numeral dial, 29cm high x 42cm wide

A Victorian mahogany wardrobe with architectural cornice, above two doors with silk panels flanked by demi columns, over a base drawer, on bun feet, converted to a bookcase, 234cm high x 138cm wide

A 19th century coin operated polyphon in an upright walnut and beechwood cabinet of architectural outline on turned feet, ivorine label for E.A. Smith of Brighton, h. 128 cm, together with approximately 29 discs

A 19th century wall clock with ivorine dial and spring escapement in an architectural case, h. 130 cm

AN OAK ARCHITECTURAL NOVELTY DOMESTIC POSTING BOX of square pillar shape, the arched top with brass tympanum engraved LETTERS and enclosed by a panelled and fenestrated door, on cavetto base, 34cm h In fine condition

A CIRCULAR STEEL SHIELD IN RENAISSANCE STYLE, 20TH CENTURY of convex form, with low central dome embossed with the mounted figure of St. George slaying the dragon in an architectural framework surrounded by four scenes of knightly combat, all on a ground of scrolling foliage, and pierced with four holes for the attachment of enarmes 67.5cm; 26 1/2in diameter

A RARE SOUTH GERMAN INLAID MUSKET REST, FIRST HALF OF THE 17TH CENTURY of tapering hardwood (the steel rest missing), the lower portion inlaid with scrolls of foliage, ball flowers and acorns between segmental lines (two plaques missing), long basal finial formed of turned bone and slender segments of contrasting dark horn, the former engraved with architectural designs and other motifs 151.5cm; 59 3/4in

A GERMAN POWDER-FLASK AND AN AUSTRIAN COMBINED POWDER-FLASK AND WHEEL-LOCK KEY, THE SECOND EARLY 18TH CENTURY the first with polished stag horn body, left natural on the inner face, the outer engraved over the greater part of its surface with the date `1511` in Roman numerals and a female figure in contemporary dress within an architectural framework, brass mounts including nozzle with spring cut-off and a pair of loops for suspension; the second with body of flattened cow horn, fitted with a pierced engraved brass bracket at the base with three apertures for a wheel-lock spindle, and moulded brass nozzle (basal cap missing) the first: 17.8cm; 7in high (2)

PAIR OF ITALIAN WALNUT PARQUETRY COMMODES 18TH CENTURY the cleated rectangular tops above a pair of foliate inlaid frieze drawers and two architectural arch long drawers, raised on square legs with pierced angle brackets (2) 124cm wide, 92cm high, 63cm deep

A micro mosaic `grand tour` bracelet, designed as six oval panels each depicting a Roman architectural view including the Pantheon and the Colosseum, each panel 22mm wide, the integral clasp with mosaic depicting Vatican City 26mm wide, all set in yellow metal, unmarked, at fault

Mahogany four column support architectural design mantel clock 10" high

Victorian architectural column support design mantel clock, open brocot escapement, 11" high

A Victorian black slated cased Mantel Clock with circular dial, 30 hour movement in architectural case, 9in

An early Victorian figured rosewood pedestal Wellington chest, with double register bars securing eight narrow drawers, fitted an architectural moulded caddied top, raised on a blind box plinth, 59cm (23in) wide

An early Victorian mahogany standing cupboard or hall robe cupboard having a single door with drawer above and below and with a cupboard top having an architectural cornice, shelved interior

A 19th century mahogany dining chair having architectural and lozenge back with drop in seat and square tapered legs

An early 20th stained frame German mantel clock in the architectural style

A Victorian walnut triple wardrobe, with an architectural pediment, moulded cornice, carved panelled doors and drawers, flanked by mirrors, plinth base.

A Late 17th/Early 18th Century Flemish Verdure Tapestry, depicting two herons in the foreground beneath a canopy of trees, and an architectural hilly landscape in the distance. The borders woven with flowering vine and scrolled scallop shells to the corners. 112 ins x 116 ins (284 cms x 422 cms). ]

A Delightful Louis XIV Allegorical Gouache Painting; A fan design depicting `The Triumph of Flora` Circa 1660, painted on paper and enriched with fine gilt line detailing: Flora standing on a pedestal in a garden landscape before architectural ruins, with winged cherubs at her feet bearing garlands of flowers and attendants surrounding her. Mounted onto an oak panel 10¼ ins x 17 ins (26 cms x 43 cms) and set in a contemporary carved giltwood frame, 14 ins x 20¾ ins (36 cms x 53 cms). * ]

An Imposing 17th Century Italian Ebonised & Inscribed Bone Cabinet on Stand. The deeply moulded cornice above three frieze drawers. The architectural front with a central portico and Corinthian columns incorporating a door opening to reveal a carved & domed arch drawer above two multi faceted tortoiseshell inlaid concave drawers. The surrounding drawers with pen-worked bone plaques depicting figural narrative scenes bordering the shell-decorated arched niches composed of recessed panelled sliding drawers and compartments. The sides having marquetry panels of interlinked lozenges and heart corners. The later stand having a long frieze drawer of moulded panels with bone stringing, and raised on bold tapered block legs 70 ins (178 cms) in height, 52 ins (132 cms) in width, 19 ins (48 cms) in depth. ]

BRASS AND ENAMELLED EIGHT DAY MANTEL CLOCK in ornate architectural case on graduated rectangular base with bracket feet and wooden stand

EDWARDIAN INLAID MAHOGANY MANTEL CLOCK with eight day movement, set in architectural case

AN ANSONIA BLACK SLATE MANTEL CLOCK having American 8-day spring driven mechanism with visible Brocot style escapement inside a probably English architectural style case, 38cm x 35cm

A French painted 4ft bed frame having architectural head and tail board, turned tapering pilasters and reeded side rails.

A Regency gilt framed mirror, the architectural frame to a rectangular glass, 60cm x 34cm (23.5" x 13.25") and an overmantel mirror.