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Kronheim & Co, Publ., mid 19th century- "Le Retour de la Chase"; Baxter process print in colours, 34x25cm: together with a collection of thirteen further Baxter process prints to include examples of rural, hunting and architectural subjects, 8x15cm., ea., (14) Provenance: Christie's New Hall Vault Sale, according to labels attached to the reverse of the frames of each of the above

17th Century brass lantern clock, anonymous, the finial top above a bell and foliate pierced frieze, urn shaped finials above a silvered dial, foliate engraved centre, black hands, weight driven movement, housed within an architectural oak bracket with arched top raised on four turned columns, lantern clock 38cm high, 16cm wide

A late 19th Century architectural black slate gilt metal mounted mantel clock, the dial with Arabic numerals marked 'Exam'd by J. B Yabsley 72 Ludgate Hill London', the eight day striking French brass cylinder movement marked Japy Freres (pendulum lacking). 44 x 19 x 47cm.

A quantity of Bayko building sets components in original boxes.The three building set boxes each containing roofs, bases, bay windows and a quantity of brick rods of varying lengths. Also base links, tie bars and screws and 2x Bayko screwdrivers. Converting set 2x box containing 2x base type B No.1, roof and brown flooring, rods, 2x bay windows, 4x pillars etc. Converting set 1x box containing a quantity of red and white brickwork of varying sizes, green and white windows and other architectural elements; archways, paving etc. With associated paperwork and instruction manuals.

PAIR OF ARCHITECTURAL ENGRAVINGS AFTER PIRANESI each 77cm long Note: Overall fair condition

An Art Nouveau religious pendant, centred with a carved ivory figure of the Virgin Mary on plique~à~jour ground. The gold frame in the classical manner with architectural columns forming the frame. With foliate decoration and set with small diamonds. Acanthus border to the base. 6.5cm high.

Graham Barry Clilverd (British, b.1883) Leonessa, Italy signed lower right "Graham Clilverd" and inscribed with title pencil and watercolour 16 x 21cm (6 x 8in) Graham Clilverd was a London-born painter, pastellist and drypointer of architectural views. He exhibited at the Royal Academy, Royal Society of Arts and the New English Art Club.

By J* Delacrose - study of a farmhouse and wheat field, signed and dated '91, watercolour, 15" x 17.5", framed; together with by R Bellamy - architectural study, signed, watercolour, 9.5" x 13", framed (2)

A Quantity of Antique Prints, primarily topography, architectural interest and some maps, the majority mounted with cellophane.

A FRENCH WALNUT AND EBONISED MANTLE CLOCK IN ARCHITECTURAL STYLE CASE, WITH ENAMEL DIAL, CIRCA 1870

A 19th century Russian silver snuff box, Moscow 1841, assay master worn, maker's mark unknown, rectangular form, engraved with Russian architectural scenes, with traces of niello work, the sides with lattice decoration, length 8cm, approx. weight 3.5oz

An Indian silver photograph frame, unmarked, shaped rectangular form, pierced and embossed with foliate scroll decoration, the four corners with architectural scenes, with a crown finial, easel back, height 25cm

A 19th century French ormolu and Sevres style porcelain clock garniture, the architectural mantel clock with urn surmount, porcelain dial and central plaque painted with children in a landscape, reserved against a jewelled pink ground, unsigned movement striking on a bell, clock 21in.

An Edwardian walnut chiming bracket clock, with architectural case and silvered dial with eight bells / Westminster selector, movement striking on eight bells and five gongs, stamped M&H, with matching wall bracket, overall height 38in.

A Victorian rosewood mantel timepiece, in plain architectural case, with arched silvered dial signed S.S. and J.W. Benson, 16 & 63 Cornhill, unsigned single fusee movement, 10.5in.

An early 19th century French gilt brass necessaire, with bright cut decoration depicting musical trophies, columns, architectural scenes and ribbon tied swags, the lid opening to reveal a fitted interior with three glass scent bottles, folding knife, needle and other implements, on shell shaped feet, 4.5in.

A pair of Compton Pottery garden urns, early 20th century, of circular section, the rims each with three pairs of confronting scrolls, above bulbous bodies, 50cm high, 60cm wide The Compton Potters Art Guild was started by Mary Watts, the wife of G.F. Watts, the Victorian allegorical painter. In 1895 work began on the Watts Mortuary Chapel. Designed by Mary Watts, it was to be built from local clay by the villagers of Compton, near Godalming, Surrey. Mr and Mrs Watts were dedicated supporters of the growing Home Arts and Industries Association, a voluntary movement launched by Earl Brownlow in 1885 to revive the dying art of handicraft among the working classes. The Pottery Art Guild continued from strength to strength, winning medals at the Royal Botanical Society and the Home Arts highest award, the gold cross. Liberty & Co. sold their garden ornaments as well as hand tufted Donegal carpets designed by Mrs Watts. They received architectural commissions from Lutyens, Clough William-Ellis and Goodhart Rendel. Recommended by Jekyll, they made miniature versions of their pots for the garden of Queen Mary's dolls' house in the early 1920's. The Guild became a limited company run by George Aubertin and continued to produce works based on Mrs Watts' designs until after her death in 1938.

A quantity of fashion prints, including 18th century costume examples, architectural prints, woodblock images, etc

LATE VICTORIAN MAHOGANY TABLE COLLECTOR'S CABINET of architectural form, the interior with eleven drawers having brass recessed handles, some later timbers, 54cm high, 60cm wide

VICTORIAN CARVED OAK CASED DINNER GONG of architectural form with four columns, with original striker, 90cm high

PAIR OF PARCEL GILT STAINED OAK GOTHIC REVIVAL ARCHITECTURAL PICTURE FRAMES 230cm high, 95cm wide

LATE 19TH CENTURY FRENCH SLATE ARCHITECTURAL MANTEL CLOCK with Marti cylinder movement striking on a gong, 60cm high

VICTORIAN MAHOGANY VIENNA WALL CLOCK with carved architectural pediment and eagle finial, the dial with Roman numerals, with pendulum, key and weights, 64cm long excluding the pediment

An Edwardian oak cased mantel clock, a classical style case in the architectural style with various styles of carving and moulding including egg and dart, the square metal dial with gilt spandrels and twin wind chiming brass movement, 17 x 12 ins (43 x 30.5 cms)

PAIR OF CHINESE IVORY CARVINGS of bridged form and showing figures and architectural features in a landscape setting, on wooden stands, 26cm long

PAIR OF CHINESE GINGER JARS with floral bird and architectural decoration, each 24cm high, one with lid lacking, each on wooden stands CONDITION REPORT: broken and repaired.

JAPANESE SUMIDA VASE of circular form and with open circular section to the body, with architectural detail and figures in relief, 29.5cm high

PAIR OF JAPANESE METALWORK VASES with architectural landscape decoration, in the style of the Komai family of Kyoto, 25cm high

CHINESE FAMILLE VERTE BULB BOWL decorated with figures in landscape and with architectural features, likely 18th century, 23cm long, 13.5cm wide

A 19th. century ebonised softwood casket in the late mediaeval manner with strap hinges, lock and key, faced with carved architectural panels of alabaster, the inside with candle box compartment and lined with marbled paper (AF). 33x21x17cm. high.

Architectural Salvage - a 1940's front door, with oval leaded light, 195cm tall, 83cm wide approx.

Architectural Salvage - sixteen casement windows, leaded lights including some window furniture, 109cm x 57cm approx., 1940

Architectural Salvage - nine casement windows, 142cm high, 56.5cm wide, and three smaller casement windows

An early 20th century oak village/church notice board, glass doors to front, architectural pediment

An Edwardian Ashford slate and brass mantel clock, architectural case, classical mask and columns, presentation plaque to P C Lee, dated 11th June 1903

A Victorian walnut and glazed cased coin operated symphonion A Victorian walnut and glazed cased coin operated symphonion , circa 1880 and later, the associated pediment above architectural case with arched viewing aperture, on later cabinet stand with fall front containing a quantity of symphonion disks, the whole 206cm high, 70cm wide, 42cm deep

A Whitefriars glass Architectural slab No 4, designed by Geoffrey Baxter, cast with three circles (Ref. p.35 1969 Whitefriars brochure)

A set of eight full size architectural tile designs on paper of various saints commisioned for St John Fisher Church, Rochester, Kent and designed by Joseph Ledger ARCA together with four other designs of Kings. The church of St John Fisher at Rochester was built in 1953-54 with the help of a gift of $30,000 from Bishop James Kearney of the Diocese of Rochester, New York. The architect was Harry Stuart Goodhart-Rendel (1887-1959). Goodhart-Rendel commissioned a ceramic reredos from Joseph Ledger of Carter & Co of Poole. This is one of three tiled reredoses by Ledger for Goodhart-Rendel churches, the other being St Mary the Virgin (Church of England), Isleworth (reredos of 1955) and Our Lady of the Rosary (RC), Westminster (reredos of 1966). For all three, the tiles were hand- painted by Phyllis Butler of Poole Pottery before firing

Two part leather bound volumes ' Encyclopaedia of Architecture ' by P. Nicholson, 1852 (a/f) together with a collection of architectural and other assorted books

ARCHITECTURAL MIRRORS, a pair, with arched top in a black metal frame, 180cm x 71cm. (2)

A 19th Century Mahogany Eight Day Long Case Clock by W Prest of Liverpool. The 14 inch (36 cms) wide arch-topped enamel dial painted with warring crusaders in the arch and architectural structures in the corners. The face painted with a ring of black Roman numerals encircling a seconds and calendar subsidiary dial. The hood having a moulded swan neck pediment with embossed rosettes to the terminals flanking a swan finial with spired ball finials either side. The glazed hood door flanked by fluted columns. The trunk having a blind fret carved frieze band above a serpentine topped door with lip-moulded edge flanked by sunken corner columns above carved 'brick-work'. The moulded base raised on bracket feet, 98 ins (248 cms) in height.

A 19th Century Russian Silver & Niello Case of rectangular cushion form. The lid engraved with a grand architectural building within a cartouche surrounded by interlaced strapwork, with an oval panel to the other side engraved with initials framed in a key-pattern band. 4¼ ins x 2½ ins (11 cms x 6.5 cms).

A French black and red marble and gilt metal mounted clock, late 19th century, the case of moulded architectural form, the black enamel dial with Roman numeral chapter ring, with the maker Phelippault Dijon to centre, with barrel movement to back, containing count wheel striking mechanism, lacking striking bell and pendulum, 31cm high

Doulton & Co Limited Lambeth, London S.E Catalogue, October 1903 - An early 20th Century hardback book containing various bound catalogues to include May 1903 Section 20 'Glazed Stoneware, Drain Pipes, Traps, Gullies etc, September 1902 'Architectural Terra Cotta' and March 1903 Royal Doulton Potteries Glazed Ware Fireplaces

William de Morgan - Poole Architectural - Two 6in plastic clay tiles, framed as a panel and decorated in the Persian / Islamic taste with stylised flowers and foliage

E S Drummond - Architectural watercolour with white highlights - 23 cm x 33 cm and E Jarck watercolour- Town square

SWARBRECK, SAMUEL DUKINFIELD (1839-1863) - a watercolour depicting an architectural scene and a man seated on a barrel, 33 x 41.5cm.

A pair of Edwardian walnut hall chairs with architectural back rests.

A matched pair of architectural wooden capitals, each carved in high relief with a central flowerhead flanked by two phoenix birds above floral mounted scrolls, 36cm high, 38cm wide

An Edwardian presentation mantel clock, with French brass eight day movement striking on a single gong, the circular cream chapter ring with Arabic numerals and recessed fret work centre, in architectural style black slate case with broken arched top, marble columns and inset panels and oblong base with presentation plaque dated 1904, 30cm high, 39cm wide

A gilt architectural style wood and plaster wall bracket 42cm x 34cm

A box of EPNS items including boxed menu card holders, architectural surveyors hand book

A late 19th Century gilt metal folding pocket sundial, Birmingham patent 1875; together with a silver vesta case, Birmingham 1899; a late 19th Century gilt metal brooch with ceramic inset painted with architectural scene, and three other brooches (6)

Chas N Clark Architectural Perspectives, pair of signed, limited edition prints

Architectural Salvage - a set of four reconstituted stone chimney pots, shaped quarter tops, inset decoration, (4)

A pair of 19th century silkwork pictures depicting Architectural landscapes and housed in glazed and gesso frames (19.5cm wide) and a patinated bronze figure of Mercury on a circular marble column (a.f.) (3).

CONTINENTAL WALNUT RENAISSANCE STYLE SECRETAIRE A ABBATANT 19TH CENTURY the projecting cornice above egg and dart moulding, the frieze with two drawers, carved putto, the double hinged fall front with strap work hinges and large escutcheon and flanked by carved figural columns opening to an interior fitted with drawers and architectural niche compartments, the pull out lopers with ram's head terminals; the lower part with two frieze drawers above a pair of arched panel doors flanked by further carved figures, raised on carved hairy paw feet 112cm 190cm high, 46cm deep Provenance: Auchtertool House, Fife

CHARLES I OAK TESTER BED 17TH CENTURY the carved cornice and panelled tester above a panelled headboard carved with stylised flower motifs and architectural niches, the plain panelled footboard with a pair of large turned column supports; with a modern base and mattress 142cm wide, 221cm high, 204cm long Provenance: Victor Needham Ltd, Moortown House, Hants; Auchtertool House, Fife

A collection of architectural plans and drawings.

A 19th Century mantel clock in architectural style polished black slate case with decorative metal columns, the circular Roman dial in black highlighted in gold (missing a pointer).