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(Religion, Bible) - Biblia cum concordantiis Veteris et Novi Testamenti [...].(Lugduni [Lyon], Jacobum Sacon. Expensis notabilis viri Antonii Koberger Nuremburgensis, 24 julii 1521).In-f° : [14]-cccxvii-[25] lvs (some lvs slightly browned, 2 small wormholes at 3 lvs in the beginning, small tear with loss at cvii, some lvs slightly renewed at the upper margin with small loss replaced by hand, some marginal handwritten notes at the end, otherwise fresh copy).19th Century binding by Belz-Niédrée : full brown morocco, boards decorated with blind fillets, roll-stamp and fleurons, ribbed spine with blind central fleuron, gilt edges, gilt roll-stamp on the turn ins (slighty hatched at the lower parts of the boards, back board scratched, dampstain at the back board and the front flyleaves, handwritten notes in Latin by a contemporary at the back flyleaf).One of the serie of Sacon-Koberger Bibles printed between 1512 and 1522 by Sacon from Lyon for Anton Koberger who published the famous Nuremberg Chronicle. The text of this Early Lyon edition, with some parts in red, is printed in two typographical columns with architectural decorations. Illustrated with 4 threequarter page woodcuts : the Genesis, the Heaven, the Nativity by Hans Springinklee (c. 1490/95-1540), a student of Albrecht Dürer, and the Solomon asleep. Decorated also with c. 130 large woodcuts in the text and numerous ornamental initials. Beautiful title in red typography within a Renaissance ornemental woodcut border, a central vignette figuring 2 young girls holding the coat of arms of Lyon and a large fleur-de-lis printed in red at the bottom. Tables of concordance of the Gospels printed in red typographical columns. The text is followed by the "Interpretationes nominum Hebraicorum", a dictionary of Hebrew names often supplied with early printed Bibles. # Baudrier XII-357-358; # Darlow & Moule 6101; # Adams B-1001; # Soltész B-416; # STC French 53; # not in Machiels nor in Renier. Provenance : In librorum templo Ne*lis (ex-libris). Édition lyonnaise mise en page dans 2 colonnes typographiques, illustrée de 4 grands bois et de c. 130 grandes vignettes sur bois in texto. Qqs passages imprimés en rouge comme le décors des tables de concordance des Évangiles. Plein maroquin brun moderne de Belz-Niédrée (qqs ff. lég. brunis sinon int. frais, qqs griffes au plat inf.).

(Religion) - Hortulus animae. Der Seelen Garten mit sonderlichem fleiss zugericht und ernewert zu Geistlichem lust und trost allen liebhabern Christlicher andacht.Getruckt zu Dillingen, durch Sebaldum Mayer, [c. 1560 or 1575].In-8° : [17]-336-[6 (on 7)] ff. (last lf. missing, dampstains in the upper margin, corners damaged to ff. 152-155, 202-204, 230-236, 239-241, 253-255, 286, 292-295).18th Century binding : full brown calf, frames and stamps ``S.M.H.H" and "1751" blind tooled on the upper board, ribbed spine with blind tooled floral ornaments, marbled edges, clasps in leather and brass (slightly rubbed, wormholes in the lower joint).Rare edition printed around 1560 (cfr Bohatta) or 1575 (cfr VD16), illustrated with c. 94 woodcuts in texto (Annunciation, Martyrdom of Saint Veit, Virgin standing on the crescent moon, Saint Christopher carrying the infant Jesus...). Thieme-Becker assigns most of the illustrations to the German painter and engraver Matthias Gerung (c. 1500-1570). Nice copy with the title-page and the text in red and black typography surrounded by different decorative and architectural woodcut borders.# Bohatta III-114; # Nagler, Monogrammisten, I-1992; Thieme-Becker XIII-488; # not in Adams, Machiels, Soltész.Joint (2 ouvr. en 5 vol.) : Bréviaire monastique en latin et en françois, à l`usage des religieuses bénédictines. Paris, Barrois, 1725, 4 vol. in-8° plein maroquin vert (3 vol.) ou bordeaux (1 vol.) de l`ép. (mors et coiffes lég. frottées, coins lég. émoussés, rouss.); mention d`app. des bénédictines de St. Mary`s Priory et étiq. du libraire Heu.

Attributed to Lewis F Day, British, (1845-1910), for Benson, an ebonised mantel clock in the Aesthetic style, the architectural case reticulated and foliate carved, raised on splayed chamfered feet, the eight day cylinder movement signed CH.VCNE, striking gong and set floral painted arabic ceramic dial, the case stamped `JW BENSON MAKER 25 OLD BOND ST LONDON, 38cm high x 22cm wide

Two small volumes, 'Hurst Architectural Surveyors Handbook' and 'Mullsworth Pocket Book of Engineering Formulae', Wills cigarette card album, a rule and two drawing instruments

Late 19th or early 20th Century satinwood bracket clock with finely carved architectural case flanked by Ionic pilasters, the gilt brass dial with silvered cartouche Roman numerals and three train movement striking on gongs and chiming on bells, 20.5ins high

Antique Eastern hardwood trunk, the hinged plank lid above a carved plank front decorated with architectural and foliate designs with iron end handles and low shaped supports

George Nelson for Herman Miller sofaGeorge Nelson for Herman Miller sofa and tables 1955/produced 1956-78, Classic fifties and sixties architectural modular seating, the sofa having green/black hopsack fabric flanked with white tables rising on a metal base, re-upholserted in vintage knoll fabric/new latex foam, Original Micarta laminate tables with original base finish, John F. Pile concept developed for Nelson and Associates 27"h x 106"w x 30"dStarting Price: $500

Leaded glass book conservatory executed by Christopher Loomis for Pulitzer prize winning author Michael Chabon(lot of 13) Leaded glass book conservatory executed by Christopher Loomis for Pulitzer prize winning author Michael Chabon, the custom designed case executed in walnut, aluminum, and leaded glass, 2004, having an architectural hinged top with turned and machined aluminum finials continuing to the columnar stiles flanking the double doors opening to the fixed aluminum shelves, the leaded chevron design continuing to the side lights concealing five additional slide out shelves and rising on a molded base, 77"h x 44"w x 25"d (includes 11 signed volumes of Mr Chabon`s body of work including the Pulitzer Prize winning The Amazing Adventures of Kavalier and Clay, Telegraph Avenue, Wonder Boys, Werewolves In Their Youth, Summerland, Model World, Manhood For Amaters, Gentlemen of the Road, The Final Solution, The Yiddish Policemans Union, Maps and Legends, and The Astonishing Secret of Awesome Man)Starting Price: $3000

A late Ottoman period ivory & bone inlaid partner`s desk stand, of rectangular architectural form, the upper stage with mother-of-pearl inlaid canopy, the base inlaid with four star & crescent motifs, with central mirror and ivory veneered wells above each end drawer, the sides to base decorated in partie & contre-partie technique, on four turned feet, Height 16", Width 15", Depth 12.5"

An architectural carved wood capital

BOX, Approx. 80 folio size plates from M Cesar Daly's Bibliotheque L'Architecture, mainly depicting Louis XV and XVI styles, approx. 20 folio size German architectural photos, oblong folio book with paper wraps containing 5 engraved plates after Francesco Mazzola and other prints

A Pair of Victorian Gilt and Gesso Cushion Shaped Wall Mirrors, 3rd quarter 19th century, the rectangular bevelled glass plate flanked by marginal plates, all between flowerhead and beaded outer frames headed by a triangular architectural pediment with decorative plume, 113cm by 69cm by 6cm (losses) Cream overpainted. Various natural? cracks throughout the gesso. Decorative plume at bottom has now been repaired (partly). General losses to gesso consistent with age. Mirror rather tired, further cracks throughout the gesso, with sections replaced. Some of marginal plates tarnished. Mirrors repainted or regilded. 080313

A Russian Carved Wood Plaque, 19th century, depicting the Last Supper within an architectural surround, 11cm by 20.5cm, framed and glazed, the reverse of the frame inscribed Bought at the Troitsa Monastery near Moscow August 1887 Some significant losses to feathered carving on border. Some fading and dirt to surface outer frame with significant sun bleaching. 110313

AFTER PAUL RUBENS "Dancers in a wooded glade with flute player in the tree, a dog in foreground", black and white engraving by Hendricx, CHINESE SCHOOL "Study of a seated gentleman in traditional robes beside a basket with lion ring handle", hand-painted on parchment on card, signed lower left, also bearing red seal mark bottom right, H.I.W. ROOME - a set of three architectural watercolour studies on card, signed lower right (Artist was a missionary/architect in Africa/Kilimanjaro) CONDITION REPORTS Wear, scuffs, some dirt and stains and foxing. Boards slightly warped. Some tears to edges.

Cigarette cards: Player`s, a modern album containing 16 sets inc. Game Birds & Wild Fowl, Butterflies, Riders of the World, Ships` Figureheads, Life on Board a Man of War in 1805 & 1905, Celebrated Gateways, Polar Exploration A & 2nd Series etc also inc 2 `L` sets, The Nation`s Shrines & Architectural Beauties, (few with sl marks to back o/w gen gd/vg)Other sets, Curious Beaks, Wild Animals` Heads, Miniatures, Wild Birds, Cries of London A & 2nd Series

An American Shelf Clock in architectural style case. 13" (34cms) high.

A Vienna Wall Clock with ivorine dial in architectural style case. 26" (66cms) high.

A surrealist oil on board study of classical nudes in an architectural setting in an ornate gilt frame.

A gilt metal mounted slate architectural mantle clock.

A 19th century French gilt metal mirror frame of architectural form

Victorian black marble gilt metal and painted mantel clock, architectural pediment, ivorine chapter ring, French cylinder movement, striking on a gong, 35cms.

Late nineteenth century Vienna Regulator-style wall clock with eight day spring-driven movement striking on a gong, compensating pendulum, white enamel dial with crossed arrows, in a soft wood case, full length door with turned pillar and decorative architectural-style pediment, 70cm overall height

Edwardian mantel clock with eight day spring-driven movement striking on a bell, decorative gilt dial with black Arabic numerals, in a wooden architectural case decorated to look like slate and marble, with gilt metal handles and four gilt metal scroll feet, 46.5cm overall width

Late nineteenth century mantel clock with eight day French movement, white chapter ring with Arabic numerals, in a black slate case of architectural form with inset marble panels, gilt metal handles and brass finial, 28cm overall height

1930s British 'Anvil' mantel clock with eight day Westminster chime, movement by The Perivale Clock Manufacturing Company Ltd., ten inch square dial with brass spandrels and silvered chapter ring, in an ebonised case of architectural form with gilded metal mounts and side carry handles, standing on four feet, approximately 55cm overall height

Victorian mantel clock with eight day spring-driven movement striking on a bell, gilded dial with black chapter ring and visible escapement, in a black slate case of classical architectural form with arched pediment, engraved gold coloured decoration and inset malachite panels, 18cm overall height

Late nineteenth century mantel clock with French eight day movement, signed - Poissonnière, Paris, striking on a bell, white dial with Arabic numerals and pierced gilt mask, in a green marble case of architectural form with gilt metal mounts, on four paw feet, 37cm overall height

PACE, INTERIOR OF BRAMWITH CHURCH, YORK, pen, ink coloured crayons and charcoal sketch of the proposed new ceiling, signed and inscribed, framed and glazed, 23cm by 29cm. Note: this is an architectural drawing for a restoration

A 19th CENTURY PART-EBONISED WALNUT WALL CLOCK OF VIENNA TYPE, with two train movement, the white enamel dial with Roman numeral within a case flanked by turned pilaster and with female mask-carved architectural crest. 1.06m

AN OAK CASED Mantel CLOCK c. 1900, of architectural form, the gilt dial and silvered chapter ring with Arabic numerals, within a case carved with pilasters and surmounted by an arched pediment, eight day Junghans movement striking on a gong. Height 41cm

A good decorated Victorian aesthetic period satinwood and satin birch compactum triple wardrobe with decorated frieze and panels reeded columns and architectural pediment - 215 cm wide x 61 cm deep x 240 cm tall (but can be reduced to 230 cm by removal of finial)

Late Victorian architectural marble clock, black and foliage case, open escapement, black chapter ring with gilt Roman Numerals, 41cm high

A GEORGE III MAHOGANY STICK BAROMETER, with an architectural pediment, the silvered register signed Willson, 115 Holborn, the herringbone veneered case with exposed mercury tube and turned cistern cover, 102cm high. See illustration

An onyx cased architectural mantel clock. Condition Report: lot 2762 - many chips to the edges

An oak chiming mantel clock marked for Maple & Co. Paris, circa 1900 the architectural case with sloping roof top above two brass columns flanking the 17cm engraved silvered dial, having slow/fast adjustment and brass gong striking movement chiming on 8 bells below, 52cm high

A pair of French Empire faux rosewood and parcel gilt armchairs, upholstered back and seat with lappet carved arms and scroll outline architectural frame, 94 x 50cm (37 x 20in)

A Pair of Adam revival mahogany Gueridon, 19th century circular tops carved with Rams` heads, each on four architectural column legs, united by an undertiers and shaped bases, 126 x 48cm (49 x 19in)

A large 19th century gilt framed overmantle mirror, the architectural frame with applied carved wood leaf scroll decoration, 173 x 160cm (67 x 62in)

Circle of Francis Harding (British, 1740-1766), An Architectural Capriccio inset into a painted mirror wall panel in the manner of Kent, with lion head roundels, and an egg and dart parcel gilt border, overall size 132 x 130cm (51 x 51in)

Johannes Christiaan Karel Klinkenberg (Dutch, 1852-1924), Dutch Canal Scene, signed lower right "Klinkenberg", oil on canvas, 48 x 68cm (19 x 27in). Johannes Christiaan Karel Klinkenberg was a pupil of Christoffel Bisschop (1828-1904) and Louis Meijer. He became a member of the Pulchri studio and went on to win many prizes. A street bears his name in the area of Dutch painters in Overtoomse Veld-Noord, Amsterdam. Klinkenberg specialized in historical town views, often bathing them in sunlight or reflected in the water of a canal or harbour. His contemporaries admired him for the effects he made with sunlight on brick, sandstone and roofs. Many Dutch towns were painted by him and the topographical recognisability and the impressionistic way of his painting gave him an honourable place in the rich tradition of architectural pictorial art. Klijkenberg`s work is in the Rijksmuseum and Stedelijk Museum in Amsterdam and the Boymans-van Beuningen Museum in Rotterdam

*Reinacker (Victor ). Sketchbook, c. 1906, sketchbook containing views of buildings, churches, shipping, architectural details, landscapes, etc., all pencil, mostly captioned and some dated, a few signed, orig. cloth backed marbled boards, small 4to (23 x 17.5cm, 9 x 7ins) Victor Reinacker was a London architect and art historian, sometime Assistant Keeper of the Ashmolean Museum, Oxford, and the author of ‘John Sell Cotman 1782-1842’, published in 1953. Provenance: Eileen Young Collection. (1).

Bible [Latin]. Biblia cum concordantiis veteris et novi testamenti..., Lyons, Jacob Sacon, expensis Antonii Koberger, 10 May , 1518, black letter text in double column, title with text printed in red above large woodcut illustration of St. Jerome within an architectural border, full-page woodcut of the six days of Creation (facing first leaf of Genesis), full-page woodcut of the Nativity (at start of New Testament), numerous woodcut illusts. to text and woodcut intials, general title torn with loss of large area of upper outer corner, first few leaves with some soiling and marginal water stains, two leaves in Ezekiel (C7-8) torn with significant loss to upper outer corners (all three leaves repaired with blank paper), some marks and light staining to final few leaves, lacking last two leaves of index (CC9-10, of which the latter is a blank), occ. early neat annotations and underlining in ink, text generally in clean condition, contemp. blind-decorated full calf over wooden boards, old sympathetic reback, lacking clasps, rubbed and some marks, folio (35.5 x 25cm)D & M 6101. This edition not in Adams. OCLC 54974129 (two copies in America). One of a series of illustrated bibles printed by Jacob Sacon for Anton Koberger of Nuremberg, between 1512 and 1522. (1).

Book of Common Prayer, and Administration of the Sacraments, and Other Rites & Ceremonies of the Church, According to the use of the Church of England. Together with the Psalter or Psalms of David (Barker & Bill)... 2 parts in one, 1669, first title within engraved architectural border by P. Williamson, ruled in red throughout, woodcut initials and headpieces, first few leaves with marginal wormtrack, one or two marginal repairs, occasional soiling and annotation, previous owner signature crossed-through, bookplate, gilt gauffered edges, later burgundy morocco gilt, spine faded and a little rubbed, folio. Wing B3635.. (1).

AN IVORY MOUNTED AND MOTHER OF PEARL INLAID WALNUT ARCHITECTURAL TIMEPIECE in the form of a tower^ the silvered dial engraved Wm Donald Rhynie^ the brass four pillar movement with anchor escapement^ the trunk fronted by an arched doorcase with lentical^ three steps and flanking pillars^ 63cm h^ elements 19th c ++In good condition and decorative

Three folders containing architectural sketches.

Three volumes Practical Notes of Architectural draughtsmen by Alfred WS cross and Alan E Munby.

Architectural Association sketch books; 1873-75 VII together with volumes I and II and volumes III 1883.

An early 19th century Palais Royale purse, the hinged gilt metal case having floral decoration and inset with five finely painted architectural views of London on ivory, and opening to reveal a fitted pink silk sectional interior

A small selection of 19th century Bohemian ruby flashed glass including a goblet and cover with architectural engraving, a vase engraved with a leaping stag, a small bell-shaped decanter and stopper finely engraved with stags in foliate landscape and a pair of small `shot` glasses

An early 19th century mahogany Gillows style architectural cellarette, with caddy top, fitted interior, raised on toupe type castored supports, 47cm (18 1/2in) wide

An antique Italian table top cabinet, of architectural form and having a green polychromed finish, composed of an arrangement of small drawers with reverse glass painted floral panel fronts and raised on compressed bun feet.

19TH CENTURY ITALIAN SCHOOL Four Roman Architectural Facades Lithographs, in sizes Two signed indistinctly (4)

'An Historical and Architectural Description of the Priory Church of Bridlington' by the Rev. Marmaduke Prickett, first edition 1831

An Edwardian mantle clock with enamelled dial in a slate and marble case of architectural form, h. 31 cm CONDITION REPORT: Face with wear, case with minor damage, no guarantee as to working order

A Victorian Vienna Regulator wall clock, the enamelled dial with gilt bezels in a figured walnut case of architectural form, 126 x 44 cm CONDITION REPORT: Face with hairline cracks, otherwise ok, no guarantee as to working order

A Vienna Regulator-type wall clock with ivorine dial in a beech wood case of architectural form, h. 87 cm CONDITION REPORT: With extensive damage and losses to case, face ok, no guarantee as to working order

A VICTORIAN MAUSOLEUM MANTEL CLOCK, of typical architectural form with figurative surmount and rearing horses either side, H 42 cm, W 45 cm (key)

A Victorian slate mantel clock of architectural form, gilt dial bearing Roman numerals, Continental eight day movement, coil striking, 44 by 13 by 42cm.

A Victorian architectural style mantel clock

A clay chimney stack of rectangular, Gothic architectural form, stamped J. M Blashfield, 34 by 42 by 75cm high.