We found 35023 price guide item(s) matching your search

An early 20th Century green onyx and gilt metal mounted Mantel Clock, the architectural case with arched pediment, set with a low relief frieze panel, over four freestanding columns, and further half-fluted columns and raised on a stepped plinth base, to a cast and beaded bezel, enclosing a 4” Arabic enamel chapter ring, with outside minute track, matted centre and blued steel fleur-de-lys type hands, to a circular brass movement with anchor escapement, height 12”

An imposing mahogany bookcase, mid 18th century, of architectural form, the bold Palladian cornice with a tablet frieze over a pair of eight panel glazed doors. The base with six short cockbeaded drawers and a plinth base, 187cm wide, 41cm deep, 298cm high

An Italian wall cabinet, 18th century, with an architectural cornice over a pair of arched panelled doors enclosing shelves, now on low bun feet, 81cm wide, 41cm deep, 113cm high

A fine George III mahogany bureau cabinet, of architectural form, the boldly worked swan neck cornice over a single mirrored door with a gilt leaf carved slip, flanked by tapering square pilasters over candle slides. The interior with pigeon holes, an adjustable shelf and small cockbeaded drawers around a central locking cupboard. The fall front opening to reveal pigeon holes, drawers and a cupboard over two short and three long graduated drawers, with original brass handles, pierced back plates and heavy carrying handles on ogee bracket feet, 88.5cm wide, 54cm deep, 222cm high

A Regency mahogany and burr maple tea caddy of architectural form, the hinged lid enclosing a later lined interior above panelled sides with applied lacquered brass mounts, flanked and divided by turned pilasters, raised on a simulated brickwork base 16cm wide, 20cm high

A late nineteenth century German wall clock, the eight day striking movement with a gilded bob pendulum, an arched brass dial with an ivory enamel chapter ring, in an architectural walnut case. 4ft (122cm).

A pair of nineteenth century architectural swags of flowers in carved wood and gesso. 3ft 4in (102cm). (2)

A green onyx mantle clock in architectural case striking on a gong 31cm

A late Victorian 8-day mantel clock striking on a gong, in an architectural grey slate case with applied embossed decoration and gilt highlights, 36.5cm high.

A late 19thC Ansonia mantel clock, with an 8-day movement striking on a gong, in an architectural wooden case with a gilt metal dial and bezel, 36cm high.

Victorian eight-day mantel clock in architectural grey slate case with marble inserts, the French 8-day movement striking on a gong and with visible escapement to the white enamel dial. 40cm high.

Four Carved Architectural Fragments; Two late 16th/early 17th century stripped timber pilasters applied with ornamental turned & fluted half-columns enriched with carving and measuring 51 ins and 44 ins in length, 5½ ins wide (130 cms & 112 cms x 14 cms). A pair of tall 19th century mahogany pilasters; the slightly bowed fronts decorated with a band of lotus leaves above a section of overlapped scales, 77 ins (196 cms) high, 4 ins (10 cms) wide.

A Pair of Impressive 19th Century Dark Stained Pine & Gesso Architectural Corner Brackets/Corbels. Each corbel having a heavy dentil moulded top and deep three sided frieze moulding painted with the initial `R` to the front above a faceted column section and a carved head and upper body of a Tudor boy wearing a plumed hat rising from a tapering faceted pendant finial. 43½ ins (110 cms) in height, approximately 24 ins (61 cms) wide.

A Fabulous 17th Century Malines Ebonised & Alabaster Casket. The ebonised top having four alabaster panels inset with ripple moulded borders. The architectural front & sides enriched with protruding barley-twist columns and parcel-gilt highlights. [With gilt key]. Measuring 7 ¼ ins (18.5 cms) in height, 17 ins (43½ cms) in width, 12 ins (30 cms) in depth.

An Early Architectural Stone Block Capital: carved with Gothic arches and cusps of foliage 14 ins (36 cms) in height, 12 ins x 12 ins (31 cms x 31 cms).

An Early Romanesque Red Sandstone Carved Niche. The architectural block having two chevron-carved columns flanking a stepped & graduated V-form arch within the recessed interior. The front ornamented with a floral lunette 10¼ ins (26 cms) high, 8½ ins (21 cms) wide, 6 ins (15 cms) deep.

VICTORIAN CLOCK GARNITURE the black slate and gilt decorated clock in architectural case and urn shaped garnitures with brass mounts

CLOCKS - A LATE 19TH CENTURY FRENCH BLACK SLATE MANTEL CLOCK having architectural shaped case with arched pediment and brass repousse work frieze, six Corinthian columns and twin flank brass maidens, the 8-day striking mechanism square with four pillars faced by a black and gilt Roman calibrated dial, 34cm high x 51cm wide

A Bamboo Easel, of architectural design

Group of plates from Déscription de l`Egypte with architectural details perspective views and elevations of temples and sculpture most from vol.1 2nd edition with some of modern Egypt engravings each c.440 x 610mm. most with publisher`s blindstamp minor tears some trimmed to plate mark variable spotting throughout Paris 1821-30(60)

19th century cross stitch sampler with architectural scene, dog and alphabets, 43cm x 31cm

Good large black slate and yellow marble two train mantel clock, the 5.5" white recessed dial with visible escapement, within an architectural case incised with stylised gilded floral motifs and surmounted by a broken arched pediment, 20" high

Black slate and grey marble mantel timepiece, the 3.75" black chapter ring with recessed gilded centre signed Bishop & Son, Trowbridge, within an architectural stepped case incised with scrolling foliage, 12.25" high

White and red veined marble two train mantel clock, the Vincenti movement striking on a gong, the 3.75" cream chapter ring enclosing a gilded recessed centre signed Camerer Kuss & Co, 56 New Oxford St, within an architectural stepped case, the top inset with a brass cherub relief panel, 10.75" high

Walnut two train mantel clock, the 6.25" white dial within an architectural case with foliate carved wavy arched pediment, 15" high

Black slate and green marble two train mantel clock, the Japy Freres movement with outside countwheel and striking on a gong, the 3.75" black dial with recessed gilded centre, within a stepped breakfront architectural case incised with scrolling foliage, 13" high

Black slate and brown marble two train clock garniture, the Japy Freres movement striking on a bell, the white recessed dial with visible escapement, within an architectural breakfront stepped case, 13" high, with a pair of matching urns, 10.75" high

Black slate and pink marble two train mantel clock, the movement with outside countwheel striking on a bell, the 3.5" black dial within an architectural stepped case incised with foliate gilded designs, 11" high

Black slate and ormolu mounted two train mantel clock, the movement striking on a gong, the 4.5" black chapter ring enclosing a decorative brass inlaid centre and within an architectural pillared case with engraved brass panels, 17" high

Walnut two train mantel clock, the Gustav Becker movement striking on a gong, the 4" gilt metal dial within an architectural stepped case surmounted by a simulated rope top and acorn finial, 18" high

German oak two train mantel clock, the Junghans movement striking on a gong, the 5.5" square brass dial with silvered chapter ring, within an architectural carved case with triangular pediment, 15.5" high

White and yellow veined onyx Gothic style two train mantel clock, the S. Marti movement striking on a gong, the 3.75" cream chapter ring enclosing a gilded foliate pierced centre, within a stepped brass mounted Gothic architectural case with pyramid top, 17" high

Oak barometer/thermometer, the 5" white dial within an architectural foliate carved case, 22" high

A 19th Century French black slate clock having seated figural surmount over architectural case enclosing gilded dial on stepped rectangular plinth.

An engraved and coloured map of Greece, three architectural engravings and various other prints

An Edwardian mantel clock in a mahogany architectural case, the enamel dial with Arabic numerals, signed Lowe & Sons, Paris, fitted a cylinder movement

Architectural and other photographs.

A wheel barometer, 19th century, signed `P. Fauechio, Chester`, the 9½ inch silvered register under an architectural pediment, hygrometer and thermometer with silvered scale and alcohol level, 102cm high

A mahogany wheel barometer, 19th century, the 8 inch silvered register signed `L Negrettie, Liverpool`, under an architectural pediment, conch shell inlay and thermometer with silvered scale and alcohol level, 97cm high

A late Victorian ebonised cheval type dressing mirror, with architectural pediment and gilt highlighting, on turned supports (aged worm), 57cm wide, 169cm high

A Victorian slate mantel clock, architectural form, a circular dial with Arabic numerals, cylinder movement.

A Royal Exchange lead insurance fire mark depicting a classical architectural facade beneath a coronet finial, 8" 3/4" high.

Lugar (Robert) Architectural Sketches for Cottages first edition 38 sepia aquatint plates 1 loose text ff. water-stained plates in very good condition original boards rebacked in reversed calf corners a little worn rubbed [Abbey Life 30] 4to 1805.

Martin (Cornelis) Les Genealogies... engraved title with architectural border dedication f. map with coats-of-arms 40 full-page portraits and a plate Anvers Jacques Mesens for Jean Baptist Vrints [1598] bound with [Galle (Philip)] Les Vies et Alliances des Comtes de Hollande et Zelande Seigneurs de Frise first edition in French engraved vignette to title and 36 full-page portraits [Brunet V 1373; Hiler p.350; cf. Lipperheide 923] Anvers Christofle Plantin for Philip Galle 1586 bound with Henningus (Marcus) Tirolensium Principum Comitum first edition engraved pictorial title with dedication on verso full-page coat-of-arms map and 28 full-page portraits only (of 30) lacks 2 leaves of chronology colophon and final blank [Adams H229; Hiler p.209; Lipperheide 846] [Augsburg 1599] together 3 works in 1 vol. lightly browned throughout some marginal staining antique style panelled red morocco gilt small folio; sold not subject to return.

Chris Brown (late 20th century), `Still life 9: and now here`s something you can try at home`; `Still life no.10: The Temple of Orion`, a pair, tempera, both signed, inscribed and dated October 1983 and November 1983 respectively, each 40cm x 27cm., in architectural style frames.

English School (18th/19th century), Architectural subjects, a group of six engravings, the larger pair each 47cm x 29cm.(6)

A Russian silver and niello decorated snuff box, of curved rectangular form, the hinged cover decorated with Falconet`s statue of Peter The Great, the sides decorated with architectural scenes and a boat, a French oval hinge lidded snuff box and a Dutch gem set shaped square cachou box, with floral and scroll engraved decoration.

An Edwardian architectural style walnut mantel clock having an engraved silvered dial with 2-train movement.

German oak bracket clock , circa 1900, brass dial with silvered arabic chapter ring and strike/silent, triple barrel movement striking the quarter (disabled) and hour on five rods, in an architectural case with arched top. Height 46cm. (Ticks readily)

Michael Power, an architectural pen and ink drawing depicting Bowood, one other of Althorp and two water colours, Althorp and Sudley Castle.

Michael Power a framed architectural water colour scene in Paris and two others in Italy.

A 19th century architectural sepia tone pen and ink drawing depicting a Continental palace and mosque, unsigned.

Michael Power, three contemporary architectural pen and ink drawings of local interest, Lechlade Bridge, Kelmshot Church and the Maybush pub, monogrammed MCP.

A C19th marble Italianate architectural model, 10 1/2" high

An Italian giltwood and gesso tabernacle frame, of architectural form, the broken pediment with flaming urn finials, 68.5cm (27in) x 43cm (17in).

Anthony Raine Barker (1880-1963) A DOCKYARD SCENE WITH FACTORIES AND SHIPS, TWO SAILORS IN THE FOREGROUND Signed, oil on panel 21.5 x 27cm. Anthony Raine Barker was born in Harrow. Initially trained as an architect, in 1909 he won the RIBA Soane Medallion for Design, and the Certificate of Honourable Mention in 1910. Known for his architectural subjects and landscapes, he also designed posters for the London Underground between 1913-1914. His work is exhibited at the V & A in London and the Walker Gallery in Liverpool. Visit www.sworder.co.uk for larger image and condition reports.

A good late 18th century mahogany stick barometer by George Adams, Fleet Street, London, the architectural cresting centred by a brass urn finial over a waisted feather banded trunk with a moulded edge and exposed tube, terminating in a turned hemispherical cistern cover. The one piece silver dial signed in an arch `George Adams, 60 Fleet Street, London, Instrument Maker to His Majesty`. 102cm high. George Adams was one of the most eminent instrument makers of the 18th century, holding the appointment of `Mathematical Instrument-Maker to the Prince of Wales`, i.e. George III before 1760, and later, of course, the King. He was father of George Adams, The Younger, and Dudley Adams. George Adams Senior and Junior both worked at the same address and enjoyed the royal patent, it is therefore difficult in many cases to assign authorship with confidence. Visit www.sworder.co.uk for larger image and condition reports.

1920s architectural design book - Une Cite Moderne, dessins de Rob Mallet-Stevens and other architectural design books (4)

Late Victorian German novelty fountain clock with walnut architectural case, white and gilt enamel dial with lions head, fountain head with revolving spiral glass `water` spray on bracket feet, 46cm high

Victorian oak Gothic revival metamorphic library chair / steps with architectural back