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A late 19th century Junghans oak cased eight day half hour striking bracket clock with square brass dial, the case of architectural form, with pendulum and key

A late 19th century German walnut and brass mounted architectural cased eight day mantel clock, square dial with silvered chapter ring, with pendulum and key, height 47cm

A pair of mahogany narrow bookcases in two parts the architectural pediment with rectangular section finials above adjustable shelves flanked by inset half reel moulding on a plinth base 19th century and later 88in (223.5cm) h 31.75in (80.5cm) w 9.5in (24cm) d. (2)

A pair of French painted single bedsteads the architectural pedimented head and foot boards with central florets to ribbed baluster turned supports and finials stamped “4463” 45.5in (115.5cm) h 41in (104cm) w 82.5in (209.5cm).

Lloyd.- A History of the English House, 1949; Jourdain.- The Work of William Kent, 1948; Gotch.- The English Home, 1919; Edwards.- Architectural Style, 1926; Harvey's English Mediaeval Architects, 1954; Dutton.- The Age of Wren, 1951; Reilly.- An Introduction to Regency Architecture, 1948; Richardson.- An Introduction to Georgian Architecture, 1949, original boards and wrappers, some dust- jackets; and 3 others, architecture, v.s. (11).

Cross (Alfred W.) and Alan E. Munby Practical Notes for Architectural Draughtsmen Series 1, third edition, 27 plates; Series 2, 35 plates, Series 3, 50 plates, original publishers portfolio, boards, ties, folio, n.d. c.1920 (3)

Colvin (Howard), Architecture in the After Life, 1991; Farey (Cyril A.) and Trystan Edwards, Architectural Drawing Perspective and Rendering ..., 1949; Lemaitre (Henri), French Chateaux, n.d., c. 1920, original boards, dust-jackets; and fifteen others similar, mainly architecture, v.s. (18)

Francois de Nome Metz circa 1593-after 1644 Naples An architectural Capriccio with the baths of diocletian baths oil on canvas unframed 147.5 by 201.5 cm.; 58.125 by 79.125 in. Born in Metz Nome moved to Rome in about 1604 where he studied under a 'Maestro Baldassare' who can be tentatively identified with Balthazar Lauwers (1578-1645). By 1610 it would appear that De Nome was an independent master working in Naples and by the mid 1610's he was gaining some of the most prestigious commissions available including a series of twelve paintings of The Lives of the Pharaohs (1618). The works of Didier Barra (1590 - 1652) and Francois De Nome were long confused and both were mistakenly attributed under the name Mons Desiderio. This pseudonym probably deriving from the Panoramic view of Naples in the Museo San Martino Naples which is signed Desiderius Barra ex civitate Methensi in Lotharingia should only be identified with Dider Barra. The career of Barra shows strong similarities to that of De Nome as he was also born in Metz and also was active in Naples. The similarities of these two hands do much to discredit the idea that the style of De Nome was due to schizphrenia or mental illness but rather it illustrates a concerted efforted to provide a rich fusion of the architectural tradition of oltra alpe artists such as Hans Vredeman de Vries with the Italian mannerist traditions. The present work is typical of De Nome's oeuvre depicting the rich grotesque designs with dramatic lighting and thick impasto but also adopting real classical ruins and motifs to produce an almost surreal fantasy.

A 20th century miniature longcase clock with French eight day movement locking plate striking mechanism circular enamel dial with roman numerals and trefoil hands set in polished walnut case of 17th century influence with architectural pediment and hood flanked by spiral columns with brass capitals. 90cm high.

Georgian mahogany banjo wall barometer the architectural pediment to case with masonic inlays and 9in silvered and engraved dial. Maker I Vergo & Co Macclesfield. 97cm high.

A Victorian walnut cased Vienna style regulator wall clock the eight day striking movement with brass coated weights enamel dial with roman numerals set in case with architectural pediment and decorative turnings. 152cm high 47cm wide.

Siren, Osvald, The Imperial Palaces of Peking..., Paris and Brussels, G. Van Oest, 1926, folio (325mm x 250mm.), three volumes, half titles, 274 collotype plates, after photographs by the author, 12 architectural plates, and 2 maps, original blue cloth, spines lettered in gilt, t.e.g.

A set of four hand coloured lithographs depicting hunting scenes, each s. 25.5cm x 38cm, and six French architectural views of Paris, each hand coloured lithograph, s. 23cm x 30.5cm

A collection of 15 Osborne's Ivorex plaques depicting: Lincoln Inn; Winchester Cathedral; Westgate, Canterbury; and various architectural studies.

A late Victorian Architectural style walnut pot cupboard, H 103cm W 41cm

A folio of architectural engravings, 'Le Vatican et la Basilique de Sainte-Pierre de Rome' by Paul Letarouilly, Troisieme Volume, published by Mord, Paris, 1882, 65cm x 50cm (loose in folder)

A NATIONAL TIME RECORDER CO LTD OAK "CLOCKING IN" WORKS CLOCK of architectural form with glass front and projecting base. 48" High.

EWAN CHRISTIAN "Architectural illustrations of Skelton Church Yorkshire" published by Bell London 1896 and D. MACLISE R.A "Story of the Norman Conquest" Art union London 1896. and a facsimile of the Death Warrant of Charles the First. (3).

A polished architectural encased circular dial mantel clock with German eight day movement

M.Bramley Moore, 6 etchings with drypoint, farmyard and town scenes, 10 more etchings including 2 by Edward Cherry, 3 bookplates after Rowlandson and Humphrey, and a quantity of architectural plans (all unframed)

Eight day cuckoo mantel clock with brass plate movement, rear wind, and within an architectural stepped case, 14" high

Eight day cuckoo mantel clock with brass plate movement, rear wind, and within an architectural case with gilt metal mounts, 13" high

Oak mantel clock, the 5.5" circular gilt dial within an architectural gabled case, 27" high; also a three train oak mantel clock (2)

German three train mantel clock, the Junghans movement striking on rods and a gong, the 6" brass dial with subsidiary dials to the arch and within a walnut architectural case, 23" high

Seth Thomas Sonara Chime mantel clock, the two train movement with separate chime movement, the 4.5" silvered dial within an architectural gabled case, 14" high

A near pair of George III design white painted pine bookcases, of architectural form with broken pediments over adjustable shelves and two cupboard doors on plinth bases, 3ft 9ins and 3ft 2.5ins

A quantity of carved and turned architectural balustrading

A set of four flat section carved deal and gessoed pilasters, with carved scroll corbels , architectural and other mouldings and carvings

A quantity of mahogany, oak and pine architectural panels, doors etc

A late Victorian oak chest of drawers, with moulded drawer fronts with massive iron gothic handles, on architectural feet, 105cm (41in) wide, and an Aesthetic design chestnut wash stand with simple reeded decoration

A pair of early 19th century mahogany architectural pilasters, 127cm (50in) high

A late 19th century Aesthetic pierced and embossed architectural door brass finger plate, 68cm (26 3/4in) and one similar plate

Two early 18th century architectural oak two door cupboards, of panel construction, 139cm (55in) wide

A massive architectural oak two door wall cupboard, with panelled doors and sides, 245cm (97in) high

A Victorian shaped architectural canopy with drop finials, 106cm (56in) wide

A 19th century mahogany hanging corner cabinet, the architectural broken pediment above single astraglazed door

A late 19th century walnut cased mantel clock, the case of architectural form, with rows of classical columns at the side, the enamelled dial with black Roman numerals, the movement striking on a bell, with a pendulum and a key.

A late Victorian black slate and rouge marble cased mantel clock, the case of architectural form, the enamelled dial with black Roman numerals and with a visiable brocot escapement, the movement striking on a coil, with a pendulum and a key.

McGrath, Raymond, & Frost, A.C.. Glass in Architecture and Decoration (London: Architectural Press, 1937), large 4to, b. & w. illus. from photos, green cloth, dustjacket (jacket poor); Elville, E.M.. English Table Glass (London: Country Life, 1951), 1st edn, square 8vo, plate illus. from photos, green cloth, dustjacket; and Thorpe, W.A.. English Glass (London: Black, 1949), 2nd edn, 8vo, plate illus., brown cloth, dustjacket (jacket foxed and chipped, with losses), (3).

A.J. Wilson (b.1936) (Bristol Savages) 'In Old Bermondsey' Watercolour Signed lower right Exhibited 1954, labelled verso 35.5cm x 24cm. NB Moved to Bristol in 1935 as a commercial designer. Designed an Air Raid precautions poster for WWII. After the war he set up as a freelance artist specialising in landscapes and architectural subjects. See Hudson, J. 'The Savage Spirit' p. 163

Matthew Darly (fl. mid/late 18th Century) - Two engravings - "Elevation of His Royal Highness The Duke of York’s Palace in Pall Mall", and section of the same, each 10ins x 15.5ins, and four other engravings of architectural views of another house, all modern gilt frames and glazed

A Victorian green onyx mantle clock, of architectural design, inset with brass pictorial plaque. 8 day striking on a gong.41x40cm.

A Scandinavian scumble glazed, the architectural pointed arched back, over pull out seat within turned columns, (192cm wide)

A group of assorted drawings, prints and engravings, Architectural subjects including views of Albury Park, Godalming, Losely Hall, Eashing Park, and some figurative subjects. (qty)

Early 20th century striking mantel clock in architectural gilt incized slate case, 42 cm

AFTER GIALLINA, ENGRAVED BY DAVID LAW AND SIGNED BY THE LATTER TO THE MARGIN, BLACK AND WHITE ETCHING, Venetian architectural detail, 18" x 7"

J S COTMAN AND H DAVEY, PACKET OF ASSORTED 19TH CENTURY ENGRAVINGS, Norfolk architectural details, various sizes

J GREIG, SIGNED, WATERCOLOUR, a West Country coastal view, 10" x 14" and NORMAN H CULLEN, PEN, INK AND WATERCOLOUR, ARCHITECTURAL DESIGN, 12" x 18", (2)

George III mahogany bureau bookcase the top with broken architectural pediment above two glazed doors enclosing shelves, the base with fall flap revealing a fitted interior with drawers and pigeon holes, two short and three long drawers under on ogee bracket feet, 45" x 100" high

An early 19th century mahogany veneered banjo shaped wheel barometer, having an architectural pediment above marquetry panels of flowerheads and cowrie shells, edged with stringing, a silvered dial thermometer above a circular silvered 8in. barometer dial centred a facsimile compass and inscribed Smith Warranted. 38.5in. (98cm.) full length.

*Petit (John Louis & Delamotte, Philip Henry). Anastatic drawings [so titled on spine], n.d., late 1860s, mounted albumen print, port. frontis. of Petit, ninety b&w anastatic drawings of European churches, etc., on india paper, each approx. 12 x 18 cm, or similar, some heavy spotting, front free endpaper inscribed 'Philip H. Delamott, Twickenham, 1866 & 67 & 68 [all inked over pencil] & King's College' and beneath in pencil, and possibly the same hand, 'drawings by Rev. J. L. Petit for new book. Printed by Cowell' and the signatures of L. B. Burtt and E. M. Burtt, the latter dated Aug 03, contemp. blue half morocco gilt, some wear, large 8vo Petit and Delamotte had produced a book entitled 'Architectural Studies in France' in 1854. This seemingly unpublished work had been the printer's proof illustrations which remained with him when the author died in 1868. (1)

A set of seven Minton architectural tiles each yellow and blue printed with repeating stylised flowering plants in the Aesthetic manner each 15.3cm x 15.3cm.

Provincial Chippendale mahogany hanging corner cabinet, 13-panelled glazed door with architectural pediments (requiring restoration), 40” height, 25” width.

William de Morgan; a polychrome glazed tile depicting part of a Roman galleon in front of a Palladian temple, 6 1/8 inches square, marked on the reverse Architectural Pottery Poole Dorset

A 19th Century oak Black Forest cuckoo clock of architectural form with carved applied decoration, 15 inches, with bracket to match

Victorian mahogany breakfront bookcase, the 'broken' architectural pediment fitted with a central brass ship's style clock above a dentil frieze and four astragal glazed doors on a base section of four cupboard doors, 82 1/4in (209cm) wide

Twelve eighteenth century Delft tiles, depicting architectural scenes and figures in landscape settings in blue over white, each approximately 5 1/4in (13.4cm) square

Victorian mantel clock of architectural design, the circular enamel dial flanked by columns

A group of assorted pictures and prints, Including two watercolours, a print after Cecil Aldin and an etching of a Kentish oast house, and botanical, fashion, landscape and architectural subjects.(qty)

ANCIENT COINS, Roman Imperial Silver, Nero AD 54-68, Sesterius 23.01g, laureate head right, rev PORT AVG S C, an aerial view of the Port at Ostia, at the top a pharos surmounted by a statue of Neptune holding sceptre, at the bottom Tiber reclining right holding rudder and dolphin, to the left a crecent shaped pier with portico terminating with a figure sacrificing at an altar, to the right a crescent shaped row of breakwaters, within the harbour itself eight vessels of varying size (RIC 440). Shallow scratch along laurel, light patina, very fine and very rare. bought Sotheby, 29 April 1904, lot 165 The improvements to the harbour at the mouth of the Tiber, though started by Claudius were completed in the reign of Nero and celebrated by this coin. This important type combines naval and architectural themes.