We found 35023 price guide item(s) matching your search

A LATE VICTORIAN MAHOGANY WALL MIRROR with architectural top, turned finials and a small shelf with pierced galleried sides, 9 1/2" high.

French brass mantel clock late 19th century the upright architectural case with cupola top and gilt face with arabic numerals two train Japy movement striking the half. Height 36cm with gilt wood stand with pendulum and key

An eight day chiming architectural slate mantel clock.

A 19th century mahogany sideboard with an architectural back over two frieze drawers and two arched panelled doors 58" wide.

A Bohemian ruby flash stein, decorated with trailing fruiting vine and with panels wheel cut architectural views, 6 1/2" high.

A pair of Bohemian ruby flash vases, having fan cut panels, wheel cut architectural views, one monogrammed MRM, the other JM, raised on a star cut shaped foot, 4 1/2" high (2).

A LATE VICTORIAN OAK ARCHITECTURAL CASED ANEROID BAROMETER by Dollond of London, 45" high

A LATE VICTORIAN REGULATOR WALL CLOCK in walnut architectural case with fluted side pillars by T & J Adams of Borough High Street, London, 47" high

A large blue and white Delft vase and cover, Dutch circa 1900, of baluster form, painted with two architectural vignettes within floral borders. AF. Height 59cm

After Francois Feroigo- Escaping man, publ. Fois Delarue editeur imprimeur 18r. JJ rousseau, Paris; lithograph, signed within the plate, 35x24cm: together with a large collection of 19/20th century engravings and prints of various subjects to include: topographical, architectural, and botanical subjects, mostly book plates, and further a collection of watercolour and print borders, various sizes and colours, (a lot), (unframed)

A late 19th century, marble cased mantel clock of architectural form. The eight day movement with white enamel dial and Brocot type escapement, 36cm high

A Regency style, gilt composition rectangular wall mirror, of architectural form,95cm high overall. A small mahogany three fold screen with floral embroidered panels,and a line inlaid mahogany triple plate toilet mirror a/f.(3)

Two late 19th century continental dressing table bottles, having decorative white metal mounts with figures and architectural features, one with putti finial stopper and engraved floral decoration to the clear glass, 18.5cm (7 1/4in) high

A late 19th century gilt bronze Gothic form Catholic tabernacle, raised on architectural pillars, the upper section with pierced decoration and stud work, 52cm (20 1/2in)

A late Victorian slate mantel clock, shallow carved gilded decoration of architectural design with Arabic numerals, chiming movement, 29cm (11 1/2in) high

A Victorian slate cased mantel clock, of architectural form, white enamel dial with Roman numerals, 32cm (12 1/2in) high

A 19th century continental walnut veneer bureau abattant, top fitted single drawers over a fall front, opens to reveal pigeon holes and drawers about a centre with architectural decoration, over base fitted three long drawers, on bun fore supports, 104 x 166cm (41 x 65 1/2in) high

A 19th Century Russian parcel gilt and niello work snuff box, makers mark unclear, assay master Nikolay Dubrovin, Moscow 1836, rectangular shape, the hinged cover depicting Peter the Great on horse back against an architectural background, with the Russian inscription “To Peter I Catherine II”

A 19thC French polished slate and marble architectural mantel clock, with scratch carved gilt decoration, Roman numeral and marked H R Y Marc Paris, eight day movement, striking a gong, 10½" high

JOSEPHINE A CLOUTING, A COLLECTION OF ART SCHOOL WORK OF THE LATE 19TH CENTURY PERIOD including Art Nouveau designs, portraits, architectural and still life studies, floral design; Together with a quantity of Certificates relating to the same student

A PACKET: TWELVE PEN AND INK DRAWINGS, Norwich architectural studies, each approximately 7” x 10”

The Revd. William Gunn (1750-1841). A collection of material to and from William Gunn relating to the Grand Tour and Norfolk 1774-1843. A very extensive collection of letters addressed to William Gunn (1750-1841) of Irstead and Smallburgh Norfolk art critic collector and miscellaneous writer over a period of half a century (1774-1832) including a vast correspondence relating to Norfolk and the Grand Tour of Italy comprising some 1004 letters bound in nine volumes dealing with social political and business life in Norfolk and reflecting Gunn's passion for art and antiquities including paintings cameos tapestries books and manuscripts. Also to include five volumes of diaries of the early stages of Rev. Gunn's tour of Europe in 1792-1793 and a single volume of the journal of his wife Mrs Ann Gunn from the year 1792. Three volumes of William Gunn's publications on art literature and architecture researched during his tour are also incorporated into the collection. The final part consists of a selection of material two volumes regarding the case of Augustus Frederick d'Este in his claim for the Dukedom of Sussex in which Rev. William Gunn was examined. The letters include sixty letters from Dawson Turner (1775-1858) botanist and antiquary thirty eight from John Flaxman (1755-1826) sculptor and draughtsman and his wife Ann two from John Sell Cotman (1782-1842) architectural draughtsman and landscape painter and letters from George Nicol Richard Bartram Lady Knight Thomas Hearne George Cubitt and many others.

Wassell & Halford 43 Fenchurch St. London an oak Gothic case chiming bracket clock the case of architectural ecclesiastical form with arched silvered foliate-engraved dial with slow/fast above and chime/silent lever below the substantial brass fusee movement with name-engraved backplate and chiming on four bells and striking on a gong all upon a shaped stepped plinth base 59cm high; together with the matching oak wall bracket 43cm high (2)

CRANAGE D.H.S., An Architectural Account of the Churches of Shropshire, illus Hardy & Webb, 10 parts and an Index (11).

Murdoch Joseph S.F.The Murdoch Golf Library Grant Books Worcestershire 1991; and Wethered H.N. & Simpson T. The Architectural Side of Golf Grant Books Worcestershire 1995 No. 120 of 500 copies; David Hamilton; The Britherhood Early Golf in the South Sea. Kilmacolm 1992 first limited edition cloth cover with marble boards paper label No. 21 of 150 copies signed by the author (3)

An onyx mantel clock, the eight-day movement having circular gilt brass Arabic dial in ormolu-mounted architectural case, H 32.5cm W 34.5cm

Loudon (John Claudius). A Treatise on Forming, Improving, and Managing Country Residences; and on the Choice of Situations appropriate to every Class of Purchasers, in Constructing or Improving Mansions, and other Rural Buildings, so as to combine Architectural Fitness with Picturesque Effect, 2 vols. in one, 1st ed., 1806, half-titles to each, 32 eng. plts. incl. one double-page and one with overslip, binder's and errata leaf at rear, some spotting and occ. old water staining, several ink lib. stamps and marks, contemp. half, rubbed, sl. wear to extremities and upper joint weak, 4to (1)

Hassell (J.). Tour of the Isle of Wight, vol. 2 only (of two), 1790, twelve tinted oval aquas, contemp. qtr. calf, joints cracked, 8vo, together with Vases, Modern and Antique, from Various Examples, Proper for Metal, Stone, or Wood, printed for J. Taylor, at the Architectural Library, [1773], thirty-nine uncol. eng. plts., some minor scattered spotting, faded cloth, sl. soiled and worn on spine, slim 4to, plus other miscellaneous books, including antiquarian (a carton)

A late Victorian black slate architectural cased eight day mantel clock

A late 19th century oak cased eight day chiming mantel clock with Winterhalter & Hoffmeyer movement, silvered dial and bevelled glass door, the architectural case with spindle turned gallery, height 43.5cm x 30cm.

A late Victorian black slate architectural cased eight day mantel clock

A Victorian carved giltwood and gesso pier glass of architectural form with arched cornice and Neo-Classical decoration 2ft 6ins

A Victorian black slate mantel clock with enamelled chapter ring gong-striking movement signed Maple & Co. Paris architectural case with columns to sides 13in. high

A Victorian black slate and green marble mantel clock with visible escapement French movement striking on a bell glazed aperture enclosing mercury pendulum case in architectural style 18.5in.

Home, Bruce J. Old Houses in Edinburgh, [no date], 4to, original green morocco-backed cloth, sides slightly soiled; Gillespie, J., editor. Details of Scottish Domestic Architecture, Edinburgh Architectural Association, 1922, 4to, original buckram; Werther, Louis. The Story of Edinburgh Castle, 1913, 4to, etched frontispiece, plates, original cloth; Mason, Rosaline. Edinburgh. Painted by John Fullelove, edition de luxe, limited to 250 copies, this copy un-numbered, coloured plates, original cloth gilt; Heron, Alexander. The Rise and Progress of the Company of Merchants of the City of Edinburgh 1681-1902, 1903, first edition, 4to, original morocco-backed cloth, t.e.g., uncut, spine faded; Speculative Society. The History of the Speculative Society 1764-1904, 1905, 8vo, maroon quarter morocco gilt, t.e.g., uncut; Stevenson, R.L. Edinburgh, 1912, number 234 of 385 copies on hand-made paper, 24 colour plates by James Heron, original buckram, t.e.g., dust-jacket; Royal Commission on Historical Documents. The City of Edinburgh, 1951, original cloth, dust-jacket, all with plates; and 4 others (12)

A Victorian black slate and marble mantel clock having circular cream enamel chapter ring with black Arabic numerals, French movement by Marti et Cie, hour and half hour striking on a gong and in architectural case with vase finnials and brown marble pillars and inserts, 52cms high 35.5cms wide, with pendulum and key

A Victorian architectural black slate eight day striking mantel clock with exposed escapement

A Victorian slate and marble eight day striking architectural mantel clock

A Georgian mahogany and inlaid wheel barometer with an architectural pediment above a thermometer and a later aneroid dial

A green marble architectural eight day striking mantel clock with open escapement

A late 18th century painted pine bowfronted hanging corner cupboard, the architectural pediment painted with flowers, the doors with figures in 18th century dress in a garden, 121.5cm high, 63cm wide, (the painting possibly later)

A burr walnut, cross and feather banded bureau bookcase in Queen Anne style, the architectural pediment with three turned finials, above two glazed doors and adjustable shelves, with candle slides, the fall front enclosing interior fittings, above an arrangement of three long and two short drawers, with brass handles, on bracket feet, 231cm high, 96cm wide, 56cm deep. Provenance: The Old Rectory, Peasemore

A cream painted wood and gesso architectural panel, relief carved with a sheep within a basket surrounded by musical trophies, 62 high, 77cm wide (in part 19th century)

A Victorian black slate cased Mantel Clock with circular dial, the architectural case with fluted brass columns and applied mask, 16in

A late Victorian slate and marble mantel clock with eight day movement striking on a gong, the circular gilt dial with enamel chapter ring, the architectural case with arched pediment above columns on a pedestal base.

A VICTORIAN CARTE DE VISITE PHOTOGRAPH ALBUM, including family portraits and four Francis Bedford architectural photographs of Chester

Kepes (Gyorgy, and others). Vision + Value Series: Education of Vision, Structure in Art and Science, The Nature and Art of Motion, Module, Proportion, Symmetry & Rhythm, pub. George Braziller, New York, 1965-66, together 4 vols., b & w illusts., orig. cloth in slightly frayed d.j.s, square 4to, together with other art and architectural reference plus a small group of books by/about George Bernard Shaw (2 cartons)

German wooden architectural bricks with Chad Valley Roulette

A collection of Staffordshire figures, English 19th century, to include a spill vase group, grey hounds and others; together with a porcelain basket enriched with an architectural vignette within a gilt border. Inscribed ‘Worcester’ to base.

A Spode blue and white transfer printed pearlware jug, English early 19th century, of ovoid form enriched with a river landscape and architectural studies, below a patterned border; together with floral Staffordshire teapot and a moulded figural jug. Height 17cm.

European School circa 1860 - Extensive architectural study with crowds before a building, possibly in Paris by Baron Hausmann; pen and ink, watercolour and gouache, 71 x 126.5cm

A mahogany & inlaid wheel barometer, 19th century. 8’ silvered signed ‘G. Kalabergo - Banbury’. The case with broken architectural pediment over mercury thermometer, with inlaid shell and rosette decoration o the body. 96cm long.

A carved oak armchair, by Howard & Sons, circa 1920, the square padded back with palmette carved open arms, terminating in rams heads, over an architectural scrolling apron and turned supports, joined by square stretchers, stamped on back leg.

Thomas Thomopoulos Greek 1873-1937 The Angel of War marble and terracotta height: 114cm. 45in. W. Provenance The artist's estate; thence by descent to the present owner Literature Stelios Lydakis Greek Sculptors Athens 1981 p. 101 as War Thomopoulos' early training was at the School of Fine Arts in Athens under Nikiforos Lytras and later under the guidance of the sculptor Georgios Vroutos. Like many Greek artists at the time Thomopoulos left Athens for Munich enrolling in the studios of the Bavarian capital. Records indicate that Thomopoulos travelled extensively at this time mostly through Italy studying the work of the Renaissance masters. By 1900 though he had returned to Greece setting up an atelier in Athens. The Angel of War depicts in the centre of the composition a winged male figure possibly a personification of Victory contemplating the spoils of war. He rises over the bodies of the wounded men and animals contemplating them with downturned gaze. Though it is unknown whether this work was commissioned by a patron the great care that was taken in its execution indicates that the work must have been a major undertaking for the sculptor. Marble sculptures of this size are rarely offered at auction as many were made as either garden decorations that deteriorated through exposure to the elements or as architectural decorations for government buildings. The re-appearance of this major marble gives us a better understanding of this great sculptors oeuvre.

A Staffordshire architectural pattern spill holder in the form of a castle with a drummer boy to the base and another with figures to the base

A Sheraton Revival mahogany and inlaid four dial wheel barometer, having a broken architectural pediment above dry/damp dial, thermometer dial, silvered main dial and signed to the balance scale I Ronketti, the case with conch-shell marquetry inlays and chequer stringing, height 98cm

A late Victorian slate mantel clock garniture, the clock having an architectural case with gilt brass mounts, white enamel dial with Arabic numerals and French eight day brass cylinder movement and flanked by figural garniture, clock height 40.5cm.

A late Victorian clear crystal claret jug of tapered sleeve form, the body decorated with alternate panels of arched and prism cuts. the whole mounted with a silver plated collar and domed cover detailed with bright cut decoration, applied Bacchus face mask spout and architectural and foliate scroll handle, height 12”.

A late 19th century French black slate timepiece garniture, the timepiece with brass single train movement with visible Brocot escapement, the four inch dial with skeleton workings to the centre within a gilt and painted chapter ring bearing Arabic numerals, the architectural case decorated and carved with gilt stylised leaves and berries, on a rectangular plinth base, 39cm wide, 33cm high, together with a pair of matching tazzas, the dish tops above stepped square pedestals, 24.5cm high

A Victorian mahogany wardrobe the architectural pediment above three panelled doors and flanked by double columns with lotus clasping and plinth base with full width drawer 190cm wide, 246cm high, 73cm deep