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A late George III mahogany hanging corner cupboard, with an architectural pediment above a figured panel door with outline mouldings, enclosing shaped shelves later painted, with fluted angles, 53.25in (135cm) h, 31.75in (80.5cm) w, 18in (46cm) d. The pediment repaired, door panel slightly bowed.

A 19th century walnut Vienna regulator wall clock, with architectural pediment above a Roman numeral dial, the case with turned demi columns, 140cm high

*Charlotte Halliday NEAC RWS (1935- ) 1984, RBA - watercolour and pencil on paper in glazed gilt frame - architectural study with Big Ben under scaffolding with Houses of Parliament in background. Label on reverse entitled 'repairs to Big Ben', signed and dated, 29cm x 21cm, bearing label to reverse To Reg - From Billy, Christmas 1984

19th Century French silver Pin Cushion Stand, of circular form on four architectural legs, joined by floral swags, centred by cast portrait busts and five Hat and other Pins, including a Mourning Pin and another set with a ruby.

Onyx Mantel Clock of architectural form, gilt dial with Arabic numerals, eight-day movement.

Walnut and inlaid Wall Clock, cased, an oak Mantel Clock of architectural form and two dome-top Mantel Clocks, (4).

Victorian slate Mantel Clock of architectural form, with an eight-day cylinder movement and a another Clock in an ebonised wooden case.

Victorian sale and marble Mantel Clock of architectural form, with a circular dial and an eight-day cylinder movement.

Victorian slate Mantel Clock, of architectural form, circular dial with Arabic numerals, eight-day cylinder movement.

A tortoiseshell and gilt metal-mounted ebonised table cabinet with central architectural drawer surrounded by ten small drawers and conforming canted border, on bracket feet, 64cm. high x 87cm. wide, Flemish or Spanish, 17th century and later.

PIRANESI - A set of four engravings, plates 59, 73, 95 and 97, architectural ornament with inscriptions, framed, 27" x 17" (see illustration).

LATE 17TH CENTURY ENGLISH SCHOOL - An architectural capriccio, oil on panel, faux painted graining to the reverse, in carved gilt wood frame, 15" x 27 1/2" (see illustration).

ATTRIBUTED TO FREDERICK NASH (1782-1856) An architectural pen and ink and brown wash drawing of a Classical portico leading to a formal garden, 18" x 23 1/2" (see H M C typed note verso) (see illustration).

THOMAS AFFLECK GREEVES - View in Canterbury, pen and ink, signed lower left, 10 1/2" x 13" and a watercolour, a Classic architectural scene, signed V Colkett, 12 1/2" x 10" (2).

ATTRIBUTED TO H W LONSDALE (1844-1919) Study of an architectural ecclesiastical frieze, pen, ink and watercolour, 14" x 10 1/2", framed (see illustration).

ATTRIBUTED TO RICHARD COOPER (1740-1814) Two pen and wash sketches of architectural ornament on one sheet of paper, framed; a further group of five sketches of English landscapes including Stonehenge and two other architectural drawings, framed (4).

A FOLIO OF ARCHITECTURAL PRINTS, DRAWINGS AND SKETCHES, including fragments from Gargulo on ancient vases published in April 1822.

A GROUP OF THREE LARGE ARCHITECTURAL DRAWINGS by Hugh Draper including the Sheldonian Theatre (illustrations for Sir Hugh Colvin's book Unbuilt Oxford).

A COLLECTION OF UNFRAMED ENGRAVINGS, mainly architectural to include: Jean le Potre Richly Ornamental Doorways, Plates I-VI, 6" x 8 1/2"; Thomas Vivares 'South East View of Wimbourne St Giles, the seat of Anthony Ashley Cooper Earl of Shaftesbury, 9 1/4" x 13"; W H Toms 'The South Prospect of Hather Thorpe in Lincolnshire, hand-coloured, 16" x 23" (trimmed to margins) etc.

ASSORTED 19TH CENTURY WATERCOLOURS AND DRAWINGS - mainly architectural to include: Georgina Forbes 'Monymusk House, Aberdeenshire', pen and ink, heightened in white, 8" x 11"; Crathes Castle', brown wash drawing, 10" x 6 1/2" by the same hand; two further by Georgina Forbes, view of a rotunda, attributed to P H Desvignes, pen and ink drawing, 9" x 145"; 'Dolphin House, Low Friar Street, Newcastle', pencil drawing, 13" x 13 1/2"; and approx. nine further.

A HAND COLOURED PRINT of Robert Adam's design of entrance building of the Sackler Library (unframed), together with two reproductions of architectural drawings.

A PAIR OF ARCHITECTURAL GILDED PLASTER CAPITALS with acanthus and scroll decoration, 6" high, together with a plaster architectural ornamentation of open foliate form, 12" high (3) (see illustration).

EARLY 19TH CENTURY SCHOOL, grisaille, architectural town scene of Cambridge, 10 1/2" x 16 1/2".

FOUR ANTIQUE ITALIAN CLASSICAL ARCHITECTURAL PRINTS of ruins in early moulded frames, largest, 14" x 21" .

A COLLECTION OF 19TH CENTURY ARCHITECTURAL DRAWINGS, continental buildings, mostly Italian, ink wash and watercolour, mostly inscribed, varying sizes (18).

A Collection of Architectural and Art interest. 15

Cotman (John Sell) & Turner (Dawson) Architectural Antiquities of Normandy, 1822, 2 vols, folio, engraved portrait of Cotman loosely inserted, half calf

Billings (Robert William) Illustrations of the Architectural Antiquities of The County of Durham, 1846, sm 4to., engraved plates, half morocco, Jamieson (James) & Pike (W.T.) Durham At The Opening of the Twentieth Century & Contemporary Biographies, 1906, a.e.g., morocco (joints worn); with nine antiques reference books (11)

AN INDIAN HEADSMAN'S SWORD, TEGHA, EARLY 19TH CENTURY with characteristically broad blade double-edged for its upper third, cut with a series of etched fullers, chiselled on each side with scrolling foliage behind the tip, elephant masks and shaped panels in the centre, an architectural framework with further elephants at the base, and all highlighted with gold koftgari, large steel hilt boldly chiselled with foliage over its surface, and fitted with a brass rosette washer on each side 73.4cm; 28 7/8in blade Provenance The P. Holstein Collection, sold Hotel Drouot, Paris, 8 May 1957, lot 29 ++The blade remains in good condition with only small areas of light wear. The koftgari is in generally good condition. The hilt has areas of light wear. The pommel has some very small holes.

A TURKISH SILVER-MOUNTED KILIG, LATE 19TH/EARLY 20TH CENTURY with curved blade widening and double-edged towards the tip, reinforced along the back-edge of the lower portion, decorated in gold koftgari with a tughra, a circular calligraphic panel, a further calligraphic panel and the gold-lined bladesmith's mark on one side at the forte and with further inscriptions and celestial motifs on the other (losses), silver hilt comprising cross-piece with bud-shaped terminals, chased with foliage on each side and trophies in the centre, silver back-strap chased with a running pattern of vine foliage and fruit, and a pair of ivory grip scales retained by three rivets and a silver tear-shaped washer at the top, in an associated wooden scabbard entirely encased in silver repousée with scrolls, foliage and flowerheads and the chape decorated with an architectural vignette surrounded by further scrolls and flowerheads on each side 67.5cm; 26 5/8in blade The inscriptions read, in translation: There is no youth [as brave as] 'Ali, no sword [as sharp as] dhu'l-faqar' and include the shahada, the names of the Seven Sleepers and their dog and the tughra of possibly Muhammad V (1327-36/1909-18) ++The blade has areas of light wear and the gold has losses as mentioned in the catalogue description. The crosspiece and back strap are in good condition. The grips have small age cracks. The scabbard has small dents, minor cracks along the seam and some small holes at the base.

William Lee-Hankey (1869-1952) 'Le Connaisseur des Fleurs Etaples', etching, signed in pencil, and bears blind stamp monogram, 21cm x 16cm . Lee-Hankey was born in Chester and studied at the Royal College of Art and later in Paris. He produced a series of etchings of Breton subjects including architectural and figure studies.

Augustus Osborne Lamplough (1877-1930) 'Arab dhows on the Nile', watercolour, signed 24cm x 63cm also the companion 'A view of The Pyramids, Cairo' - a pair (2) Lamplough was born in Chester and studied at the local art school. He specialised in architectural subjects and painted in Venice in his early career though concentrated on North African scenes from 1902. He lectured at Leeds Art School.

A Victorian black slate mantel clock, architectural design with embossed brass frieze, two train movement striking on a gong, 14in. wide

A Victorian black slate and marble mantel clock, with enamelled dial, within architectural case, 18in. wide

An architectural brass floor lamp, with tapering fluted column and panelled square base on cast claw feet, 31in., shade with bead drops

A mid 19th century French gilt metal mantel clock, with inset sevres style porcelain dial and similar plaques, two train movement striking on a bell, architectural case with lovebird cresting, scrolls to sides, on rosette feet, 18in. high

A mid 19th century Viennese wall clock, enamelled dial with timepiece movement, within architectural burr walnut and ebonised case, 4ft. total height

An early/mid 18th century broken arch topped architectural cupboard, 41cm (16in) wide, 147cm (58in) high

A Group of Blue & White Delft Tiles. Each painted with an architectural landscape scene and having double ringed roundel borders.

A Fabulous 16th Century Flemish School Oil on Copper: An interior scene featuring a Mother tendering holding her Child stood by an open window with landscape beyond, 13 ins x 17½ ins (34 cms x 44 cms). In a glazed box frame with a gilt wood architectural inner border above a plaque engraved E.J GOSSEART. 24 ins x 19¾ ins(62 cms x 50 cms).

An Unusual 17th Century Salisbury Armchair. The demi-lune crested top rail with carved fanned centre; highlighted with punchwork. The back panel centred by a vertical diamond beneath an arcaded facade with architectural columns. The flat curved & scroll-end arms raised on short tapered columns adjoining the plank seat above carved & punch-worked frieze. The turned legs joined by block stretchers.

A 16th/17th Century Cedarwood Panel. The Adige Chest front divided by moulding into two panels depicting pen-work court scenes silhouetted against a recessed mesh punched ground and flanked by gentlemen standing under architectural domed facades. The centre depicting a heraldic crest flanked by a lion & unicorn. 34¼ ins (87 cms) x 69 ins (175 cms).

A silver photograph frame of architectural form, Birmingham 1930

An early 20th century hardwood architectural style mantel clock containing Ansonia eight day movement

An Edward VII silver Chatelaine In the Art Nouveau style, supporting five chains comprising a continental silver purse, a Victorian silver thimble case in the Architectural style, a pencil, button hook, and a compact, Chatelaine Birmingham 1902, Thimble case 1873

An early 20th Century German bracket clock, the Junghans movement striking on two gongs and having brass arch dial with silvered Roman chapter ring within a carved mahogany architectural case. Height 43 cms.

A late 19th Century Belgian slate cased mantel clock, the architectural case surmounted by a dome, the movement striking on a gong, having an Arabic dial with matted brass centre and enamel chapter ring. Height 34 cms.

An American late 19th Century slate mantel clock, the case of architectural form, the movement having a white enamel dial with visible escapement, the back plate stamped Ansonia Clock Co. Height 33 cms.

Four late 18th/early 19th Century painted wooden architectural panels, each with applied and gilded egg and dart and acanthus leaf borders.

A group of three 19th Century polychrome printed kalamkaris, possibly Indian or Persian, of typical design with stylized architectural panels within floral borders, together with a kalamkari fragment.

A group of three 19th Century polychrome printed kalamkaris, possibly Indian or Persian, of typical design with repeating botehs and stylized architectural panels within floral borders, one of circular form, together with another later example.

A Good Teco Pottery terracotta vase shouldered form with four looped handles, covered in a pale green matt glaze impressed Teco twice 32.5cm. high. The Teco range was introduced as an artistic line in 1900 by Gates Potteries, a subsidiary of American Terra Cotta and Ceramic Company. The production is generally architectural bearing the influence of local Chicago architects including Frank Lloyd Wright who supplied some of its designs. Literature: Important 20th Century Design Christie's New York, 7th December 2001 for this exact shape, lot 309 page 22.

A small collection of architectural designs, pen and ink, watercolour studies and plans by R T Barker circa1890-1900, including proposal for Memorial Church Layer Breton, Essex

A carved oak architectural panel with carved pillars and foliate capitals, unsigned 184cm wide x 75cm high

A carved oak day bed in the style of John Moyr Smith, with architectural pillars and foliate capitals, inset with decorative copper panel unsigned 160cm. wide

A large oak library table designed by Edward Lutyens, architectural form with padded foot rest unsigned 305 x 90cm. Provenance: King Edward VI School, Southampton, opened in 1936

An oak armchair the design attributed to William Punnett, the back rest with incised flower roundel, architectural form with textile seat, unsigned 86cm. high

A Halcyon Days enamel limited edition musical box, No. 22/1000, celebrating the new Millennium and decorated with architectural wonders from around the world, boxed with certificate, together with four other Halcyon Days limited edition musical boxes, comprising 'Rhapsody in Blue', No. 574/750, a box commemorating the Queen Mother's 85th Birthday, No. 66/250, a box playing the air 'Halcyon Days from the Tempest', No. 142/500, and one playing Brahms' Waltz, No. 727/750.

A 19TH CENTURY MAHOGANY SECRETAIRE ABBATTANT Possibly German, the architectural form super-structure set with a cupboard, a fall front frieze drawer opening to reveal spindle sides, leather-lined writing surface and drawers, the fall front beneath revealing steps rising to a central cupboard flanked by serpentine drawers, the lower part with satinwood brick work beneath a drawer with spindle front, three drawers beneath. 85 in (216 cms) high x 43.75 in (111 cms) wide

A late 19th Century German walnut cased "Waterfall" mantel timepiece, the 2.75ins cream enamelled chapter ring to the eight day movement, contained in walnut case of architectural design with turned finials and revolving clear glass rod from brass lions mask to front, 18.75ins high