We found 35023 price guide item(s) matching your search

A George III mahogany stick barometer , Milesio, Kendal, late 18th century, with architectural pediment above rectangular glazed door enclosing vernier scale calibrated in barometric inches and with the usual observations, beside an alcohol tube Farhenheit scale thermometer and signed by the maker to upper corner, the trunk with exposed mercury tube and domed cistern cover with inlaid bullseye to centre and chequer inlaid border, 97cm high

Japy Freres late 19thC slate mantel clock, ivory coloured Arabic enamelled chapter ring, beetle hands, gilt bezel, the two train movement striking on a gong, in classical architectural columned case with mask decoration, 28cm tall

Japy Freres late 19thC slate mantel clock, the white enamelled Roman dial with embossed gilt surround, Breguet style hands, the two train movement No 1023 striking on a gong. In classical architectural style columned case with faux bell dome to top

A Victorian slate mantel clock with Romanesque architectural case, supported by four reeded columns with acanthus leaf capitols, the top with mask and olive leaf decoration, the Roman enamel dial with gilt surround and Breguet style hands, the movement unmarked, 41cm tall

A 20th century gilt overmantel mirror, with architectural crest over reeded and face mask mounted frame, 154cm wide x 140cm high.

A George III and later mahogany bookcase, the architectural cornice over four astragal glazed doors over pair of cupboards, flanked by four long graduated drawers, on plinth base, 296cm high x 250cm long x 70cm deep.

An empire ormolu mounted mahogany cheval mirror with architectural cornice and turned columns on four paw feet, 103cm wide x 197cm high.

An English stained pine wall clock, late 19th century, with a stepped pediment over a silvered dial and architectural carved case, enclosing a two train movement, 69cm high (pendulum and key).

A pair of shaped and carved stone table lamps (formerly architectural embelishments), each decorated with figures and mythological dolphins atop a square stone plinth, 35cm high, excluding fitments, (2).

AN AGED PROBABLY CENTURIES OLD INDONESIAN POSSIBLY THAI WOODEN ARCHITECTURAL FRAGMENT, carved and pierced with a figure standing in an arched niche beneath a pagoda 39 3/4" (101 cm) high

TOYE & CO LONDON 9CT GOLD MASONIC JEWEL the ribbon suspended Architectural form crest and incorporating circular enamel badge of set square and dividers with a set square pendant below 3 3/4" long overall and inscription to reverse Portland Lodge 1922 - 23, approximately 30gms gross (one small suspension loop damaged)

An oak cased quarter-striking table clock, the carved case with architectural pediment and pierced sound-frets, the brass and silvered dial signed Gowland, Sunderland, two subsidiary dials for fast/slow and chime/silent, the twin barrel movement striking on two gongs, height 53.5cm

Architectural Drawing: Dawson (Catherine M.) Elevation For the Intended Military Infirmary, signed and dated January 17th, 1786. A fine large coloured architectural drawing, approx. 40.5cms x 56cms (16" x 22"), a single sheet. As a drawing, w.a.f. Important. (1)

The Greatest Irish Coloured Plate BookOriginal Coloured CopyMalton (James) A Picturesque and Descriptive View of the City of Dublin Described. In a series of the most Interesting Scenes taken in the year 1791. By James Malton. With a brief authentic history from the earliest accounts to the present time. Engraved titlepage and dedication, Arms of Dublin, A Correct Survey of Dublin as it stood in the year 1610, A Correct Survey of the Bay of Dublin 1795, A Folding Map of the City of Dublin (not present in most copies) and twenty-five plates of views in original colour. London: 1803. Oblong folio. pp. ii, 18, [48], 25 (plates), 3 (maps), 3. Original grey papered boards, spine in later quarter morocco, title printed on original large paper label on upper cover. A very good set of this exceedingly rare topographical work in original colour. James Malton (d.1803) architectural draughtsman, came to Ireland with his father, Thomas Malton, senior, and was for nearly three years, during the building of the Custom House, employed as a draughtsman in the office of James Gandon, the architect, but for breaches of confidence and many irregularities he was dismissed. The first mention of his name as an artist occurs in 1790, when he sent, from Dublin, two drawings to the Society of Artists in London. In 1791 he completed a series of drawings of Dublin buildings, from which the well-known set of views were engraved. Twenty-five were reproduced in etching and aquatint, done by Malton himself, and their publication began in 1792. The preface says: "The entire of the views were taken in 1791 by the author, who, being experienced in the drawing of architecture and perspective, has delineated every object with the utmost accuracy; the dimensions, too, of the structures described were taken by him from the originals, and may be depended upon for their correctness." Though all the views were taken in the year 1791, yet, as the work was in hand till the year 1797, such alterations as occurred in each subject between the taking and publishing of any view of it have been attended to; to the end that it might be as perfect a semblance as possible of the original at the time of the completion of the work.The volume has an engraved title-page, an engraved dedication, dated at London, 1st June, 1794, "to the Lord Mayor, Sheriffs, Common Council, Freemen and Citizens of Dublin." The work begins with a preface, followed by a brief history of Dublin, and an article "On the Castle Walls and Increase of the City." The plates are as follows: Great Courtyard, Dublin Castle; The Parliament House; Trinity College; College Library; Provost's House; St. Patrick's Cathedral; West Front of St. Patrick's Cathedral; Royal Exchange; Custom House; View of the Law Courts, looking up the Liffey; Tholsel; Old Soldiers Hospital, Kilmainham; Royal Infirmary, Phoenix Park; Blue Coat Hospital; Lying-in Hospital; Rotunda New Rooms; St. Catharine's Church; Marine School; Leinster House; Charlemont House; Powerscourt House; View of Capel Street, looking over Essex Bridge; St. Stephen's Green; Barracks; View of Dublin from the Magazine, Phoenix Park. Dedicated to the Governors and Directors of the Hospital, including the College Library, dedicated to Edmund Burke. Besides the above twenty-five views the bound volume contains the Arms of Dublin, as frontispiece; Survey of the City of Dublin as it stood in 1610, taken from Speed's Map; Survey of the Bay of Dublin, 1795, and a folding map of Dublin that does not appear in this or most copies. At the end of the volume is a plate with two outline Keys - one of the smaller View of Dublin from the Park, the other of the smaller view of the Barracks. All the plates are inscribed James Malton del. et fecit. He published them himself; in some his name is joined with George Cowen of Grafton Street, Dublin. Malton's views are the most important series of engravings of Dublin. Most of the principal buildings are represented, and groups of figures and little scenes of the daily life of the people add a charm and variety, the whole forming a valuable pictorial record of old Dublin at the close of the eighteenth century.

After William Chambers, Architectural designs, a pair of reproduction hand coloured engravings, visible, 30 x 40cm.

A Modern Reproduction Four Pillar Mantle Clock of Architectural Form and Decorated with Gilt Highlight and Swags of Flowers, 36cm high

A 19th Century marble architectural mantel clock, with eight day movement, white enamel face, surmounted by a twin handled urn, 50 cm high x 28 cm wide x 17 cm deep

An art deco light marble clock garniture, of architectural form, supported on rectangular plinth bases with matched garnitures, clock 48 cm x 11 cm x 22 cm high

Patrick Scott HRHA (1921-2014)Gold Painting 4.92tempera and gold leaf on unprimed canvassigned, titled and dated '92 on reverse61 x 61cm (24 x 24in) Private CollectionPatrick Scott was born in County Cork, in 1921. He trained as an architect and spent 15 years working with Michael Scott in the architectural practice of what became Scott Tallon Walker, where his innate talent as an artist and designer developed in unison. He became a leading graphic designer with the Signa Design Consultancy (set up in 1953 by Michael Scott and Louis le Brocquy), all the while continuing to test various ideas in his painting. On winning a National Prize at the Guggenheim International Award in 1960 and representing Ireland at the XXX Venice Biennale in the same year, Scott became a full-time artist.Scott was perhaps best known for his gold paintings, abstracts incorporating geometrical forms in gold leaf against a pale tempura background. He also produced tapestries and carpets. His paintings are in several important collections including the Museum of Modern Art in New York. His works are distinguished by their purity and sense of calm, reflecting his own interest in Zen Buddhism. On 11 July 2007, Scott, who was a founding member of Aosdána, was conferred with the title of Saoi, the highest honour that can be bestowed upon an Irish artist. The President of Ireland, Mary McAleese, made the presentation, placing a gold torc, the symbol of the office of Saoi, around his neck. No more than seven living members may hold this honour at any one time.

A small watercolour of a young boy looking out to sea together with three architectural prints.

A contemporary architectural design table lamp, having an ivory coloured shade, with glass cylinders, raised on a circular chromed base, 68 x 38 x 38cm.

A distressed metal architectural style arched wall mirror, with 'windows' that can open wide, 169 x 90cm.

EARLY 20TH CENTURY CARVED MAHOGANY WARDROBE OF ARCHITECTURAL STYLE WITH CENTRAL PEDIMENT PEDIMENT TO THE CORNICE AND VARIOUS FRET CARVED DECORATIVE PANELS, CENTRAL MIRROR DOOR AND FLANKING PANEL DOORS WITH SMALL DRAWERS BELOW APPROXIMATELY 6'2" WIDE AND THE MATCHING KNEEHOLE DRESSING CHEST WITH SWING MIRROR AND TWO JEWEL DRAWERS (2)

LARGE LATE VICTORIAN CARVED MAHOGANY WARDROBE OF ARCHITECTURAL STYLE WITH CENTRAL PEDIMENT TO THE CORNICE, ROCOCO CARVED DECORATION TO THE PAIR PANEL DOORS AND CENTRAL MIRROR DOOR, THE INTERIOR WITH DRAWERS AND SLIDING TRAYS ALL RAISED ON BRACKET FEET APPROXIMATELY 6' WIDE

Six silver coffee spoons of plain form having architectural terminals, Sheffield 1916, Mappin & Webb, and three Georgian silver teaspoons of ratail form

A pair of WMF plated urns of Grecian form having architectural style handles and trefoil animalistic feet to pedestal base

A pair of 1930's silver hot water jugs of octagonal form having architectural shaped ivory handles and knops with engraved band decoration, Sheffield 1937, Mappin & Webb Ltd

DRAWINGS BY CHARLES RENNIE MACKINTOSH - THE DINING ROOM In Europe the originality of Mackintosh's style was quickly appreciated and in Germany, and particularly in Austria, he received acclaim and recognition for his designs. In 1901 he entered an international competition organised by the German design journal Zeitschrift fur Innen-Dekoration of Darmstadt to design an Art Lover's House. Although Mackintosh was not awarded any prizes for this competition as his interior drawings were not finished in time for the competition deadline, his architectural designs were judged to be of such a high standard that they were awarded a special prize by the published. They were later reproduced as a portfolio of prints in 'Meister Der Innenkunst' and later Mackintosh presented a portfolio to the Glasgow School of Art. This complete portfolio of 23 framed prints is believed to be a facsimile reproduction printed in the 1990's by Cooper Hay Rare Books.

DRAWINGS BY CHARLES RENNIE MACKINTOSH - RECEPTION ROOM AND MUSIC ROOM In Europe the originality of Mackintosh's style was quickly appreciated and in Germany, and particularly in Austria, he received acclaim and recognition for his designs. In 1901 he entered an international competition organised by the German design journal Zeitschrift fur Innen-Dekoration of Darmstadt to design an Art Lover's House. Although Mackintosh was not awarded any prizes for this competition as his interior drawings were not finished in time for the competition deadline, his architectural designs were judged to be of such a high standard that they were awarded a special prize by the published. They were later reproduced as a portfolio of prints in 'Meister Der Innenkunst' and later Mackintosh presented a portfolio to the Glasgow School of Art. This complete portfolio of 23 framed prints is believed to be a facsimile reproduction printed in the 1990's by Cooper Hay Rare Books.

ARCHITECTURAL STYLE MIRRORS, a pair, 77cm W x 139.5cm H. (2)

A French gilt metal four-glass Mantel Clock, of arched form with 8-day movement striking on a bell, the two-piece enamel dial signed Breveté - Le Roy & Fils - Pal's Royal C'ie Montpensier 13 - 15 Paris, the case of architectural form with a turned finial above half-pilasters and moulded base on pad feet, with inscription dated 1870, 22in (56cm) high.

A pair of Rococo style bronzed metal easel Frames, Rd. No. 553836, of pierced architectural form, cast with foliate scrolls and putti, 14in (35.5cm) high (2)

A group of eleven decorative architectural prints

Muller Freres Art Deco frosted glass ceiling shade of architectural form, designed by Francis Hubens, signed, H31cm Condition Report Click here for further images, condition, auction times & delivery costs

A late nineteenth century architectural mahogany mantel clock

A child's 1880 wooden boxed architectural building-blocks set

A group of mixed clocks including a silver dial architectural-type & two polished

An antique architectural slate mantel clock

An antique architectural slate mantel clock

Interior Design and Architectural tradesmen's catalogues. Late 19th and 20th century including Sanderson's Interiors for Today Two volumes, Permant and other wallpapers, William Pape Glass merchant of Leeds, Samuel Gratrix Leaded Lights and Windows of Distinction, architectural fittings, ironwork, fencing and gates etc, approximately ten items.

Pugin A.W.N: Designs for Gothic Furniture. 1835 Ackermann; Fullerton W: Architectural Examples. 1903; Sutherland W.G: Stencilling for Craftsmen. c1993 and two books on the history of the Painter-Stainers Company (5)

A Victorian ebonised, walnut and gilt metal display cabinet the architectural mirror frame flanked by open shelves and mirrors above a glazed door and jasperware inset doors 160cm wide x 38cm deep x 212cm high and a two-tier serving table, 76cm wide x 46cm deep x 78cm high (2)

An early 20th century onyx mantle clock of architectural form, two train movement, enamel dial with Arabic numerals, to include key and pendulum

A 19th century French gilded metal mantle clock of architectural form, enamel dial with Roman numerals, to include key and pendulum

A. Vidal (20th Century),an architectural study of a fascia and house front,signed and dated 1968,pencil and gouache sketch,70 x 49 cm CONDITION REPORT: Unframed, fraying around edges in places

A late 17th century French bracket clock by André Charles Boulle, the boulle work ebonised case of architectural form, the pendant with ormolu mounts, the glazed door flanked by a pair of columns and enclosing the brass dial with Roman and Arabic numerals and twin winding holes 'held' by an ormolu figural relief modelled as Atlas, over a shaped apron, on bun feet the back plate of the brass movement with a visible wheel inscribed 'Torrez Ast. Malo', 48x33 cm CONDITION REPORT: Requires attention. Finials not screwing in correctly. Some losses to boulle work, ebony and mounts. Some veneers missing, One foot replacement. Another foot attached to a piece of timber which is loose on the base. One hand damaged. We believe the bronze figure has been altered and his foot removed.

A 19th Century French mantel clock with white enamel Roman dial, the Japy drum movement with outside count wheel bell strike, gilt metal and polished slate architectural case with urn finial, 45cm high

French Rouge marble mantle clock of architectural design, with gilt Arabic dial, Marti cylinder movement striking on a coiled gong, 31cm

Art Deco Desk Tidy, Marble Base With Recess, Architectural Inkwell And Figural Stand

A black slate and variegated marble mantle clock, late 19th century, architectural form with inset embossed brass panels depicting Poseidon and seahorse, Venus and chariot of dolphins, cherubs, the gilt dial with lapis blue centre. Width 37 cm, height 48.5 cm.

A coromandel veneered bracket clock case, early 19th century, architectural form, with round dial aperture above the moulded base raised on bun feet. Height 43.5 cm, width 30 cm. CONDITION REPORT: The interior diameter of the bezel is 19.2 cm. The height from the current seatboard to the very top of the case is 27.5 cm. The interior diameter of the aperture is 20.7 cm. The effective height for a movement is probably no more than 22 or 23 cm.

Late 19th/early 20th Century French black slate and marble cased architectural style mantel clock, the gilt dial with off-white chapter ring having Arabic numerals, brass movement Condition:

Late 19th/early 20th Century French black slate and marble cased architectural style mantel clock, the brass dial having off-white chapter ring with Arabic numerals, brass movement striking on a gong Condition:

Architectural stone carving - Gothic design hexagonal boss and one other stone carving Condition:

A rare Crystal Palace silver and ivory aide-memoire with four ivory leaves, the shaped silver covers pierced and engraved and on each side the architectural view in low relief, it hangs from a chain together with its silver pencil and with a later silver pencil.

A Saint Paul's cathedral Victorian silver architectural brooch.

Three boxes of glass magic lantern slides including children's, architectural interest and World War l related.

Two boxes of magic lantern slides including children's, Africa related and architectural.

Metalwork Trade Catalogues N. Burt & Co. Ltd. (London & Paris) Catalogue of High-class Or-moulu Door Furniture, black & white illustrations, gilt tooled textured boards Kirkpatrick Ltd. (Walsall) Illustrated Catalogue & Price List, 1903, black & white iullustrations, gilt tooled green cloth boards, with supplement Gardiner, Sons & Co. Ltd (Bristol) Catalogue No. 208, August 1947, black & white illustrations, gilt tooled red cloth boards G & S Allgood (London) Architectural Ironwork & Cloakroom Equipment, black & white illustrations, red cloth boards A. Oakden & Sons, Ltd. (London) Illustrated Price List & General Guide, c.1910, monotone illustrations, orange cloth boards with seven other related publications (12)The seven other publications are: Comyn Ching- Architectural Ironmongery catalogues no's 40, 84 and 91; James Gibbons Ltd.- Architectural Fittings, 1958; G & S Allgood- Architectural Brassfoundry catalogue together with Architectural Fittings & Door Closers, 1958; Nettlefold & Sons Ltd.- Illustrated Catalogue, 1936

Three yellow clay architectural wall Boss, each depicting Amorini riding serpents (3) 24cm (9in)